BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Oyoun | Kultur NeuDenken - ECPv5.16.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://oyoun.de
X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Berlin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230406T140000
DTEND;TZID=Europe/Berlin:20230414T220000
DTSTAMP:20260727T121326
CREATED:20230322T151911Z
LAST-MODIFIED:20230404T152927Z
UID:29444-1680789600-1681509600@oyoun.de
SUMMARY:Itinerant Geographies – A Proposition for Radical Unbelonging
DESCRIPTION:I have invited a group of friends and colleagues to "unbelong together"\, which resulted in the exchange of practices that make up this program. Following an intuition that gardens\, as places of the "could have been" and the "could be"\, that is\, of failure and hope\, could be the lenses\, the place\, the set of practices\, the impetus\, and/or the systems through and by which to approach issues of belonging/unbelonging\, away from state coercion and other identity politics and determinisms\, I invited them to respond to this intuition with their own practices. \nI hope this exchange will create resonances and conjunctions for new territories\, though it might as well (miss)lead us to dead ends and false connections. Practices of "unbelonging together"\, if they are to be radical\, conceive of displacement as a place of curiosity and strive to create empathy that puts identity and even futurity at risk and\, most importantly\, help us conceive of other ways of being together\, of making collective. \nWe invite you to be part of this experiment\, take part in our practice propositions\, and bring your own practices and your own ways of being or "unbelonging together". \nDiana De Fex\n(Curator/project initiator) \nFree Entry! \n6th to 14th of April \nNo registration required\, except for the open sessions. Please write to daydreamingthearchive[at]gmail.com at least one day before the open session you plan to attend.  \nPROGRAM: \nThursday 6th of April\n\n14:00-17:00 Workshop: Word Compost\n17:00-20:00 Workshop: Memory gardens and social gardening (preparatory session 1)\n15:00-22:00: Interactive Object: The forest indoors: moss carpets for feet. \nFriday 7th of April\n14:00-17:00 Workshop: Embroidery\n17:30- 21:00 Experimental cartographies (Workshop: Dreaming devices: a practice of\ncollective mapping from 17:30 to 20:00 + Participative installation: Cartography of the\ndisappeared cosmos from 20:00 to 21:00)\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nSaturday 8th April\n15:00-19:00 Experimental cartographies (Participative installation: Cartography of\nthe disappeared cosmos from 15:00 to 16:00 + Workshop: Dreaming devices: a practice\nof collective mapping from 16:00 to 19:00)\n20:00 Willow Trees Exist - a performance by Maria Tsitroudi\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nSunday 9th of April\n13:00-14:00 & 14:00-15:00 Participative installation: Cartography of the disappeared\ncosmos\n14:00- 17:00 Open session (share your practice\, show a work-in-progress)\n17:00-20:00 workshop: Memory gardens and social gardening (preparatory session 2)\nall day: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nMonday 10th of April\n11:00-15:00 Workshop: Memory gardens and social gardening (planting session in the\ngarden)\n11:00-12:00 & 12:00-13:00 Participative installation: Cartography of the disappeared\ncosmos\n10:00 -15:00: Interactive Object: The forest indoors: moss carpets for feet\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nTuesday 11th of April\n17:00-20:00 Open session (share your practice\, show a work-in-progress)\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nWednesday 12th of April\n15:00- 18:00 Workshop: Dreaming devices: a practice of collective mapping\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nThursday 13th of April\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nFriday 14th of April\nall day: immersive installation: The labyrinth of our existence\nall day: Video installation: Cotton Flowers Exist\nall day: Video installation: Making a fuss \nFull program with event descriptions in English and German here. \n––– \n_About the performers:  \nMaria Tsitroudi works in the field of performing arts with a focus on Choreography and Performance since 2003. She studied Applied Theatre at Aristotle University of Thessaloniki (2003)\, Dance at Rallou Manou\, Athens (2011)\, and Choreography and Performance at JLU in Germany (2019). In her work she focuses on the relationships among identity\, current events\, and poetics\, experimenting with how geographies can be expressed by the utopic medium of performance. Her works Willow trees exist\, Cotton flowers exist\, Apricot Trees exist or an Impossible walk\, Don’t kill the messenger\, Zones of Immaterial Pictorial Sensibility\, Nekri Fysi\, Icono-Stasis have been presented in Giessen\, Frankfurt\, Kassel\, Darmstadt\, Mannheim\, Berlin and Athens. She lives and works in Giessen. \nNitish Jain (b.1989) is an immersive storyteller working across the mediums of architecture\, performance art\, and installations. He is the founder of Studio MoreThanThat\, an artistic [agency/practice] that makes multi-sensory experiences. They invite audiences to sense rather than see their works by incorporating touch\, taste\, smell\, listening\, and seeing in different ways. Nitish trained as an architect and as a scenographer. He was born in India and he currently lives and works in Prague\, Czechia.  \nDiana De Fex is a performer\, choreographer\, and art pedagogue using artistic methods (narrative storytelling\, autoethnography\, somatics) to explore human- environment relations and politics beyond identity and representation. They is interested in researching non-binary and non-linear logics and perceptions\, freedom of speech and of dissent as well as restorative justice. She/they is currently completing an MA in Choreography and Performance at the Institute for Applied Theatre Studies-Giessen. \nOlga Popova is a Ukrainian artist educated in film\, theater\, and acting and based in Germany. Her interest lies in the plasticity of the environment and its translation and transformation into the stage or other non-theatrical spaces. She is currently enrolled\nin the MA  Applied Theater Studies program in Giessen with a specialization in Performing Arts Practice. \nChristian Maturana describe themselves as a drop of water in the ocean. \nFabián Franco Márquez is a visual artist working in scenography and painting (murals\, billboarding\, and street art) as well as art pedagogy. He graduated from the University of Cluj-Napoca and currently lives and works in Leipzig. \nVincent Viala works as a musician and music educator in various formats\, and in theatrical-performative contexts backstage. In addition to solo and band projects ranging from garage-punk to singer-songwriter\, to experimental improvisation\, Viala works on compositional experiments and fragments\, which go in various directions of acoustic/time-based art. "Misappropriation" of conventional instruments\, or electronic and sample-based are preferred techniques here\, which also come to bear especially in the musical accompaniment of performing art. Thereby he moves in the absurd\, in experiment and noise\, in improvisation\, in melancholy and dissonance\, as well as in the fragile\, in the little\, in repetition\, in the atmospheric. Spontaneity\, expressivity\, freedom of means and material\, and the unique capacity of sound to create emotional meaning are important themes in his work. Since 2017\, Viala has been studying B.A. Music Education with minors in Musicology and Sociology at the JLU in Giessen. \n\nSupported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR. \nIn Oyoun there is no place for sexism\, queer hostility\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or anti-Semitism. The same applies to any kind of violent\, aggressive or abusive behavior. Oyoun offers a safe space for everyone\, an open forum for dialogue and a place where we support and stand up for one another. If someone or something is bothering you during an event\, please contact a member of our staff who is there to help! If you have an experience to share with us after an event\, please drop us a line E-mail or send us an anonymous message via our website.
URL:https://oyoun.de/event/itinerant-geographies/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/03/website-vorlage-63.jpg
END:VEVENT
END:VCALENDAR