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The Body Undone Q&A – „Nakorn-Sawan“ & „Birha“
11. April 16:00 - 17:30
The Body Undone: In Conversation with Loss is a programme of film screenings and discussions organised by Sana Rizvi for Oyoun's EMBODIED ARTS FESTIVAL. The selected films look at various kinds of loss held by different bodies - with a focus on storytelling from new voices. Using film, an embodied memory in itself, an invitation is made to reflect on the question: can we discover new possibilities in the workings of loss and grief by allowing spaces for these feelings to be held and acknowledged in an embodied way?
For this Q&A event, Sana Rizvi will be talking to Nakorn-Sawan director: Puangsoi Rose Akornsawang and Birha director: Ekta Mittal. You are invited to join in the conversation.
Nakorn-Sawan will be available for 24 hours starting at 21:00 on 9th April.
Birha will be available for 24 hours starting at 14:00 on 10th April.
Contact us at email@example.com to get sent the link and password to view the film. (This is limited to people in Germany)
"Inspired by the poetry of Meena Kandasamy, the writings of Christina Crosby and Balbir Krishan’s art, I began my reflections on embodied memories connected to loss and grief. Their work helped me map new areas of inquiry and pose questions away from a more conventional outlook on the linear notions of loss’s predestined path, in a culture frantic for resolution. And instead, look at loss as holding social, political, and aesthetic implications for the body. A loss that doesn’t rely on linearity but that is profoundly intimate, from the deep space and time of the self. One that is birthed from the deepest parts of our bodies and times. Moreover, from this position of embodied knowing, could (re) engaging with loss generate sites for memory and history, rewriting of the past and reimagining the future? And could this engagement with loss: the irrecoverable, become, paradoxically, the condition of a new anti-colonial hope and agency." - Sana Rizvi
77” | Thailand/Germany | 2018 | Thai with English Subtitles
In her directorial debut, Puangsoi Akornsawang blurs the lines between memory, fact, and fiction in a delicate contemplation of the meaning of life in the presence of death. In this hybrid film, documentary footage from the filmmaker’s life is combined with the fictional story of a young woman returning home after the passing of her mother to scatter her ashes in the “Heavenly City.” The film is a delicate meditation on love, loss and memory.
After her graduation from the Motion Picture and Still Photography Department of Chulalongkorn University, Bangkok, Thailand, Puangsoi Aksornsawang received many opportunities to exhibit her short film Swimming Pool at various student film festivals. In 2011, she started her film production career as an assistant director and a scriptwriter. In 2014, she had the academics DAAD scholarship and graduated from Master of Fine Arts at the University of the Arts Hamburg in 2018. She is based in Bangkok working as a director, a writer and a scriptwriter.
Writer & Director: Puangsoi Aksornsawang
Producers: Anocha Suwichakornpong, Parinee Buthrasri, Puangsoi Aksornsawang
Director of Photography: Boonyanuch Kraithong
Editor: Lee Chatametikool
Sound Designer: Akritchalerm Kalayanamitr
Music Composer: Jitivi Banthaisong
Cast: Prapamonton Eiamchan, Jarunun Phantachat, Phumipat Thavornsiri.
80” | India | 2018 | Hindi, Punjabi with English Subtitles
In a faraway village called Birha, missing people, mothers and tired lovers yearn to see beyond the mist. They meet each other in impenetrable silences and endless mourning. They curse the moon for witnessing their insomnias. Birha situates itself in a season of waiting, climate of uncertainty: where only a loud screech can register distance between loved ones.
Birha is the grief, agony and anguish of separation, derived from Punjabi Sufi Poetry. Guided by Shiv Kumar Batalvi's birha poetry, the film captures the pain, lamentation and yearning caused by separation. The film searches for missing people, who left their homes to work in faraway cities, and have still not returned. The locations are not marked, characters are not named, Birha situates itself in a season of waiting and a climate of uncertainty.
Ekta Mittal co-founded Maraa (maraa.in), a media and arts collective in Bangalore in 2008. She works there as a practitioner, researcher, curator and facilitator around issues of gender, labour & caste in rural and urban contexts. She also works with creative practices in public space, through independent production and collaborations with other artists. She has been making films around labour, migration and cities since 2009. Her recent film Birha is about separation and longing in the context of migration.
Director: Ekta Mittal
Production: Ekta Mittal for Maraa
Cinematography: Paromita Dhar, Amith Surendran
Editing: Abhro Banerjee
Sound: Ekta Mittal
Sound Design: Bigyna Dahal
EMBODIED ARTS FESTIVAL
Curators, artists and cultural practitioners have been exploring identities, belonging and embodied memories through diasporic, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here.