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DTSTART;TZID=UTC:20210507T190000
DTEND;TZID=UTC:20210507T193000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210316T204411Z
UID:13072-1620414000-1620415800@oyoun.de
SUMMARY:a'21:  Bait15 and UAE art scene_DAHproject
DESCRIPTION:► a'21: Bait15 and UAE art scene_DAHproject \n:: ABOUT THIS EVENT (EN/AR) :: \nBAIT 15 is an artist-run studio and exhibition space located in a residential neighborhood of downtown Abu Dhabi founded in late 2017 by Afra Al Dhaheri\, Hashel Al Lamki\, and Maitha Abdalla. The villa housing BAIT includes; studios\, one for each of the members\, a dedicated studio for the use of visiting artists\, and an exhibition space. The founders have disparate studio practices encompassing a variety of media including painting\, sculpture\, digital media\, and performance. \n►Click "going" on Facebook to stay up to date.\n► www.exchangesthroughthesilkroad.com/ \n:: LINKS :: \n► Bait15\nWebsite\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-bait15-and-uae-art-scene-dahproject/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/uae.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210507T140000
DTEND;TZID=UTC:20210507T160000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210315T140654Z
UID:13071-1620396000-1620403200@oyoun.de
SUMMARY:a'21: Exchanges Through The Silk Road_DAHproject
DESCRIPTION:► a'21: Exchanges Through The Silk Road_DAHproject \n:: ABOUT THIS EVENT (EN/AR) :: \nLiving in the Middle East region and some parts around it can feel as if you're being held in a euphoric state in a moment\, just as it can feel as you're left floating in some kind of vacuum in another. the more this realm embraces you in its mysterious sky and soil the more you'll find yourself deciphering. a piece of poetry generously returns you to yourself reflecting on its ranges and fields. middle East has been trading since ancient times. but today the exchange of information is taking a new route. the great silk route has been replaced by colourful digital platforms that tend to help us in the transference of our information\, apps that try to impress us and are mostly designed to ease us down and even perhaps calmly and slowly change our lives in particular ways. Are these new digital possibilities transferring our information untouched? \n>> Are they truly generating the right image of us? >>> 🙁 >>> Are they truly generating the right image of us? >>> 😐 >>> Are they truly generating the right image of us? >>> :/ \nThis exhibition includes the work of artists who currently reside in the Middle East or have lived in it in the past and have changed their locations due to various reasons .today they have based their communications are on digital platforms as opposed to the traditional ways and are using different potentials of the digital technology to study the different effects of technology on different affairs like culture\, politics\, morality\, science\, and much more. At the back of their mind\, they are reviewing the fast changes of digital technology and sometimes looking at it with a dubious eye. on the other hand\, they are using these potentials to its fullest to make their voices heard. as if they are masters of wielding a double-edged sword. \n►Click "going" on Facebook to stay up to date.\n► http://www.exchangesthroughthesilkroad.com/ \n:: LINKS :: \n►DAH Project\nInstagram\nFacebook \n#DigitalArt\, #MiddleEast\, #NetArt \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-exchanges-through-the-silk-road-dahproject/
CATEGORIES:a’21,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/silk-road.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210420T170000
DTEND;TZID=UTC:20210420T180000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210315T142038Z
UID:13069-1618938000-1618941600@oyoun.de
SUMMARY:a'21: How Do I Know What I Know?_amberPlatform
DESCRIPTION:►a'21: How Do I Know What I Know?_amberPlatform \nThe workshop focuses on the aesthetics of the cumulative nature of information that is unlearned and relearned in a holistic\, experience-oriented\, democratic and de-colonialist manner\, in which the practice travels around the theory and the mainstream meanings attached are questioned. \n:: ABOUT THIS EVENT (EN) :: \nA collective game based on the simulation of a process in which unverified information turns into fact thanks to its fast-paced distribution in digital environment. The game will be open to everyone's participation on Instagram\, and at the end\, the participants' content contributions will turn into a data analysis and be exhibited. We tend to believe any information we are exposed to on social media. By sharing them with an urge to “keep up with the current”\, we all contribute to the acceptance of the so-called reality produced by online pseudo-sources spreading unverified information by referencing each other. But\, do we know how we have obtained every information we add into this data pool able to turn anything into a fact? “How do I Know What I Know?” asks the participants to join a game/experiment on how unverified information turns into reality on social media. It begins with an image published by the game initiator on Instagram with the #bildiğimineredenbiliyorum and #howdoiknowwhatiknow hashtags. Underneath the image\, she adds the information she wants to share and a fictional or hypothetical story on how she obtained it. Participants either take the image and change the story\, or take the text and share it with another image. This way\, a cloud of unverified data emerges around the hashtags. The images and texts obtained at the end are shared with the public in the form of data mapping. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS:: \n► Ipek Yeginsu\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-how-do-i-know-what-i-know-amberplatform/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/speculation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210419T140000
DTEND;TZID=UTC:20210419T160000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T180032Z
UID:13060-1618840800-1618848000@oyoun.de
SUMMARY:a'21: Absorbing Ignorance: Experiential Illusions_amberPlatform
DESCRIPTION:►a'21: Absorbing Ignorance: Experiential Illusions_amberPlatform \nWhile chronologically reviewing the relationship of the moving image with the observer and the way cinematic editing manages mass perception as an art of creating reality\, we will examine the concept of Immersion as the purpose of breaking away from existence. \n:: ABOUT THIS EVENT (EN/AR) :: \nBut man is the most ignorant in moments in which he trusts himself the most.'' - Ape and Essence\, Aldous Huxley In these short video essays that explore the virtual plane of reality and the realism of virtuality through today's popular culture that evolved from myths\, tales and legends\, we will investigate the history of our gaze now lost in the hypnotic flow of a kind of ignorance glorified under the name of knowledge. While chronologically reviewing the relationship of the moving image with the observer and the way cinematic editing manages mass perception as an art of creating reality\, we will examine the concept of Immersion as the purpose of breaking away from existence. We will touch upon the physical impact of developing ""absorbing"" technologies on the masses\, its relationship with ancient practices such as meditation and hypnosis\, and our main motivations behind our ""Suspension of Disbelief"" processes. Our biggest misconception about ""New Media” - which are the new versions of old formations that have been constructed several times and updated with modern technologies - is perhaps that they are new. By referring to early examples in history and questioning the physicality created by the transformation of Cinematic Technologies\, we will look at concepts such as New\, Media\, Virtual\, Reality from a different perspective. As we discover our efforts to create a seamless illusion of reality\, and therefore the story of the term Virtual Reality dating back to the dawn of our civilisation\, we will approach the narrative-based functioning of human perception - which is at the origin of all these mechanisms - on the basis of the concept of mental fiction. As the ever-growing world of experiential delusions draws us in\, are we also being drawn into our own selves? Is the current form of reality subjective or collective? Or is it time for us to re-define reality all over again? \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Lara Kamhi  \nWebsite\nInstagram\nFacebook   \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-absorbing-ignorance-experiential-illusions-amberplatform/2021-04-19/
CATEGORIES:a’21,Screening
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/historyofcinema.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210418T190000
DTEND;TZID=UTC:20210418T203000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20211102T135934Z
UID:13068-1618772400-1618777800@oyoun.de
SUMMARY:a'21: Safety From Artificial Intelligence_amberPlatform
DESCRIPTION:►a'21: Safety From Artificial Intelligence_amberPlatform \nHow can we protect ourselves from this surveillance? What kind of application is artificial intelligence used in social issues? How much can we trust artificial intelligence? Can we fool him? \n:: ABOUT THIS EVENT (EN/TR) :: \nBesides the positive aspects of artificial intelligence technology\, which has entered almost every area of our lives\, there are also negative usage areas. What results can our data use without our knowledge or confidentiality agreements we accept without reading? What can be done with synthetic image production? Are we safe enough while the cameras around us detect and record our age\, gender\, and emotions? How can we protect ourselves from this surveillance? What kind of application is artificial intelligence used in social issues? How much can we trust artificial intelligence? Can we fool him? While looking for answers to such questions about the negative uses of artificial intelligence today\, we will mention the use of artificial intelligence as a control and control mechanism\, methods of detecting synthetic images\, studies on 'ethical artificial intelligence' and measures and studies developed against these algorithms. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS:: \n►Hakan Gündüz \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-safety-from-artificial-intelligence-amberplatform/
CATEGORIES:a’21,Gespräche / Conversations
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2021/03/9-hakan-gunduz-safety-from-artificial-intelligence-hal9000-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210417T190000
DTEND;TZID=Europe/Berlin:20210417T200000
DTSTAMP:20260430T142223
CREATED:20210407T172837Z
LAST-MODIFIED:20210407T172837Z
UID:15064-1618686000-1618689600@oyoun.de
SUMMARY:a'21: 
A Passion for Ignorance
DESCRIPTION::: ABOUT THIS EVENT (EN/AR) :: \nIgnorance\, whether passive or active\, conscious or unconscious\, has always been a part of the human condition\, Renata Salecl argues. What has changed in our post-truth\, postindustrial world is that we often feel overwhelmed by the constant flood of information and misinformation. It sometimes seems impossible to differentiate between truth and falsehood and\, as a result\, there has been a backlash against the idea of expertise\, and a rise in the number of people actively choosing not to know. The dangers of this are obvious\, but Salecl challenges our assumptions\, arguing that there may also be a positive side to ignorance\, and that by addressing the role of ignorance in society\, we may also be able to reclaim the role of knowledge." from the introduction of the book "A Passion for Ignorance" \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► Renata Salecl\nWebsite \n\n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-%e2%80%a8a-passion-for-ignorance/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/a-passion-for-ignorance.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210417T160000
DTEND;TZID=UTC:20210417T180000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203426Z
UID:13065-1618675200-1618682400@oyoun.de
SUMMARY:a'21:Threshold Infrastructures of Residual Spaces III Border Infrastructures and Forensics
DESCRIPTION:►a'21: Threshold Infrastructures of Residual Spaces-III \n:: ABOUT THIS EVENT (EN) :: \nForensic Architecture (FA) is a research agency\, based at Goldsmiths\, University of London\, carrying out investigations with and on behalf of communities and individuals affected by conflict\, police brutality\, border regimes and environmental violence. In this workshop\, FA researcher Stefanos Levidis will discuss the tools and techniques the agency has developed and employed over the past years in order to counter-investigate cases of state violence at the external borders of the EU. Drawing on several complementing case studies\, participants in the workshop will be introduced to complex methodologies of spatial and architectural analysis\, open-source investigation\, digital modelling\, and immersive technologies\, as well as documentary research\, situated interviews\, and cross-disciplinary collaboration. The diverse spectrum of actors and practices involved in these investigations provides critical insight into how novel modes of evidence and testimony amplification emerge\, and how interdisciplinary and collaborative research provides a pathway to democratising the processes of evidence production that have been traditionally monopolised by the state. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Stefanos Levidis\nInstagram\n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. Funded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-iii-border-infrastructures-forensics/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/threshhold.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210416T163000
DTEND;TZID=UTC:20210416T183000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210311T143734Z
UID:13067-1618590600-1618597800@oyoun.de
SUMMARY:a'21: 
Inaccessible Present  4.0
_New Media Society
DESCRIPTION:►a'21: Inaccessible Present 4.0 _New Media Society \nAudience will be able to see how a public artwork is being produced in the collective. \n:: ABOUT THIS EVENT (EN/AR) :: \nThe seemingly irreversible changes which have occurred since the emergence of the pandemic also manifest themselves via dramatic transformations: a highly polarised and stigmatised ONLINE version of the world being fed to each & every one of the “former” world citizens\, web wanderers\, and newcomers who are forces to learn/do every little aspect of life via virtual communications\, while many are pushed to peripheries and darker areas and not everyone affords to stay connected. The digital divide didn’t start yesterday neither the inequalities caused by limiting access\, a peculiar subversion & distortions which owe their existence to the speed & technological void on one hand and manipulation of the public mind. Present Tense tries to shed light on a generation that is difficult to define\, thus often harshly targeted internationally; A generation who seeks to present and execute their independence to experiment in significant ways\, while preserving the right to be invisible. \n► Event will be streamed live via Instagram \n:: LINKS :: \nNassrin Nasser \nSadegh Majlesi \nRamin Rahimi \nRana Dehghan \nHannaneh Heydari \nYas Nik Khoshgrudi \nFalgoush \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. Funded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-%e2%80%a8inaccessible-present-4-0%e2%80%a8-new-media-society/
CATEGORIES:a’21,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/inaccessible.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210416T160000
DTEND;TZID=UTC:20210416T180000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203442Z
UID:13066-1618588800-1618596000@oyoun.de
SUMMARY:a'21: Threshold Infrastructures of Residual Spaces-II Migrating images
DESCRIPTION:►a'21: Threshold Infrastructures of Residual Spaces-II\nMigrating images \n:: ABOUT THIS EVENT (EN/TR) :: \nAfter several years spent on the global agenda with its normalised images of misery circulating both in mainstream and alternative channels\, in September 2020 the infamous Moria camp was burned to the ground as a result of a riot. Perhaps this is an example of a residual space being “re-residualised” as a form of resistance by its inhabitants. Since the Moria camp burned down\, migrants applying for protection and asking for asylum have been forced to live in the “provisory” camp also known as Moria 2.0\, built on the toxic ground in an old military shooting area on Lesbos Island. At the same time\, a new migrant camp is now planned to be constructed in an area adjacent to the only garbage dump of the island\, in a way that makes the concept of “waste place” extremely concrete. What is the role of the self-representative images of migrants in all these oppressive dynamics? In which ways do these images resist against mainstream representations that normalise pain with countless repetitions? What is the meaning of a “self-residualising” image of a migrant taking a souvenir photo among the ruins of the burned down old Moria camp? How is it possible to produce resisting images and create circulation networks in a place where the self-representative images are prohibited and criminalised by the authorities? This border region\, whose militarisation has been increased through increasing fluxes of capital\, is not only hindering the freedom of movement and the legitimate claims to asylum\, but it is also trying to criminalise the migrants’ practices of visual self-representation and to prohibit the free movement of images. On the one hand\, there is the ongoing circulation of stereotyping mainstream images that contribute to the normalisation of suffering\, while on the other hand\, the anonymous images used by migrants to document their own situation constitute an attempt to controvert this condition. We will discuss all these issues and questions based on the direct experiences of the Lesbos based video-activism migrant collectives. \n► Click "going" on Facebook to stay up to date.\n►Join the event through vimeo. \n:: LINKS :: \n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram\n►Nagehan Uskan\nFacebook\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-ii/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/158973165-290950712455456-9050338816936475544-o.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210415T160000
DTEND;TZID=UTC:20210415T180000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203452Z
UID:13064-1618502400-1618509600@oyoun.de
SUMMARY:a'21: Threshold Infrastructures of Residual Spaces-I “Surplus of Destruction”
DESCRIPTION:► a'21: Threshold Infrastructures of Residual Spaces-I\n“Surplus of Destruction” \n:: ABOUT THIS EVENT (EN/TR) :: \nOur workshop -in three parts- implicates complex cartographies of images of forced displacement and war circulating in the digital sphere. We are particularly interested in discussing the social\, material\, cultural\, and political dimensions of digital media infrastructures and threshold infrastructures of residual spaces and related diverse issues such as counter-surveillance\, transversal labor conditions\, access\, curation\, and disruption of violence and social inequalities through visual documentation specifically open-source archives.\nInfrastructure is the object between form and law as architect Keller Easterling defines: “Infrastructure is considered to be a hidden substrate—the binding medium or current between objects of positive consequence\, shape\, and law” (K.Easterling\, 2014). Recently\, the discourses of infrastructure reveal the role of infrastructure in more complex ways. Incomplete and failures of infrastructure are often related to the nature of the infrastructural functions that prolong the process of the infrastructure projects. The process becomes more important (than the complete infrastructure itself) where actors such as the state\, local governments\, developers\, and citizens debate or negotiate\, which leads to more profit and surplus. In short\, instead of the complete object or presentation itself; the incomplete\, the continuous failure\, or the process of infrastructure becomes the vital part. Failure of infrastructure or interruption of infrastructural function brings co-existence of alternative ways of infrastructure in the network of such cities. Infrastructure as an assemblage is another current discourse of infrastructure. As geographer Stephan Graham describes: ” …urban infrastructures as complex assemblages that bring all manner of human\, non-human\, and natural agents into a multitude of continuous liaisons across geographic space” (Graham\, 2010). We call “Threshold Infrastructure” as multiple thresholds of spaces and mediums.\nThe first part of our workshop focuses on the specific region in Turkey that has been witnessing intense political\, cultural conflicts\, urban destruction\, internal migration\, and psychological outcomes for over four decades. Thus\, it is possible to witness the neighborhoods where buildings and humans become waste and garbage in the affected region. We present our continuous visual research that focuses on the residual space\, its dynamics and representations\, and the circulation of the subject and object in the towns; Diyarbakır\, Mardin\, and Cizre. While tracing the sociological\, economic\, and cultural reflections of the invisible sign and unrecorded paths that lasted from urban transformation and migration footsteps on the recorded material\, the workshop takes into its center the methodologies of forensics and ge-ontologies of visual documentation. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-i/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/infrastructure.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210413T160000
DTEND;TZID=UTC:20210416T170000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210410T095649Z
UID:13062-1618329600-1618592400@oyoun.de
SUMMARY:a'21: Can wonders lead to other synergies?_amberPlatform
DESCRIPTION:The workshop focuses on the aesthetics of the cumulative nature of information that is unlearned and relearned in a holistic\, experience-oriented\, democratic and de-colonialist manner\, in which the practice travels around the theory and the mainstream meanings attached are questioned. \n:: ABOUT THIS EVENT (EN/TR) :: \nHow can we shift from post-digital ignorance to post-digital wisdom? In this event\, participants will create their own wonderland\, on the basis of pandemic conditions we have been through for the last year. The proliferation of virtual applications\, stiffening of the feeling of social isolation as technology pushes the limits\, and the importance of questioning the accuracy of the information instead of directly accepting it\, will be the subjects to be emphasised. The event will also include practices like questioning the (possible\, probable and plausible) future(s) of a city where human-viruses and other creatures live by using design as a form of thought catalyser. Participants from other disciplines will be expected to produce poster designs in visual or text form\, using their own design language. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► Ecehan Toprak\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. Funded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-can-wonders-lead-to-other-coexistences-amberplatform/
CATEGORIES:a’21,Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/can-wonders.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210413T130000
DTEND;TZID=Europe/Berlin:20210413T153000
DTSTAMP:20260430T142223
CREATED:20210306T171324Z
LAST-MODIFIED:20210418T194322Z
UID:13452-1618318800-1618327800@oyoun.de
SUMMARY:a'21: Becoming With Fungi_Mary Maggic
DESCRIPTION:►a'21: Becoming With Fungi_Mary Maggic \nA bio art workshop with Mary Maggic. \n:: ABOUT THIS EVENT (EN/AR) :: \nHuman industrial activity (petrochemical\, agricultural\, and pharmaceutical) has permanently altered the planet through the widespread presence of xenoestrogens\, or endocrine disrupting compounds (EDCs). Molecules such as BPA\, phthalates\, PCBs\, dioxins\, and synthetic hormones have hormone-mimicking and displacing properties\, and are able to enter and communicate in the molecular semiosphere that we share with almost all animal taxa. While these molecules alienate us from our prescribed notions of “normal” and “natural\,” our bodies stolen by capitalists interests\, this alienation joins us in a shared species vulnerability as we all live-with and become-with these all pervasive toxicities. Is there life among alien ruins? \nIt will be a live workshop hosted in the artist's location in Vienna\, and that it will be livestreamed. The workshop will start with a presentation about the research followed by the hands on fungi protocol. The workshop was conceived through a collaborative residency program at Hangar in Barcelona in 2017 with artists Rian Hammond and Paula Pin. \n► Click going on Facebook to stay up to date\n► Event will be streamed on vimeo. \n:: LINKS :: \n►Mary Maggic \nInstagram\nWebsite \n \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-becoming-with-fungi-mary-maggic/2021-04-13/
CATEGORIES:a’21,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2021/03/mary-maggic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210412T180000
DTEND;TZID=Europe/Berlin:20210415T200000
DTSTAMP:20260430T142223
CREATED:20210305T202336Z
LAST-MODIFIED:20210316T205443Z
UID:13303-1618250400-1618516800@oyoun.de
SUMMARY:a'21: Alec Issigonis's Relief and Mural Performance_Darağaç
DESCRIPTION:►a'21: Alec Issigonis's Relief and Mural Performance_Darağaç \nAudience will be able to see how a public artwork is being produced in the collective. \n:: ABOUT THIS EVENT (EN/TR) ::\nThis is a live broadcasting event. Illustrator Suat İlyus will transform the outer facade of a building in the neighborhood. Artist Ali Kanal will place the relief of Alec Issigonis’s in the mural work. The relief of Alec Issigonis collectively produced in the collective three years ago. The renovation of the work finished recently. This performance also aims to show the dynamics of the neighborhood. Audience will be able to observe how Daragac collective works in the neighborhood.\n-----\nIllustrator Suat İlyus mahallede bir binanın dış yüzünde bir mural çalışması yapıyor. Ardından Ali Kanal\, Alec Issigonis’in rölyefini duvara yerleştiriyor. Alec Issigonis rölyefi üç sene önce kolektifteki bir ortak üretimin sonucunda ortaya çıktı. Rölyefin renovasyonu geçtiğimiz günlerde sonlandı. Bu performans aynı zamanda mahallenin dinamiklerini de göstermeyi amaçlıyor. İzleyici\, darağaç kolektifinin mahallede nasıl çalıştığını gözlemleme şansı yakalayacak. \n► Event will be streamed live via Instagram\nMore Infos on Facebook. \n:: LINKS ::\n► Ali Cem Doğan \nInstagram\nFacebook\nWebsite\n► Ali Kanal \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin\n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-alec-issigoniss-relief-and-mural-performance_daragac/
CATEGORIES:a’21,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/issigonis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210412T150000
DTEND;TZID=UTC:20210412T170000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210315T150033Z
UID:13070-1618239600-1618246800@oyoun.de
SUMMARY:a'21: Sudavision_BAAB Collective
DESCRIPTION:► a'21: Sudavision_BAAB Collective \nThis events aims to show how Sudanese men suffer to express gender equality and freedom of expression against class and race. It shows us who we are and presents our self to the other by using recycling materials. It is our way to point out claimant change in the global south. \n:: ABOUT THIS EVENT (EN/AR) :: \nA Fashion art project aiming to explore Sudanese tribal costumes and to reflect the art behind it. Bringing different tribal costumes into the futuristic visionary fashion world and introduce the globe to what Sudan poses in this art domain. This project comes to show the world that Sudan is not only what media and politicians have been trying to reflect to people and impose into their minds. It is a land full of diversity in ethnics\, religions and colours that have been oppressed over the decades and detached from its identity. This oppression by Islamic regime and the world's media presenting Sudan in a cloche way have led to the world's ignorance with these heritages and cultures. And the oppression being applied on these communities have created a huge gap in people’s perception to their own culture and heritage. It has also created hate towards men who do jobs that are perceived as women’s job such as fashion design and tailoring . There for I came up with this project idea to express my love for fashion and allow for the coming generations of Sudan to be able to explore their passion without fearing the judgment of their society and to understand that there is no art that is gender bonded. I as a queer artist coming from these oppressive/oppressed patriarchal societies where any difference is classified as a threat that needs to end in whatever way\, I want to show people of my land and the world how our cultures are unique and how worlds media shouldn’t make us hate it neither hate ourselves for being part of it. Through this art project I want to celebrate this heritage and display Sudan’s fashion in a modern futuristic vision that makes us see how precious it is to look back at our roots and be proud of them. In this project ten Sudanese tribal costumes will be redesigned in a modern futuristic way using different recycled materials and fabrics. These costumes have carried the heritage of tribes and kept them uniquely identified by their techniques of sawing and tailoring as well as their bright color selection. My passion for fashion and design drives me to explore my rich multicultural region and aspire to present these rich cultures and their fashion in a way that haven’t been introduced to the media and the globe. As well as tell the story of black fashion artist and fanatics that have been foreseen over the decades. \n► Zoom Baab collective ID: 9897877156 (3 days before event) \n► Join the event through Vimeo. \nMore Infos on Facebook. \n::Panel participants:: \n►Rayan Elhadi Elsayed Hima\nInstagram\n►Nour Yahya Hamza Yahya\nInstagram\nFacebook\n►Bakry Mohamed Salih\nFacebook\n►Elsadig Mohmmed Ahmed\nInstagram\nFlickr\n►Mohamed Salah Elmur: artist \nInstagram \nFacebook\n►Mustafa Elsiddeg Mustafa Gasemlbari\nFacebook\nInstagram \n►Marwan Osman \n:: LINKS :: \n►BAAB Collective\nInstagram\nYoutube\nFacebook\nTwitter \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform Curatorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-sudavision-baab-collective/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/sudavision.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210410T180000
DTEND;TZID=Europe/Berlin:20210410T200000
DTSTAMP:20260430T142223
CREATED:20210305T201237Z
LAST-MODIFIED:20210315T150612Z
UID:13294-1618077600-1618084800@oyoun.de
SUMMARY:a'21: How to build a world. (Storytelling in digital environments)_ADEF
DESCRIPTION:►a'21: How to build a world. (Storytelling in digital environments)_ADEF \nThe Arab Digital Expression Foundation (ADEF)\, through its core team and rich web of affiliates\, creates and documents models of collaboration to design activities and projects which build on technology in order to develop self-expression\, knowledge dissemination and production of thought. In its new iterations\, ADEF engages with and supports Arab collectives\, initiatives and groups to embark on projects that creatively capitalise on digital technology for the production of free and open knowledge and the promotion of artistic expression. \n:: ABOUT THIS EVENT (EN/AR) ::\nThis panel aims at reflecting collectively on the transformative power of storytelling by improving the collaboration between the colliding worlds of journalism and creative tech.\nThe conversation targets digital artists\, writers\, producers\, designers\, journalists and researchers\, as well as anyone interested in learning\, discussing and developing a critical understanding of the intersections between media production and technology. We ask how to facilitate an integrated development of journalistic content presented in multiple formats through different expressions of creative tech. ADEF Berlin team (Laura Cugusi\, Milad Amin) and Egyptian architect and digital artist Mostafa El Baroodi discuss the challenges and opportunities of creative tools: from immersive to interactive experiences\, from VR/AR\, gaming environments to interactive\, and participatory content. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS ::\n► ADEF\, Egypt/Berlin \nInstagram\nFacebook \n► Mostafa El Baroodi \nInstagram  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-how-to-build-a-world-storytelling-in-digital-environmentsadef/
CATEGORIES:a’21,Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/adef.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210408T140000
DTEND;TZID=Europe/Berlin:20210410T160000
DTSTAMP:20260430T142223
CREATED:20210305T200247Z
LAST-MODIFIED:20210407T170825Z
UID:13290-1617890400-1618070400@oyoun.de
SUMMARY:a'21: The new liberalism crises and the emergence of mediatised subjectivity_BAAB Collective
DESCRIPTION:►a'21: The new liberalism crises and the emergence of mediatised subjectivity_BAAB Collective \nDuring in the last past decade Sudanese get harm by the US sanctions that affect the whole state and now we are shifting to neoliberal state supporting by US politics and come the question how the new system work and exactly when come to personal information and rights. \n:: ABOUT THIS EVENT (EN/AR) :: \nIn previous eras it often appeared that in relation to the media political action was stifled primarily by the fact that people didn't have sufficient access to information or the\nmeans to communicate and express their own views. Indeed today repressive governments attempt to limit access to websites\, close down blogs and Facebook pages\, attack journalists\, and generally block access to information. Countering such repression is certainly an important battle\, and we have repeatedly witnessed how media networks and access to them eventually and inevitably overflow. All such barriers\, thwarting attempts to close and silence.\nToday's mediatised subjects suffer from the opposite problem\, stifled by a surplus of information\, communication\, and expression. "The problem is no longer getting people to express themselves\," Gilles Deleuze explains\, "but providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don't stop people from expressing themselves\, but rather\, force them to express themselves. What a relief to have nothing to say\, the right to say nothing\, because only then is there a chance of framing the rare\, and ever rarer\, the thing that might be worth saying." The problem of surplus\, however\, is not really homologous to the problem of lack\, and it is not even a matter of quantity. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo.  \n:: LINKS :: \n► Baab Collective \nInstagram\nYoutube\nFacebook\nTwitter \nParticipants: \n►Rayan Elhadi Elsayed Hima: performance artist @rayisherelol \n►Nour Yahya Hamza Yahya: performance artist @nwara_yahya facebook.com/noor.yahya.319 \n►Bakry Mohamed Salih\nFacebook \n►Elsadig Mohmmed Ahmed\nInstagram \n►Mohamed Salah Elmur\nInstagram \nFacebook \n►Mustafa Elsiddeg Mustafa Gasemlbari\nFacebook\nInstagram\nYoutube \n►Osman \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-the-new-liberalism-crises-and-the-emergence-of-mediatised-subjectivity-baab-collective/2021-04-08/
CATEGORIES:a’21,Screening
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/new-media.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210407T180000
DTEND;TZID=Europe/Berlin:20210409T200000
DTSTAMP:20260430T142223
CREATED:20210305T195605Z
LAST-MODIFIED:20210407T183213Z
UID:13287-1617818400-1617998400@oyoun.de
SUMMARY:a'21: Motavali 2 | Media Performances_New Media Society
DESCRIPTION:►a'21: Motavali 2 | Media Performances_New Media Society \n:: ABOUT THIS EVENT (EN/AR) :: \nMotavali 2 (Continuous in Persian) brings together performative positions across different disciplines: lecture performance to Multimedia Installations. Projects which are being made\, being revised\, or tested; while most of our interactions and urgent matters in life are happening “online”. It's inevitable to examine these presences & absences simultaneously. While emotional & economic pressures might force us to act/react irresponsibly toward our collapsing societies & the artificial/passive togetherness. Motavali 2 is the second series of media performance nights curated by New Media Society\, Tehran\, which were interrupted by the pandemic in March 2020 and features artists based in Tehran\, Berlin\, New York and Barcelona. \n:: PROGRAM :: \nDay 1 Wednesday\, April 7\, 2021 // 18:00 (CET) \n► Arash Fayez\nThree\, Rather Than Two (or One)\nPerformative-screening\nDuration: 25 min (approximately)\nKasraa Paashaaei\nSound Performance\nDuration: Unknown\nRaheleh Bahrami & Mehrave Mokhtarian\nPEBDAC [Problem Exists Between Desk and Chair]\nDuration: 20 min \nDay 2 Thursday\, April 8\, 2021 // 18:00 (CET) \n► Mahoor Mirshakkak\nSound Archivist's Enigma\nDuration: 45 min (approximately)\nAmirali Ghasemi\nTehran Remixed\, a "True" story\nDuration: 35 min\nMartin Shamoonpour\nPand-e-Muzik\nDuration: 25 min \nDay 3 Friday\, April 9\, 2021 // 18:00 (CET) \n► Bahar Samadi\nIn mourning for all I have lost and All I will never have.\nDuration: 30 min\nForough Fami\nModern Talking: I’m muted!\nDuration: 30 min (approximately)\nGhazel\nUntitled 9\nDuration: 12 min \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS :: \n► Kasraa Paashaaie \nInstagram  \n► Arash Fayez
arash \nWebsite\nInstagram \n►Forough\nInstagram \n►Mahoor Mirshakkak
\nInstagram \n►R
aheleh Bahrami 
\nInstagram \n►Farnoosh Allahverdi Nik\nInstagram 
 \n►Amirali Ghasemi \nWebsite\nInstagram  \n►Ghazel\nInstagram 
 \n►
Martin Shamoonpour
\nWebsite  \n#Motavaliproject
#newmediasociety
#onlineperformance \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund\n_________________________________________\nwww.oyoun.de @oyounberlin\n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-motavali-2-media-performances_new-media-society/2021-04-07/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/motavali.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210407T150000
DTEND;TZID=UTC:20210411T160000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T170448Z
UID:13059-1617807600-1618156800@oyoun.de
SUMMARY:a'21: The Intermingled_BAAB Collective
DESCRIPTION:The name of the exhibition is pointing over a huge success of the sit-in space during the Sudan revolution that people come together which never happened in the history of (what's call Sudan) and which shows a victory against the plan of colonialism and the post colonialism operation that's mean to suppress the unity of the Sudan peoples by cruel wars and racism lead to un talk able slavery and very ugly class difference. \n:: ABOUT THIS EVENT (EN/AR) :: \nHere we joined our killer\, our hearts hunted a paid bullet. Here we conquered our fear\, shit and differences. Here a zgrudah (ululation) from a revolutionist mixed with the cheerful machine gun that killed a child\, that freedom whispered in his eager ears a false hope. Here the bloods of martyrs intermingled with a saxophonist soldier whose soul escaped the shame. Here we met with little's\, elders\, bosses and poor's. Here we encountered with smiles and assassins. Here we waited for Atbara artillery*. Here the fear\, joy\, tiredness\, devotion\, love and freedom. Here they killed youths but they couldn't kill their dreams. Here we brought earth and heaven together in a portrait that even the ancient gods cannot imagine . * It is the most powerful & reputed unit in the Sudan army\, the revolutionists waited its interference for long\, but to no avail & eventually it turned into a joke. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► BAAB Collective \nInstagram\nYoutube\nFacebook\nTwitter \nParticipants: \n► Rayan Elhadi Elsayed Hima\nInstagram \n► Nour Yahya Hamza Yahya\nInstagram \nFacebook \n► Bakry Mohamed Salih \nFacebook \n► Elsadig Mohmmed Ahmed \nInstagram \n► Mohamed Salah Elmur \nInstagram\nFacebook \n► Mustafa Elsiddeg Mustafa Gasemlbari:\nInstagram\nFacebook\nYoutube \n\n► Marwan Osman \n  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-the-intermingled-baab-collective/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/baab-intermingled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210405T130000
DTEND;TZID=UTC:20210405T160000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20211102T135934Z
UID:13063-1617627600-1617638400@oyoun.de
SUMMARY:a'21: Sudan education curriculum_BAAB Collective
DESCRIPTION:►a'21: Sudan education curriculum_BAAB Collective \nThis event aims to understand the ongoing fight until now that took place in the social media\, also the daily life. The debate about the education curriculum content after the change of past regime and the important question of the fight why the portrait of the Creation of Adam "Michael Angelo" was in the 6 grade at first and what the goal of it? And other question how that lead to firing of the Curriculum Director then lead also to a public fight between the prime minster and minster of education that was preform by many public statements from minster of education and the curriculum director and the political seen of Sudan\, so the argument was about the right of sharing the knowledge and knowing the history. \n:: ABOUT THIS EVENT (EN/AR) :: \nAs we all understand the education curriculum is one of the important tools to implement the political ruling regime. Today Sudan after revolution being rule by many different power structure including Militia\, arm resistant fighter and Traditional parties\, comments\, neoliberal and the army of Sudan who has an Islamic background and all of them try to implants in the curriculum. Then how curriculum will be without the point of view of the youth that made the revolution "PC\, imperial ideology\, western imperialist\, Ottoman Empire\, Wahhabi…etc."?? A few days ago the prime minister announce the new government of all of the minster being selected from the list from the coalition power in the political seen in Sudan expect the minister of education and curriculum director and they remain silent. \n► The event link will be shared a few days before the event. Click "going" on Facebook to stay up to date. \n:: LINKS :: \n► BAAB Collective @baabcollective YouTube channel facebook.com/bbaabb.sd twitter.com/BaabCollective \nParticipants: \nRayan Elhadi Elsayed Hima: performance artist @rayisherelol \nNour Yahya Hamza Yahya : performance artist @nwara_yahya facebook.com/noor.yahya.319 \nBakry Mohamed Salih : lawyer facebook.com/bakry.m.salih \nElsadig Mohmmed Ahmed : photographer and film maker @elsadig_m_ahmed flickr.com/photos \nMohamed Salah Elmur : artist @simba46 facebook.com/chibiruto.elmur \nMustafa Elsiddeg Mustafa Gasemlbari: multiple artist facebook.com/mustafa.zeyo.79 @zeyo.mann youtu.be/CvqezXtlUEQ \nMarwan Osman: archaeologist and historian\, University lecturer\, Member of the following bodies: Meroe meeting. Nubian Studies Society. Tana Forum. Nile Symposium. Work Cultural Group. Historians Society\, sedulous researcher in the fields of history and contemporary archaeology\, interested\, also in teaching methodology. \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \n► See updating festival program on https://ambernetworkfestival.org/ \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-sudan-education-curriculum-baab-collective/2021-04-05/
CATEGORIES:a’21,Gespräche / Conversations
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/curriculum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210404T150000
DTEND;TZID=Europe/Berlin:20210404T160000
DTSTAMP:20260430T142223
CREATED:20210305T193752Z
LAST-MODIFIED:20210323T084539Z
UID:13283-1617548400-1617552000@oyoun.de
SUMMARY:a'21: Random Walks_amberPlatform
DESCRIPTION:►a'21: Random Walks_amberPlatform \n:: ABOUT THIS EVENT (EN/TR) :: \n\nThere will be 4 podcasts which are 12 minutes length. Podcasts will be based on keywords created by the a'21 festival community\, which will be based on a ongoing podcast named Random Walk by Bager Akbay and Tevfik Uyar. \n► Click "going" on Facebook to stay up to date. \n\n:: LINKS:: \n\n►Bager Akbay\nWebsite\nInstagram\nFacebook \n►Tevfik Uyar\nInstagram\nYoutube\nWebsite \n#random #words #questioning #conversation \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \n\nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-random-walks-amberplatform/
CATEGORIES:a’21,Podcast
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/random-walks.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210403T180000
DTEND;TZID=UTC:20210403T200000
DTSTAMP:20260430T142223
CREATED:20210304T221752Z
LAST-MODIFIED:20210311T143800Z
UID:13058-1617472800-1617480000@oyoun.de
SUMMARY:a'21: Sounds of Darağaç
DESCRIPTION:►a'21: Sounds of Darağaç \nUsing sound to document a neighbourhood and collaboration of collectives will be main topics in this conversation. \n:: ABOUT THIS EVENT (EN/TR) :: \nSounds of Darağaç project was brought to life with the collaboration of Darağaç Collective Istanbul and Amsterdam-based record company Lu Records and Izmir’s subcultural music collective Apeiron. Sounds of Darağaç is an auditory memory project documenting the sounds that is produced by the dynamic and cosmopolitan lifestyle in a small auto industrial zone\, surrounded by the neighborhood's daily hustle and bustle in it’s narrow streets. A conversation with LU Records and Apeiron Collective about how the idea of Sounds of Darağaç emerged and the production timeline of the project. \n‘Sounds of Darağaç’ projesi\, İzmir Alsancak bölgesinde bulunan Umurbey Mahallesi’nde son 6-7 senedir yaşayan ve/veya üreten sanatçıların oluşturduğu Darağaç Kolektifi’nin yakın eksenlerdeki uyduları arasında yer alan İstanbul/Amsterdam merkezli plak şirketi ‘Lu Records’ ve İzmirli altkültür müzik kolektifi ‘Apeiron’ ile yaptığı işbirliği sonucunda ortaya çıktı. ‘Sounds of Darağaç’\, gün içerisinde yoğun bir insan trafiğine sahne olan dar sokaklı küçük bir oto sanayi çevresinde yer alan dinamik ve kozmopolit bir hayatın oluşturduğu ses alanlarını belgeleyen işitsel bir hafıza projesi. LU Records ve Apeiron Kolektif ile Sounds of Darağaç projesi fikrinin ilk ortaya çıkışı ve projenin üretim aşamaları hakkında bir sohbet. \n► Event will be streamed live via Instagram \n:: LINKS :: \n► Ali Cem Doğan @alicemdogan facebook.com/AliCemDogan cargocollective.com/alicemdogan \n► Ahmet Kenan Bilgiç facebook.com/ahmetkenan.bilgic.31 @ahmetkbilgic \n► Can Çetin facebook.com/canncetinn @grafensarg \n►Emre Can Bulut facebook.com/emrecanbulut @emrecanswm \n#music #soundspace #collectives \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \n► See updating festival program on https://ambernetworkfestival.org/ \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-sounds-of-daragac/
CATEGORIES:a’21,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/soundsof2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210402T160000
DTEND;TZID=UTC:20210402T180000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210311T143800Z
UID:13056-1617379200-1617386400@oyoun.de
SUMMARY:a'21: Sounds of Darağaç Launch Event
DESCRIPTION:►a'21: Sounds of Darağaç Launch Event \nAudience will attend to a happening in the neighbourhood. \n: ABOUT THIS EVENT (EN/TR) :: \nSounds of Darağaç project was brought to life with the collaboration of Darağaç Collective Istanbul and Amsterdam-based record company Lu Records and Izmir’s subcultural music collective Apeiron. Sounds of Darağaç is an auditory memory project documenting the sounds that is produced by the dynamic and cosmopolitan lifestyle in a small auto industrial zone\, surrounded by the neighbourhood's daily hustle and bustle in it’s narrow streets. The launch event of Sounds of Darağaç project in the streets of the neighborhood will simultaneously take place in this live broadcasting event. The audience will be able to virtually present in neighbourhood. \n‘Sounds of Darağaç’ projesi\, İzmir Alsancak bölgesinde bulunan Umurbey Mahallesi’nde son 6-7 senedir yaşayan ve/veya üreten sanatçıların oluşturduğu Darağaç Kolektifi’nin yakın eksenlerdeki uyduları arasında yer alan İstanbul/Amsterdam merkezli plak şirketi ‘Lu Records’ ve İzmirli altkültür müzik kolektifi ‘Apeiron’ ile yaptığı işbirliği sonucunda ortaya çıktı. ‘Sounds of Darağaç’\, gün içerisinde yoğun bir insan trafiğine sahne olan dar sokaklı küçük bir oto sanayi çevresinde yer alan dinamik ve kozmopolit bir hayatın oluşturduğu ses alanlarını belgeleyen işitsel bir hafıza projesi. Sounds of Darağaç projesinin çıktıları mahalle ile aynı anda bu canlı etkinlikle izleyicisiyle buluşacak. \n► Event will be streamed live via Instagram \n:: LINKS :: \n► Ali Cem Doğan\, @alicemdogan facebook.com/AliCemDogan cargocollective.com/alicemdogan \n► LU Records facebook.com/lurecords @lu_records \n► APEIRON Collective facebook.com/apeironcollective @apeironcollective \n#soundsofdaragac #launch #soundscape \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \n► See updating festival program on https://ambernetworkfestival.org/ \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-sounds-of-daragac-launch-event/
CATEGORIES:a’21,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/soundsof.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210330T100000
DTEND;TZID=Europe/Berlin:20210330T130000
DTSTAMP:20260430T142223
CREATED:20210305T184821Z
LAST-MODIFIED:20211102T135934Z
UID:13234-1617098400-1617109200@oyoun.de
SUMMARY:a'21: From "The Zen of Pad.ma -The current situation"\, and how to work in it\, together
DESCRIPTION::: ABOUT THIS EVENT (EN) :: \nThe Zen of Pad.ma is a collection of lessons learned\, and question encountered\, in over a decade of collaborative archiving projects. They are concerned with the way in which digital technologies are always intertwined with their analogue surroundings\, try to address some of the - technological\, social and conceptual - pitfalls of online archiving\, but also touch upon the nature of collaboration itself: how to work together\, across distance\, around or along with existing institutions. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS ::\n►Jan Gerber\, Sebastian Lütgert \nWebsite \n\n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-from-the-zen-of-pad-ma/
CATEGORIES:a’21,Gespräche / Conversations
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/from-the-zen-of-padma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210328T140000
DTEND;TZID=UTC:20210331T160000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210319T095942Z
UID:13055-1616940000-1617206400@oyoun.de
SUMMARY:a’21: Needle hole and cannabis leftover_Shahraban
DESCRIPTION:► a’21: Needle hole and cannabis leftover by Shahraban* \nA documentation of local productions from Lebanese leftover cannabis to fresh milk\, and more. A philosophical process fusing traditional practice with new media elements. \n:: ABOUT THIS EVENT (EN/AR) :: \nNeedle hole is a series of four events\, each events title is a product from the Lebanese hemp plant: each product has its own process and each process will take one day. Within the open space of Shahraban (Budai\, Lebanon)\, we will document some of our activities in the use of leftover cannabis. We will make four products. Each product has its own process. We will perform each process in separately: first we will make hemp milk\, it is made from the original seeds that contains a super food nutrition. We will show the process from collecting the seeds until it's a fresh milk. We will show the nutrition label also. The second day we will make the fibres. Also we will show the whole process and show our equipments that we make it with collaboration with some friends and neighbours from the village. The third day we well produce paper and show the process and finally the fourth day we will make the stones. Also we screen some visuals edited on life sounds and tones. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS :: \n►Hamza Shamas \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-needle-hole-and-cannabis-leftover-shahraban/
CATEGORIES:a’21,Screening
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/lebanon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210328T120000
DTEND;TZID=UTC:20210328T140000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210319T095534Z
UID:13054-1616932800-1616940000@oyoun.de
SUMMARY:a'21: Slap of the century__Shahraban
DESCRIPTION:► a'21: Slap of the century__Shahraban \nThis event is a panel discussion. \n:: ABOUT THIS EVENT (EN/AR) :: \nShahraban is an open space for knowledge and experimentation includes a library and a Lab\, based in “Boday” a small village in Baalbek\, \, its goal is to share knowledge to produce different knowledges\, it is an alternative space for ideas to grow\, and it is also a space for knowledge of traditions to continue. The other documentation is a talk about Shahraban\, the importance of the project to the "relatively marginalised" village and its children\, and the vision towards the environment and sustainable resources. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS ::\n► Hamza Shamass\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \nwww.oyoun.de @oyounberlin \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-slap-of-the-century-shahraban/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/shahraban.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210327T200000
DTEND;TZID=Europe/Berlin:20210327T210000
DTSTAMP:20260430T142223
CREATED:20210305T182244Z
LAST-MODIFIED:20210324T090208Z
UID:13215-1616875200-1616878800@oyoun.de
SUMMARY:a'21: Breaking News_WAF & Deena Abdelwahed
DESCRIPTION:► a'21: Breaking News_WAF & Deena Abdelwahed \nAn audiovisual collaboration and video performance work. \n:: ABOUT THIS EVENT (EN/FR/AR) :: \n\nLet’s think of this work as an object.\nAn object without any (injunction)\nAn object as a (proposition)\nProposition et non pas une injonction.\nDes choses sans sens (avec une part d’insignifiant).\nProposer la chose et laisser libre cours à l’interprétation du sens de la chose.\nUn drôle de truc en tension entre l’insignifiant et donner un sens.\nUne invitation au voyage. Un détour oisif pour se re-trouver.\nThis work is a « flânerie/déambulation » dans les passages entre temps réel and réalité du temps.\nAs this work is under the influence of hazardous shadows on the measures of our dialogue with each other and with the self\, it may still under construction even when you will encounter its first representation as an audio/video combination\, that will be diffused online on a suitable date.\nThis work is for any person that knows already about what we want to say\, and have to say\, rather than just wanting a proof to believe in many things said and said\, over and over since ages but NO ONE seems to care.\nMay-be\, a glimpse of the vision of an idea about the automatisation of humanity through social media. A collaboration between Wafa Ben Romdhane aka WAF\, and Deena Abdelwahed. \n:: BIO :: \n►WAF:\nQueer Visual Artist\, actually based in Tunisia after 10 years of living in Europe. Through the experience of exile\, WAF built the skills of Video Jockey as a main passion and the experience of working with various artists and collectives. WAF’s visions & works are politically questioning old/new social norms/medias. \n►Deena Abdelwahed:\nBased in Toulouse\, Tunisian Deena has made a name for herself as a singular electronic music producer and DJ. With her signature blend of bass music\, techno\, and vocals\, her debut album Khonnar was named one of The Quietus' top records of 2018. Deena and French label InFiné followed up in 2020 with the Dhakar EP\, praised by Resident Advisor for its “mesmerising club constructions” with details that “emphasize Abdelwahed's unwavering viewpoint\, inextricable from the traditions – local or otherwise – she channels.” \n► click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n\n:: LINKS :: \n►WAF\nInstagram\nVimeo \n► Deena Abdelwahed\nTwitter\nInstagram\nSoundcloud\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-breaking-news-waf-deena-abdelwahed/
CATEGORIES:a’21,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/waf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210327T160000
DTEND;TZID=Europe/Berlin:20210327T170000
DTSTAMP:20260430T142223
CREATED:20210304T233143Z
LAST-MODIFIED:20210330T173819Z
UID:13108-1616860800-1616864400@oyoun.de
SUMMARY:a'21: one to one sessions (30min)_Talk to CFW_Ouafa Belgacem
DESCRIPTION:► a'21: one to one sessions 30min each - Talk to CFW \nWhen:\n27 March - 16:00-17:00 (two sessions)\n03 April - 16:00-17:00 (two sessions)\n04 April - 16:00-17:00 (two sessions) \n\n:: ABOUT THIS EVENT (EN) ::\nCFW CEO\, Ouafa Belgacem will be holding 6 one to 6 session to offer a guidance a counselling session for selected applicants.\nApplication to book those session are to be made by email to info@culturefundingwatch.com \n:: BIO ::\nOuafa is an expert in cultural and creative projects fundraising. She is also a researcher interested in topics related with arts and culture financing and cultural policies in the MENA and Africa Regions. She is the founder of Culture Funding Watch a leading enterprise dedicated to capacity building and intelligence gathering and monitoring art and culture financial support and to support of Art and Creative enterprises in the MENA and Africa. Culture Funding Watch’s online opportunity database focusing on Arts and Culture opportunities is unique in the region.\nOuafa has also been assigned as international expert to evaluate projects proposals submitted for funding to the UNESCO's International Fund for Cultural Diversity (2012-2016) as well as for European funded programme in Tunisia Tfanen-Tunisie Créative. \n►  Click "going" on Facebook to stay up to date. \n27 March - 16:00-17:00 (two sessions)\n03 April - 16:00-17:00 (two sessions)\n04 April - 16:00-17:00 (two sessions) \n:: LINKS::\n►Ouafa Belgacem \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-one-to-one-sessions-30min_talk-to-cfw_ouafa-belgacem/2021-03-27/
CATEGORIES:a’21,One-on-one
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/ouafa-cwf-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210327T090000
DTEND;TZID=UTC:20210327T120000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210322T155424Z
UID:13053-1616835600-1616846400@oyoun.de
SUMMARY:a'21: Queer Feminist Interventions in Filling Open Resource Gaps: Wiki Edit-a-thon_amberPlatform
DESCRIPTION:►a'21: Queer Feminist Interventions in Filling Open Resource Gaps: Wiki Edit-a-thon_amberPlatform \nFor this event we are focusing on artistic practices that revision existing mythologies and by unraveling these dominating narratives re-tell them from a queer/feminist perspective. \n:: ABOUT THIS EVENT (EN/AR) :: \nWikimedia Community User Group Turkey (WMTR) and Amber Platform will host an online event Art+Feminism edit-a-thon. Edit-a-thon will allow us to create content on feminist/queer visual artists from around the world to be accessable in Turkish language\, increasing the visibility and recognition of their practices. For this event we are focusing on artistic practices that revision existing mythologies and by unraveling these dominating narratives re-tell them from a queer/feminist perspective.Wikimedia Community User Group Program Turkey will do a presentation for 40 minutes of Wikipedia's five cornerstone philosophies\, verifiability and registration process will be described in the valence concepts. A study will be conducted with an English-speaking group for artists who have titles in English but who lac k a content in Turkish. An archive and resource creation work will be carried out in connection with Turkish artists who do not have a title with participants who do not speak English. There will be a proposed list of artists\, but participants will have the freedom to create content about the artists they want. \n► The event link will be shared a few days before the event. Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Eda Sütünc \nWebsite\nInstagram \n►Başak Tosun\n►Neslihan Turan\n►Yağmur Yıldırım\nInstagram\nFacebook\n►Zafer Batık\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-queer-feminist-interventions-in-filling-open-resource-gaps-wikimarathon-amberplatform/
CATEGORIES:a’21,Hackathon
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/wikimarathon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210326T180000
DTEND;TZID=UTC:20210326T200000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210319T100025Z
UID:13052-1616781600-1616788800@oyoun.de
SUMMARY:a'21: A conversation about collective's role in İzmir_ Darağaç
DESCRIPTION:►a'21: A conversation about collective's role in İzmir_ Darağaç \nAudience will have an insight information about the influence of collectives in the art scene of Izmir. \n:: ABOUT THIS EVENT (EN/TR) :: \nA conversation with Tom Keogh and Ali Kemal Ertem from Maquis Project in İzmir and Hande Bozbıyık about the roles of collectives in İzmir. How collectives affect the city? Is it possible to redefine these neighborhoods as reconciliation zones ? Tom Keogh and Ali Kemal Ertem will share their journey of Maquis Projects (İzmir) and Hande Bozbıyık will share her personal story on how her path crossed with the collectives of İzmir. \nHande Bozbıyık ve Maquis Project’ten Tom Keogh ve Ali Kemal Ertem ile İzmir’de kolektiflerin etkisi üzerine bir sohbet. Kolektifler İzmir’de kolektifler ne kadar etkili ? Kolektiflerin bulunduğu mahalleleri bir uzlaşma alanı olarak yeniden tanımlamak mümkün mü? Tom Keogh ve Ali Kemal Ertem Maquis Project’in öyküsünü ve Hande Bozbıyık nasıl kendi hayatıyla bu kolektiflerin kesiştiğini anlatacak. \n►  Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS :: \n► Ali Cem Doğan \nInstagram\nFacebook\nWebsite \n► Ali Kemal Ertem \nInstagram\nFacebook \n►Tom Keogh\nFacebook  \n►Hande Bozbıyık \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-a-conversation-about-collectives-role-in-izmir-daragac/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/daragac2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210324T130000
DTEND;TZID=UTC:20210324T150000
DTSTAMP:20260430T142223
CREATED:20210304T221751Z
LAST-MODIFIED:20210311T143801Z
UID:13051-1616590800-1616598000@oyoun.de
SUMMARY:a'21: Trouble Market _amberPlatform
DESCRIPTION:►a'21: Trouble Market _amberPlatform \nAs part of the workshop\, we focus on humanity's current troubles and make them marketable. Come on\, start selling your troubles now! \n:: ABOUT THIS EVENT (EN) :: \nMany problems facing humanity today are actually the problems that companies and states (or power centres) generate to protect their economic or political systems\, beyond human activities. In the face of this power\, many people have somehow acknowledged the problems and lost their belief that things could change\, rather than focusing on the problems that they had to focus on\, and even let go of those problems. TROUBLE MARKET is a speculative design fiction to draw attention to the troubles of the local society to which people belong; that tries to commodify troubles and sell them with the help of a website\, exactly as the system fictionalises. Using the methods the system uses to get people's attention\, it invites them to face the troubles they are trying to escape from. \n► The event link will be shared a few days before the event. Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS:: \n►Oğuz Emre Bal\,\nWebsite\nInstagram\n►Eti Kastoryano\nInstagram\nWebsite \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-trouble-market-amberplatform/
CATEGORIES:a’21,Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/trouble-market.jpg
END:VEVENT
END:VCALENDAR