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DTSTART;TZID=Europe/Berlin:20230708T190000
DTEND;TZID=Europe/Berlin:20230708T200000
DTSTAMP:20261108T195949
CREATED:20230616T110010Z
LAST-MODIFIED:20230703T142633Z
UID:30845-1688842800-1688846400@oyoun.de
SUMMARY:Film + Discussion | Outsiders in Berlin
DESCRIPTION:Outsiders in Berlin seeks to center and unpack consent in the form of movement/the absence of autonomy\, counter the ideals of Völkerschauen\, & discuss what it means to be viewed and consumed without acquiescence. All with the focus on how Black transmasculine individuals navigate space in Berlin. \nProgramming will take place over the course of two days: July 8th will include the screening of films by Jota Ramos & SJ Rahatoka\, along with an artist discussion and conversation. July 9th will include performances by Kalil Bat & Bishop Black whose movements will center on the notion of questioning consent\, & objectification\, all while navigating black masculinity within queer Berlin society.  \nQuestions to consider: \n\nWhose bodies are relegated to the perpetual state of being viewed? How does consent operate in this dynamic?\nHow can we reposition this dynamic?\nHow are Black Queer spaces being utilized to specifically address the lack of visibility for Black Trans Masc individuals living in Berlin?\nHow can we increase the development of safer and more visible spaces to exist here in Berlin?\nHow does autonomy function today when dealing with a history predicated on its absence?\nHow are we addressing our own personal biases\, & misogyny when sharing space/ interacting with the black trans masculine community?\n\nFree admission! Please register here. \nRegistration also possible via bycatjones(at)gmail.com \nLanguage: English \nBiographies \nCat Jones \nCat Jones is a multidisciplinary artist & independent curator whose work centers on the interpersonal dialogue one has with the external world\, in ways that are inviting\, sharp\, and warm. \nInstagram\nWebsite \nKalil \nBorn in France\, with an Afro-Creole background\, Kalil Bat is a freelance dancer and performer currently based in Berlin. Kalil has been training Contemporary dances and pole-dancing for many years\, as well as contorsion and acrobatics. He is currently enrolled in a full-time dance education while still pursuing his artistic career and enriching his movement vocabulary through various projects in Berlin and Europe. \nInstagram \nBishop \nBishop Black (they/them) is a porn performer\, sex worker\, dancer and all-round charmer living in been In their stage and screen performances Bishop works with mythology\, occultism and queerness\, as well as exploring themes of sexual fluidity and race. \nInstagram \nJota \nJota (b.Brazil\, 1989) is a transmasculine non - binary multidisciplinary artist based in Berlin. Beginning with autobiographical artistic experiments\, Ramos explores the practices of performance\, video\, installation\, photography\, and poetry. Creating peripheral dissident subjectivities that dialogue with symbolic\, etymological\, and black and brown identity references\, he seeks to bring a poetic reflection as a healing space thinking about how to portray the authenticity of the brown body in a genuine way\, as a light-skinned Black person. His research investigates tools to build an antiracist and powerful representation of bipoc trans people’s sociality\, identity\, and their historical journey. He is currently studying directing at FilmArche in Berlin and has a postgraduate degree in applied social science by the Pontifical Catholic University of Rio Grande do Sul where he researched the black female entrepreneur movement in the southern region of Brazil. \nInstagram \nSJ \nSJ Rahatoka is a Black Transmasculine interdisciplinary performance creator and filmmaker based in Berlin. He is from Madagascar and Mauritius and was raised in France where he studied literature\, theater\, art and philosophy.  SJ’s creations explore the themes of Afrofuturism\, Trans identity\, Queerness\, and Interconnectedness. He is part of the collective creation of the Queer Sci-fi international movie Swarm of Selenium in 2016. In July 2021\, his Queer Sci-fi script Falling into the Light about ancestral healing was selected by BAAB and he had 48h to direct it collectively with 5 other Black filmmakers. The film premiered at the festival Black Reels in July 2022 in Berlin. Since October 2021\, SJ has been part of filmArche where he studies fiction directing and screenwriting. In 2022\, SJ wrote and directed Volana’s Eclipse that was selected for the Vierte Welle festival in the category Trans Lives matter and Xposed festival in June 2023. \nInstagram \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/outsidersinberlin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance,Screening
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-outsiders.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230709T190000
DTEND;TZID=Europe/Berlin:20230709T200000
DTSTAMP:20261108T195949
CREATED:20230616T115624Z
LAST-MODIFIED:20230703T142551Z
UID:30856-1688929200-1688932800@oyoun.de
SUMMARY:Performance | Outsiders in Berlin
DESCRIPTION:Outsiders in Berlin seeks to center and unpack consent in the form of movement/the absence of autonomy\, counter the ideals of Völkerschauen\, & discuss what it means to be viewed and consumed without acquiescence. All with the focus on how Black transmasculine individuals navigate space in Berlin. \nProgramming will take place over the course of two days: July 8th will include the screening of films by Jota Ramos & SJ Rahatoka\, along with an artist discussion and conversation. July 9th will include performances by Kalil Bat & Bishop Black whose movements will center on the notion of questioning consent\, & objectification\, all while navigating black masculinity within queer Berlin society.  \nQuestions to consider: \n\nWhose bodies are relegated to the perpetual state of being viewed? How does consent operate in this dynamic?\nHow can we reposition this dynamic?\nHow are Black Queer spaces being utilized to specifically address the lack of visibility for Black Trans Masc individuals living in Berlin?\nHow can we increase the development of safer and more visible spaces to exist here in Berlin?\nHow does autonomy function today when dealing with a history predicated on its absence?\nHow are we addressing our own personal biases\, & misogyny when sharing space/ interacting with the black trans masculine community?\n\nFree admission! Please register here. \nRegistration also possible via bycatjones(at)gmail.com \nLanguage: English \nBiographies \nCat Jones \nCat Jones is a multidisciplinary artist & independent curator whose work centers on the interpersonal dialogue one has with the external world\, in ways that are inviting\, sharp\, and warm. \nInstagram\nWebsite \nKalil \nBorn in France\, with an Afro-Creole background\, Kalil Bat is a freelance dancer and performer currently based in Berlin. Kalil has been training Contemporary dances and pole-dancing for many years\, as well as contorsion and acrobatics. He is currently enrolled in a full-time dance education while still pursuing his artistic career and enriching his movement vocabulary through various projects in Berlin and Europe. \nInstagram \nBishop \nBishop Black (they/them) is a porn performer\, sex worker\, dancer and all-round charmer living in been In their stage and screen performances Bishop works with mythology\, occultism and queerness\, as well as exploring themes of sexual fluidity and race. \nInstagram \nJota \nJota (b.Brazil\, 1989) is a transmasculine non - binary multidisciplinary artist based in Berlin. Beginning with autobiographical artistic experiments\, Ramos explores the practices of performance\, video\, installation\, photography\, and poetry. Creating peripheral dissident subjectivities that dialogue with symbolic\, etymological\, and black and brown identity references\, he seeks to bring a poetic reflection as a healing space thinking about how to portray the authenticity of the brown body in a genuine way\, as a light-skinned Black person. His research investigates tools to build an antiracist and powerful representation of bipoc trans people’s sociality\, identity\, and their historical journey. He is currently studying directing at FilmArche in Berlin and has a postgraduate degree in applied social science by the Pontifical Catholic University of Rio Grande do Sul where he researched the black female entrepreneur movement in the southern region of Brazil. \nInstagram \nSJ \nSJ Rahatoka is a Black Transmasculine interdisciplinary performance creator and filmmaker based in Berlin. He is from Madagascar and Mauritius and was raised in France where he studied literature\, theater\, art and philosophy.  SJ’s creations explore the themes of Afrofuturism\, Trans identity\, Queerness\, and Interconnectedness. He is part of the collective creation of the Queer Sci-fi international movie Swarm of Selenium in 2016. In July 2021\, his Queer Sci-fi script Falling into the Light about ancestral healing was selected by BAAB and he had 48h to direct it collectively with 5 other Black filmmakers. The film premiered at the festival Black Reels in July 2022 in Berlin. Since October 2021\, SJ has been part of filmArche where he studies fiction directing and screenwriting. In 2022\, SJ wrote and directed Volana’s Eclipse that was selected for the Vierte Welle festival in the category Trans Lives matter and Xposed festival in June 2023. \nInstagram \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/outsidersinberlin_2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance,Screening
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-outsiders.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230709T193000
DTEND;TZID=Europe/Berlin:20230709T230000
DTSTAMP:20261108T195949
CREATED:20230615T125755Z
LAST-MODIFIED:20230703T110147Z
UID:30636-1688931000-1688943600@oyoun.de
SUMMARY:Album Launch + Concert | The Art of Boo: KAPUT
DESCRIPTION:Our Fellow Bernard Hage invites everyone to his second music album launch and live concert on the 9th of July here at Oyoun! \n“Kaput” is the second music album by Lebanese cartoonist and musician Bernard Hage\, also known as “The art of Boo". The work consists of a series of piano based tunes that chronicle the artist's distress during the tumultuous crisis in Lebanon\, from the early protests in October 2019 until his immigration to Berlin in June 2021. \nComposed and performed by Bernard Hage and Anthony Sahyoun\, with Akram Hajj on drums and Firas Hallak on visuals. \nEntry: 19:00 h\, Start: 19:30 h  \nFREE ADMISSION! \nRegistration: not required  \nLanguage: English \nPhoto Credits: @the.art.of.boo \nWith the support of the Berlin Senate Department of Culture and Europe and Oyoun. \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic can be found here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/album-launch-concert-kaput/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-72.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230711T163000
DTEND;TZID=Europe/Berlin:20230711T190000
DTSTAMP:20261108T195949
CREATED:20230615T131439Z
LAST-MODIFIED:20230707T141455Z
UID:30783-1689093000-1689102000@oyoun.de
SUMMARY:Tanzworkshop | Was bewegt dich?
DESCRIPTION:Was bewegt mich? Was motiviert mich? Was will ich in dieser Gesellschaft verändern? Welche Themen sind mir wichtig? Wie kann ich mich ausdrücken? \nUnser Tanztheaterprojekt “Was bewegt dich?” lädt FLINTA* zwischen 15 und 18 Jahren dazu ein\, diese Fragen durch Tanz und Theater auf die Bühne zu bringen und so über Identität\, Motivation und Meinungen gemeinsam zu reflektieren. In den Sommerferien werden wir eine Woche lang tanzen\, improvisieren\, Rollen spielen\, unsere eigene Musik erstellen und Kostüme kreieren\, um final ein kollektives Tanztheaterstück aufzuführen. \n*** Schnupperkurse\, lernt uns kennen!*** \n\n03.07.2023 - 16.30 bis 19.00 Uhr: Jugendclub Underworld\, Glasowerstr. 18\, 12051 Berlin \n\n04.07.2023 - 16.30 bis 19.00 Uhr: Phantalisa\, Kadiner Str. 9\, 12043 Berlin \n\n11. & 13.07.2023 - 16.30 bis 19.00 Uhr: Oyoun\, Lucy-Lameck-Str.32\, 12049 Berlin \n\n*** Projektwoche & Aufführungen*** \n24. - 28.07.2023 - täglich von 10.00 -18.00 Uhr im Oyoun  \n28./29./30.07.2023 - Öffentliche Aufführungen \nAnmeldung & Kontakt unter: bewegen[at]oyoun.de \nDie Teilnahme ist kostenlos. \nSprache: Deutsch  \n––– \nCredits \n "Was bewegt dich?“ ist ein Projekt von Oyoun-Kultur NeuDenken\, das in Kooperation mit Outreach Underworld\, Phantalisa und AQUItheater Berlin durchgeführt wird und von ChanceTanz\, einem Projekt von „Aktion Tanz - Bundesverband Tanz in Bildung und Gesellschaft e. V.“ im Rahmen des Programms „Kultur macht stark. Bündnisse für Bildung“ des BMBF gefördert. \nAccessibility \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness  \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/was-bewegt-dich/2023-07-11/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Workshop
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230712T181500
DTEND;TZID=Europe/Berlin:20230712T193000
DTSTAMP:20261108T195949
CREATED:20230317T162731Z
LAST-MODIFIED:20230706T132732Z
UID:29387-1689185700-1689190200@oyoun.de
SUMMARY:Yoga für BIPoC | Diaspora Wellness Club
DESCRIPTION:Every week at Oyoun\, Yoga-teacher Helen Workneh invites you to practice yoga in a cosy and safe environment. This is a BIPOC only space and open for all levels. You need to bring your own mat. In addition\, a sweater or blanket might come in handy for the final relaxation. \nClasses are 75 minutes and cost 5-15€ which will be payed in cash upon arrival. 5€ applies for people with low income\, 10€ is the regular contribution. Persons who have the means and like to support can pay 15€. The capacity is limited\, so make sure to secure your spot on time. To sign up or get more information click here. \n\nTickets: Sliding scale -> 5€ - 15€\nRegistration + further info: https://buytickets.at/diasporawellnessclub/781586 \nIf you have any questions or concerns\, get in touch: hello@helenworkneh.de \nAbout the teacher: \nHelen is a Berlin based yoga teacher with Ethiopian roots. \nShe believes in the uplifting benefits of yoga for all\, regardless of culture\, gender and class and creates spaces for BIPOC to practice yoga in a safe setting. Helen understands yoga as a spiritual path that goes beyond the physical aspect and has the potential to enhance both the individual and collective well being. \nAccessibility \nOyoun is constantly working to make access to all events as barrier-free as possible. To receive individual information on accessibility\, please send us an E-mail to access(at)oyoun.de. We will get back to you as soon as possible. You'll find more information on the topic here. \nAwareness  \nIn Oyoun there is no place for sexism\, queer hostility\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or anti-Semitism. The same applies to any kind of violent\, aggressive or abusive behavior. Oyoun offers an open forum for dialogue and a place where we support and stand up for one another. If someone or something is bothering you during an event\, please contact a member of our staff who is there to help! If you have an experience to share with us after an event\, please email us or send us an anonymous message through our website. \n 
URL:https://oyoun.de/event/yoga-fuer-bipoc-diaspora-wellness-club-4/2023-07-12/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Yoga / Body Work
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/10/website-yoga.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T140000
DTEND;TZID=Europe/Berlin:20230715T210000
DTSTAMP:20261108T195949
CREATED:20230628T152738Z
LAST-MODIFIED:20230712T103659Z
UID:30801-1689429600-1689454800@oyoun.de
SUMMARY:Lecture Performance + Screening | Species\, Soil and Successors
DESCRIPTION:Lecture Performances\, Screening and discussion with contributions by Hillside Projects\, Julia Schuster\, Devadeep Gupta\, Lea Maria Wittich and Nilanjan Bhattacharya. Curated by Arijit Bhattacharyya \nOyouns curatorial focus Listening to the Land launches with Species\, Soil and Successors by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nBased on curatorial research and a remote art residency\, the project shares its first creations at Oyoun Berlin on Saturday\, 15 July\, 2023\, between 2 pm and 9 pm. In the presence of the curator and participating artists\, the first chapter will be presented as part of a conference with lecture performances and a subsequent panel discussion. The second chapter of Species\, Soil and Successors will also be opened on 15 July 2023 with a multimedia exhibition at Oyoun. \nAfter kicking off the event with a screening by interdisciplinary artist Julia Schuster\, Hillside Projects' lecture performance Searching For the European Roller maps the life\, movement and disappearance of the bluebird – The European Roller – excavating the many layers surrounding the birds’ need for departure and the strong national desire in the context of Sweden for it to return. Devadeep Gupta’s work tackles the Baghjan Oil Blowout\, which happened on an Oil-India Limited-owned site on 27th of May 2020 in an area home to a multitude of migratory birds and animals and which has caused the displacement of more than 1600 families who were in the vicinity of the site of gas blowout. In her performance Molluscular modes\, artist Lea Maria Wittich is indulging in a political history of the snail and doing an associative research on slowness\, spirals\, slime\, snails and slugs\, whereas Nilanjan Bhatttacharya’s Of the Sun and the Moon\, the Water\, the Soil\, and the Daily is a kaleidoscopic\, live and solo reading performance intertwined with moving images and sound that reminds the audience and himself about our current disguised\, dystopian order. \nWe are surviving through an epoch of spiralling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? \nSpecies\, Soil and Successors imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nFree admission! \nLanguage: English \nTimetable \n14:00 Doors\n14:30 Julia Schuster (Videoscreening)\n15:00 Hillside Projects – "Searching For the European Roller"\n16:00 Devadeep Gupta – "Normalisation of a Disaster"\n17:00 Lea Maria Wittich – "Molluscular modes"\n18:00 Nilanjan Bhattacharya – "Of the Sun and the Moon\, the Water\, the Soil\, and the Daily"\n19:30 Discussion \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nHillside Projects \nis Emily Berry Mennerdahl and Jonas Böttern. Situated within a conceptual framework\, their work explores tales of disappearances in the natural world and the interrelated socio-political narratives and existential emotions that arise through these tales. Hillside Projects approach their subject matter by embracing the absurd\, the comedic\, and the tragic. Hillside Projects’ works are manifested as text\, video\, painting\, sound\, and large site-specific installations. Performance lies at the core of their practice\, explored through performative walks\, lecture performances and time-based presentations. Hillside Projects tell stories. Stories of ecological collapses and failed symbiosis. Stories about birds. Colourful birds on the brink of extinction\, birds killed in aeroplane crashes\, birds that eat the dead. In their making\, the bird stories expand into larger narratives. Narratives about the cycles of life\, of being eaten and eating\, and of dust. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nLea Maria Wittich \nIn her artistic work\, Lea Maria Wittich (*1994) explores questions of social and ecological justice and the coexistence of human and non-human agents. In her conceptual works\, which are informed by intensive "random research\," she uses a variety of media\, particularly clothing\, objects\, and performance\, and situates them in site-specific contexts. She studied Fashion at the Berlin University of the Arts as well as "Public Art and New Artistic Strategies" at the Bauhaus-Universität Weimar. \nWebseite \nJulia Schuster  \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nNilanjan Bhattacharya \nis a filmmaker\, artist and writer from Calcutta\, India. For the last fifteen years\, he has been exploring biodiversity\, food cultures and indigenous knowledge systems in India. His works include Johar Welcome To Our World\, Ninety Degrees\, Rain in The Mirror\, Fishing Out of Time\, and Quiet Flown the Stream; they were exhibited at Mumbai International Film Festival\, Goteberg International Film Festival\, European Kunsthalle\, Frankfurter Kunstverein\, Experimenter Art Gallery and Wellcome Collection Gallery. Nilanjan received the President’s Award of India in 2005 and 2010. \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nPhoto Credit: Devadeep Gupta \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Swagata Bhattacharyya\, Binita Limbani\, Julia Schuster. \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land. \n–––– \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic  here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_opening/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Lesung,Panel,Performance,Screening,Talk,Texte / Texts
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-77.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T140000
DTEND;TZID=Europe/Berlin:20230715T210000
DTSTAMP:20261108T195949
CREATED:20230628T153308Z
LAST-MODIFIED:20230712T103917Z
UID:31323-1689429600-1689454800@oyoun.de
SUMMARY:Exhibition Opening | Species\, Soil and Successors
DESCRIPTION:Multimedia-exhibition Opening with artworks by Studio 33/3\, Devadeep Gupta and Julia Schuster. \nOyouns latest curatorial focus Listening to the Land launches with “Species\, Soil and Successors” by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nIn its second segment “Soil and Successor”\, the project holds space for artistic engagement in peripheral socioecologies. Through a remote artist residency with Studio 33/3\, Swagata Bhattacharyya and Binita Limbani\, the project confronts us with another reality where climate catastrophe structures everyday life. The resulting multimedia exhibition\, which is on display at Oyoun between 15 and 26 July will present audiovisual works of some of the residency artists as well as of the artists Devadeep Gupta and Julia Schuster. Some of the video works will be screened at the launch event on 15 July as well. \nWe are surviving through an epoch of spiraling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? "Species\, Soil and Successors" imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nExhibition opening on 15 July 2023\, 14:00 - 21:00 h\nFrom 16 - 26 July daily between 13:00 h and 19:00 h \nFree admission! \nLanguage: English \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nStudio 33/3 \nis a grassroots Indian artist collective comprised of Soumik Ghosh\, Shibayan Halder\, and Suvojit Roy. They are known for their unique approach to challenging extractivism and advocating for alternative demurral positioning through artistic and cultural inquiry. The collective's work seeks to understand extractivism as a class-based practice and offers alternative perspectives on contemporary cultural tendencies. \nThey explore the rural-urban divide that exists in West Bengal. The collective recognizes this division and investigates its implications for the region. They delve into the complex dynamics and socio-economic disparities between rural and urban areas\, examining how these divisions perpetuate inequality and affect various aspects of society. \nIn their artistic practice\, Suvojit\, Soumik and Shibayan take into account the postcolonial understanding of the nation-state as an extension of colonial heritage. This perspective recognizes the enduring influence of colonialism on social\, cultural\, and economic structures within the nation. By examining the contemporary context through this lens\, the collective aims to shed light on the ongoing effects of colonialism and challenge the status quo. \nMoreover\, Studio 33/3 is particularly interested in exploring the ecological devastation occurring in the region as a class struggle. They view environmental issues not only as matters of ecological concern but also as interconnected with social and economic factors. By examining the environmental impact through the lens of class struggle\, the collective aims to highlight the unequal distribution of environmental burdens and advocate for more equitable and sustainable practices. \nSoumik Ghosh \nis a multidisciplinary visual artist hailing from Kolkata\, India. His artistic exploration centres around politics and social representation\, seeking to challenge the prevailing constructs of contemporary Bengali society. Influenced by literature\, oral history\, and films\, Ghosh's work reflects a deep engagement with various forms of storytelling and cultural narratives. \nHis practice encompasses a range of mediums\, including performances\, paintings\, photographs\, and large-scale installations. Through these artistic forms\, he interrogates societal norms and conventions\, encouraging critical reflection on the existing power structures and social hierarchies. His work is both self-referential and socially conscious\, delving into personal experiences while also addressing broader societal contradictions. \nShibayan Halder \nis a multidisciplinary artist whose upbringing has been shaped by the profound disagreement between Communist West Bengal and the wave that led to its overthrow. This conflict was not only political but also symbolic of the tension between the urban and rural spheres. Halder's artistic practice deeply resonates with this conflict\, exploring the changing sociopolitical landscape and metaphors of people and their evolving relationship with nature in the small villages of South 24 Parganas\, West Bengal. \nThrough his work\, Shibayan reflects on the shifting dynamics of power\, society\, and nature within these rural communities. He delves into the intricate interplay between these elements\, capturing the nuances and complexities of their relationships. His artistic exploration revolves around the sociopolitical scenario of the region\, considering the impacts of political transformations and urbanization on the lives of the people and beyond in these villages. His work serves as a metaphorical lens through which he examines the evolving dynamics and tensions between the urban and rural realms and their influence on local communities of human and non-human agents. \nFurthermore\, his practice underscores the profound connection between people and nature within these rural environments. Shibyan explores the intricate relationship\, often emphasizing the transformative nature of this bond. Through his artwork\, he encourages viewers to contemplate the evolving dynamics between humans and their natural surroundings\, reflecting on how these relationships shape and are shaped by larger sociopolitical forces. \nSuvojit Roy \nis a visual art practitioner based in Kolkata\, India. His artistic practice draws inspiration from his day-to-day life and the surroundings in which he lives. Growing up in a slum\, Suvojit has developed a keen interest in understanding and exploring the slum as a unique living organism. His works revolve around the circumstances of life in his immediate vicinity\, offering a nuanced perspective on the realities of his community. \nThrough his lived experiences\, Suvojit delves into the politics of building and its socio-cultural implications\, particularly concerning the city. His artwork reflects a deep engagement with the social\, economic\, and cultural aspects of slum life and access to resources. By highlighting the experiences of the economically underprivileged and ecologically marginalized\, Suvojit's works give voice to the often marginalized and overlooked perspectives within society. \nOne notable theme in Suvojit's art is the exploration of the concept of "home" within the context of economic disadvantage. His works offer a gaze into the lives of the underprivileged and attempt to narrate their experiences through the lens of "otherness" within their own country. By doing so\, Suvojit challenges societal norms and sheds light on the lived realities of those who are often stigmatized or marginalized. \nSuvojit's artistic practice also reflects his engagement with the socio-political dynamics surrounding his social condition. He sees his work as a means of negotiating space and challenging the political and cultural agendas that often deem people in his social condition as "illegal" or outside the norm. \nJulia Schuster  \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Julia Schuster \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_exhibition_opening/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-76.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T150000
DTEND;TZID=Europe/Berlin:20230715T200000
DTSTAMP:20261108T195949
CREATED:20230701T170425Z
LAST-MODIFIED:20230703T142236Z
UID:31398-1689433200-1689451200@oyoun.de
SUMMARY:Film + Discussion | Transnational Apartheid? Namibia\, South Africa\, USA and beyond - A Community Conversation
DESCRIPTION:Film screening of “Germans in Namibia: Apartheid continued...”\, a 2-part documentary. To be followed up by a community discussion round \nThe film dives into the enduring coloniality of German settler colonialism in Namibia and its legacy on the sociopolitical context in Namibia today. A community-based discussion round will follow to tackle the still existing issue and legacy of Apartheid in the world\, as well as its historical rootedness in settler colonialism and slavery. The event will be held with a story-teller from Namibia\, the USA\, and Germany. It invites people from different communities to be in conversation with each other\, interrogate said subjects and how settlerism and apartheid continue to frame our lives and political agency. It will also interrogate contemporary questions of organising in an environment of shrinking spaces for radical organising\, especially concerning Black-centered issues as well as beyond. \nEvent to be held in English and German. Film is in English\, German subtitles are available. After the event there will be Ethiopian food (even is not funded\, so own/individual payments) in the garden space of Oyoun. \nTicket: Free admission \nRegistration: Possible via namupa@sankofamagik.com  \nLanguage: Englisch + German \nSchedule \n15:00 h Arrival of guests and brief address\n15:05 h - 15:30 h Brief introduction of groups\, movements and people present \n15:30 h – 16:00 h Short Documentary Film Screening\, Namibian Apartheid Today \n16:00 h - 18:00 h Discussion\n18:00 -20:00 h Ethiopian Food Dinner on Oyoun grounds at individual costs \nBiographies  \nNamupa Shivute is a storyteller\, researcher and freelance journalist from Namibia \nE. Chris Summerhill\, is an educator in Social Sciences \nInez Singleton is a retired educator and manager of Federal Education Programs in Alabama\, USA \nPreparation \nPeople are welcome to watch the (following) videos in advance\, if possible and acquaint themselves with the definition of Apartheid\, see below: \nRome Statute\, 1999\, p. 4\, \nArticle 7: Crimes Against Humanity\, Paragraph 2\, h:\nhttps://www.icc-cpi.int/sites/default/files/RS-Eng.pdf \nh) "The crime of apartheid" means inhumane acts of a character similar to those referred to in paragraph 1\, committed in the context of an institutionalized regime of systematic oppression and domination by one racial group over any other racial group or groups and committed with the intention of maintaining that regime; \nCésaire\, Namibia\, Germany\, and Fascism: \nhttps://www.youtube.com/watch?v=KWGJqIy79f0 \nApartheid Continued - Germans in Namibia:\n1) https://www.youtube.com/watch?v=Z-N9luQaXrE\n2) https://www.youtube.com/watch?v=2kiQOrNwkR0&t=7s \n  \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/transnational_apartheit/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/07/namibia.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230716T130000
DTEND;TZID=Europe/Berlin:20230726T190000
DTSTAMP:20261108T195949
CREATED:20230628T152752Z
LAST-MODIFIED:20230712T104348Z
UID:31315-1689512400-1690398000@oyoun.de
SUMMARY:Exhibition | Species\, Soil and Successors
DESCRIPTION:Multimedia-exhibition with artworks by Studio 33/3\, Devadeep Gupta and Julia Schuster. \nOyouns latest curatorial focus Listening to the Land launches with “Species\, Soil and Successors” by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nIn its second segment “Soil and Successor”\, the project holds space for artistic engagement in peripheral socioecologies. Through a remote artist residency with Studio 33/3\, Swagata Bhattacharyya and Binita Limbani\, the project confronts us with another reality where climate catastrophe structures everyday life. The resulting multimedia exhibition\, which is on display at Oyoun between 15 and 26 July will present audiovisual works of some of the residency artists as well as of the artists Devadeep Gupta and Julia Schuster. Some of the video works will be screened at the launch event on 15 July as well. \nWe are surviving through an epoch of spiraling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? "Species\, Soil and Successors" imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nExhibition opening on 15 July 2023\, 14:00 - 21:00 h\nFrom 16 - 26 July daily between 13:00 h and 19:00 h \nFree admission! \nLanguage: English \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nStudio 33/3 \nis a grassroots Indian artist collective comprised of Soumik Ghosh\, Shibayan Halder\, and Suvojit Roy. They are known for their unique approach to challenging extractivism and advocating for alternative demurral positioning through artistic and cultural inquiry. The collective's work seeks to understand extractivism as a class-based practice and offers alternative perspectives on contemporary cultural tendencies. \nThey explore the rural-urban divide that exists in West Bengal. The collective recognizes this division and investigates its implications for the region. They delve into the complex dynamics and socio-economic disparities between rural and urban areas\, examining how these divisions perpetuate inequality and affect various aspects of society. \nIn their artistic practice\, Suvojit\, Soumik and Shibayan take into account the postcolonial understanding of the nation-state as an extension of colonial heritage. This perspective recognizes the enduring influence of colonialism on social\, cultural\, and economic structures within the nation. By examining the contemporary context through this lens\, the collective aims to shed light on the ongoing effects of colonialism and challenge the status quo. \nMoreover\, Studio 33/3 is particularly interested in exploring the ecological devastation occurring in the region as a class struggle. They view environmental issues not only as matters of ecological concern but also as interconnected with social and economic factors. By examining the environmental impact through the lens of class struggle\, the collective aims to highlight the unequal distribution of environmental burdens and advocate for more equitable and sustainable practices. \nSoumik Ghosh \nis a multidisciplinary visual artist hailing from Kolkata\, India. His artistic exploration centres around politics and social representation\, seeking to challenge the prevailing constructs of contemporary Bengali society. Influenced by literature\, oral history\, and films\, Ghosh's work reflects a deep engagement with various forms of storytelling and cultural narratives. \nHis practice encompasses a range of mediums\, including performances\, paintings\, photographs\, and large-scale installations. Through these artistic forms\, he interrogates societal norms and conventions\, encouraging critical reflection on the existing power structures and social hierarchies. His work is both self-referential and socially conscious\, delving into personal experiences while also addressing broader societal contradictions. \nShibayan Halder \nis a multidisciplinary artist whose upbringing has been shaped by the profound disagreement between Communist West Bengal and the wave that led to its overthrow. This conflict was not only political but also symbolic of the tension between the urban and rural spheres. Halder's artistic practice deeply resonates with this conflict\, exploring the changing sociopolitical landscape and metaphors of people and their evolving relationship with nature in the small villages of South 24 Parganas\, West Bengal. \nThrough his work\, Shibayan reflects on the shifting dynamics of power\, society\, and nature within these rural communities. He delves into the intricate interplay between these elements\, capturing the nuances and complexities of their relationships. His artistic exploration revolves around the sociopolitical scenario of the region\, considering the impacts of political transformations and urbanization on the lives of the people and beyond in these villages. His work serves as a metaphorical lens through which he examines the evolving dynamics and tensions between the urban and rural realms and their influence on local communities of human and non-human agents. \nFurthermore\, his practice underscores the profound connection between people and nature within these rural environments. Shibyan explores the intricate relationship\, often emphasizing the transformative nature of this bond. Through his artwork\, he encourages viewers to contemplate the evolving dynamics between humans and their natural surroundings\, reflecting on how these relationships shape and are shaped by larger sociopolitical forces. \nSuvojit Roy \nis a visual art practitioner based in Kolkata\, India. His artistic practice draws inspiration from his day-to-day life and the surroundings in which he lives. Growing up in a slum\, Suvojit has developed a keen interest in understanding and exploring the slum as a unique living organism. His works revolve around the circumstances of life in his immediate vicinity\, offering a nuanced perspective on the realities of his community. \nThrough his lived experiences\, Suvojit delves into the politics of building and its socio-cultural implications\, particularly concerning the city. His artwork reflects a deep engagement with the social\, economic\, and cultural aspects of slum life and access to resources. By highlighting the experiences of the economically underprivileged and ecologically marginalized\, Suvojit's works give voice to the often marginalized and overlooked perspectives within society. \nOne notable theme in Suvojit's art is the exploration of the concept of "home" within the context of economic disadvantage. His works offer a gaze into the lives of the underprivileged and attempt to narrate their experiences through the lens of "otherness" within their own country. By doing so\, Suvojit challenges societal norms and sheds light on the lived realities of those who are often stigmatized or marginalized. \nSuvojit's artistic practice also reflects his engagement with the socio-political dynamics surrounding his social condition. He sees his work as a means of negotiating space and challenging the political and cultural agendas that often deem people in his social condition as "illegal" or outside the norm. \nJulia Schuster \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Jullia Schuster \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic can be found here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_exhibition/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-76.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230716T140000
DTEND;TZID=Europe/Berlin:20230716T193000
DTSTAMP:20261108T195949
CREATED:20230707T131548Z
LAST-MODIFIED:20230707T150003Z
UID:31527-1689516000-1689535800@oyoun.de
SUMMARY:Concert | Lekker Presents: A Backyard Sunday
DESCRIPTION:The Lekker Collective is excited to announce their first Lekker Collective event for the year - Lekker Presents: A BACKYARD SUNDAY! \n\nTeaming up with friends in the creative community\, next Sunday afternoon full of soulful music will be co-piloted by The Inner Pockets as house band\, at OYOUN's outside space in central Neukölln. \nTickets: Limited pre-sale tickets for 12 € available here / After that sliding scale between 15-20 € \nLive Acts \nMilan Ring (Aus)\nBlush'ko (Aus)\nReality Jasmani FKA Alphamama (Aus)\nJohnny Kulo\nw. The Inner Pockets as house band \nDJ Sets \nShiru (UK)\nHenry Weekes (UK)\nLekker Collective DJs \nBiographies \nMilan Ring \nMilan is renowned for her powerful one-woman show\, where she creates live loops\, dropping beats\, triggering samples all whilst effortlessly leading with the guitar and drawing us into her world with her honest & unique vocals. Milan has supported artists such as Leon Bridges\, Arlo Parks\, Masego\, Sampa The Great\, Meshell Ndegeocello\, Chali 2na\, Omar Lye-Fook & The Avalanches. \nBlush'ko \nMelbourne's Blush'ko is a singer/songwriter and producer whose vocal performance is the very definition of lush. Effortlessly blending house and RnB in his wildly sensual offerings\, Blush'ko is a go-to feature for heavyweights such as The Ashton Shuffle (through Idris Alba's label)\, Tobiahs\, London Topaz\, and has shared stages with Goldlink\, SG Lewis\, Jhene Aiko and more). \nReality Jasmani (FKA Alphamama) \nAlso known as Reality Jasmani\, she is currently promoting and touring her latest album "HoneyFire"\, a collection of songs recorded between New Orleans and Sydney that she refers to as "The New Gospel of Self Love and Liberation". A rare musical talent\, she bleeds between soul\, jazz\, hip hop and world music. \nJohnny Kulo \nBerlin-based\, Indian artist\, producer and guitarist\, Johnny Kulo is the bridge between old-school soul and modern R&B. He uses his sultry-smooth voice to tell personal and perceived stories of love\, heartbreak and unsettled identity with catchy melodies and relatable lyrics that sit on large arrangements screaming musical excellence above all. \nHenry Weekes \nGuided by his connection to his Brazilian heritage\, Henry weaves together a rich tapestry of sounds\, harmoniously amalgamating diverse sonic landscapes and forging connections that traverse the depths of musical ingenuity. \nShiru \nAfrica unifies all human existence\, Shiru starts here to unravel narratives hidden within musical materials\, delicately weaving together disparate and deeply personal connections. \nLekker Collective \nis a woman-owned\, independent record label and music curation that showcases first-class RnB and soul music. Our Sunday series' have been about creating a space that anyone can come and enjoy music and stay for as long as they want. \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/concert-lekker-presents/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/07/website-vorlage-14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230721T190000
DTEND;TZID=Europe/Berlin:20230721T230000
DTSTAMP:20261108T195949
CREATED:20230718T105641Z
LAST-MODIFIED:20230718T134956Z
UID:31745-1689966000-1689980400@oyoun.de
SUMMARY:Reading & Exhibition | Berlin. In Translation – A Multisensory Exhibition and Reading Event about Migration and Movement
DESCRIPTION:Berlin. In Translation ist eine vierwöchige Schreib- und Übersetzerwerkstatt\, deren Teilnehmer*innen Migrationsgeschichte in Deutschland haben. Die Leseveranstaltung dient als Abschlusstreffen für die Öffentlichkeit\, um die in den letzten Monaten entstandenen Texte und Übersetzungen zu präsentieren. Zusätzlich stellen die Teilnehmer*innen migrations- und projektbezogene interdisziplinäre Kunstwerke aus. \nDie Teilnehmenden des Workshops haben alle Migrationsgeschichte sowie Arbeits- und Schreiberfahrungen in verschiedenen Bereichen und Disziplinen. \nEINTRITT FREI! \nAnmeldung: nicht erforderlich. \nSprache: Englisch \nBiographien  \nIlie Shirin \nGründerin und Organisatorin von B.IT (Berlin. In Translation)\, ist eine deutsch-afghanische Übersetzerin mit einem BA in deutschen und englischen Literatur- und Sprachwissenschaften. Zurzeit ist sie an der University of Iowa im MFA Programm für Literary Translation eingeschrieben. Sie hat pädagogische Erfahrungen und setzt sich schwerpunktmäßig mit dem Thema „Translanguaging“ auseinander. \nInstagram\nFacebook \nBerlin. In Translation \nAshlee Zlatna\, Hanna Horn\, Tara Habibzadeh\, Ena Gojak\, Diana Rusu\, Klaudia Cierluk\, Qila Gill\, Ta-Som Yun\, Natalia Pais-Fornari\, Nawar Diab\, Dami Choi\, Zain Saleh\, Franco Marcucci\, Eva Verbi\, Cassie Jiun\, Irene Trejo \nCredits \nPicture: Leah Lavelle \nDie University of Iowa hat die Organisatorin Ilie Shirin mit einem Travel Grant für Flug und Unterkunft unterstützt. Dank hopscotch reading room\, mit denen wir in collaboration arbeiten\, hatten wir einen Raum in Berlin-Wedding\, in dem wir unseren Workshop ausführen konnten. \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/reading-exhibition-berlin-in-translation/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images,Lesung
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/07/website-vorlage-80.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230722T130000
DTEND;TZID=Europe/Berlin:20230722T150000
DTSTAMP:20261108T195949
CREATED:20230627T142139Z
LAST-MODIFIED:20230710T140805Z
UID:30886-1690030800-1690038000@oyoun.de
SUMMARY:Workshop | Black Freedom Circle (Only BIPOC)
DESCRIPTION:Share\, listen\, and restore together. Reclaim your rights to be\, belong\, and become. Join us for growth and community upliftment. \n*This event is for Black Bodies and Bodies of Culture (Color). \nJoin the transformative Black Freedom Circle\, a space carefully designed to offer comfort\, understanding and empowerment. Together you will embark on a journey to unravel the unspoken aspects of your experiences and create a safe and welcoming environment to share\, listen\, grieve\, love\, witness and be seen. \nIn this sacred space\, you will prioritize the voices and stories that have been marginalized\, allowing them to guide our exploration as "Bodies of Culture." Through heartfelt conversations and active engagement\, you will delve into the depths of your collective narratives\, uncovering the hidden wisdom and resilience embedded within your lived experiences. \nFacilitated by an expert in relational processes\, somatics\, and group work\, this circle will enable you to regulate and restore your nervous systems\, offering a path to healing and rejuvenation. As you recognize\, feel\, and honor the profound effects of marginalization on your individual and collective bodies\, you will find solace and strength in the company of fellow Black individuals who intimately understand your struggles. \nThis event is not about education or immediate action. Instead\, it serves as a space where you deliberately slow down\, allowing yourself the time and space to process\, validate\, and acknowledge our emotions. By nurturing your inherent rights - the right to be\, to belong\, and to become - you can effortlessly reclaim your identities and embark on a path towards personal and collective growth. \nYou are invited to join this powerful Black Freedom Circle\, where your presence and participation will contribute to a collective tapestry of support\, resilience\, and liberation. Together\, you can foster a community that uplifts and empowers one another\, nurturing a sense of belonging and validation that is often denied to you in wider society. \n__ \nWhat will we do? \nThe session will begin with a guided meditation to arrive in the space and connect to what you bring into the space. \nFollowing meditation\, you will have a short round of introductions. To speak your names into the circle\, share where you are calling in from\, and what motivates you to show up to such a space. \nThen you will enter some breakout groups\, where the facilitator will give some prompts to contemplate and share. Each person will have time to speak while the others attune with and witness the others' process. \nUpon returning to the big group you will harvest what each group moved through and then close with another short guided meditation. \n__ \nTicket: 11.83 € \nIf money is a challenge right now but you still want to attend\, please email Jaden and we will find a way.\nWhat will we do? \nRegistration via eventbrite \nLanguage: English \nAbout the Facilitator: \nJaden is a biracial\, black-bodied\, man from the USA. With a comprehensive understanding of the interconnectedness of the mind\, body\, and spirit\, Jaden is a passionate advocate for leveraging somatics\, encompassing movement and meditation\, as a means to facilitate healing and personal growth. \nJaden's six-year journey in studying the effects of trauma on the body-mind complex has equipped him with invaluable insights into the profound ways in which our experiences shape our physical and emotional selves. By integrating somatic practices into his teachings\, he empowers individuals to reconnect with their innate wisdom\, tap into their authentic selves\, and embark on a transformative path toward wholeness. \nJaden's mission centers around orienting people towards what is natural\, true\, and essential for themselves. With a deep commitment to authenticity and self-expression\, he encourages individuals to embrace their inherent strengths and embrace their own unique paths. By focusing on the integration of the body-mind he facilitates a harmonious balance that enables individuals to unlock their full potential and lead lives of fulfillment and purpose. \nIf you need more information about the event\, please contact Jaden at jadenaramsey@gmail.com or visit jadenramsey.carrd.co \nYoutube \n \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/__trashed-2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Workshop,Yoga / Body Work
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230724T100000
DTEND;TZID=Europe/Berlin:20230724T180000
DTSTAMP:20261108T195949
CREATED:20230630T130443Z
LAST-MODIFIED:20230707T141241Z
UID:31379-1690192800-1690221600@oyoun.de
SUMMARY:Projektwoche | Was bewegt dich?
DESCRIPTION:Was bewegt mich? Was motiviert mich? Was will ich in dieser Gesellschaft verändern? Welche Themen sind mir wichtig? Wie kann ich mich ausdrücken? \nUnser Tanztheaterprojekt “Was bewegt dich?” lädt FLINTA* zwischen 15 und 18 Jahren dazu ein\, diese Fragen durch Tanz und Theater auf die Bühne zu bringen und so über Identität\, Motivation und Meinungen gemeinsam zu reflektieren. In den Sommerferien werden wir eine Woche lang tanzen\, improvisieren\, Rollen spielen\, unsere eigene Musik erstellen und Kostüme kreieren\, um final ein kollektives Tanztheaterstück aufzuführen. \n*** Schnupperkurse\, lernt uns kennen!*** \n\n03.07.2023 - 16.30 bis 19.00 Uhr: Jugendclub Underworld\, Glasowerstr. 18\, 12051 Berlin \n\n04.07.2023 - 16.30 bis 19.00 Uhr: Phantalisa\, Kadiner Str. 9\, 12043 Berlin \n\n11. & 13.07.2023 - 16.30 bis 19.00 Uhr: Oyoun\, Lucy-Lameck-Str.32\, 12049 Berlin \n\n*** Projektwoche & Aufführungen*** \n24. - 28.07.2023 - Projektwoche\, täglich von 10.00 - 18.00 Uhr im Oyoun  \n28./29./30.07.2023 - Öffentliche Aufführungen\, am 28. + 30.7. im Oyoun\, am 29.7. im Underworld \n  \nAnmeldung & Kontakt unter: bewegen[at]oyoun.de \nDie Teilnahme ist kostenlos. \nSprache: Deutsch  \n––– \nCredits \n "Was bewegt dich?“ ist ein Projekt von Oyoun-Kultur NeuDenken\, das in Kooperation mit Outreach Underworld\, Phantalisa und AQUItheater Berlin durchgeführt wird und von ChanceTanz\, einem Projekt von „Aktion Tanz - Bundesverband Tanz in Bildung und Gesellschaft e. V.“ im Rahmen des Programms „Kultur macht stark. Bündnisse für Bildung“ des BMBF gefördert. \nAccessibility \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness  \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/tanzperformance-was-bewegt-dich/2023-07-24/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Workshop
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-14.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230728T160000
DTEND;TZID=Europe/Berlin:20230728T170000
DTSTAMP:20261108T195949
CREATED:20230704T160855Z
LAST-MODIFIED:20230804T095251Z
UID:31507-1690560000-1690563600@oyoun.de
SUMMARY:Tanzperformance | Was bewegt dich?
DESCRIPTION:Was bewegt mich? Was motiviert mich? Was will ich in dieser Gesellschaft verändern? Welche Themen sind mir wichtig? Wie kann ich mich ausdrücken? \nUnser Tanztheaterprojekt “Was bewegt dich?” lädt FLINTA* zwischen 15 und 18 Jahren dazu ein\, diese Fragen durch Tanz und Theater auf die Bühne zu bringen und so über Identität\, Motivation und Meinungen gemeinsam zu reflektieren. In den Sommerferien werden wir eine Woche lang tanzen\, improvisieren\, Rollen spielen\, unsere eigene Musik erstellen und Kostüme kreieren\, um final ein kollektives Tanztheaterstück aufzuführen. \n*** Schnupperkurse\, lernt uns kennen!*** \n\n03.07.2023 - 16.30 bis 19.00 Uhr: Jugendclub Underworld\, Glasowerstr. 18\, 12051 Berlin \n\n04.07.2023 - 16.30 bis 19.00 Uhr: Phantalisa\, Kadiner Str. 9\, 12043 Berlin \n\n11. & 13.07.2023 - 16.30 bis 19.00 Uhr: Oyoun\, Lucy-Lameck-Str.32\, 12049 Berlin \n\n*** Projektwoche & Aufführungen*** \n24. - 28.07.2023 - Projektwoche\, täglich von 10.00 - 18.00 Uhr im Oyoun  \n28./29./30.07.2023 - Öffentliche Aufführungen\, am 28. + 30.7. im Oyoun\, am 29.7. im Underworld \n  \nAnmeldung & Kontakt unter: bewegen[at]oyoun.de \nDie Teilnahme ist kostenlos. \nSprache: Deutsch  \n––– \nCredits \n "Was bewegt dich?“ ist ein Projekt von Oyoun-Kultur NeuDenken\, das in Kooperation mit Outreach Underworld\, Phantalisa und AQUItheater Berlin durchgeführt wird und von ChanceTanz\, einem Projekt von „Aktion Tanz - Bundesverband Tanz in Bildung und Gesellschaft e. V.“ im Rahmen des Programms „Kultur macht stark. Bündnisse für Bildung“ des BMBF gefördert. \nAccessibility \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness  \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/tanzperformance-was-bewegt-dich-2/2023-07-28/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Workshop
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-14.jpg
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END:VCALENDAR