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DTSTART;TZID=Europe/Berlin:20230715T140000
DTEND;TZID=Europe/Berlin:20230715T210000
DTSTAMP:20260405T083736
CREATED:20230628T152738Z
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SUMMARY:Lecture Performance + Screening | Species\, Soil and Successors
DESCRIPTION:Lecture Performances\, Screening and discussion with contributions by Hillside Projects\, Julia Schuster\, Devadeep Gupta\, Lea Maria Wittich and Nilanjan Bhattacharya. Curated by Arijit Bhattacharyya \nOyouns curatorial focus Listening to the Land launches with Species\, Soil and Successors by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nBased on curatorial research and a remote art residency\, the project shares its first creations at Oyoun Berlin on Saturday\, 15 July\, 2023\, between 2 pm and 9 pm. In the presence of the curator and participating artists\, the first chapter will be presented as part of a conference with lecture performances and a subsequent panel discussion. The second chapter of Species\, Soil and Successors will also be opened on 15 July 2023 with a multimedia exhibition at Oyoun. \nAfter kicking off the event with a screening by interdisciplinary artist Julia Schuster\, Hillside Projects' lecture performance Searching For the European Roller maps the life\, movement and disappearance of the bluebird – The European Roller – excavating the many layers surrounding the birds’ need for departure and the strong national desire in the context of Sweden for it to return. Devadeep Gupta’s work tackles the Baghjan Oil Blowout\, which happened on an Oil-India Limited-owned site on 27th of May 2020 in an area home to a multitude of migratory birds and animals and which has caused the displacement of more than 1600 families who were in the vicinity of the site of gas blowout. In her performance Molluscular modes\, artist Lea Maria Wittich is indulging in a political history of the snail and doing an associative research on slowness\, spirals\, slime\, snails and slugs\, whereas Nilanjan Bhatttacharya’s Of the Sun and the Moon\, the Water\, the Soil\, and the Daily is a kaleidoscopic\, live and solo reading performance intertwined with moving images and sound that reminds the audience and himself about our current disguised\, dystopian order. \nWe are surviving through an epoch of spiralling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? \nSpecies\, Soil and Successors imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nFree admission! \nLanguage: English \nTimetable \n14:00 Doors\n14:30 Julia Schuster (Videoscreening)\n15:00 Hillside Projects – "Searching For the European Roller"\n16:00 Devadeep Gupta – "Normalisation of a Disaster"\n17:00 Lea Maria Wittich – "Molluscular modes"\n18:00 Nilanjan Bhattacharya – "Of the Sun and the Moon\, the Water\, the Soil\, and the Daily"\n19:30 Discussion \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nHillside Projects \nis Emily Berry Mennerdahl and Jonas Böttern. Situated within a conceptual framework\, their work explores tales of disappearances in the natural world and the interrelated socio-political narratives and existential emotions that arise through these tales. Hillside Projects approach their subject matter by embracing the absurd\, the comedic\, and the tragic. Hillside Projects’ works are manifested as text\, video\, painting\, sound\, and large site-specific installations. Performance lies at the core of their practice\, explored through performative walks\, lecture performances and time-based presentations. Hillside Projects tell stories. Stories of ecological collapses and failed symbiosis. Stories about birds. Colourful birds on the brink of extinction\, birds killed in aeroplane crashes\, birds that eat the dead. In their making\, the bird stories expand into larger narratives. Narratives about the cycles of life\, of being eaten and eating\, and of dust. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nLea Maria Wittich \nIn her artistic work\, Lea Maria Wittich (*1994) explores questions of social and ecological justice and the coexistence of human and non-human agents. In her conceptual works\, which are informed by intensive "random research\," she uses a variety of media\, particularly clothing\, objects\, and performance\, and situates them in site-specific contexts. She studied Fashion at the Berlin University of the Arts as well as "Public Art and New Artistic Strategies" at the Bauhaus-Universität Weimar. \nWebseite \nJulia Schuster  \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nNilanjan Bhattacharya \nis a filmmaker\, artist and writer from Calcutta\, India. For the last fifteen years\, he has been exploring biodiversity\, food cultures and indigenous knowledge systems in India. His works include Johar Welcome To Our World\, Ninety Degrees\, Rain in The Mirror\, Fishing Out of Time\, and Quiet Flown the Stream; they were exhibited at Mumbai International Film Festival\, Goteberg International Film Festival\, European Kunsthalle\, Frankfurter Kunstverein\, Experimenter Art Gallery and Wellcome Collection Gallery. Nilanjan received the President’s Award of India in 2005 and 2010. \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nPhoto Credit: Devadeep Gupta \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Swagata Bhattacharyya\, Binita Limbani\, Julia Schuster. \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land. \n–––– \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic  here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_opening/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Lesung,Panel,Performance,Screening,Talk,Texte / Texts
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DTSTART;TZID=Europe/Berlin:20230721T190000
DTEND;TZID=Europe/Berlin:20230721T230000
DTSTAMP:20260405T083736
CREATED:20230718T105641Z
LAST-MODIFIED:20230718T134956Z
UID:31745-1689966000-1689980400@oyoun.de
SUMMARY:Reading & Exhibition | Berlin. In Translation – A Multisensory Exhibition and Reading Event about Migration and Movement
DESCRIPTION:Berlin. In Translation ist eine vierwöchige Schreib- und Übersetzerwerkstatt\, deren Teilnehmer*innen Migrationsgeschichte in Deutschland haben. Die Leseveranstaltung dient als Abschlusstreffen für die Öffentlichkeit\, um die in den letzten Monaten entstandenen Texte und Übersetzungen zu präsentieren. Zusätzlich stellen die Teilnehmer*innen migrations- und projektbezogene interdisziplinäre Kunstwerke aus. \nDie Teilnehmenden des Workshops haben alle Migrationsgeschichte sowie Arbeits- und Schreiberfahrungen in verschiedenen Bereichen und Disziplinen. \nEINTRITT FREI! \nAnmeldung: nicht erforderlich. \nSprache: Englisch \nBiographien  \nIlie Shirin \nGründerin und Organisatorin von B.IT (Berlin. In Translation)\, ist eine deutsch-afghanische Übersetzerin mit einem BA in deutschen und englischen Literatur- und Sprachwissenschaften. Zurzeit ist sie an der University of Iowa im MFA Programm für Literary Translation eingeschrieben. Sie hat pädagogische Erfahrungen und setzt sich schwerpunktmäßig mit dem Thema „Translanguaging“ auseinander. \nInstagram\nFacebook \nBerlin. In Translation \nAshlee Zlatna\, Hanna Horn\, Tara Habibzadeh\, Ena Gojak\, Diana Rusu\, Klaudia Cierluk\, Qila Gill\, Ta-Som Yun\, Natalia Pais-Fornari\, Nawar Diab\, Dami Choi\, Zain Saleh\, Franco Marcucci\, Eva Verbi\, Cassie Jiun\, Irene Trejo \nCredits \nPicture: Leah Lavelle \nDie University of Iowa hat die Organisatorin Ilie Shirin mit einem Travel Grant für Flug und Unterkunft unterstützt. Dank hopscotch reading room\, mit denen wir in collaboration arbeiten\, hatten wir einen Raum in Berlin-Wedding\, in dem wir unseren Workshop ausführen konnten. \nAccessibility: \nDas Oyoun arbeitet stetig an einem möglichst barrierefreien Zugang zu allen Veranstaltungen\, die im Haus angeboten werden. Um individuelle Informationen zur Barrierefreiheit zu erhalten\, schreibe uns gerne eine E-Mail an access(at)oyoun.de. Wir werden uns frühestmöglich bei dir zurückmelden. Mehr Informationen zum Thema gibt es hier. \nAwareness: \nIm Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie anti-Schwarzem\, antimuslimischem Rassismus oder Antisemitismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/reading-exhibition-berlin-in-translation/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images,Lesung
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