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X-ORIGINAL-URL:https://oyoun.de
X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
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DTSTART;TZID=Europe/Berlin:20230331T200000
DTEND;TZID=Europe/Berlin:20230401T010000
DTSTAMP:20261107T113939
CREATED:20230323T120636Z
LAST-MODIFIED:20230327T130824Z
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SUMMARY:Monstrosity Show - Trans Visibility Day
DESCRIPTION:Monstrosity is a show that challenges the gender binaries through the re-appropriation of the unimaginable\, forbidden and pleasurable! This show has a lot of surprises in store for you\, with the potential to make you feel deeply connected to yourself\, dance\, cry and even scream to liberate your soul! The Monstrosity Show originated from the desire to heal\, create community and to honor the Trans visibility day of Remembrance. Let's appreciate trans Art from Trans Artist and spread the love and consciousness of living and existing together. \nTicket price: 15 € \nThe tickets will be available at the door.  \nIf you are QTIBIPoC and can't afford the full ticket price\, feel free to get in touch with @montrosityshow on Instagram.  \nDoors: 20:00\nShow Time: 21:00 \nHosted by: \nLa papi Patacón \n\nPerformances by the amazing: \nNaikee Simoneau \nValRatVal \nMatagumpay \n\nDJ's: \nB2B with  \nMaria Estrella & Niña Silvestre  \n\nFlyer art: @alchemicum \n 
URL:https://oyoun.de/event/monstrosity-show/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/03/monstrosity-website.jpeg
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DTSTART;TZID=Europe/Berlin:20230406T140000
DTEND;TZID=Europe/Berlin:20230414T220000
DTSTAMP:20261107T113939
CREATED:20230322T151911Z
LAST-MODIFIED:20230404T152927Z
UID:29444-1680789600-1681509600@oyoun.de
SUMMARY:Itinerant Geographies – A Proposition for Radical Unbelonging
DESCRIPTION:I have invited a group of friends and colleagues to "unbelong together"\, which resulted in the exchange of practices that make up this program. Following an intuition that gardens\, as places of the "could have been" and the "could be"\, that is\, of failure and hope\, could be the lenses\, the place\, the set of practices\, the impetus\, and/or the systems through and by which to approach issues of belonging/unbelonging\, away from state coercion and other identity politics and determinisms\, I invited them to respond to this intuition with their own practices. \nI hope this exchange will create resonances and conjunctions for new territories\, though it might as well (miss)lead us to dead ends and false connections. Practices of "unbelonging together"\, if they are to be radical\, conceive of displacement as a place of curiosity and strive to create empathy that puts identity and even futurity at risk and\, most importantly\, help us conceive of other ways of being together\, of making collective. \nWe invite you to be part of this experiment\, take part in our practice propositions\, and bring your own practices and your own ways of being or "unbelonging together". \nDiana De Fex\n(Curator/project initiator) \nFree Entry! \n6th to 14th of April \nNo registration required\, except for the open sessions. Please write to daydreamingthearchive[at]gmail.com at least one day before the open session you plan to attend.  \nPROGRAM: \nThursday 6th of April\n\n14:00-17:00 Workshop: Word Compost\n17:00-20:00 Workshop: Memory gardens and social gardening (preparatory session 1)\n15:00-22:00: Interactive Object: The forest indoors: moss carpets for feet. \nFriday 7th of April\n14:00-17:00 Workshop: Embroidery\n17:30- 21:00 Experimental cartographies (Workshop: Dreaming devices: a practice of\ncollective mapping from 17:30 to 20:00 + Participative installation: Cartography of the\ndisappeared cosmos from 20:00 to 21:00)\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nSaturday 8th April\n15:00-19:00 Experimental cartographies (Participative installation: Cartography of\nthe disappeared cosmos from 15:00 to 16:00 + Workshop: Dreaming devices: a practice\nof collective mapping from 16:00 to 19:00)\n20:00 Willow Trees Exist - a performance by Maria Tsitroudi\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nSunday 9th of April\n13:00-14:00 & 14:00-15:00 Participative installation: Cartography of the disappeared\ncosmos\n14:00- 17:00 Open session (share your practice\, show a work-in-progress)\n17:00-20:00 workshop: Memory gardens and social gardening (preparatory session 2)\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nMonday 10th of April\n11:00-15:00 Workshop: Memory gardens and social gardening (planting session in the\ngarden)\n11:00-12:00 & 12:00-13:00 Participative installation: Cartography of the disappeared\ncosmos\n10:00 -15:00: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nTuesday 11th of April\n17:00-20:00 Open session (share your practice\, show a work-in-progress)\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nWednesday 12th of April\n15:00- 18:00 Workshop: Dreaming devices: a practice of collective mapping\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nThursday 13th of April\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nFriday 14th of April\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nFull program with event descriptions in English and German here. \n––– \n_About the performers:  \nMaria Tsitroudi works in the field of performing arts with a focus on Choreography and Performance since 2003. She studied Applied Theatre at Aristotle University of Thessaloniki (2003)\, Dance at Rallou Manou\, Athens (2011)\, and Choreography and Performance at JLU in Germany (2019). In her work she focuses on the relationships among identity\, current events\, and poetics\, experimenting with how geographies can be expressed by the utopic medium of performance. Her works Willow trees exist\, Cotton flowers exist\, Apricot Trees exist or an Impossible walk\, Don’t kill the messenger\, Zones of Immaterial Pictorial Sensibility\, Nekri Fysi\, Icono-Stasis have been presented in Giessen\, Frankfurt\, Kassel\, Darmstadt\, Mannheim\, Berlin and Athens. She lives and works in Giessen. \nNitish Jain (b.1989) is an immersive storyteller working across the mediums of architecture\, performance art\, and installations. He is the founder of Studio MoreThanThat\, an artistic [agency/practice] that makes multi-sensory experiences. They invite audiences to sense rather than see their works by incorporating touch\, taste\, smell\, listening\, and seeing in different ways. Nitish trained as an architect and as a scenographer. He was born in India and he currently lives and works in Prague\, Czechia.  \nDiana De Fex is a performer\, choreographer\, and art pedagogue using artistic methods (narrative storytelling\, autoethnography\, somatics) to explore human- environment relations and politics beyond identity and representation. They is interested in researching non-binary and non-linear logics and perceptions\, freedom of speech and of dissent as well as restorative justice. She/they is currently completing an MA in Choreography and Performance at the Institute for Applied Theatre Studies-Giessen. \nOlga Popova is a Ukrainian artist educated in film\, theater\, and acting and based in Germany. Her interest lies in the plasticity of the environment and its translation and transformation into the stage or other non-theatrical spaces. She is currently enrolled\nin the MA  Applied Theater Studies program in Giessen with a specialization in Performing Arts Practice. \nChristian Maturana describe themselves as a drop of water in the ocean. \nFabián Franco Márquez is a visual artist working in scenography and painting (murals\, billboarding\, and street art) as well as art pedagogy. He graduated from the University of Cluj-Napoca and currently lives and works in Leipzig. \nVincent Viala works as a musician and music educator in various formats\, and in theatrical-performative contexts backstage. In addition to solo and band projects ranging from garage-punk to singer-songwriter\, to experimental improvisation\, Viala works on compositional experiments and fragments\, which go in various directions of acoustic/time-based art. "Misappropriation" of conventional instruments\, or electronic and sample-based are preferred techniques here\, which also come to bear especially in the musical accompaniment of performing art. Thereby he moves in the absurd\, in experiment and noise\, in improvisation\, in melancholy and dissonance\, as well as in the fragile\, in the little\, in repetition\, in the atmospheric. Spontaneity\, expressivity\, freedom of means and material\, and the unique capacity of sound to create emotional meaning are important themes in his work. Since 2017\, Viala has been studying B.A. Music Education with minors in Musicology and Sociology at the JLU in Giessen. \n\nSupported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR. \nIn Oyoun there is no place for sexism\, queer hostility\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or anti-Semitism. The same applies to any kind of violent\, aggressive or abusive behavior. Oyoun offers a safe space for everyone\, an open forum for dialogue and a place where we support and stand up for one another. If someone or something is bothering you during an event\, please contact a member of our staff who is there to help! If you have an experience to share with us after an event\, please drop us a line E-mail or send us an anonymous message via our website.
URL:https://oyoun.de/event/itinerant-geographies/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/03/website-vorlage-63.jpg
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DTSTART;TZID=Europe/Berlin:20230419T200000
DTEND;TZID=Europe/Berlin:20230419T210000
DTSTAMP:20261107T113939
CREATED:20230411T095213Z
LAST-MODIFIED:20230417T120810Z
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SUMMARY:Brown Labels
DESCRIPTION:BROWN LABELS entsteht aus dem Verständnis des "Andersseins". Sowohl von innen als auch von außen betrachtet. Die Idee\, des "mixed sein"\, sei es durch "Rassifizierung" oder unterschiedliche Herkünfte\, einen Menschen entfremden\, aber auch auf vielfältige Weise bereichern kann. Oft beschreiben “browns” oder “mixed people” das Gefühl\, nicht dazuzugehören\, wodurch eine überproportionale Schwierigkeit beim Anpassen entsteht. Man sagt ihnen\, dass sie besser sind als andere\, aber auch nicht so gut wie diese. \nDas Stück "Brown Labels" zeigt diesen Diskurs auf durch Musik\, Tanz und persönliche Erinnerungen. \nTickets: 12 € / 8 € (+ Vorverkaufsgebühr) | Tickets gibt es hier.\nSprache: Englisch\, Deutsch\, Portugiesisch & Französisch mit englischer Übertitelung  \nRegie Mirah Laline \nChoreograhpie Black Pearl de Almeida\nPerformance Jota Ramos\, Astan Meyer & Amowia\nDramaturgie & Text Mirah Laline\, Jota Ramos\, Astan Meyer & Amowia \nLive Videos Zé de Paiva & Kathleen Kunath \nBühnenbild Andreina Vieira dos Santos \nKostüm Moussi Bang \nLichtdesign Moody Kablawi\nMusik Braths & Brother Aten  \nAssistenz & Acting Coach Mariana Senne \nProduktion Anna Júlia Amaral \nPlakat-Collage Astan Meyer \nFotos Oumou Aidara \nDesign Felipe Rodrigues \nKommunikation & Helping Hands Samuel Heidermann \nTRIGGERWARNUNG \nDer Inhalt der Performance kann Diskussionen oder Darstellungen von Rassismus enthalten\, einschließlich Sprache\, Handlungen oder Einstellungen\, die diskriminierend sind. Dies kann für einige Personen\, die Rassismus erlebt haben oder davon betroffen sind\, belastend oder auslösend sein. Bitte gehen Sie vorsichtig vor und achten Sie darauf\, sich selbst zu schützen\, während Sie sich mit diesem Inhalt beschäftigen. \nPERFORMER \nJota Ramos is a trans masculine Brazilian multidisciplinary artist. His research investigates tools to build an antiracist and powerful representation of trans bipoc people’s sociality\, identity\, and their historical journey. \nAstan Meyer is a singer\, actress\, curator and model born in France and traveling regularly to Mali since the age of 3. She combines different musical genres\, from jazz to rock to afro-techno to hip-hop and is also the lead singer of the band Asphalt Djelis\, which mixes ancient and futuristic sounds. She expresses herself also through all the dance influences she has encountered. She has appeared as an actress in music videos and commercials\, mainly in Germany and France. She has been involved in many creative collaborations such as with Puma\, Sevdaliza\, the Hoodoo Musical in Berlin. She is also a co-founder of Culture Supply and a member of Out Out Time Embassy\, a multicultural group of curators who generate conversation and curiosity about art and culture in Berlin. \nAmowia is a German-Ghanaian multidisciplinary artist who started dancing at age five. They learned hip-hop and contemporary dance\, teaching their own dance class by age fifteen. After moving to Berlin in 2014\, Amowia worked as a choreographer\, movement coach\, model\, and dancer\, appearing on TV shows and working with national and international artists. They honed their dance skills in London before joining the ballroom scene in 2018\, which allowed them to embrace their roots\, identity\, and queerness. As a DJ\, Amowia plays house music heavily influenced by afro beats\, hip hop\, RnB\, and ballroom beats. Their passion for house music has led them to give people a certain groove on the dance floor and take them on a journey. \nREGIE \nMirah Laline is a brazilian director\, actress\, dramaturg and theater pedagoge. She studied Directing in the Federal University of Rio Grande do Sul\, and was in the Ernst Busch Academy of Dramatic Arts in 2015 as a DAAD scholarship holder. Productions such as „Der Hässliche“ of Marius von Mayenburg\, Sasha Marianna Salzmanns „Muttersprache Mameloschn“ and „Pátria Estrangeira / Fremde Heimat“ (Koproduktion Badisches Staatstheater Karlsruhe and Goethe-Institut Porto Alegre) won several awards in Brazil. In 2021 she developed the transcultural project „Juntos/ Bî Hevra“\, which took place at the "Galerie im Körnerpark"\, followed by „Das Humboldt Experiment”\, in Humboldt Forum\, with its first exhibition in March of 2022. Her work offers the opportunity of learning and exchanging about topics such as decolonialism and diversity in the cultural scene\, for institutions as well as for artists. \nCHOREOGRAPHIE \nBlack Pearl de Almeida Lima is a multidisciplinary Afro- Latinx trans brazilian artist living in Berlin\, Germany. She graduated from the Staatliche Hochschule für Musik und Darstellende Kunst Mannheim\, has performed professionally in various theater institutions and renowned professional dance companies in Germany. Is currently a member of the Iconic House Saint Laurent Europe. Her research work explores the use of the body as an artistic and political platform to subvert the invisibility (physical and symbolic) of trans entities through their life stories. \nBrown Labels wird gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR. \nOyoun arbeitet stetig daran\, den Zugang zu allen Veranstaltungen so barrierefrei wie möglich zu gestalten. Um individuelle Informationen zum Thema Zugänglichkeit zu erhalten\, schreibt uns bitte eine E-Mail. Wir melden uns so schnell wie möglich zurück! \n____ \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail (hallo@oyoun.de) oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/brown-labels/2023-04-19/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/04/brown-labels-web-2.jpeg
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