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DTSTART;TZID=Europe/Berlin:20231215T193000
DTEND;TZID=Europe/Berlin:20231215T230000
DTSTAMP:20260513T224636
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SUMMARY:Threads of Resilience | Film Screening + Talk | Silent Narratives: Unveiling the Unheard
DESCRIPTION:Organised by Jüdische Stimme + Pa_allies \nFilm screening followed by a talk by Dr. Anna-Esther Younes\, Salah Said (Pa_allies)\, Udi Raz (Jüdische Stimme) \nThe NGO "Breaking the Silence" - BtS for short - is made up of former Israeli servicemen and women who want to draw attention to everyday military life and the treatment of the population in the occupied territories by collecting personal memoirs. With her film\, director Silvina Landsmann provides a look behind the scenes of a controversial group with a controversial approach in the midst of a conflict that has been smouldering for over 70 years. \nWhat makes a good soldier? The ability to follow orders without scruples or the consideration of higher moral goals when dealing with the enemy? For many members of BtS\, the latter was only possible after their active military service. In their work\, they deal with missions and actions that seem wrong to them today. They address the Israeli population and foreign media with videos\, lectures and city tours. On the streets of Hebron\, there are repeated clashes between BtS\, Israeli settlers and the military. The organisation is also sharply criticised at a political level. It is accused of fabricating stories\, damaging Israel's reputation and playing into the hands of anti-Semitism. With sober filmic images\, Landsmann observes how the group fights for its voice\, both externally and internally.  \nTickets: Donation-based\nPlease register for this event here\nLanguage: The documentary film will be shown with German subtitles. The panel discussion will be held in English.\nRoom: Main Hall \nBiographies \nAnna-Esther Younes \nDr. Anna-Esther Younes is a scholar of race critical theories\, using psychoanalytic approaches and post-/colonial theory. In 2016\, she received a summa cum laude for her PhD thesis “Race\, Colonialism and the Figure of the Jew in a New Germany” from IHEID (Geneva\, CH\, 2015). Younes defines her work through the (anthropological) concept of “researching home” and “researching up to power”. Younes also holds the position of a lay judge in Berlin's youth court and has founded and organized the Colloquium of Color in Berlin for several years. Her academic\, journalistic and policy work can also be found on academia.edu. \nWebsite \nSalah Said (pa_allies) \nSalah Said\, a Berlin-based Palestinian\, became known in Berlin through his "WorldCitizen e.V." association\, a non-profit organisation that focuses on diversity & inclusion and youth education. Salah studied political science and sociology\, worked in sustainability for 9+ years in companies such as SCHUFA\, SAP\, Zalando\, and Klarna and supported young entrepreneurs such as "Tip Me" and "Conflictfood" at "Social Impact". He is a member of a group of volunteers from Berlin\, Palestinians and allies (Instagram: @Pa_allies) who stand in solidarity with Palestine and are committed to liberation and justice. \nUdi Raz (Jüdische Stimme) \nUdi Raz is a doctoral fellow at the Berlin Graduate School Muslim Cultures and Societies. There she investigates the contemporary self-understanding of Germany\, as a nation state\, as emerges through public attempts to regulate encounters beween 'Muslims' and 'Jews'. She grew up in Haifa\, between Tel-Aviv and Beirut. Her work is shaped by local and global\, anti- and decolonial\, as well as queer liberation movements. She has lived in Berlin since 2010\, where she first studied Culture and History of the Middle East and then Islamic Studies at the Free University Berlin. Raz is a board member of the Germany based organization Jewish Voice for Just Peace in the Middle East. \n--- \nThis event is part of the Threads of Resilience Festival \nGiven the current situation and urgency to express\, we decided to co-organise a community-led and collectively curated 3-day festival “Threads of Resilience” from 14-16 December at Oyoun.Those include a press conference\, bazaar\, panels\, film screening\, talks\, exhibition\, workshops\, concerts\, healing session\, theater\, puppet show for children\, and parties. With this festival\, we want to reflect on and learn from movements of resistance\, resilience\, and solidarity across the world and come together for three days of ephemerality and collaborative archiving. We want to address and speak out against repression\, silencing\, instrumentalisation\, and division. We need to continue to empower\, promote\, and celebrate pluralistic perspectives from\, with\, and intersectionally marginalised communities.Admission is based on free donation (nobody will be denied entry if they cannot donate). All proceeds will be given to organizations in support of victims of racist police violence and to organizations giving legal support to people threatened with deportation. \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For this event a simultaneous DGS (German Sign Language) translation has been organised. Our team can guide you to the designated seating area. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/silent-narratives/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Screening,Talk,Threads of Resilience
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231124T190000
DTEND;TZID=Europe/Berlin:20231124T203000
DTSTAMP:20260513T224636
CREATED:20231115T151439Z
LAST-MODIFIED:20231123T211811Z
UID:34405-1700852400-1700857800@oyoun.de
SUMMARY:Filmvorführung | A letter to myself - Queer Lebanese short film series
DESCRIPTION:A letter to myself\, eine kurze Dokumentarserie über libanesische LGBTQI-Personen\, folgt in jeder Episode (5 bis 10 Minuten) einer verletzlichen LGBTQI+-Person aus dem Libanon\, die einen Brief an sich selbst schreibt\, während sie versucht\, sich trotz des Missbrauchs\, den sie in der Vergangenheit erlebt hat\, wieder aufzubauen. \nDie Serie zeigt ihre Verletzlichkeit\, ihre Hoffnungen und ihr Durchhaltevermögen in einer Gesellschaft\, die ihnen oft nur Hindernisse in den Weg legt und sie ausgrenzt. \nAnmeldung via Eventbrite ist erwünscht.  \nTicket: Freier Eintritt \nSprache: Englisch \nNach der Filmvorführung gibt es die Zeit für ein Q&A mit Omar. \n \nBiografie \nOmar Gabriel \nOmar Gabriel ist ein libanesischer Fotograf und Filmemacher. Seine Arbeit fängt die Schönheit und Komplexität menschlicher Beziehungen ein\, von den Feinheiten der Liebe über den gesellschaftlichen Druck bis hin zum Mut\, sich von Konventionen zu lösen. Durch seine Linse hebt er die Stimmen von Randgruppen hervor\, rückt ihre Geschichten in den Vordergrund und fängt ihre Schönheit und Menschlichkeit ein. Mit dem Fokus auf intime Momente erzählt er Geschichten von Widerstand\, Trotz und der Flucht vor gesellschaftlichen Zwängen. \nOmars Arbeiten zeichnen sich durch eine rohe und poetische Ästhetik aus\, die die Betrachtenden dazu einlädt\, sich auf die komplizierten Nuancen menschlicher Emotionen und Verhaltensweisen einzulassen und ihr wahres Selbst zu ergründen\, während sie gleichzeitig die Schönheit offenbaren\, die in der Verletzlichkeit liegt. \nInstagram  \nCredits:\nProduziert von: Cyrill Bassil\nProtagonist*innen: Domina \, Moe Sabbah \, Valerie\, Elias Chamchoum \, @Leaxreika\, Isabella Khoury  Omar Gabriel \, Soha Bechara \nImage credit: Omar Gabriel \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/filmvorfuehrung-a-letter-to-myself-queer-lebanese-short-film-series/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/11/website-format-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231026T190000
DTEND;TZID=Europe/Berlin:20231026T220000
DTSTAMP:20260513T224636
CREATED:20230912T093007Z
LAST-MODIFIED:20231023T123725Z
UID:33332-1698346800-1698357600@oyoun.de
SUMMARY:Sea Behind the Wall | Filmvorführung im Freien | Irrigation and Degradation
DESCRIPTION:Kuratiert von Mai El-Gammal \nNach der ersten Vorführung am 22.09. setzt die Kuratorin Mai El-Gammal ihre Erkundung der Dialektik zwischen Film und Landwirtschaft fort und enthüllt ein unerforschtes Terrain\, in dem Kunstfertigkeit und Ernährung zusammentreffen\, um ein tieferes Verständnis für beide Praktiken zu schaffen und eine gemeinsame Wertschätzung für den intrinsischen Wert des Geschichtenerzählens und der natürlichen Welt zu fördern. \nFilm: A Flood in Baath Country\, Regie: Omar Amiralay (2002\, 52 Minuten) \nDer Dokumentarfilm erforscht die Auswirkungen der Politik der Baath-Partei in Syrien. Ohne Kommentar oder Kritik deckt Amiralays Film die Propaganda der Baath-Partei und ihre lähmenden Auswirkungen auf die Menschen im Dorf al-Mashi\, 400 Kilometer nordöstlich von Damaskus\, auf. Der Film bewegt sich langsam von den Schüler*innen über die Lehrer*innen bis hin zu den Regierungsbeamt*innen\, wobei alle genau das gleiche Lob für den Präsidenten und die Baath-Partei verherrlichende Slogans aufsagen. Der Film ist eine harte Anklage gegen das Regime und zeigt die verheerenden Auswirkungen von 35 Jahren rigider Baath-Herrschaft auf die syrische Gesellschaft. \nEintritt: 18:00 h\nFilmvorführung: 19:00 h - 21:00 h im Oyoun\nTicket: Eintritt frei! | Anmeldung hier\nSprache: Englisch \nBiographie: \nMai El-Gammal\nMai El-Gammal ist Kulturarbeiterin und arbeitet professionell in der Filmindustrie. Sie verfügt über 10 Jahre Erfahrung in der Filmpromotion und im Filmverleih\, im Management von Filmausbildungsprogrammen und in der Filmprogrammierung im Nahen Osten und in Deutschland.\nSie hat einen MA in Kulturwissenschaften und Neuen Medien. Sie arbeitete für DOX BOX e.V.\, wo sie Programme wie die Residency und die Beratung leitete. Derzeit ist El-Gammal als Koordinatorin für Partnerschaften bei DOK Leipzig tätig. \nSea Behind the Wall\n"Sea behind the Wall’ ist ein partizipatorisches Freiluft-Projekt im Rahmen der übergreifenden Initiative Listening to the Land von Oyoun. In dieser immersiven Freiluft-Reihe sind die Teilnehmenden eingeladen\, sich auf eine kollektive Reise zu begeben\, die die Komplexität des Neokolonialismus erforscht und generationenübergreifende\, indigene und zeitgenössische Praktiken der Solidarität einbezieht. \nSie werden durch eine Reihe von Erfahrungen geführt\, darunter Workshops zur Dekolonisierung von Agrar- und Kulturkreisen\, Sammeln und Gärtnern\, Filmvorführungen zum Thema Land und Menschenrechte\, öffentliche Interventionen unter der Leitung indigener Gemeinschaften und eine Schaufensterausstellung\, die sich durch die Stadt Berlin schlängelt. \nDas Projekt “Sea Behind the Wall” ist Teil der Initiative DRAUSSENSTADT\, die vom Berliner Projektfonds Urbane Praxis sowie der Senatsverwaltung für Kultur und Gesellschaflichen Zusammenhalt gefördert wird. Weiterhin gefördert durch das Globus Opstart Programm des Nordisk Kulturfond. \n         \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/l2l-screening-october-2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/09/website-format-6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231007T193000
DTEND;TZID=Europe/Berlin:20231007T223000
DTSTAMP:20260513T224636
CREATED:20230911T154330Z
LAST-MODIFIED:20231006T084210Z
UID:33328-1696707000-1696717800@oyoun.de
SUMMARY:Sea Behind the Wall | Outdoor Film Screening | LUPA/TERRE: The Fight for Land and Justice
DESCRIPTION:*Please note: In case of bad weather\, the screening will be taking place indoors at Oyoun.* \nCurated by Savannah Garcia  \nLupa in tagalog\, above else\, means land. In the Philippines\, the word lupa also resonates with the complex issues of private property and the ongoing oppression faced by sugarcane workers. Hacienda\, an exploitative land system inherited from Spanish colonization\, still prevails today. In response\, filmmakers and artists are shedding light on the multifaceted aspects of post-colonialism\, exploring its impact on the landscape and the bodies of laborers toiling in the fields. \nThis screening by the curator Savannah Garcia offers diverse perspectives on this subject\, all with the shared goal of revealing the social\, political\, and environmental realities through the narratives of laborers\, farmers\, social workers\, and scholars. Following the screening\, Enzo Camacho\, the artist behind "羽化 (wings becoming)"\, and representative of ALPAS Pilipinas\, will join and engage in a discussion with scholars who possess invaluable knowledge of land and soil issues. \n10:00-21:00 How Many Seas Will You Swim? by Lizza May David & Gabriel Rossell-Santillán \n:: Video installation in loop at Oyoun’s Café \nInspired by chants and myths from Mexico and the Philippines this installation displays our dialogue on the ocean as a spatial dimension and relational point of view. The installation meticulously traces the narrative strands of a Bauhinia orchid tree\, symbolizing historical trade relations during the New Spain era. It deftly intertwines modern visuals with poetic eloquence and rigorous research\, unravelling multilayered concepts of time. \n19:30-19:50 Pagkatapos ng Tigkiriwi (After the Dead Season) by Danielle Madrid (23:05) \n:: Film screening in Oyoun’s Garden \nPagkatapos ng Tigkiriwi is a documentary that tells a story of three areas in Negros Occidental and their struggle for land and food security. \n19:50-20:00 羽化* (wings becoming) by Amy Lien & Enzo Camacho (06:20) \n:: Film screening in Oyoun’s Garden \n* [yǔhuà]\nA cosmological system is presented here through 16mm silent film\, five handmade paper drawings\, a light installation made of onion skins\, and “tangle works” (nests\, kindling\, intertwinings demonic in their thick opacity). The film loops on a ritual of fire ensues\, as a small barrel lined with joss paper is lit seemingly with the touch of flesh. One by one\, butterflies are fed to flame\, becoming fire-bodied\, then flaking into their presumed disappearance. \n20:00-21:20 Tu crois que la terre est chose morte (You Think the Earth is a Dead Thing) by Florence Lazar (70 minutes) \n:: Film screening in Oyoun’s Garden \nThe film looks at the “global ecological crisis” from the perspective of the island of Martinique. In reflecting on ecology\, the film not only raises issues concerning nature and damaged ecosystems\, but\, moreover\, focuses on spaces of resistance to the crisis in which women and men acknowledge and act from the historical perspective of colonialism\, where ecological struggle and the colonial past are intrinsically linked. Taken from Césaire's play Une tempête\, a postcolonial adaptation of Shakespeare's The Tempest\, the title not only evokes the ecological ravages of colonialism\, but also the emancipatory potential of history. \nDoors: 18:30 h\nVideo Installation: 10:00 h - 21:00 h at Oyoun’s Café\nScreenings: 19:30 h - 21:30 h at Oyoun’s Garden\nDiscussion: 21:30 h - 22:30 h at Oyoun’s Café \nTicket: Free admission | Registration here\nLanguage: English\n \nPhoto: Filmstill\, wings becoming \n  \nBiography \nSavannah Garcia \nSavannah Garcia is a French-Filipino researcher currently based in Berlin\, with a background in art and social sciences (EHESS\, Ecole des Hautes Etudes en Sciences Sociales). Specializing in art and realism\, and in documentary cinema in particular\, she has collaborated with the Cinéma du Réel (Centre Pompidou) and the Festival International Jean Rouch (Musée du Quai Branly) in Paris. She persues her research in Berlin\, on the relation between home (foyer) and nation in global history. She is also an active member of ALPAS Pilipinas and the co-creator of Banana Ketchup\, a zine dedicated in unpacking and deconstructing colonial narratives. \nSea Behind the Wall \n"Sea behind the Wall’ is a participatory outdoor chapter within Oyoun's overarching initiative Listening to the Land. In this immersive outdoor series\, participants are invited to engage on a collective journey that explores neo-colonialism’s complexities\, incorporating intergenerational\, indigenous and contemporary practices for solidarity. \nThey will be guided through a range of experiences\, including decolonizing agri/cultural workshops\, foraging and gardening sessions\, film screenings focusing on land and human rights\, public interventions led by indigenous communities\, and a street side window exhibition that winds its ways through the city of Berlin. \nThe project “Sea Behind the Wall” is part of the initiative DRAUSSENSTADT funded by Berliner Projektfonds Urbane Praxis as well as Senatsverwaltung für Kultur und Gesellschaflichen Zusammenhalt. Further funded by the Globus Opstart Programm of Nordisk Kulturfond \n           \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l-screening-october-1/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/09/6-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230922T190000
DTEND;TZID=Europe/Berlin:20230922T220000
DTSTAMP:20260513T224636
CREATED:20230911T132353Z
LAST-MODIFIED:20230921T081036Z
UID:33319-1695409200-1695420000@oyoun.de
SUMMARY:Sea Behind the Wall | Outdoor Film Screening | A Closer Look at Crop Exchange
DESCRIPTION:Curated by Mai El-Gammal \nFilm and agriculture\, seemingly disparate realms\, possess a fascinating dialectic that allows them to mutually inform and enrich one another. The first screening by the curator Mai El-Gammal delves into the intricate dynamics of crop exchange between the global North and South. Two thought-provoking documentaries explore the multifaceted implications of aid programs and the fascinating journey of seeds across continents. \nThe Price of Aid by Jihan El-tahri (2003\, 52 minutes) \nIn "The Price of Aid\," we delve into the complex world of humanitarian aid and its far-reaching consequences. Through a detailed case study of a famine crisis in Zambia\, this documentary sheds light on the paradoxes of international assistance. While the United States donates millions of tons of food to alleviate immediate hunger\, this film unveils the potential long-term challenges it can create for the nations receiving aid. \nWild Relatives by Jumana Mannaa (2018\, 64 minutes) \nA captivating journey from the Arctic permafrost to the fertile lands of Lebanon in "Wild Relatives." This documentary chronicles the remarkable story of seeds\, encapsulating both the global and local dimensions of seed preservation. Learn about the Svalbard Global Seed Vault\, an underground sanctuary safeguarding seeds from around the world. Follow the extraordinary journey of seeds as they traverse from the Arctic to the Bekaa Valley of Lebanon\, witnessing the challenges and triumphs along the way. \nDoors: 18:00 h\nScreenings: 19:00 h - 21:00 h at Oyoun’s Garden\nQ&A / Talk: 21:00 h - 22:00 h at Oyoun’s Café \nTicket: Free admission! | Register here\nLanguage: English\n \nFoto: Filmstill\, Wild Relatives \nBiography \nMai El-Gammal \nMai El-Gammal is a cultural worker and a professional in the film industry. Her experience spans film promotion and distribution\, film training programs management\, and film programming with 10 years of experience in the Middle East and Germany.\nShe holds an MA in Cultural Studies and New Media. She worked for DOX BOX e.V. for where she managed programs including the Residency and the Consultancy. Currently\, El-Gammal serves as the Coordinator for Partnerships at DOK Leipzig. \nSea Behind the Wall \n"Sea behind the Wall’ is a participatory outdoor chapter within Oyoun's overarching initiative Listening to the Land. In this immersive outdoor series\, participants are invited to engage on a collective journey that explores neo-colonialism’s complexities\, incorporating intergenerational\, indigenous and contemporary practices for solidarity. \nThey will be guided through a range of experiences\, including decolonizing agri/cultural workshops\, foraging and gardening sessions\, film screenings focusing on land and human rights\, public interventions led by indigenous communities\, and a street side window exhibition that winds its ways through the city of Berlin. \nThe project “Sea Behind the Wall” is part of the initiative DRAUSSENSTADT funded by Berliner Projektfonds Urbane Praxis as well as Senatsverwaltung für Kultur und Gesellschaflichen Zusammenhalt. Further funded by the Globus Opstart Programm of Nordisk Kulturfond \n         \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l-screening-september/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/09/5-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T150000
DTEND;TZID=Europe/Berlin:20230715T200000
DTSTAMP:20260513T224636
CREATED:20230701T170425Z
LAST-MODIFIED:20230703T142236Z
UID:31398-1689433200-1689451200@oyoun.de
SUMMARY:Film + Discussion | Transnational Apartheid? Namibia\, South Africa\, USA and beyond - A Community Conversation
DESCRIPTION:Film screening of “Germans in Namibia: Apartheid continued...”\, a 2-part documentary. To be followed up by a community discussion round \nThe film dives into the enduring coloniality of German settler colonialism in Namibia and its legacy on the sociopolitical context in Namibia today. A community-based discussion round will follow to tackle the still existing issue and legacy of Apartheid in the world\, as well as its historical rootedness in settler colonialism and slavery. The event will be held with a story-teller from Namibia\, the USA\, and Germany. It invites people from different communities to be in conversation with each other\, interrogate said subjects and how settlerism and apartheid continue to frame our lives and political agency. It will also interrogate contemporary questions of organising in an environment of shrinking spaces for radical organising\, especially concerning Black-centered issues as well as beyond. \nEvent to be held in English and German. Film is in English\, German subtitles are available. After the event there will be Ethiopian food (even is not funded\, so own/individual payments) in the garden space of Oyoun. \nTicket: Free admission \nRegistration: Possible via namupa@sankofamagik.com  \nLanguage: Englisch + German \nSchedule \n15:00 h Arrival of guests and brief address\n15:05 h - 15:30 h Brief introduction of groups\, movements and people present \n15:30 h – 16:00 h Short Documentary Film Screening\, Namibian Apartheid Today \n16:00 h - 18:00 h Discussion\n18:00 -20:00 h Ethiopian Food Dinner on Oyoun grounds at individual costs \nBiographies  \nNamupa Shivute is a storyteller\, researcher and freelance journalist from Namibia \nE. Chris Summerhill\, is an educator in Social Sciences \nInez Singleton is a retired educator and manager of Federal Education Programs in Alabama\, USA \nPreparation \nPeople are welcome to watch the (following) videos in advance\, if possible and acquaint themselves with the definition of Apartheid\, see below: \nRome Statute\, 1999\, p. 4\, \nArticle 7: Crimes Against Humanity\, Paragraph 2\, h:\nhttps://www.icc-cpi.int/sites/default/files/RS-Eng.pdf \nh) "The crime of apartheid" means inhumane acts of a character similar to those referred to in paragraph 1\, committed in the context of an institutionalized regime of systematic oppression and domination by one racial group over any other racial group or groups and committed with the intention of maintaining that regime; \nCésaire\, Namibia\, Germany\, and Fascism: \nhttps://www.youtube.com/watch?v=KWGJqIy79f0 \nApartheid Continued - Germans in Namibia:\n1) https://www.youtube.com/watch?v=Z-N9luQaXrE\n2) https://www.youtube.com/watch?v=2kiQOrNwkR0&t=7s \n  \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/transnational_apartheit/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/07/namibia.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230623T190000
DTEND;TZID=Europe/Berlin:20230623T200000
DTSTAMP:20260513T224636
CREATED:20230619T103035Z
LAST-MODIFIED:20230623T141109Z
UID:30613-1687546800-1687550400@oyoun.de
SUMMARY:48h Neukölln | Accomplished Women by Ncube
DESCRIPTION:Kommt\, kommt alle! \nBringt eure Musikinstrumente mit\, um den Soundtrack des Stummfilms zu untermalen: Accomplished Women! \nDer Schwarz-Weiß-Kurzfilm spielt in San Miguel\, einer auf Kristallen erbauten Stadt in Mexiko im Jahr 1923. \nEs ist die Geschichte von Politikern aus Utah\, USA\, die versuchen\, Geld für ihre Bürgermeisterkampagnen zu sammeln\, indem sie Spiele gewinnen\, die von sehr reichen Mexikanern veranstaltet werden. \nDer Film wird von Ncube inszeniert. \nDie Dauer beträgt 38 Minuten.  \nTicket: EINTRITT FREI! \nAnmeldung: nicht erforderlich \nSprache: Der Stummfilm ist auf ENGLISCH untertitelt. Es wird empfohlen\, während der Vorführung nicht zu sprechen\, sondern zu flüstern. \nNeben der Vorstellung des Kurzfilms "Accomplished Women" von Ncube bietet das 48-Stunden-Programm von Oyoun Theater und Wrestling Veranstaltungen an.  \nBiographie: \nMhlanguli Malele Ncube (keine festgelegten Pronomen) \nMhlanguli Malele Ncube arbeitet unter dem Namen: Ncube. \nNcube identifiziert sich als ein*e schwarzafrikanische*r Regisseur*in\, Produzent*in und Schauspieler*in und liebt es\, Geschichten zu erzählen\, egal ob es sich um Filme\, Bücher\, Theaterstücke\, Kurzfilme usw. handelt.\nHäufig sind es Geschichten mit einem Hauch von Magie\, Humor\, Drama und Action. Die Schauspielerei ist ein wesentlicher Bestandteil in Ncube Arbeit an Projekten. \nMalelevision.com \nCredits: \nBei dem Film führt Ncube Regie\, in den Hauptrollen spielen Valerie Fortin\, Bri Phelps\, Mae Chesney und Tuti Lennon.  \nDas Drehbuch ist eine Gemeinschaftsarbeit zwischen den Schauspielern und Ncube\, basierend auf einer Geschichte des Regisseurs. \nProduziert wird es von Sofie Engström von Alten (Hyperkitch) und Santiago Cruz (SantiCruzArt).  \nMalelevision.com \nTeaser: \n \nACCOMPLISHED WOMEN Extended Teaser Trailer.mp4 from Ncube on Vimeo. \n  \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/accomplished-women_ncube/2023-06-23/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230223T193000
DTEND;TZID=Europe/Berlin:20230223T220000
DTSTAMP:20260513T224636
CREATED:20230221T132516Z
LAST-MODIFIED:20230221T161555Z
UID:28689-1677180600-1677189600@oyoun.de
SUMMARY:Screening: “The Sound of Masks“: A tribute to Atanásio Nyusi
DESCRIPTION:A tribute screening of “The Sound of Masks“ (2018)\, directed by award winning filmmaker Sara Gouveia. \n\nThe documentary film follows the history of Mozambique through the eyes (and life) of the late and legendary Mapiko dancer\, choreographer and storyteller Atanásio Nyusi\, who passed away in November 2022. “The Sound of Masks“ celebrated its world premiere at the International Documentary Film Festival Amsterdam (IDFA) in 2018. The publication “Africa is a Country“ described it as “a visual meditation on the nature of memory in postcolonial societies”. \n\nThis event will be supported by a screening of “Transient”\, a short film by artist PURE\, as well as a performance intervention titled ‘’threading the energies’’ by musicians Kechou and Arawak Tausi. \nFree Entry! No registration required.  \nDoors: 19:00 h  \nStart: 19:30 h  \n––– \nSara Gouveia is an award winning filmmaker based in Cape Town\, South Africa. Her films have strong visual aesthetics and explore the line between fiction and reality. Sara was an alumna of the Durban Film Mart\, IDFA Summer School\, Hot Docs Blue-Ice Lab\, DocLisboa’s Nebulae and Berlinale Talents. \nPURE is a multidisciplinary artist currently based in Berlin. Her practice engages and activates the sensory codes developed in the space of what is inarticulable within the limited parameters of western thought about blackness. Her work languages the unlanguagable\, exploring notions of alienation\, transitions and transcendence\, redefining epistemologies of resistance from a deeply intimate place. \nArawak Tausi (Emmanuel Girondin) is a performer\, musician and artist based in Berlin. His practice combines many genres including jazz\, afrobeat and an electronic sound experimentation. \nKechou (Kerim Becker) is a musician based in Berlin\, working in the realm of electro-acoustic blends of sounds and timelines. \nThis event is co-organozed by Duduetsang Lamola aka blk banaana.
URL:https://oyoun.de/event/screening-the-sound-of-masks-a-tribute-to-atanasio-nyusi/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Bilder / Images,Screening
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/02/website-vorlage-55.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220828T180000
DTEND;TZID=Europe/Berlin:20220828T200000
DTSTAMP:20260513T224636
CREATED:20220822T092915Z
LAST-MODIFIED:20220825T121655Z
UID:24775-1661709600-1661716800@oyoun.de
SUMMARY:Building Lives in the Context of Forced Migration - Film Screening
DESCRIPTION:Filmvorführung \nLebensentwürfe im Kontext von Zwangsmigration \nFünf Kurzfilme über das Leben von Geflüchteten in Berlin \nFilmvorführung & Feier \nDie fünf Kurzfilme geben intime Einblicke in die unterschiedlichen Lebensentwürfe von Menschen im Kontext von Zwangsmigration in Berlin. Die Filme sind im Rahmen eines MA-Seminars zur Visuellen Anthropologie am Institut für Sozial- und Kulturanthropologie der Freien Universität Berlin entstanden\, das in Kooperation mit Kollektiv Polylog\, Tubman Network und LouLou - Treffpunkt für alte und neue Nachbar*innen realisiert wurde. Im Sinne einer "Engagierten Anthropologie" haben syrische und palästinensische Frauen\, die Teil des Kollektivs Polylog sind\, afrikanische Studierende\, die vor dem Krieg in der Ukraine geflohen sind\, und MA-Studierende des Instituts für Sozial- und Kulturanthropologie über mehrere Monate hinweg eng zusammengearbeitet. Bei der Vorführung werden die Ergebnisse dieser Arbeit gezeigt sowie die Prozesse der Realisierung des Filme diskutiert - und gefeiert! \nIn Kooperation mit Kollektiv Polylog\, Tubman Network\, LouLou - Treffpunkt für alte und neue Nachbar*innen & dem Institut für Sozial- und Kulturanthropologie der Freien Universität Berlin. Mit freundlicher Unterstützung des Dahlem Center for Academic Teaching - DCAT. \nSprachen: Englisch\, Arabisch und Deutsch (Übersetzer vor Ort)\nTickets: Eintritt frei \nFilme \n1. ﻣﻧﻰ | Mouna | Wünsche \n2. Precious \n3. Hoffnung – zwischen Vergangenheit und Zukunft | Hope – between Past and Future | الأمل - ما بين الماضي و المستقبل \nPAUSE – BREAK \n4. Saloua \n5. Njem na-amaghị | Journey to the Unknown \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail (hallo@oyoun.de) oder sende uns eine anonyme Nachricht über unsere Website.\n 
URL:https://oyoun.de/event/film-screening-building-lives-in-the-context-of-forced-migration/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/08/website-vorlage-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220520T190000
DTEND;TZID=Europe/Berlin:20220520T220000
DTSTAMP:20260513T224636
CREATED:20220504T093331Z
LAST-MODIFIED:20220516T165821Z
UID:21264-1653073200-1653084000@oyoun.de
SUMMARY:UN:IMAGINABLE – Filmscreening: Quo Vadis\, Aida?
DESCRIPTION:Screening\, followed by a Q&A with Melina Borčak \nAn unforgettable movie! - The New York Times \n\nABOUT "QUO VADIS\, AIDA?" - a film by Jasmila Žbanić \nBosnia\, 11 July 1995. Aida is a translator for the United Nations in the small town of Srebrenica. When the Serbian army takes over the town\, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations\, Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people - rescue or death? Which move should she take? \nDoors: 19.00H\nStart: 19.30H (Club Space\, Souterrain)\nLanguage: OMU – Bosnian\, English and Dutch with German subtitles\nTickets: Donation-based \n–--- \nThis event is part of UN:IMAGINABLE - our histories in conversation \nUN:IMAGINABLE is one remarkable theatre production resulting from lived realities of trauma\, war\, segregation and exile. In the 1990s the conflicts in Rwanda and the Balkans shattered the world and remain recorded as two of the bloodiest events in modern history. However\, testimonies and stories continue to this day. Many have fled their home country and some have reached Germany\, a space glorified as paradise.  \nSociety is stuck in suppressed fear and hatred leading to further conflicts while in denial of histories untold. UN:IMAGINABLE mirrors the banality of evil and its connection to everyday\, mundane life and deals with the hour prior to death in the lives of victims and perpetrators.  \nWorld Premiere: 18 May\, at 18.00H (Reception) / 19.30 H (Performance) \nAdditional performances:  \n19 May\, 19.00H (Doors) / 19.30H (Performance)\n22 May\, 19.00H (Doors) / 19.30H (Performance) \nUN:IMAGINABLE is produced by Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda and the Sarajevo War Theater Bosnia-Herzegovina. \nSupported in the fund TURN2 the Federal Cultural Foundation and the Federal Government Commissioner for Culture and the Media as well as by the Heinrich Böll Foundation. \n--- \nABOUT \nMelina Borčak (Q&A host) \nHaters say I’m a Muslim\, feminazi refugee islamizing the fake news-media at CNN\, ARD and Deutsche Welle… They’re right. \nDocumentaries\, street art\, museum exhibitions\, data journalism: I’ve already done lots of things in order to tell important stories. And I’ve got 10 years experience doing so. \nDuring the genocide against Bosniaks\, I grew up in Germany’s cosiest refugee camp (by “cozy” I mean it was a damn aluminum container)\, until I was forced to go “back” to a country I didn’t even know – Bosnia. In the ruins of Sarajevo\, I studied Journalism and filled my adrenalin addiction through adventurous trips to exotic destinations such as Bonn\, Potsdam and Berlin – at Deutsche Welle\, the Electronic Media School and the Parliament of Germany (know your enemy). Despite a successful career in Bosnian media\, I decided to return to Germany in 2015 – after almost 20 years in Bosnia. \nHere\, I continued working as a journalist\, became a columnist\, founded “Perspective Collective” – a collective of journalists that are refugees and/or POC. Now I’m building a media startup in Bosnia and working on two documentaries. \nJasmila Žbanić (director) \nBorn in Sarajevo in 1974\, Jasmila is a graduate of her native city’s Academy of Dramatic Arts\, Theatre and Film Directing Department. Before filmmaking\, she also worked as a puppeteer in the Vermont-based Bread and Puppet Theater and as a clown in a Lee Delong workshop. Her feature debut GRBAVICA won the 2006 Berlinale Golden Bear\, was sold to 40 territories and received nominations for European Film and Actress at the European Film Awards. \nON THE PATH\, Jasmila’s second feature film\, premiered at the 2010 Berlinale\, in the Competition section. The film had world-wide distribution in 25 territories\, won numerous awards\, and was nominated for European Actress at the European Film Awards. \nJasmila’s films and video works have been displayed at dozens of art exhibitions world-wide such as Manifesta 3\, the Istanbul Biennial\, Kunsthalle Fridericianum Kassel\, Swedish Contemporary Art Foundation\, New Museum in New York(...) She is the recipient of the 2014 KAIROS Prize which honours European artists whose work is judged to have a major cultural and social impact. \n  \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail an hallo@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website. \n 
URL:https://oyoun.de/event/unimaginable-quo-vadis-aida/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/4-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210319T170000
DTEND;TZID=UTC:20210319T200000
DTSTAMP:20260513T224636
CREATED:20210304T221751Z
LAST-MODIFIED:20210316T203336Z
UID:13045-1616173200-1616184000@oyoun.de
SUMMARY:a'21: Dust to Come_New Media Society/ Parking Video Library
DESCRIPTION:►a'21: Dust to Come_New Media Society/ Parking Video Library \n:: ABOUT THIS EVENT (EN/AR) :: \nDust to come is a re-screening of a former online program at New Media Projects which will take place both online/offline in our space and via our website. Was it ever our future? “The Removed Agency” got me by surprise when I received the invitation to contribute to the Future Threads Program. A teenage sci-fi fan\, who never watched Star Trek or Star Wars\, I asked around from my artist\, cinephile and writer friends\, and in our conversations led to some interesting findings. On the surface\, we don’t talk/write/speculate about the future\, a few animated fantasies\, a few novels dealing with alternative history\, and some timeless dystopian theatre play. And soon I realised I need to educate myself about video games and comic books. Not only we don’t write/create our takes on the future but often being omitted from having future in many other scenarios: in some films\, middle-east is consumed/destroyed\, because of its natural resources and/or appear on some war room’s wall map or flickering dots on a screen during a pandemic outbreak. The future is blurry; we made countless Macro & Micro mistakes; we know the storm is inevitable; we watch science fiction\, or we don’t… The future was never bright as they promised it to be\, for some parts of the world is still as non-existent and discriminatory\, as if it wasn’t pictured at all and never predicted. See-through eyes\, laser guns\, and flying objects became killer drones\, 3D printing both an environmental threat and a cure for ventilator shortage. The colourful plastic future once was pictured dreamy and chic but no one told us about the dust to come. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Arash Khosronejad \nInstagram\n►Arash Hanaei\nWebsite\nInstagram  \n►Nassrin Nasser \nWebsite \nInstagram \n►Maryam Katan \nWebsite\nInstagram \n►Shaahin Peymani \nWebsite\nInstagram  \n►Elnaz Salehi \nInstagram \n►Milad Forouzandeh \nWebsite \n►Mohsen Hazrati \nWebsite\nInstagram  \n►Nazanin Aharipour \nInstagram  \n►Ramin Rahimi \nWebsite  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-dust-to-come_new-media-society-parking-video-library/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/parking-video-library.jpg
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