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DTSTART;TZID=Europe/Berlin:20231214T210000
DTEND;TZID=Europe/Berlin:20231214T220000
DTSTAMP:20260713T005849
CREATED:20231212T182550Z
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UID:34905-1702587600-1702591200@oyoun.de
SUMMARY:Threads of Resilience | Discussion | Multi-Scalar Resistance: How the world solidarity movement for Palestine can decolonize Berlin
DESCRIPTION:Event organized by AATMA \nHow can we move together from a culture of fear\, censorship and militarisation to that of collective care\, knowledge and transformation? \nAATMA warmly invite you\, in grief\, persistence and solidarity\, to join us for a public discussion tomorrow. It is a great honour to have with us trenchant lawyer Nadija Samour\, member of Palestine Speaks and Global South United as well as medical doctor Qassem Massri and event organizer Zaina Shreidi. Together with the public\, we will be reflecting on multi-generational mobilising experiences for Palestine\, in light of present urgencies and the resurgence of fascism in Germany. \nTickets: Donation-based\nLanguage: English\nRoom: Main Hall \nBiography\n \nAATMA ✦ عتمة \nAATMA ✦ عتمة is an open alliance that was formed as an emergency response in Berlin in October 2023. Circulating in many languages from Arabic to Sanskrit and German\, “aatma” is a term that speaks to\, on one side\, state obfuscation and\, on another\, an entity\, interconnecting life.  \nWebsite \n--- \nThis event is part of the Threads of Resilience Festival \nGiven the current situation and urgency to express\, we decided to co-organise a community-led and collectively curated 3-day festival “Threads of Resilience” from 14-16 December at Oyoun.Those include a press conference\, bazaar\, panels\, film screening\, talks\, exhibition\, workshops\, concerts\, healing session\, theater\, puppet show for children\, and parties. With this festival\, we want to reflect on and learn from movements of resistance\, resilience\, and solidarity across the world and come together for three days of ephemerality and collaborative archiving. We want to address and speak out against repression\, silencing\, instrumentalisation\, and division. We need to continue to empower\, promote\, and celebrate pluralistic perspectives from\, with\, and intersectionally marginalised communities.Admission is based on free donation (nobody will be denied entry if they cannot donate). All proceeds will be given to organizations in support of victims of racist police violence and to organizations giving legal support to people threatened with deportation. \n\nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/multi-scalar-resistance/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Panel,Talk,Threads of Resilience
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/12/threads-of-resilience-website-format-11.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230911T120000
DTEND;TZID=Europe/Berlin:20230911T140000
DTSTAMP:20260713T005849
CREATED:20230907T152419Z
LAST-MODIFIED:20230910T102655Z
UID:33236-1694433600-1694440800@oyoun.de
SUMMARY:Un:imaginable in Sarajevo  | Our Histories in Conversation - Rwandan\, Bosnian and Uyghur Perspectives on the Role of Film and Art in Remembering Genocide
DESCRIPTION:*Bitte beachtet\, dass die Veranstaltung nicht im Oyoun\, sondern in Sarajevo stattfindet.* \nPaneldiskussion als Teil des AJB Doc Festivals \nGemeinsam mit Esther Mujawayo-Keiner\, Shahnura Kasim und Nihad Kreševljaković erforschen wir die Verbindungen zwischen Kunst\, Film und Erinnerungskultur. \nIn der Paneldiskussion "Our Histories in Conversation - Rwandan\, Bosnian and Uyghur Perspectives on the Role of Film and Art in Remembering Genocide" kommen Filmschaffende\, Künstler*innen und Aktivist*innen aus der bosnischen\, tutsischen und uigurischen Community zusammen\, um ihre persönlichen Erfahrungen und Einblicke zu teilen. Dabei beleuchten sie\, wie Kunst und Film dazu beitragen können\, die kollektive Erinnerung an Genoziden aufrecht zu halten. \nMit dem Erfahrungsaustausch dieser unterschiedlichen Communities soll im Rahmen des Projektes UN:IMAGINABLE - our histories in conversation die universelle Bedeutung der Erinnerung und die Wichtigkeit der Bewahrung und des Austauschs von Geschichten hervorgehoben werden: \nWas treibt sie an?\nWie hinterlassen sie bleibende Spuren?\nWie trotzen sie den Schatten der Vergangenheit? \n\nOrt: Cineplexx Sarajevo\, Zmaja od Bosne 4\, Sarajevo 71000\, Bosnien und Herzegowina\nSprache: Englisch \nBiographien  \nEsther Mujawayo-Keiner \nEsther Mujawayo-Keiner\, 1958 in Ruanda geboren\, ist Soziologin und Aktivistin. Während des Genozids an den Tutsi in Ruanda wurden ihr Mann\, ihre Eltern und ein Großteil ihrer Familie ermordet. Gemeinsam mit anderen Witwen gründete sie die bedeutende Selbsthilfegruppe AVEGA (Association of Widows of the April Genocide). Nach ihrer Ausbildung zur Traumatherapeutin an der University of East Anglia arbeitete sie in dieser Rolle für die Organisation. Zudem ist sie Autorin mehrerer Bücher und produzierte die Fernsehdokumentation "Hope in Hell" für BBC über Frauen\, die während des Genozid absichtlich vergewaltigt und mit HIV infiziert wurden. Esther Mujawayo-Keiner erhielt zwei Preise für ihre Bücher\, das Bundesverdienstkreuz des deutschen Bundespräsidenten (Oktober 2008)\, den Women Social Award in Wien (November 2008) und den UN Watch Award. \nShahnura Kasim \nShahnura Kasim ist uigurische Content Creatorin\, Sprecherin und Aktivistin aus München\, Deutschland. Ihre Eltern flohen vor ihrer Geburt vor der Verfolgung durch China. Derzeit werden jedoch ihr Onkel\, ihre Tante und ihre Großmutter in den berüchtigten Lagern festgehalten. Mit ihrer engagierten Arbeit versucht sie\, das Bewusstsein für den Genozid an den Uiguren zu schärfen\, und hat bereits Hunderttausende von Menschen mit ihrer Botschaft erreicht. \nNihad Kreševljaković \nNihad Kreševljaković\, geboren in Sarajevo\, Bosnien\, ist ein Historiker\, Produzent\, Drehbuchautor und Regisseur. Er ist Direktor des Internationalen Theaterfestivals MESS und des Sarajevo War Theatre. Im Jahr 2011 gründete er zusammen mit seinem Bruder Sead die Dokumentarfilmproduktionsfirma Videoarhiv und arbeitete als Drehbuchautor an zahlreichen Filmprojekten. Im Jahr 2019 wurde Kreševljaković mit dem KAIROS-Preis ausgezeichnet. \nMelina Borčak \nMelina Borčak ist Journalistin\, Filmemacherin und Autorin aus Sarajevo\, Bosnien. Sie arbeitete u.a. für CNN\, arte\, ZDF\, Deutsche Welle\, den Bundestag. Doch mittlerweile arbeitet sie direkt für ihre Follower und veröffentlicht bei Instagram und Twitter unabhängigen Journalismus. Sie arbeitet zu den Themen Genozide\, Medienkritik\, antimuslimischer Rassismus. Ihr Buch "Mekka hier\, Mekka da - Wie wir über antimuslimischen Rassismus sprechen müssen" erschien 2023 bei hanserblau. \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/unimaginable_panel_sarajevo/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/09/unimaginable-sarajevo-website.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220703T180000
DTEND;TZID=Europe/Berlin:20220703T210000
DTSTAMP:20260713T005849
CREATED:20220629T163916Z
LAST-MODIFIED:20220630T091019Z
UID:23196-1656871200-1656882000@oyoun.de
SUMMARY:Decolonizing Voices - Auftakt Wearebornfree Decolonial Mission Academy
DESCRIPTION:Vernetzungs Party mit DJ zum Ausklang der Veranstaltung \nWearebornfree Decolonial Mission Academy\, ein Verein\, der sich noch in der Gründung befindet\, lädt euch herzlich zu ihrer Auftaktveranstaltung ein. Um die Ideen und Ziele des Vereins vorzustellen ist ein Abend geplant\, der durch Lesungen und Diskussionen zum Austauschen und Vernetzen anregen soll. \n\nProgramm: \nZwei dekoloniale Gedichte\, vorgetragen von den Verfasser*innen\n    \nKeynotes zur thematischen Ausrichtung\, Zielsetzung und anstehenden Projekten des Vereins\n    \nPodiumsdiskussion zum Thema „Migrantisierte Stimmen dekolonialisieren“ \nDer Eintritt ist frei!
URL:https://oyoun.de/event/decolonizing-voices/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Lesung,Panel,Texte / Texts
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/06/website-vorlage-12.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210417T160000
DTEND;TZID=UTC:20210417T180000
DTSTAMP:20260713T005849
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203426Z
UID:13065-1618675200-1618682400@oyoun.de
SUMMARY:a'21:Threshold Infrastructures of Residual Spaces III Border Infrastructures and Forensics
DESCRIPTION:►a'21: Threshold Infrastructures of Residual Spaces-III \n:: ABOUT THIS EVENT (EN) :: \nForensic Architecture (FA) is a research agency\, based at Goldsmiths\, University of London\, carrying out investigations with and on behalf of communities and individuals affected by conflict\, police brutality\, border regimes and environmental violence. In this workshop\, FA researcher Stefanos Levidis will discuss the tools and techniques the agency has developed and employed over the past years in order to counter-investigate cases of state violence at the external borders of the EU. Drawing on several complementing case studies\, participants in the workshop will be introduced to complex methodologies of spatial and architectural analysis\, open-source investigation\, digital modelling\, and immersive technologies\, as well as documentary research\, situated interviews\, and cross-disciplinary collaboration. The diverse spectrum of actors and practices involved in these investigations provides critical insight into how novel modes of evidence and testimony amplification emerge\, and how interdisciplinary and collaborative research provides a pathway to democratising the processes of evidence production that have been traditionally monopolised by the state. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Stefanos Levidis\nInstagram\n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. Funded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-iii-border-infrastructures-forensics/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/threshhold.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210416T160000
DTEND;TZID=UTC:20210416T180000
DTSTAMP:20260713T005849
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203442Z
UID:13066-1618588800-1618596000@oyoun.de
SUMMARY:a'21: Threshold Infrastructures of Residual Spaces-II Migrating images
DESCRIPTION:►a'21: Threshold Infrastructures of Residual Spaces-II\nMigrating images \n:: ABOUT THIS EVENT (EN/TR) :: \nAfter several years spent on the global agenda with its normalised images of misery circulating both in mainstream and alternative channels\, in September 2020 the infamous Moria camp was burned to the ground as a result of a riot. Perhaps this is an example of a residual space being “re-residualised” as a form of resistance by its inhabitants. Since the Moria camp burned down\, migrants applying for protection and asking for asylum have been forced to live in the “provisory” camp also known as Moria 2.0\, built on the toxic ground in an old military shooting area on Lesbos Island. At the same time\, a new migrant camp is now planned to be constructed in an area adjacent to the only garbage dump of the island\, in a way that makes the concept of “waste place” extremely concrete. What is the role of the self-representative images of migrants in all these oppressive dynamics? In which ways do these images resist against mainstream representations that normalise pain with countless repetitions? What is the meaning of a “self-residualising” image of a migrant taking a souvenir photo among the ruins of the burned down old Moria camp? How is it possible to produce resisting images and create circulation networks in a place where the self-representative images are prohibited and criminalised by the authorities? This border region\, whose militarisation has been increased through increasing fluxes of capital\, is not only hindering the freedom of movement and the legitimate claims to asylum\, but it is also trying to criminalise the migrants’ practices of visual self-representation and to prohibit the free movement of images. On the one hand\, there is the ongoing circulation of stereotyping mainstream images that contribute to the normalisation of suffering\, while on the other hand\, the anonymous images used by migrants to document their own situation constitute an attempt to controvert this condition. We will discuss all these issues and questions based on the direct experiences of the Lesbos based video-activism migrant collectives. \n► Click "going" on Facebook to stay up to date.\n►Join the event through vimeo. \n:: LINKS :: \n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram\n►Nagehan Uskan\nFacebook\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-ii/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/158973165-290950712455456-9050338816936475544-o.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210415T160000
DTEND;TZID=UTC:20210415T180000
DTSTAMP:20260713T005849
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T203452Z
UID:13064-1618502400-1618509600@oyoun.de
SUMMARY:a'21: Threshold Infrastructures of Residual Spaces-I “Surplus of Destruction”
DESCRIPTION:► a'21: Threshold Infrastructures of Residual Spaces-I\n“Surplus of Destruction” \n:: ABOUT THIS EVENT (EN/TR) :: \nOur workshop -in three parts- implicates complex cartographies of images of forced displacement and war circulating in the digital sphere. We are particularly interested in discussing the social\, material\, cultural\, and political dimensions of digital media infrastructures and threshold infrastructures of residual spaces and related diverse issues such as counter-surveillance\, transversal labor conditions\, access\, curation\, and disruption of violence and social inequalities through visual documentation specifically open-source archives.\nInfrastructure is the object between form and law as architect Keller Easterling defines: “Infrastructure is considered to be a hidden substrate—the binding medium or current between objects of positive consequence\, shape\, and law” (K.Easterling\, 2014). Recently\, the discourses of infrastructure reveal the role of infrastructure in more complex ways. Incomplete and failures of infrastructure are often related to the nature of the infrastructural functions that prolong the process of the infrastructure projects. The process becomes more important (than the complete infrastructure itself) where actors such as the state\, local governments\, developers\, and citizens debate or negotiate\, which leads to more profit and surplus. In short\, instead of the complete object or presentation itself; the incomplete\, the continuous failure\, or the process of infrastructure becomes the vital part. Failure of infrastructure or interruption of infrastructural function brings co-existence of alternative ways of infrastructure in the network of such cities. Infrastructure as an assemblage is another current discourse of infrastructure. As geographer Stephan Graham describes: ” …urban infrastructures as complex assemblages that bring all manner of human\, non-human\, and natural agents into a multitude of continuous liaisons across geographic space” (Graham\, 2010). We call “Threshold Infrastructure” as multiple thresholds of spaces and mediums.\nThe first part of our workshop focuses on the specific region in Turkey that has been witnessing intense political\, cultural conflicts\, urban destruction\, internal migration\, and psychological outcomes for over four decades. Thus\, it is possible to witness the neighborhoods where buildings and humans become waste and garbage in the affected region. We present our continuous visual research that focuses on the residual space\, its dynamics and representations\, and the circulation of the subject and object in the towns; Diyarbakır\, Mardin\, and Cizre. While tracing the sociological\, economic\, and cultural reflections of the invisible sign and unrecorded paths that lasted from urban transformation and migration footsteps on the recorded material\, the workshop takes into its center the methodologies of forensics and ge-ontologies of visual documentation. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► Özge Çelikaslan\nFacebook\nInstagram\n► Pelin Tan\nInstagram \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-threshold-infrastructures-of-residual-spaces-i/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/infrastructure.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210407T180000
DTEND;TZID=Europe/Berlin:20210409T200000
DTSTAMP:20260713T005849
CREATED:20210305T195605Z
LAST-MODIFIED:20210407T183213Z
UID:13287-1617818400-1617998400@oyoun.de
SUMMARY:a'21: Motavali 2 | Media Performances_New Media Society
DESCRIPTION:►a'21: Motavali 2 | Media Performances_New Media Society \n:: ABOUT THIS EVENT (EN/AR) :: \nMotavali 2 (Continuous in Persian) brings together performative positions across different disciplines: lecture performance to Multimedia Installations. Projects which are being made\, being revised\, or tested; while most of our interactions and urgent matters in life are happening “online”. It's inevitable to examine these presences & absences simultaneously. While emotional & economic pressures might force us to act/react irresponsibly toward our collapsing societies & the artificial/passive togetherness. Motavali 2 is the second series of media performance nights curated by New Media Society\, Tehran\, which were interrupted by the pandemic in March 2020 and features artists based in Tehran\, Berlin\, New York and Barcelona. \n:: PROGRAM :: \nDay 1 Wednesday\, April 7\, 2021 // 18:00 (CET) \n► Arash Fayez\nThree\, Rather Than Two (or One)\nPerformative-screening\nDuration: 25 min (approximately)\nKasraa Paashaaei\nSound Performance\nDuration: Unknown\nRaheleh Bahrami & Mehrave Mokhtarian\nPEBDAC [Problem Exists Between Desk and Chair]\nDuration: 20 min \nDay 2 Thursday\, April 8\, 2021 // 18:00 (CET) \n► Mahoor Mirshakkak\nSound Archivist's Enigma\nDuration: 45 min (approximately)\nAmirali Ghasemi\nTehran Remixed\, a "True" story\nDuration: 35 min\nMartin Shamoonpour\nPand-e-Muzik\nDuration: 25 min \nDay 3 Friday\, April 9\, 2021 // 18:00 (CET) \n► Bahar Samadi\nIn mourning for all I have lost and All I will never have.\nDuration: 30 min\nForough Fami\nModern Talking: I’m muted!\nDuration: 30 min (approximately)\nGhazel\nUntitled 9\nDuration: 12 min \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS :: \n► Kasraa Paashaaie \nInstagram  \n► Arash Fayez
arash \nWebsite\nInstagram \n►Forough\nInstagram \n►Mahoor Mirshakkak
\nInstagram \n►R
aheleh Bahrami 
\nInstagram \n►Farnoosh Allahverdi Nik\nInstagram 
 \n►Amirali Ghasemi \nWebsite\nInstagram  \n►Ghazel\nInstagram 
 \n►
Martin Shamoonpour
\nWebsite  \n#Motavaliproject
#newmediasociety
#onlineperformance \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund\n_________________________________________\nwww.oyoun.de @oyounberlin\n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-motavali-2-media-performances_new-media-society/2021-04-07/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/motavali.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210407T150000
DTEND;TZID=UTC:20210411T160000
DTSTAMP:20260713T005849
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T170448Z
UID:13059-1617807600-1618156800@oyoun.de
SUMMARY:a'21: The Intermingled_BAAB Collective
DESCRIPTION:The name of the exhibition is pointing over a huge success of the sit-in space during the Sudan revolution that people come together which never happened in the history of (what's call Sudan) and which shows a victory against the plan of colonialism and the post colonialism operation that's mean to suppress the unity of the Sudan peoples by cruel wars and racism lead to un talk able slavery and very ugly class difference. \n:: ABOUT THIS EVENT (EN/AR) :: \nHere we joined our killer\, our hearts hunted a paid bullet. Here we conquered our fear\, shit and differences. Here a zgrudah (ululation) from a revolutionist mixed with the cheerful machine gun that killed a child\, that freedom whispered in his eager ears a false hope. Here the bloods of martyrs intermingled with a saxophonist soldier whose soul escaped the shame. Here we met with little's\, elders\, bosses and poor's. Here we encountered with smiles and assassins. Here we waited for Atbara artillery*. Here the fear\, joy\, tiredness\, devotion\, love and freedom. Here they killed youths but they couldn't kill their dreams. Here we brought earth and heaven together in a portrait that even the ancient gods cannot imagine . * It is the most powerful & reputed unit in the Sudan army\, the revolutionists waited its interference for long\, but to no avail & eventually it turned into a joke. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► BAAB Collective \nInstagram\nYoutube\nFacebook\nTwitter \nParticipants: \n► Rayan Elhadi Elsayed Hima\nInstagram \n► Nour Yahya Hamza Yahya\nInstagram \nFacebook \n► Bakry Mohamed Salih \nFacebook \n► Elsadig Mohmmed Ahmed \nInstagram \n► Mohamed Salah Elmur \nInstagram\nFacebook \n► Mustafa Elsiddeg Mustafa Gasemlbari:\nInstagram\nFacebook\nYoutube \n\n► Marwan Osman \n  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-the-intermingled-baab-collective/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/baab-intermingled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210326T180000
DTEND;TZID=UTC:20210326T200000
DTSTAMP:20260713T005849
CREATED:20210304T221751Z
LAST-MODIFIED:20210319T100025Z
UID:13052-1616781600-1616788800@oyoun.de
SUMMARY:a'21: A conversation about collective's role in İzmir_ Darağaç
DESCRIPTION:►a'21: A conversation about collective's role in İzmir_ Darağaç \nAudience will have an insight information about the influence of collectives in the art scene of Izmir. \n:: ABOUT THIS EVENT (EN/TR) :: \nA conversation with Tom Keogh and Ali Kemal Ertem from Maquis Project in İzmir and Hande Bozbıyık about the roles of collectives in İzmir. How collectives affect the city? Is it possible to redefine these neighborhoods as reconciliation zones ? Tom Keogh and Ali Kemal Ertem will share their journey of Maquis Projects (İzmir) and Hande Bozbıyık will share her personal story on how her path crossed with the collectives of İzmir. \nHande Bozbıyık ve Maquis Project’ten Tom Keogh ve Ali Kemal Ertem ile İzmir’de kolektiflerin etkisi üzerine bir sohbet. Kolektifler İzmir’de kolektifler ne kadar etkili ? Kolektiflerin bulunduğu mahalleleri bir uzlaşma alanı olarak yeniden tanımlamak mümkün mü? Tom Keogh ve Ali Kemal Ertem Maquis Project’in öyküsünü ve Hande Bozbıyık nasıl kendi hayatıyla bu kolektiflerin kesiştiğini anlatacak. \n►  Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS :: \n► Ali Cem Doğan \nInstagram\nFacebook\nWebsite \n► Ali Kemal Ertem \nInstagram\nFacebook \n►Tom Keogh\nFacebook  \n►Hande Bozbıyık \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-a-conversation-about-collectives-role-in-izmir-daragac/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/daragac2.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210321T150000
DTEND;TZID=UTC:20210321T170000
DTSTAMP:20260713T005849
CREATED:20210304T221751Z
LAST-MODIFIED:20210316T154554Z
UID:13048-1616338800-1616346000@oyoun.de
SUMMARY:a'21: Decolonising Imaginaries : Inve[r]/[n]ting paradigms_Kounaktif
DESCRIPTION:►a'21: Decolonizing Imaginaries : Inve[r]/[n]ting paradigms_Kounaktif \n:: ABOUT THIS EVENT (EN/AR) :: \nPost-digital Ignorance in our region may refer to our ignorance of our roots\, pre-colonial values\, mythologies and imaginaries. This category of Ignorance is very visible in the mainstream art field where we try to duplicate the model found in the West. Our galleries\, concepts of art and inspirations are mostly western because the whole ecosystem is built to sell\, and please sellers who are mostly from the western world or are hugely influenced by the latter\, which can distort the creativity and authenticity of our art world.\nIn the global post-digital era\, a lot of underground artists exist and resist\, and find their inspiration in their futuristic roots\, and they deconstruct the dominant aesthetics by investing the glitch\, the distorted and the error. \nLanguage : Moroccan Darija mixed with English (translation will come later in subtitles) \n► Click "going" on Facebook to stay up to date.\n►Join the event through vimeo.  \n\n:: LINKS :: \n► Kounaktif\nInstagram\nFacebook  \n► Younes El Hossaini\, Badr Houary\, Elodie Lanard\nInstagram  \n► Simo Mansouri \nInstagram \nFacebook\nSoundcloud \n► Abdessamad Baddis\nInstagram \n► Youssef El Idrissi \nInstagram \nFacebook \nWebsite \n► Fatine Arafati\, Kawtar Benlakhdar\, Abir Guasmi\, Salma Kossemini\, Constance Léon\, Youssef El Idrissi \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-decolonizing-imaginaries-inve-ting-paradigms_kounaktif/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/kounaktif.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210319T170000
DTEND;TZID=UTC:20210319T200000
DTSTAMP:20260713T005849
CREATED:20210304T221751Z
LAST-MODIFIED:20210316T203336Z
UID:13045-1616173200-1616184000@oyoun.de
SUMMARY:a'21: Dust to Come_New Media Society/ Parking Video Library
DESCRIPTION:►a'21: Dust to Come_New Media Society/ Parking Video Library \n:: ABOUT THIS EVENT (EN/AR) :: \nDust to come is a re-screening of a former online program at New Media Projects which will take place both online/offline in our space and via our website. Was it ever our future? “The Removed Agency” got me by surprise when I received the invitation to contribute to the Future Threads Program. A teenage sci-fi fan\, who never watched Star Trek or Star Wars\, I asked around from my artist\, cinephile and writer friends\, and in our conversations led to some interesting findings. On the surface\, we don’t talk/write/speculate about the future\, a few animated fantasies\, a few novels dealing with alternative history\, and some timeless dystopian theatre play. And soon I realised I need to educate myself about video games and comic books. Not only we don’t write/create our takes on the future but often being omitted from having future in many other scenarios: in some films\, middle-east is consumed/destroyed\, because of its natural resources and/or appear on some war room’s wall map or flickering dots on a screen during a pandemic outbreak. The future is blurry; we made countless Macro & Micro mistakes; we know the storm is inevitable; we watch science fiction\, or we don’t… The future was never bright as they promised it to be\, for some parts of the world is still as non-existent and discriminatory\, as if it wasn’t pictured at all and never predicted. See-through eyes\, laser guns\, and flying objects became killer drones\, 3D printing both an environmental threat and a cure for ventilator shortage. The colourful plastic future once was pictured dreamy and chic but no one told us about the dust to come. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Arash Khosronejad \nInstagram\n►Arash Hanaei\nWebsite\nInstagram  \n►Nassrin Nasser \nWebsite \nInstagram \n►Maryam Katan \nWebsite\nInstagram \n►Shaahin Peymani \nWebsite\nInstagram  \n►Elnaz Salehi \nInstagram \n►Milad Forouzandeh \nWebsite \n►Mohsen Hazrati \nWebsite\nInstagram  \n►Nazanin Aharipour \nInstagram  \n►Ramin Rahimi \nWebsite  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-dust-to-come_new-media-society-parking-video-library/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/parking-video-library.jpg
END:VEVENT
END:VCALENDAR