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X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
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DTSTART;TZID=Europe/Berlin:20220404T193000
DTEND;TZID=Europe/Berlin:20220405T030000
DTSTAMP:20260410T213230
CREATED:20220318T173715Z
LAST-MODIFIED:20220401T105212Z
UID:19962-1649100600-1649127600@oyoun.de
SUMMARY:Queens Against Borders: Ukrainian Queers relief
DESCRIPTION:Ukrainian Queers relief will be a solidarity event from & for the trans and queer\nartists of Berlin with Acts and performances by the residents of QAB plus\, guests performers from (Iran\, Egypt\, Brazil and more) showcasing their Art and expressing their emotional and personal experiences with the audience. Acts of Spoken word\, stand up comedy\, singing\, and dance will create the most beautiful night that allows us all to share the moment together and fundraise for a good cause\, helping the Trans Queer community (in Ukraine because of the current circumstances and the refugees seeking support with an emphasis on QTIBIPoCs fleeing the country with no governmental support) as well as funding a program for the community allowing them to participate and learn self defense via classes and workshops. We would like to initiate this action due to the rising of hate crimes and violence against trans and queer people and People of Colour in our city. We are tired of being scared for our lives and hiding who we are... \nQueens Against Borders can’t stay silent. \nSo for us to allow awareness and support the community by defending themselves. We will need all of our allies and members of the community to participate and support. \n  \nArtists participating:\nChiqui Love\, wizzy xcx\, Dornika\, Keil Li Divon\, Katrina von Morgenland\, Aurah Jendafaaq \nAfter party Dj Set by Hanaby\nLive drawing session by the amazing Artist Rory Midhani. \nPrice:\nRegular ticket: 15 €\nSolidarity tickets: 20\, 25\, 30 € \nPeople with low income (refugees\, QTIBIPoCs) to send an email to Queensagainstborders@gmail.com for admission. \nAfter paying all the artists and staff members\, tickets sales will go directly to funding the self defense classes and supporting QTIBIPOCs in need. \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/queens-against-borders-ukrainian-queers-relief/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance,Talk,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-vorlage-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220410T190000
DTEND;TZID=Europe/Berlin:20220410T210000
DTSTAMP:20260410T213230
CREATED:20220401T115642Z
LAST-MODIFIED:20220405T181617Z
UID:20337-1649617200-1649624400@oyoun.de
SUMMARY:AS* PAPANGUS Street Performance in São Paulo
DESCRIPTION:AS* PAPANGUS Street Performance in São Paulo \n- 2pm São Paulo / 7pm CET\n- street performance at Bananal arte e cultura contemporânea\n- live-streamed via Oyoun’s Instagram account \nAS* PAPANGUS is a carnival for\, by and with women* that does not objectify any marginalized body. In AS* PAPANGUS\, the Afro-Brazilian artist Bruna Amaro performs a carnival in its most queer-feminist and decolonial form\, with more than 50 women* in São Paulo and Berlin. \nIn this participatory project\, a series of performance workshops laid ground for the following acts. During the two-day workshop in São Paulo\, the artist and the participants collectively built up movements and statements for their street performance. Phrases manifesting experiences of survival\, transformation and labor\, were embroidered on the costumes handmade by Bruna Amaro and the seamstress Eliana Amaro dos Santos. \nIn the street performance on April 10\, 40 women* walk down the streets of São Paulo with the Papangu clothes on\, with the statements on their chest\, braced with handcrafted props\, and dancing to the festive music. As they let their bodies speak\, the bodies become flags of triumph. \nAS* PAPANGUS opens the first chapter of Oyoun’s curatorial focus Mightier than a Trampled Flower\, which centralizes life of women* in wars from a decolonial context and deconstructs the canonical narratives of women* in war. \n\nPerformers \nThais Aline Ferreira Lúcio da Silva\, Flávia Fernandes Belletati\, Carmen Cardoso Garcia\, Ana Paula da Paz Alves\, Juliana Bueno\, Iasmin Souza Ribeiro\, Larissa Maranho\, Clarissa Teixeira Ximenes\, Anelise Torres Blanco\, Camila de Sousa Trindade\, Gabriela Bergamasco\, Ana Luiza Chieffi\, Iara Santa Clara Coutinho\, Graciela Pereira Cruz Soares\, Mariana Queiroz da Silva\, Melissa Menezes\, Gabriela Zuculin\, Andressa Arena da Silva\, Núria Cordeiro Vieira\, Tatiana Burg Mlynarz\, Tereza Ferreira Zolli\, Verônica Borges Carneiro da Conceição\, Gabriela Raphael Duarte\, Roseli de Lima Santos\, Maíra de Souza Oliveira\, Tatiana Cristina de Argenton e Queiroz\, Alessandra Cristiane de Mello\, Natália Onori Ferraz\, Paula Montes\, Ana Lucia da Silva Santos\, Jucilene Braga Rodrigues\, Julia Lima\, Nyx Helena Tunes Zampieri\, Lourdes Arasy Benítez Espinola \nTechnical Team \nEliana Amaro dos Santos (Seamstress)\nPaula Correa Pedroso (Producer)\nYve Zolli Nolasco (Producer)\nFernanda Andrade (Videographer)\nSuellen Santana Amaral (Videographer)\nCássia Roberta Araújo de Oliveira (Photographer)\nMaria Clara Silva Loureiro (Photographer) \nFor more information about the project\, visit oyoun.de/as-papangus. \nFor the other events of AS* PAPANGUS\, click here. \nAS* PAPANGUS is supported by the Goethe-Institut São Paulo.
URL:https://oyoun.de/event/as-papangus-performance-sao-paulo/
LOCATION:Bananal arte e cultura contemporânea\, São Paulo\, Brasilien
CATEGORIES:AS* PAPANGUS,Bewegungen / Movements,Mightier than a Trampled Flower,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/as-fb-e1649170223976.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T110000
DTEND;TZID=Europe/Berlin:20220417T130000
DTSTAMP:20260410T213230
CREATED:20220315T125503Z
LAST-MODIFIED:20220408T140514Z
UID:19899-1650193200-1650200400@oyoun.de
SUMMARY:BUCH CLUB TREFFEN - TEXTE NACH HANAU
DESCRIPTION:⁣Alle Leser*innen sowie Interessent*innen sind herzlich zu unserem Buchclubtreffen gemeinsam mit stolzeaugen.books willkommen! \n\nMit dabei: \nKünstlerin ⁣Keça Filankes\, sie wird ihren Beitrag zu Texte nach Hanau vorlesen. \nModeriert wird das Event von ⁣Pardis Zarghampour\, der Gründerin vom intersektional feministischen Buchclub Köln „ifbkoeln“. Dieser besteht seit Juni 2020 und wurde ins Leben gerufen\, um einen safe space zu schaffen\, in dem intersektional feministische Literatur gelesen und diskutiert wird und daraus ein bereichernder\, solidarischer Austausch entstehen kann. Dieses Buchclubtreffen wird vor allem veranstaltet\, um der neun Menschen zu gedenken\, die am 19. Februar 2020 in Hanau Opfer eines rassistischen Anschlags waren: \n\nFerhat Unvar⠀ \nSaid Nesar Hashemi⠀ \nVili Viorel Păun⠀ \nMercedes Kierpacz⠀ \nSedat Gürbüz⠀ \nKaloyan Velkov⠀ \nFatih Saraçoğlu⠀ \nGökhan Gültekin⠀ \nHamza Kurtović⠀ ⁣\n  \nÜber Keça Filankes \nDie Wurzeln in Cizîra Botan\, 069 die Wahlheimat\, vorher einige Jahre wohnHaft in BaWü. Chayas wissen\, dass sie abla ist. Erstgeborene Millenial mit Erbschuld einer kurdischen Diaspora.\nHobbies: Queeres Pumpen gegen das Patriarchat.\nSchwächen: Verkopft sein mit akademischem Gedöns.\nStärken: Street Credibility\, Kritisiermaschine.\nTräume: paradiesisches Diesseits & Jenseits für Alle. \n➡Anmeldungen bitte an kommunikation@oyoun.de\, um den Zoom-Link zu erhalten.⠀\n⠀ \n◥Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website. \n 
URL:https://oyoun.de/event/buch-club-treffen-texte-nach-hanau%e2%a0%80/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Lesung,Talk,Texte / Texts
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/03/website-vorlage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T190000
DTEND;TZID=Europe/Berlin:20220417T230000
DTSTAMP:20260410T213230
CREATED:20220411T162256Z
LAST-MODIFIED:20220416T070850Z
UID:20693-1650222000-1650236400@oyoun.de
SUMMARY:Arabic Stand-Up Comedy with Ammar Daba
DESCRIPTION:Nach sechs intensiven Workshoptagen werden der syrische Stand-up Comedian Ammar Daba und seine Workshop-Teilnehmer*innen an diesem Sonntag im Oyoun ihre für diesen Abend konzipierten Sets präsentieren. Abgerundet wird die Show von Daba selbst. Der Künstler und Coach möchte die arabische Stand-up-Comedy-Szene in Europa fördern und betourt seit einem Jahr den Kontinent. Vor seinem Umzug in die Niederlande\, präsentierte er seine Shows vor allem in den Vereinigten Arabischen Emiraten. \nDie Veranstaltung ist auf Arabisch! \nErste Show: 19:00\nZweite Show: 21:00 \n>> Tickets hier \n◥Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/arabic-stand-up-comedy-with-ammar-daba/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/coop-event-infos-post.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T190000
DTEND;TZID=Europe/Berlin:20220417T233000
DTSTAMP:20260410T213230
CREATED:20220330T101257Z
LAST-MODIFIED:20220401T105121Z
UID:20251-1650222000-1650238200@oyoun.de
SUMMARY:Konzert: SAUTI SOL
DESCRIPTION:Von Nairobi bis New York–spätestens nachdem die Band Anfang des Jahres auf den Bildschirmendes Time Squares erschien\, ist ihr internationaler Erfolg unumstritten!Mit Sauti Sol ist der NameProgramm! Mit ihrem Gute-Laune-Sound\, der die Sonne in die Herzen jeder ihrer Hörer fließen lässt\, bringen die Jungs ein Stück ihrer Heimat mit auf die Bühne. Bestehend aus Bien-Aimé Baraza\, Willis Chimano\, Savara Mudigi und dem Gitarristen Polycarp Otieno\, gewann die Band bereits einen MTV EMA als Best African Act\, heimste 25 weitere Preise ein und ist seither inunzähligen Nominierungen verschiedenster Awards\, unter anderem auch für die BET Awards aufzufinden. 2019 releaste das Quartett ihr viertes StudioAlbum „Afrikan Sauce“\, das beachtlicheFeaturebeiträge von u.a. Afropop-Giganten wie Tiwa Savage oder auch Burna Boy beinhaltet.Mit ihrem neusten Werk „Midnight Train“ und dessen dazugehörige Single „Suzanna“\, die inzwischen über 16 Millionen Views auf YouTube generierte\, kommen Sauti Sol imApril 2022nun endlich wieder zurück nach Deutschland \n  \nTickets behalten ihre Gültigkeit und sind hier erhältlich \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/konzert-sauti-sol/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-square-vorlage-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220422T190000
DTEND;TZID=Europe/Berlin:20220422T210000
DTSTAMP:20260410T213230
CREATED:20220419T112959Z
LAST-MODIFIED:20220421T110217Z
UID:20785-1650654000-1650661200@oyoun.de
SUMMARY:(DE)CODING TRAJECTORIES
DESCRIPTION:(DE)CODING TRAJECTORIES - The body was always a centre of an ongoing investigation\n  \n(De)Coding Trajectories will be a performance research process taking place in Prague. Artists Ahmad BaBa and Gugulethu Duma invite practitioners concerned with decoding and recoding embodied memory to enter into an exchange where the body is a centre of the ongoing investigation.For this residency\, the artists are looking to collaborate with practitioners concerned with Subaltern states of being and the development of liberatory praxis in the community.  \n(De)coding Trajectories takes place as part of the Embodied Temporalities project by Oyoun Berlin in partnership with Dafa Puppet Theatre.  \nWithin the framework of Embodied Temporalities – Tracing the memories our bodies hold\, cultural practitioners explore identities\, belonging and embodied memories from diasporic\, decolonial and queer perspectives. What memories are stored in our bodies? What can our bodies tell us about ourselves\, our past and our future? \nIn Embodied Temporalities - Tracing the memories our bodies hold\, the central artistic work of this Perform Europe project\, cultural practitioners explore identities\, belonging and embodied memories from diasporic\, decolonial and queer perspectives. Embodied Temporalities is research\, archiving\, exhibition and performance project under the artistic direction of Madhumita Nandi with artists Ahmad BaBa and Gugulethu 'Dumama' Duma. \n  \nWe invite you to join the exhibition after the residency! \n  \nWhen? 22.04.2022\nTime? 19:00 – 21:00\nWhere? Studio Alta (Prague) \nThis international collaboration is made possible by Perform Europe. Perform Europe is an EU-funded project aiming to rethink how performing arts works are presented across borders in a more inclusive\, sustainable and balanced way by testing new touring and distribution practices and providing policy recommendations for a future EU support scheme. This 18-month journey includes a research phase\, launching a digital platform\, testing a support scheme\, and designing policy recommendations. \nPerform Europe is funded by the Creative Europe Programme of the European Union and co-managed by a Consortium of 5 organisations: \nIETM – International network for contemporary performing arts\nthe European Festivals Association (EFA)\, Circostrada\nEDN – European Dancehouse Network\, and IDEA Consult.
URL:https://oyoun.de/event/decoding-trajectories/
LOCATION:Studio Alta (Prague)\, Západní křídlo Invalidovny\, Sokolovská 136/24\, Karlín\,\, Prague\, 186 00\,\, Tschechische Republik
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/04/website-vorlage-20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220423T200000
DTEND;TZID=Europe/Berlin:20220424T223000
DTSTAMP:20260410T213230
CREATED:20220405T151622Z
LAST-MODIFIED:20220405T155746Z
UID:20589-1650744000-1650839400@oyoun.de
SUMMARY:Black & Brown Cabaret dinner show 2022 spring
DESCRIPTION:We are excited to invite you to celebrate Queerness\, Femininity\, Color\, and Bodies. Welcome to the Black & Brown Cabaret Dinner Show 2022 Spring by Prince Emrah & Queerberg collective. \nOn 23 April We want to honor the thriving culture of BIPOC immigrant\, refugee bodies of all shapes and sizes with a modern fusion of cabaret & burlesque by extraordinary performance artists visualizing their story with identity\, presence\, and audacity. Black & Brown Cabaret Show will present brilliant queer POC performers from various countries and cultures. Stand with us in solidarity with those affected the most by the pandemic: black and brown bodies\, queer\, trans\, and non-binary refugees\, asylum seekers\, and immigrants. A little surprise from Egypt: Arrive early to get a little more color on your hands by a professional henna artist. Come hungry not only for a fantastic show but also for a homemade vegan dinner\, available for purchase.( not included in tickets price) \nPrice: 15\, 20\, 25 (you can buy high prices tickets by your wish. It’s kind of donation prices for Black & Brown artist community). \nFor refugees who can't afford tickets\, reach out to prince.emrah.1994@icloud.com for free access\, or pay what you can. \nSo\, habibatis: Buy your tickets now! \nHenna painting: 18:30 - 20:00\nShow starts: 20:00 \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email at hallo@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/black-brown-cabaret-dinner-show-2022-spring/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/image0-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220426T193000
DTEND;TZID=Europe/Berlin:20220426T233000
DTSTAMP:20260410T213230
CREATED:20220412T145009Z
LAST-MODIFIED:20220422T090118Z
UID:20700-1651001400-1651015800@oyoun.de
SUMMARY:What's your radio show?- An evening with independent radio makers in Berlin
DESCRIPTION:Berlin has a vibrant scene of independent and artist-run radio stations\, that provide frameworks and platforms for musicians\, DJs and other artists to produce mixes\, radio shows\, and sound art. To play music they care about\, to share new releases by other musicians\, to also to use the airspaces as experimental grounds for creative new ideas. And to also talk about politics\, culture and things that matter to them. \nFor the past 2 pandemic years\, live gigs have been quite erratic and impossible in many cases – meanwhile the radio stations have provided a stable and constant outlet for creative sound works. While most of the radio work is volunteer-run and could not compensate for income\, still the radio stations have provided and continuously are providing public platforms\, rooms to experiment\, and spaces to share music and sound. Of course\, artist-run radio stations have provided that space for decades\, and new stations are starting afresh.\nWe want to take a moment to celebrate all the manifold sounds that have been aired or streamed\, and all the creative and organizing energies that come together to make the many sound streams continuously happen\, that inspire people around town and internationally. \nAnd – we would like to discuss with people who are part of running the different stations on the panel\, and hopefully also lots of radio makers in the audience\, about their experiences\, learnings and plans for the future of radio making. We are curious to find out about the histories\, cultures and ethos of the different stations – and so also give those of you who are considering to start making radio shows some ideas of where to turn to. We want to understand a bit more about outreach and developing audiences\, both as the station and for the radio DJs. About community building and the creative ecosystems around the stations\, with a particular view to the context in Berlin. About sustaining the stations and the shows. About the relevance and role of radio for artists and audiences. About artists' experiences with making radio shows. And about ideas and plans for the future. \nWe hope for many past\, current\, and future radio makers to join us for this conversation at Oyoun. For musicians who are already doing radio\, and for those considering it. And for those who want to learn more about the creative ecosystems around independent radio stations. For an exchange of experience about making radios as musicians\, and about hosting those spaces. \n>> Registration here. \nWe will be discussing with: \nGiacomo Gianetta is a co-founder and CEO of the experimental community radio station Cashmere Radio in Berlin. He composed and performed\, amongst others\, for Deutsche Oper\, Deutschlandradio Kultur\, Hamburger Bahnhof\, transmediale\, Venice Biennale\, TNT Nine Theatre Beijing. His research focuses on parallel artistic processes and experimentation through a high variety of practices and media. -\nCashmere Radio is a not-for-profit community experimental radio station which was originally based in Lichtenberg\, Berlin for the first six years of its existence before recently moving to Wedding. The ambition of the station is to preserve and further radio and broadcasting practices by playing with the plasticity and malleability of the medium. It is both a physical station open to the public and an online radio The radio can be heard 24 hours a day\, seven days a week on our website\, and on Friday and Saturdays via 88\,4 Berlin and 90\,7 Potsdam via the 24/3 Radio Netzwerk\, a collaboration between six of Berlin’s independent radio stations. \nGaby D’Annunzio - is a social activist\, community organiser and mental health advocate. She works as community manager and workshop coordinator at Refuge Worldwide radio. With a Master of Arts inPsychology\, she has always had a keen interest in social issues and people's well-being. She is also the co-founder of the Open Music Lab\, and hosts the Agora podcast series for Give Something Back To Berlin.\nRefuge Worldwide - was started as a fundraising platform working in solidarity with grassroots and non-profit organisations. In January 2021 we launched Refuge Worldwide\, a new radio station to amplify the music and issues that we care about\, broadcasting weekly from Weserstraße 166 in Berlin Neukölln. Refuge Worldwide commits to striving for a gender-balanced station\, representative of minorities. The\nstation is focused on community-building and creating space/visibility for underrepresented artists. We are really excited to present a broad range of shows ranging from 100% music-focused programmes\,\nto some that incorporate interviews and debate\, to programmes completely dedicated to discussion. \nSENU is a multidisciplinary creative - DJ\, radio host\, designer and workshop facilitator. She is one of the founding members of SLIC Unit\, a DJ collective that was formed in 2020 in order to practice collective joy and radical solidarity within the music industry. She hosts a monthly radio show at Berlins community radio THF\, called DRAFT Radio. With the show\, she is trying to create opportunities for FLNTA* DJs and selectors\, in order to share the community space and make the radio experience more accessible to fellow music enthusiasts. \nLouis Kohlmann is co-running THF Radio\, a community radio located at the former gatekeepers house of Tempelhof Airport. From 2012-2017 he was part of Projektraum LOTTE\, a collectively run art space in Stuttgart. Besides radio\, he is doing his PhD in philosophy at Humboldt-University in Berlin\, where he’s working on the social and political dimensions of language.\nTHF Radio is a community radio for Tempelhof and beyond for the whole of Berlin. We offer musicians*\, artists*\, bands and DJ*s a chance to try out different formats. In addition\, we are a platform for urban political discourse through various interview and talk formats. The radio is a department of the recently founded Torhaus Berlin e.V.\, and is correspondingly located in the Torhaus\, the gatekeeper house inside the former airport. Launched as a pilot project in the summer of 2019\, THF Radio has been in permanent  operation since the beginning of 2020\, with over 50 different regular shows per month and over 80 radio producers involved. \nAmong the further participants are reboot.fm. \nModeration: Andrea Goetzke - is part of Music Pool Berlin\, and also a long term radio maker and host of different shows\, starting out at reboot.fm and now at ByteFM. \nThe networking part after the discussion will take place in the abadän café/bar  \nAn evening by Music Pool Berlin\, which is supported by funds from the European Union (EFRE/ESF) and Musicboard Berlin. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/whats-your-radio-show-an-evening-with-independent-radio-makers-in-berlin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Klänge / Sounds,Networking
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/whats-your-radio-show-an-evening-with-independent-radio-makers-in-berlin-6-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220427T140000
DTEND;TZID=Europe/Berlin:20220427T160000
DTSTAMP:20260410T213230
CREATED:20220218T134624Z
LAST-MODIFIED:20220408T144016Z
UID:19760-1651068000-1651075200@oyoun.de
SUMMARY:We Should All Be Dreaming (Only for BIPoCs)
DESCRIPTION:"The possible has been tried and failed. Now it's time to try the impossible!" \n \n-Sun Ra \n  \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice. \n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together. \n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices. \n \nThe world around us is plagued by fear\, anger and hate of the unknown but WSABD attempts a strategic deviation - it does not only fight against\, react to or reveal the grim realities of the surrounding world but instead works as a platform of soft resistance by making space for communal coexistence.\n  \nEmail us at hallo@oyoun.de to register for the event. Please note that this event is for BiPOCs only. \n>>The event is accessible for wheelchair users. \n*** \nAbout the artist and activist duo of WSABD: \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present.\n \n \n*** \n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors\n \nCo-producers\nSpring Utrecht – festival\, Baltic Circle – festival\, Finnish Cultural Institute for the Benelux \nProject manager\nAsmaa Sbou \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220428T190000
DTEND;TZID=Europe/Berlin:20220428T220000
DTSTAMP:20260410T213230
CREATED:20220307T112237Z
LAST-MODIFIED:20220421T153939Z
UID:19817-1651172400-1651183200@oyoun.de
SUMMARY:We Should All Be Dreaming
DESCRIPTION:"The possible has been tried and failed. Now it's time to try the impossible!" \n-Sun Ra \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice.\n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together.\n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices.\n \nThe world around us is plagued by fear\, anger and hate of the unknown but WSABD attempts a strategic deviation - it does not only fight against\, react to or reveal the grim realities of the surrounding world but instead works as a platform of soft resistance by making space for communal coexistence. \n \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present. \n  \n>>>This event is accessible for wheelchair users.\n \n \n***\n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors\n \nCo-producers\nSpring Utrecht – festival\, Baltic Circle – Festival\, Finnish Cultural Institute for the Benelux \nProject manager\nAsmaa Sbou \n  \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming-2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220429T190000
DTEND;TZID=Europe/Berlin:20220429T220000
DTSTAMP:20260410T213230
CREATED:20220318T112407Z
LAST-MODIFIED:20220425T105511Z
UID:19949-1651258800-1651269600@oyoun.de
SUMMARY:We Should All Be Dreaming
DESCRIPTION:  \n"The possible has been tried and failed. Now it's time to try the impossible!" \n-Sun Ra \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice.\n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together. \nOver the course of a curated dinner party\, invited guests will be led in group discussions to dream up common futures. This restorative and subversive work attempts to reveal\, shake or break existing power structures and hierarchies to create a more inclusive society. The world around us is plagued by fear\, anger and hatred\, but We Should All Be Dreaming offers a different path – we propose gathering and dreaming as an act of soft resistance\, making space for communal coexistence.  \n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices.\n \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present. \n  \n***\n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors \nProject manager\nAsmaa Sbou \n  \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n  \nCo-producers: Spring Utrecht – festival\, Baltic Circle – festival\, Finnish Cultural Institute for the Benelux \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming-with-sign-language-interpretation/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220430
DTEND;VALUE=DATE:20220528
DTSTAMP:20260410T213230
CREATED:20220401T120344Z
LAST-MODIFIED:20220505T094517Z
UID:20346-1651276800-1653695999@oyoun.de
SUMMARY:AS* PAPANGUS Ausstellung
DESCRIPTION:Austellungseröffnung + Einführung von Bruna Amaro am 30.4.2022 von 18:00 bis 20:00 h\nDanach (vom 1.5. – 27.5.2022) täglich von 12:00 h – 20:00 h \nDie Ausstellung wird ein Ort des Gedenkens und der Ehrung der Frauen* sein\, deren tägliches Leben ein Kampf gegen den allgegenwärtigen Femizid und die strukturelle Unterdrückung ist. Die Feier ihres Überlebens wird in einem multimedialen Format präsentiert: Installation der Kleider und Masken\, die von den Frauen* in den Straßen von São Paulo und Berlin-Neukölln getragen wurden\, sowie die Videodokumentation der Karnevalsperformance in São Paulo. \nIn diesem partizipatorischen Projekt legte eine Reihe von Performance-Workshops den Grundstein für die folgenden Aktionen\, in denen die Künstlerin und die Teilnehmer*innen gemeinsam Bewegungen und Aussagen für ihre Straßenperformance entwickelten. Auf die von Bruna Amaro und der Näherin Eliana Amaro dos Santos handgefertigten Kostüme wurden Phrasen gestickt\, die Erfahrungen des Überlebens\, der Transformation und der Arbeit zum Ausdruck bringen. \nAS* PAPANGUS setzt sich kritisch mit der kolonialen Matrix des Karnevals auseinander\, indem es auf den unterdrückenden Blick achtet und die Ausbeutung von queeren Körpern\, von Körpern von Frauen*\, von Farbigen\, von Menschen mit Behinderungen und von Körpern\, die struktureller Unterdrückung ausgesetzt sind\, nicht zulässt. \nAS* PAPANGUS eröffnet das erste Kapitel von Oyouns kuratorischem Schwerpunkt Mightier than a Trampled Flower\, der das Leben von Frauen* im Krieg aus einem dekolonialen Kontext heraus in den Mittelpunkt stellt und die kanonischen Erzählungen von Frauen* im Krieg dekonstruiert. \nMehr Infos findest du hier. \nAS* PAPANGUS ist ein Karneval für\, von und mit Frauen*\, der keine marginalisierten Körper objektiviert. In AS* PAPANGUS inszeniert die afro-brasilianische Künstlerin Bruna Amaro mit mehr als 50 Frauen* in São Paulo und Berlin einen Karneval in seiner queer-feministischsten und dekolonialsten Form. \nAlle Veranstaltungen zur Reihe AS*PAPANGUS findest du hier. \nAS* PAPANGUS wird gefördert vom Goethe-Institut São Paulo. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/as-papangus-exhibition/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:AS* PAPANGUS,Bilder / Images,Exhibition,Mightier than a Trampled Flower
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/as-website-new-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220430T170000
DTEND;TZID=Europe/Berlin:20220501T010000
DTSTAMP:20260410T213230
CREATED:20220420T082227Z
LAST-MODIFIED:20220427T093311Z
UID:20806-1651338000-1651366800@oyoun.de
SUMMARY:Cult' Sup'
DESCRIPTION:Panel Discussions | Dance Performance | Stand up-comedy | Concerts | DJs \nThe gathering\, Cult Sup\, is curated as a celebratory exploration of all things pertaining to the diverse expressive arts that supplement our well beings with inspiration\, contemplation and the multidimensionality emerging from expressive art forms. This event is an invitation to deepen collective thought around what it means to supply culture\, as cultural workers concerned with our African lineages\, afro-futurism\, and the richness of the diasporic cultural experience \nCult Sup is a celebratory journey of artistic disciplines ranging from sound\, visual\, literary\, plastic\, somatic\, dramaturgical\, fashion to culinary. We’ll be engaging in interdisciplinary dialogue sharing knowledge\, healing methods\, performances\, and exhibitions from a community of contributors coming from different parts of the African continent. Our events provide safe spaces where people from every age\, gender\, ethnical background and persons with disabilities can gather to educate themselves while having a good time and learn about each other. Respecting cultural differences is a must and no forms of human rights violations\, ignorance or violence will be tolerated at this event. Our ethos is centered in Universality\, Unity\, and Peace. \nLearning while having fun is an important aspect of the CultSup experience. Originally developed by 2 multidisciplinary artists Astan Meyer and Nane Kahle. CultSup has moved from small venues of Berlin hosting several talented artists working with mediums such as paint\, dance\, music\, poetry\, cinematography and more. This 7th Edition is a trip guided with the energy of Griots carried through music\, movements with the breathtaking dancer Exocé Kasongo\, performances. This gathering explores interdisciplinary dialogue around the theme: “RESTITUTION & CELLULAR MEMORY”. \nTickets: Donation-based \nSupported by Musicboard Berlin \nTimetable \n17:45-18:00 – CultSup Ensemble\n18:00-19:15 – Panel Discussion\n19:15-19:30 – Q&A\n19:35-19:50 – CultSup Ensemble\n19:50-20:20 – Concert\n20:20-20:25 – CultSup Ensemble\n20:25-20:30 – Dance Performance\n20:30-20:40 – CultSup Ensemble\n20:40-21:00 – StandUp Comedy\n21:15-21:20 – CultSup Ensemble\n21:20-22:00 – Concert\n22:00-22:45 – JAM\n22:45-23:00 – Break\n23:00-00:00 – DJ Set\n00:00-01:00 – DJ Set \nBiographies \nAnaïs Astan Meyer a.k.a Astan KA is an artistic performer\, singer-songwriter\, dancer\, actress and event curator based in Berlin. Born in France and visiting Mali regularly since age of 3\, Astan grew up being surrounded by black people and white people which has enabled her to never face any identity problem and has come to a result today of considering herself as a « child of reconciliation ». She combines various music genres from jazz to rock to afro-techno to hip hop\, trip-hop to illustrate her universe that is mostly experimental.Her music is about life\, love\, friendship\, protest and intellectual rebellion\, but also about growing up as a mixed-race woman and the importance of acquiring the right knowledge\, as there is a lot that school doesn't teach us. Although much of her work is about glorifying the black woman\, she still preaches a great message of universality. \nNane Kahle a.k.a Michel Mariane is Berlin based a multicultural\, interdisciplinary performance researcher and artist. She spent her formative years in Ivory Coast\, Senegal\, the Caribbean before her relocation to France. This multiplicity and migration inform her way of seeing and existing\, manifesting as a creative practice\, at the intersection of music\, theatre\, movement and medicine. Coming from a biochemistry background\, Nane’s connection with nature\, belonging and the un-natural converges as a curiosity exploring the dynamic interactions between living organisms\, intangible belonging and the tangible ecologies of being. Myth making and ancestral knowledge preservation are explored in her practice\, where aspects concerning transformation care and healing are at the center. The vitality of creative energy allows her practice to function as a conduit\, invigorating her community building efforts as well as her own personal processes.Her curatorial and performance work the Out Of Time Embassy\, Sonic Interventions Collective and CultSup see her curating contemplative and empowering environments for marginalized voices to be heard. \nNatisa Exocé Kasongo a.k.a Exocé OOB Kasongo is a Berlin based multidisciplinary Afrocentric Artist: Artistic performer\, dancer\, visual artist. He mostly performs alone in improvisation and creation of stories or in the transmission of a language for other creators. His dance style is experimental storytelling. As a visual artist\, Exocé creates collages with an afro-punk/afro-futuristic/spiritual jazz touch\, that you can see exhibited in Berlin\, on vinyl covers and also on the clothes of his fashion brand. He considers himself as an Afropean because he was born in Paris of Congolese parents\, so he has a double culture. He is the artistic director of the Afro-futuristic brand KASAPIO. \nJumoke Adeyanju is a Berlin based Nigerian interdisciplinary multilingual writer\, curator and dancer. Under her alias mokeyanju\, she occasionally performs as a vinyl selector and aspiring sound artist. Jumoke is the founder of The Poetry Meets Series [est. 2014]\, co-curator of Sensitivities of Dance at SAVVY Contemporary and hosts her own radio show sauti ya àkókò on Refuge Worldwide. \nOkhiogbe Omonblanks Omonhinmin is an Nigerian archivist\, curator\, producer and creative director. He is the founder of TAC (The Art Concept) organisation\, a documentation and archive-focused platform\, interested in studying African and Black societies from community\, city and country perspectives. \nIbou Coulibaly Diop is a Berlin based Senegalese Doctor\, literary scholar\, writer and curator. He is currently working on a colonial memory concept for the Berlin Senate and is working together with Lorraine Bluche for the Berlin City Museum Foundation in the Decolonization Competence Center. In his dissertation\, in which he examines the question of globalisation and universalisation of literature in general\, In his work he is interested in the question: How we can grow together despite our differences and which approaches can be found in the literature about it. \nThomas Talawa Presto is a caribbean-norwegian artistic director. In spite of his young age\, Thomas has codified a system of body movement which is rooted in the traditional African and Caribbean movement aesthetic\, yet relevant in the contemporary. \nBabiche Papaya is a Berlin based Rwandan rapper\, actress and artist Babiche Papaya navigates through Germany’s past\, present and future. Her work deals with a wide range of topics\, from her experiences\, growing up African in the German suburbs\, to Berlin nightlife\, to calls for revolution. \nNicholas Rose is an afro-american Berlin based dancer born in West Palm Beach\, Florida. Mr. Rose trained at the Colburn Dance Academy in Los Angeles\, California and The HARID Conservatory in Boca Raton\, Florida both on full scholarship. At age 19 Mr. Rose was recruited by the Dance Theatre of Harlem\, and toured with them extensively around the world before being recruited by The National Ballet of Canada as a member of the Corps de Ballet in 2018. \nGenifer Marione Habbasch is a Berlin based afro-german actress\, presenter\, TV-show and podcast host\, born in Congo raised in Namibia and Saarbrücken. She has been involved in projects such as the Afro-German theater group "Label Noir" and Freak de l’Afrique. \nDumama\, is a South African Berlin based artist. She explores intersectionality in her transdisciplinary artistic practice allowing the structures in formlessness to simply be. Her practice involves consciously deconstructing and critiquing archaic modes of representation of Southern African/African sonic and performance culture\, while also composing music for herself and others. \nTsepo Kolitsoe Pooe is a Berlin based Student conductor and cellist from Soweto\, South Africa. Ten years ago\, he joined the South African non-profit organisation MIAGI 'Music is a great Investment' on its mission to utilise music and music education as tools for positive social development and nation-building in the spirit of Nelson Mandela. \nJuba is a Berlin based child of the Nigerian diaspora in the UK\, since 2016 Juba has been paying musical homage to her heritage as a DJ who principally showcases music from Africa and the African diaspora. \nAnele is a Berlin based DJ \,born and Raised in South Africa. Anele's sound is highly influenced by 90's music. From Kwaito(a variant of house music featuring the use of African sounds and samples that emerged in South Africa during the ‘90s) to Disco\, Soul and Hip Hop. \nAgonglo Babatunde is a Berlin based artist\, arranger\, producer and atypical composer from Benin and Nigeria. Agonglo Babatunde plays several instruments including Percussion\, Drums\, guitar. He calls his musical genre "Afro gospel". \nAdebambo Akinwale is a Berlin based musician that grew up as a child in Lagos Nigeria\, played the percussions at his local Cherubims & Seraphim Church. Later joined a charismatic movement and then progressed to other instruments\, Playing the keyboard as a major instrument. Heavily influenced by sounds from his roots such as Gospel\, Afro traditional\, Soul\, Country\, Jazz .. etc \nVenant Ntiomo is a Berlin based percussionist from Cameroon. With a mother traditional dancer\, he has been introduced from a young age to Cameroonian traditional music. Attracted by percussion that he embodies\,  he navigates within Cabaret where he crosses over different genres such as traditional\, pop\, jazz and more.  \nWilly Sahel is a chadian Berlin based musician born in N'djamena\, the Sahel zone of CHAD\, from a gospel singer mother & a passionate classical guitar father. Willy presents a special music with his roots from Moissala (in the south of Chad)\, mixes the rhythms « Klaag » & « SAYE » with Soul\, Jazz & Gospel. \nYannick Mäntele is a Berlin based trumpet player.  Is in for building community and creating spaces with music in which people can meet. Tearing down the walls of prejudices and ignorance  with the sound of trumpet just like 7 of them did in Jericho - a symbol for non violent resistance. Respect and Difference are essential in the ever evolving path of learning and understanding as the children of Moon and Sun and passengers of the spaceship earth. \nMoussa Coulibaly is a Berlin based musician born in Bobo-Dioulasso\, Burkina Faso. Part of a Griot family he has been introduced to traditional music since his birth. He plays African traditional instruments such as Ngoni\, Balafon and is also a Djembefola. Instruments that he infuses in contemporan music. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n  \n 
URL:https://oyoun.de/event/cultsup/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Gespräche / Conversations,Klänge / Sounds,Panel,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/website-vorlage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220501T180000
DTEND;TZID=Europe/Berlin:20220501T233000
DTSTAMP:20260410T213230
CREATED:20220301T112340Z
LAST-MODIFIED:20220429T122133Z
UID:19806-1651428000-1651447800@oyoun.de
SUMMARY:Venue change: DECOLONOIZE presents Proper
DESCRIPTION:Achtung: Die Veranstaltung findet neu in der Loge (Kinzigstr. 9\, 10247 Berlin) statt. \nDECOLONOIZE BERLIN organizes Punk and Alternative shows representing BIPoCs in the scene.  \nAs a warm-up for the upcoming DECOLONOIZE FEST (28.-29.05.2022) we present to you the Berlin Show of PROPER. on their EU-Tour\, serving you finest Indie Rock / Emo Punk from Brooklyn. Support from Berlin is coming from SHAMANIACS with their powerful Psych-Rock. \nTickets are available via Eventbrite \nEntree: 10-15€  \nRefugees come in for free! \nIf you have little or no income and cannot buy a ticket but would still like to take part\, please contact us at hallo@oyoun.de. We will arrange it. \n*** \nDECOLONOIZE is a Berlin-based collective of BIPoC alternative musicians and music lovers. We are committed to organizing inclusive shows and events and creating safer spaces for a diverse community who is underrepresented in the Berlin punk and alternative scene. Website \nPROPER. (US) *Indie-Rock/Emo-Punk* \nFollowing 2019’s critically-acclaimed sophomore album\, I Spent the Winter Writing Songs About Getting Better\, Proper. is making their return with The Great American Novel. \n“At the end of the day\, what I wanted to do with this record is take Proper. in a direction that would surprise people on first listen\, but end up making complete sense on the second or third listen. I think a lot of bands tend to go more pop but I wanted to make something both challenging and undeniably catchy\,” Garlington said. “It all goes back to Black genius and how it’s ingested by the predominantly cishet\, white male crowd. If they’re going to be a voyeur to the Black experience\, I wanted to strip away all the cheeky song titles\, lyrical inside jokes\, and optimistic singalongs. I want them to hear this record and learn about our identity crises\, our aimlessness\, how many friends and family we know that are dead or in jail by 25. How\, at eight we were told we were gifted but by 11 we were told we’re dangerous.” \n“The Brooklyn band’s explosively verbal\, shapeshifting and snarky emo-pop explores how intersectional identities move within predominantly white spaces” - Pitchfork \n“Proper. vocalist Erik Garlington has a rare gift for translating the emotional impact of systemic forces into massive punk rock anthems.” - AFROPUNK \n“Full of punky spirit that nods to their emo forebears” - Consequence  \n“Takes the tropes of the pop punk genre to a more original and exciting place” - Uproxx \n  \nSHAMANIACS (Berlin) *Psych-Rock* \nThey say there's a fine line between insanity and wisdom.\nThe SHAMANIACS are used to crossing that line back and forth\,\ntelling stories made of Rock and taking you on a brain-melting psychedelic journey. \n*** \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/decolonoize/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-vorlage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220503T193000
DTEND;TZID=Europe/Berlin:20220503T233000
DTSTAMP:20260410T213230
CREATED:20220411T153201Z
LAST-MODIFIED:20220503T110041Z
UID:20680-1651606200-1651620600@oyoun.de
SUMMARY:‘ABBAS’ Screening + Q&A
DESCRIPTION:“ABBAS” is a short-documentary about Sudanese in Calais on their way towards a more dignified and hopeful life in freedom and peace. Instead\, they are confronted with everyday struggle with police surveillance and acts of violence. “This is not just a film\, it is a journey to explore some of what my people are going through in that place. The feeling of being lost\, threatened and rejected. The feeling of surviving the Unknown. The feeling of getting tortured for no reason at all.”\, says Zeyo Mann\, director and one of the producers. \n \n  \nZeyo: \nMustafa Elsiddig\, known as Zeyo is a Sudanese national\, born in Wad Madani. Zeyo grew up in the United Arab Emirates\, in the Al-ain. He fell in love with Rap music and started pursuing it when he was 16 years old. At first\, he used to write poetry but couldn’t quite grasp the flow. Although he was in love with this art\, it was challenging\, as he is a stutterer. Until one day he played a beat he found on YouTube\, and attempted to rap on it. That’s when he discovered that he can perform since then he hasn’t stopped. \nTo Zeyo music is a comfort zone. As he had had a tough childhood because of his stuttering condition\, he grew to get over it\, by making this art. By which he learned some extra skills such as making beats\, video editing and photography. He strives toward transforming any negativity he is subjected to into solitude that benefits his growth. His goal is to express what he\, and others\, go through due to freedom suppression practised by the extremist right-wing government in Sudan. He also strives towards establishing a platform in his country\, to help revolutionary artists\, who are not fortunate enough to practice their artistry\, due to the hard living conditions that they go through because of the government. \n  \nJulian Damm: \nJulian Damm a video and photographer from Berlin \n  \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/abbas-screening-qa/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images
ATTACH;FMTTYPE=image/x-png:https://oyoun.de/files/2022/04/1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220506T190000
DTEND;TZID=Europe/Berlin:20220506T213000
DTSTAMP:20260410T213230
CREATED:20220420T091937Z
LAST-MODIFIED:20220428T101352Z
UID:20844-1651863600-1651872600@oyoun.de
SUMMARY:Benim Adim – Mein Name
DESCRIPTION:Geschichte einer Selbstverteidigung \nTheateraufführung mit anschließender Diskussionsrunde mit der Künstler*in  \nIn dem Theaterstück “Mein Name” wird die Geschichte einer Selbstverteidigung erzählt. Meryem verkörpert in dem Stück das Schicksal von drei Frauen aus verschiedenen Generationen. In dem Stück erklimmen wir mit der “verrückten Hatice” mutig die Berge und singen Lieder während wir ihr Dorf hinter uns zurücklassen. Die Feldvögel werden in das Lebensglück mit aufgenommen und haben sogar einen Bezug zum Essen der Großmutter von Meryem. In dem Stück erklären wir den traditionellen uns aufgezwungenen Geschlechterrollen den Krieg. \nMeryem übt Selbstverteidigung gegen ihren Ehemann wegen ihrer Tochter Gülsüm aus. Gülsüm ist die einzige Charaktere in dem Stück\, die sich frei entfalten kann und gewissen Freiheiten besitzt. Meryem hat ihr Leben lang alles hingenommen\, hat weggeschaut und sich gelegentlich hier und da doch verteidigt. Aber als sie sieht\, dass ihrer Tochter Gülsüm das gleiche Schicksal bevorsteht\, sagt sie endlich NEIN. Dadurch dass sie alle Frauen befreit verändert sie die Geschichte grundlegend. Sie erzählt uns über die Gewalt gegen Frauen\, über Vergewaltigungen\, Belästigungen\, Nötigungen und die Unterdrückung mit ihrer naiven natürlichen Art. Aber im Endeffekt konfrontiert sie uns mit der Wirklichkeit. \nWir sehen in dem Spiel alle Charaktere auf eine naive\, offene aber auch tiefgreifende Art. Wir sehen Frauen\, die aus dem Schatten von Meryem hervorkommen. Wir erkennen unsere eigenen Häuser\, Nachbarn und Hinterhöfe.\n“Mein Name” ist die Geschichte von dem existenziellen Kampf der Frau um Befreiung\, die Geschichte von uns allen. Diese vier Frauen begegnen ihren Ängsten mit großem Mut und Hoffnung. Im Dorf\, am Flussrand\, auf den Bergen\, auf den Feldern und in den Städten erkämpfen die Frauen ihre Freiheit mit Mut. \nDie Theatergruppe IMGE aus Istanbul wird ihr Theaterstück „Benim Adim (Mein Name)" mit deutschen Untertiteln aufführen und anschließend in einer Diskussionsrunde über die Gewalt gegen Frauen in der Türkei und über die Möglichkeiten und Mittel der Selbstverteidigung der Frauen berichten. \nCredits \nText und Darbietung: Ayşe Nur DEMİR\nRegie: Ahmet Uçar\nSprache: Türkisch-Deutsch (Die Texte des Theaterstücks werden übersetzt und über Beamer an die Leinwand gespielt.) \nDie Diskussionsrunde wird übersetzt \nZeitplan \nEinlass: 19.00 Uhr \nBeginn: 19.30 Uhr \nEnde: 21.30 Uhr \nTickets \nVorverkauf: 10€\nAbendkasse: 12€ \nKartenreservierung außerdem möglich via: vereininternational@gmail.com \nÜber den Verein \nDer Verein der Internationalen Freundschaft und Solidarität e. V. ist ein gemeinnütziger Verein und arbeitet seit Jahrzehnten im Bereich Kultur\, Demokratie und Menschenrechte\, Frauenrechte\, Gleichstellung von Männern und Frauen\, Internationalismus\, gleiche soziale und politische Rechte für Migrant*innen. Das Theaterstück mit anschließender Diskussionsrunde soll nicht nur das Gewalt gegen Frauen\, sondern auch den Umgang dazu thematisieren. Die Veranstaltung ist auch als Bildungsarbeit zu verstehen. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/benimadim/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/beni-website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220507T150000
DTEND;TZID=Europe/Berlin:20220507T170000
DTSTAMP:20260410T213230
CREATED:20220401T121334Z
LAST-MODIFIED:20220510T142152Z
UID:20352-1651935600-1651942800@oyoun.de
SUMMARY:AS* PAPANGUS Street Performance in Berlin
DESCRIPTION:AS* PAPANGUS ist ein Karneval für\, von und mit Frauen*\, der marginalisierte Körper nicht objektiviert. \nIn AS* PAPANGUS führt die afro-brasilianische Künstlerin Bruna Amaro mit mehr als 50 Frauen* in São Paulo und Berlin einen Karneval in seiner queer-feministischsten und dekolonialsten Form auf.In diesem partizipatorischen Projekt wurden in einer Reihe von Performance-Workshops die Grundlagen für die folgenden Aktionen gelegt\, in denen die Künstlerin und die Teilnehmerinnen gemeinsam Bewegungen und Aussagen für ihre Straßenperformance entwickelten. Auf die von Bruna Amaro und der Näherin Eliana Amaro dos Santos handgefertigten Kostüme wurden Phrasen gestickt\, die Erfahrungen des Überlebens\, der Transformation und der Arbeit ausdrücken. \nDie Kostüme aus São Paulo werden von 10 Frauen* in Berlin zu neuem Leben erweckt\, indem diese an einem zweitägigen Workshop und an der anschließenden Straßenperformance am Samstag\, den 7. Mai im Kiez rund um das Oyoun teilnehmen. Sie laufen mit den Papangu-Kleidern durch die Straßen Neuköllns\, mit den Statements auf der Brust\, gestützt auf handgefertigte Requisiten\, und tanzen zur festlichen Musik. Indem sie ihre Körper sprechen lassen\, werden die Körper zu Fahnen des Triumphs. Die Prozession lädt andere FLINTA-Personen ein\, sich dem Spaziergang anzuschließen. \nAS* PAPANGUS setzt sich kritisch mit der kolonialen Matrix des Karnevals auseinander\, bleibt wachsam gegenüber unterdrückenden Blicken und verbietet die Ausbeutung von queeren Körpern\, von Körpern von Frauen*\, of Color\, mit Behinderungen und von Körpern\, die struktureller Unterdrückung ausgesetzt sind. Papangu-Frauen* gehen nicht auf die Straße\, um konsumiert zu werden: sie gehen\, um sich selbst zu feiern. \nAS* PAPANGUS eröffnet das erste Kapitel von Oyouns kuratorischem Schwerpunkt Mightier than a Trampled Flower (Mächtiger als eine zertrampelte Blume)\, der das Leben von Frauen* im Krieg aus einem dekolonialen Kontext heraus in den Mittelpunkt stellt und die kanonischen Erzählungen von Frauen* im Krieg dekonstruiert. Weitere Informationen über das Projekt findest du hier. \nPerformers: Pamela Bassi\, Natalia Aly\, Mizgina Rengin\, Mayara Teston Barrios\, Katia Akemi\, Jarita Freydank\, Jahia\, Fatima Ismayilova \nAlle Veranstaltungen zur Reihe AS*PAPANGUS findest du hier. \nAS* PAPANGUS wird gefördert vom Goethe-Institut São Paulo. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/as-papangus-performance-berlin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:AS* PAPANGUS,Bewegungen / Movements,Mightier than a Trampled Flower,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/as-website-new.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220507T200000
DTEND;TZID=Europe/Berlin:20220508T000000
DTSTAMP:20260410T213230
CREATED:20220408T100034Z
LAST-MODIFIED:20220503T110154Z
UID:20618-1651953600-1651968000@oyoun.de
SUMMARY:El Far3i in Berlin\, supported by Jundi Majhul
DESCRIPTION:The celebrated songwriter and rapper El Far3i returns to Berlin for an exclusive show at Oyoun supported by a very special guest - Jundi Majhul. A combination of electro-acoustic sounds\, jazzy grooves and powerful raps from the pioneering artists will light up Berlin for this May date. \nGet your tickets here. \nBiographies \nEl Far3i \nEncapsulating a unique combination of Arabic acoustic folk and hip-hop\, El Far3i’s sound has become an iconic musical narrative expressed through numerous popular anthems and chantable earworms that echo far beyond the region of his hometown\, Amman. \nWith a distinct voice that contrasts soulful melodies against raw verses and chants\, his themes emerge from the region’s subconscious\, providing a unique archive of the socio-psychological\, political and personal subtexts that emerge \nfrom daily Arab life\, both back home and in the diaspora. Preserving the power of simple\, yet hard-hitting grooves\, he frames his thoughts through music\, poetry and melodies. Such versatility and vision have also translated into him co-founding El Morabba3 and 47Soul. El Far3i still does occasional live collaborations with El Morabba3\, and continues the powerful journey he started with 47Soul in 2013. \nJundi Majhul \nRapper\, hip-hop artist\, beat maker and music composer from Damascus\, Jundi is known for his jazzy hip-hop grooves mixed with Middle Eastern textures that are amplified by potent political and social content. Starting his musical journey in his early teens\, he released first solo album in 2017 before he launched his finger \ndrumming and live beat making project the following year. Alongside his solo work\, he has gained strong recognition for his collaborations\, producing beats rappers across the region\, and continuing his ‘Latlateh’ project with long time partner Bu Kolthoum. \n \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/el-far3i-in-berlin-supported-by-jundi-majhul/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/x-png:https://oyoun.de/files/2022/04/2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220516T110000
DTEND;TZID=Europe/Berlin:20220516T113000
DTSTAMP:20260410T213230
CREATED:20220427T153848Z
LAST-MODIFIED:20220503T145929Z
UID:21104-1652698800-1652700600@oyoun.de
SUMMARY:FRATZ Festival: TAH DAM! (2+)
DESCRIPTION:Musik- und Tanzperformance von MusicDance Cape Town (Südafrika)  \nTAH DAM! ist eine Musik- und Tanzperformance für Familien und Kinder. Die teils traditionell afrikanische\, teils traditionell europäische Musik wird auf vielen interessanten Instrumenten gespielt: Mbira (aus Simbabwe)\, Djembe (aus Westafrika)\, Umtshingo (aus Südafrika)\, Adungu (aus Uganda) und auch ein Klavier\, Regenstäbe und Gesang kommen zum Einsatz. \nTAH DAM! besteht aus fünf Teilen: Das Wasserlied (»The Water Song«) beschäftigt sich mit Wasser\, wie es fließt und sich bewegt und was so darin lebt. Im Windlied (»The Wind Song«) geht es darum zu fliegen\, zu pusten\, wie etwas schwebt und weht und sich dreht. Das Erdlied (»The Earth Song«) ist vom Rhythmus des traditionallen Mapiko-Tanzes aus Mosambik inspiriert. Das Körperlied (»The Body Song«) lauscht den taktilen Geräuschen\, die wir selber machen. Ganz zum Schluss dann das Liedlied (»The Song Song«)\, das uns einlädt miteinander zu tanzen und die Bewegungen der anderen nachzumachen. \nTAH DAM! entstand im Juni 2020 in Kapstadt als ein Forschungslabor des FRATZ International. Auf einer zugehörigen Website finden sich Aktivitätsvideos\, um das Theatererlebnis zu vertiefen. TAH DAM! möchte Kinder und Eltern dazu inspirieren auch zu Hause weiter Musik zu machen und zu tanzen – das bedeutet auch der englische Ausdruck »Together at Home – Dance and Music!« oder kurz: TAH DAM! \nDie Künstler*innen von TAH DAM! kommen aus Südafrika\, Italien und Mosambik. Die Gruppe fand sich über das seit 2018 von Thalia Laric und Manuela Lucia Tessi geleitete Projekt MusicDance Cape Town. Das Projekt bringt Tänzer*innen und Musiker*innen unterschiedlicher Hintergründe zusammen und fördert die Zusammenarbeit der verschiedenen Disziplinen. Der Schwerpunkt der Arbeit liegt auf Kompositionen\, die interdisziplinärer und in Echtzeit entstehen. \nSpiel / Regie: Thalia Laric\nSpiel: Manuela Lucia Tessi\, Vintani Nafassi\, Sumalgy Nuro\, Coila-Leah Enderstein\nDramaturgie: Nicola Elliott-Wong \nTickets \nTickets für alle FRATZ-Festival Veranstaltungen gibt es hier.\nKontakt für Kita-Gruppen: Annea Lounatvuori | annea@theater-on.de | +49 (0)30 440 92 14\nReservierung außerdem via: ticket@fratz-festival.de | accreditation@fratz-festival.de \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > hallo@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/fratz-festival-tah-dam-2/2022-05-16/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Kinder + Jugend / Kids + Youth,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/website-tah-dam.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220516T123000
DTEND;TZID=Europe/Berlin:20220516T143000
DTSTAMP:20260410T213230
CREATED:20220428T161628Z
LAST-MODIFIED:20220506T094519Z
UID:21144-1652704200-1652711400@oyoun.de
SUMMARY:FRATZ Festival: Darstellende Künste für die Jüngsten in Hongkong
DESCRIPTION:Live-Zoom-Gespräch und Screening der Arbeit von HK5senses mit Gemini Wong Yuk Tak \nDie FRATZ Festival-Kuratorin Marie Yan verbrachte 2021 ein halbes Jahr wegen eines Theaterprojekts in Hongkong und lernte in dieser Zeit das HK5Senses Theatre kennen\, das sich der Arbeit für Babies und Kleinkinder widmet. \nIm Rahmen des Symposiums von FRATZ 2022 wollen wir die Arbeit dieses Theaters kennenlernen\, in dem wir ihre Videodokumentation mit englischen Untertiteln zeigen und die Theatermacherin in einem öffentlichen Zoom-Call zu einem Austausch treffen. Wir möchten etwas über die Arbeitsbedingungen der Künstler:innen in Hong Kong lernen und erfahren\, wie Familien\, das Publikum des HK5Senses Theatre in dieser Metropole leben. HK5senses ist Hongkongs erste und einzige professionelle Theatergruppe\, die sich für ein sensorisches und immersives Theater für ein sehr junges Publikum eingesetzt hat. Die Regisseurin und Gründerin Gemini Wong Yuk Tak ist eine langjährige Pionierin der darstellenden Künste für die Jüngsten in Asien und wurde u. a. zur ASSITEJ International World Conference 2020 und von ASSITEJ Japan und Korea eingeladen. \nDer Austausch findet in englischer Sprache statt. Bei Interesse kann eine Zoom-Übersetzung organisiert werden. Hierfür bitte bis spätestens 29. April anmelden: accreditation@fratz-festival.de \nDie Veranstaltung ist gut kombinierbar mit einem Vorstellungsbesuch von TAH DAM! von MusicDance Cape Town (Südafrika) um 11:00 Uhr im Oyoun. Der Spielort besitzt ein Café mit Snacks und WLAN für die Pause. Alternativ kann\, auf Spendenbasis\, auch Online am Event teilgenommen werden.  \nTickets  \nPräsenzveranstaltung: 8€\nOnlineveranstaltung: Spendenbasis  \nAnmeldung per E-Mail hier.  \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/fratz-hongkong/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Gespräche / Conversations,Kinder + Jugend / Kids + Youth
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/fratz-neu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220518T093000
DTEND;TZID=Europe/Berlin:20220518T100000
DTSTAMP:20260410T213230
CREATED:20220427T161711Z
LAST-MODIFIED:20220503T145537Z
UID:21116-1652866200-1652868000@oyoun.de
SUMMARY:FRATZ Festival: KOLOFU (2+)
DESCRIPTION:Performance von KiNiNso Koncepts (Nigeria) \nFarben haben in Bezug auf Menschen häufig wertende\, auch negative Assoziationen. Die weltweit verbreiteten Zuschreibungen aufgrund von Haut-Farben wie schwarz\, weiß\, rot\, gelb\, ... sind absurd\, diskriminierend und nehmen uns die Freude an der Schönheit der Farben. Das Team von KOLOFU wollte diesen Zustand nicht hinnehmen und fragte sich: »Können Farben einfach nur schön sein? Nur schön und nichts anderes?« In einem performativen Farbenspiel mit Tellern\, Löffeln\, Strohhalmen und Wind entsteht ein vereinendes und faszinierendes Theatererlebnis für Kinder\, Erwachsene und Performer:innen. Sie zeigen\, dass alle Menschen zusammen leben und spielen können. \n2017 war KiNiNso Koncepts bereits mit der Inszenierung Sandscapes zu FRATZ International eingeladen. Damals wurden den Künstler:innen die notwendigen Visa verweigert\, was eine Welle des Protests auslöste. 2019 war Joshua Alabi als Festivalbeobachter und Symposiumsteilnehmer zu Gast bei FRATZ. Wir freuen uns die Arbeitsbeziehung mit dem diesjährigen Gastspiel fortsetzen zu können. \nKOLOFU ist eine von drei Inszenierungen\, die aus einem FRATZ Labor zum Thema SKIN TONE hervorging. Im Rahmen von FRATZ International 2020 forschte die Gruppe zu Hautfarben\, Bleichen und Tönen\, Kolorismus\, Rassendiskriminierung und Identität. Neben KOLOFU ab 2 Jahren\, entstand Cream Body\, eine Komödie für Erwachsene und Skin\, eine Arbeit für Kinder ab 6 Jahren. \nKiNiNso Koncepts ist eine Company für Storytelling\, Film\, Theater\, Performances und Weiterbildung. Ihr Ziel ist es\, durch innovative Performance- und Erzähltechniken in Verbindung mit intensiver Erforschung der eigenen kulturellen Wurzeln und Traditionen\, relevante Botschaften zu transportieren. Immer wieder stellen die Künstler:innen in ihrer Arbeit den Status quo in Frage. In Nigeria und weltweit haben sie bereits über 1000 Menschen ausgebildet und ein großes Netzwerk junger Künstler:innen aufgebaut. Joshua Alabi\, Gründer von KiNiNso Koncepts\, leitet lokale und internationale Projekte in Afrika und Europa. Unter anderem schrieb\, produzierte und inszenierte er Theaterstücke im Auftrag des British Council/UKAID\, der Europäischen Union\, des Goethe-Instituts und der Mac Arthur Foundation. \n\nKonzept / Regie: Joshua Alabi\nRecherche: Aniefiok Inyang\nSpiel: Aniefiok Inyang\, Chinenye Chukwudi\, Oluchukwu Ukachukwu\, Julius Obende\nProduktionsleitung: Angela Peters\nRechtsberatung: Praise Alabi \nTickets \nTickets für alle FRATZ-Festival Veranstaltungen gibt es hier.\nKontakt für Kita-Gruppen: Annea Lounatvuori | annea@theater-on.de | +49 (0)30 440 92 14\nReservierung außerdem via: ticket@fratz-festival.de | accreditation@fratz-festival.de \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. “Kolofu” wird freundlich unterstützt vom Goethe-Institut Nigeria. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail > awareness@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/fratz-festival-kolofu-2/2022-05-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Kinder + Jugend / Kids + Youth,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/website-kolofu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220518T180000
DTEND;TZID=Europe/Berlin:20220518T210000
DTSTAMP:20260410T213230
CREATED:20220426T141034Z
LAST-MODIFIED:20220517T155951Z
UID:21065-1652896800-1652907600@oyoun.de
SUMMARY:UN:IMAGINABLE -  our histories in conversation
DESCRIPTION:UN:IMAGINABLE -  our histories in conversation\n_a musical documentary performance on the soundtracks of war_ \nUN:IMAGINABLE ist eine außergewöhnliche Theaterproduktion\, die aus der gelebten Realität von Trauma\, Krieg\, Ausgrenzung und Exil entstanden ist. Die Genozide der 1990er Jahre in Ruanda und auf dem Balkan erschütterten die Welt - und zählen bis heute zu den blutigsten Ereignissen der modernen Geschichte. Die Berichte und Geschichten davon haben nichts an Bedeutung eingebüßt. Viele Menschen sind damals aus ihrem Heimatland geflohen und einige von ihnen leben seitdem in Deutschland\, dem der Status eines „Paradieses" zugeschrieben wurde. \nSolange unerzählte Geschichte verleugnet wird\, kann sich eine Gesellschaft nicht wirklich aus Angst und Hass befreien\, was nur zu weiteren Konflikten führt. UN:IMAGINABLE spiegelt die Banalität des Bösen und seine Verbindung zum alltäglichen Leben wider\, indem es sich mit der Stunde des Todes im Leben von Opfern und Tätern befasst. \n"In einem monochromen Universum\, das die Verheißungen der Ungewissheit ergreift\, liegt die Zukunft vor uns wie ein ungeschriebenes Buch. Wir müssen uns alle gemeinsam überlegen\, was wir jetzt ändern können." - Hope Azeda \nUN:IMAGINABLE ist ein transnationales dokumentarisches Musiktheater\, das verschiedene Formen der Heilung in den Bereichen von sich wiederholender Geschichte\, von Krieg\, Völkermord und vom Leben in der Diaspora erforscht. Nach intensiven\, gemeinsam erlebten Wochen des Teilens\, des Austauschs und des Lernens tragen mehr als 20 Menschen aus sechs Ländern gemeinsam zu einem multimedialen und analogen Erlebnis bei\, in dem zutiefst menschliche Geschichten erzählt werden. \nUN:IMAGINABLE wird produziert von Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda und Sarajevo War Theatre Bosnia-Herzegovina. \nGefördert im Fonds TURN2 der Kulturstiftung des Bundes. Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien sowie der Heinrich-Böll-Stiftung. \n18:00 h: Empfang (Café)\n19:30 h: Weltpremiere und Einführung mit ShaNon Bobinger (Halle\, 2. Stock) \nSprache: Englisch  \nKonzept\, Regie\, Text: Hope Azeda\nKonzept\, Komposition: Konstantin Dupelius\nKonzept\, Komposition\, Text: Nedim Zlatar\nText: Benjamin Bajramović\, Tete Loeper\nKostüme: Justine Loddenkemper\nDramaturgie & Skript: Emina Omerović \nPerformance: Benjamin Bajramović\, Snežana Bogićević\, Konstantin Dupelius\, Peace Jolis\, Moise Mutangana\, Jihadi Niyonkuru\, Leonardo Šarić\, Donia Sbika\, Adolatha Uwineza\, Nedim Zlatar \nWorkshops\, Digital Library: Yves Mdagano\, Francois Byemba\, Marc Ngabo\, Arthur Kisitu\, Landry Nguetsa\, Yannick Ndoli:  \nProduktionsmanagement: Ihisa Theresa Adelio\nProduktionsassistenz: Innocent Munyeshuri\nFundraising: Nina Martin\, Sophia Schmidt \nKuration: Louna Sbou \nCollage: Duduetsang Lamola (@blk.banaana) \nDas Diskursprogramm zu UN:IMAGINABLE und alle weiteren Aufführungstermine finden sich hier \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > awareness@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/unimaginable/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220519T193000
DTEND;TZID=Europe/Berlin:20220519T210000
DTSTAMP:20260410T213230
CREATED:20220426T141034Z
LAST-MODIFIED:20220517T155857Z
UID:21187-1652988600-1652994000@oyoun.de
SUMMARY:UN:IMAGINABLE -  our histories in conversation
DESCRIPTION:UN:IMAGINABLE -  our histories in conversation\n_a musical documentary performance on the soundtracks of war_ \nUN:IMAGINABLE ist eine außergewöhnliche Theaterproduktion\, die aus der gelebten Realität von Trauma\, Krieg\, Ausgrenzung und Exil entstanden ist. Die Genozide der 1990er Jahre in Ruanda und auf dem Balkan erschütterten die Welt - und zählen bis heute zu den blutigsten Ereignissen der modernen Geschichte. Die Berichte und Geschichten davon haben nichts an Bedeutung eingebüßt. Viele Menschen sind damals aus ihrem Heimatland geflohen und einige von ihnen leben seitdem in Deutschland\, dem der Status eines „Paradieses" zugeschrieben wurde. \nSolange unerzählte Geschichte verleugnet wird\, kann sich eine Gesellschaft nicht wirklich aus Angst und Hass befreien\, was nur zu weiteren Konflikten führt. UN:IMAGINABLE spiegelt die Banalität des Bösen und seine Verbindung zum alltäglichen Leben wider\, indem es sich mit der Stunde des Todes im Leben von Opfern und Tätern befasst. \n"In einem monochromen Universum\, das die Verheißungen der Ungewissheit ergreift\, liegt die Zukunft vor uns wie ein ungeschriebenes Buch. Wir müssen uns alle gemeinsam überlegen\, was wir jetzt ändern können." - Hope Azeda \nUN:IMAGINABLE ist ein transnationales dokumentarisches Musiktheater\, das verschiedene Formen der Heilung in den Bereichen von sich wiederholender Geschichte\, von Krieg\, Völkermord und vom Leben in der Diaspora erforscht. Nach intensiven\, gemeinsam erlebten Wochen des Teilens\, des Austauschs und des Lernens tragen mehr als 20 Menschen aus sechs Ländern gemeinsam zu einem multimedialen und analogen Erlebnis bei\, in dem zutiefst menschliche Geschichten erzählt werden. \nUN:IMAGINABLE wird produziert von Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda und Sarajevo War Theatre Bosnia-Herzegovina. \nGefördert im Fonds TURN2 der Kulturstiftung des Bundes. Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien sowie der Heinrich-Böll-Stiftung. \n19:00 h: Doors\n19:30 h: Vorstellung \nSprache: Englisch \nKonzept\, Regie\, Text: Hope Azeda\nKonzept\, Komposition: Konstantin Dupelius\nKonzept\, Komposition\, Text: Nedim Zlatar\nText: Benjamin Bajramović\, Tete Loeper\nKostüme: Justine Loddenkemper\nDramaturgie & Skript: Emina Omerović \nPerformance: Benjamin Bajramović\, Snežana Bogićević\, Konstantin Dupelius\, Peace Jolis\, Moise Mutangana\, Jihadi Niyonkuru\, Leonardo Šarić\, Donia Sbika\, Adolatha Uwineza\, Nedim Zlatar \nWorkshops\, Digital Library: Yves Mdagano\, Francois Byemba\, Marc Ngabo\, Arthur Kisitu\, Landry Nguetsa\, Yannick Ndoli:  \nProduktionsmanagement: Ihisa Theresa Adelio\nProduktionsassistenz: Innocent Munyeshuri\nFundraising: Nina Martin\, Sophia Schmidt \nKuration: Louna Sbou \nCollage: Duduetsang Lamola (@blk.banaana) \nZum Diskursprogramm von UN:IMAGINABLE und allen weiteren T \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > awareness@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/unimaginable-2022-05-19/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220520T190000
DTEND;TZID=Europe/Berlin:20220520T220000
DTSTAMP:20260410T213230
CREATED:20220504T093331Z
LAST-MODIFIED:20220516T165821Z
UID:21264-1653073200-1653084000@oyoun.de
SUMMARY:UN:IMAGINABLE – Filmscreening: Quo Vadis\, Aida?
DESCRIPTION:Screening\, followed by a Q&A with Melina Borčak \nAn unforgettable movie! - The New York Times \n\nABOUT "QUO VADIS\, AIDA?" - a film by Jasmila Žbanić \nBosnia\, 11 July 1995. Aida is a translator for the United Nations in the small town of Srebrenica. When the Serbian army takes over the town\, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations\, Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people - rescue or death? Which move should she take? \nDoors: 19.00H\nStart: 19.30H (Club Space\, Souterrain)\nLanguage: OMU – Bosnian\, English and Dutch with German subtitles\nTickets: Donation-based \n–--- \nThis event is part of UN:IMAGINABLE - our histories in conversation \nUN:IMAGINABLE is one remarkable theatre production resulting from lived realities of trauma\, war\, segregation and exile. In the 1990s the conflicts in Rwanda and the Balkans shattered the world and remain recorded as two of the bloodiest events in modern history. However\, testimonies and stories continue to this day. Many have fled their home country and some have reached Germany\, a space glorified as paradise.  \nSociety is stuck in suppressed fear and hatred leading to further conflicts while in denial of histories untold. UN:IMAGINABLE mirrors the banality of evil and its connection to everyday\, mundane life and deals with the hour prior to death in the lives of victims and perpetrators.  \nWorld Premiere: 18 May\, at 18.00H (Reception) / 19.30 H (Performance) \nAdditional performances:  \n19 May\, 19.00H (Doors) / 19.30H (Performance)\n22 May\, 19.00H (Doors) / 19.30H (Performance) \nUN:IMAGINABLE is produced by Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda and the Sarajevo War Theater Bosnia-Herzegovina. \nSupported in the fund TURN2 the Federal Cultural Foundation and the Federal Government Commissioner for Culture and the Media as well as by the Heinrich Böll Foundation. \n--- \nABOUT \nMelina Borčak (Q&A host) \nHaters say I’m a Muslim\, feminazi refugee islamizing the fake news-media at CNN\, ARD and Deutsche Welle… They’re right. \nDocumentaries\, street art\, museum exhibitions\, data journalism: I’ve already done lots of things in order to tell important stories. And I’ve got 10 years experience doing so. \nDuring the genocide against Bosniaks\, I grew up in Germany’s cosiest refugee camp (by “cozy” I mean it was a damn aluminum container)\, until I was forced to go “back” to a country I didn’t even know – Bosnia. In the ruins of Sarajevo\, I studied Journalism and filled my adrenalin addiction through adventurous trips to exotic destinations such as Bonn\, Potsdam and Berlin – at Deutsche Welle\, the Electronic Media School and the Parliament of Germany (know your enemy). Despite a successful career in Bosnian media\, I decided to return to Germany in 2015 – after almost 20 years in Bosnia. \nHere\, I continued working as a journalist\, became a columnist\, founded “Perspective Collective” – a collective of journalists that are refugees and/or POC. Now I’m building a media startup in Bosnia and working on two documentaries. \nJasmila Žbanić (director) \nBorn in Sarajevo in 1974\, Jasmila is a graduate of her native city’s Academy of Dramatic Arts\, Theatre and Film Directing Department. Before filmmaking\, she also worked as a puppeteer in the Vermont-based Bread and Puppet Theater and as a clown in a Lee Delong workshop. Her feature debut GRBAVICA won the 2006 Berlinale Golden Bear\, was sold to 40 territories and received nominations for European Film and Actress at the European Film Awards. \nON THE PATH\, Jasmila’s second feature film\, premiered at the 2010 Berlinale\, in the Competition section. The film had world-wide distribution in 25 territories\, won numerous awards\, and was nominated for European Actress at the European Film Awards. \nJasmila’s films and video works have been displayed at dozens of art exhibitions world-wide such as Manifesta 3\, the Istanbul Biennial\, Kunsthalle Fridericianum Kassel\, Swedish Contemporary Art Foundation\, New Museum in New York(...) She is the recipient of the 2014 KAIROS Prize which honours European artists whose work is judged to have a major cultural and social impact. \n  \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail an hallo@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website. \n 
URL:https://oyoun.de/event/unimaginable-quo-vadis-aida/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/4-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220520T200000
DTEND;TZID=Europe/Berlin:20220520T220000
DTSTAMP:20260410T213230
CREATED:20220419T130517Z
LAST-MODIFIED:20220420T095650Z
UID:20795-1653076800-1653084000@oyoun.de
SUMMARY:Rotimi –  All Or Nothing World Tour
DESCRIPTION:Rotimi kommt mit dem Debütalbum „All or Nothing“ für eine exklusive Show nach Deutschland! \nMit Co-Signings von T-Pain\, 50 Cent\, JAY-Z\, Jamie Foxx und T.I. leitet Sänger und Songwriter Rotimi eine neue Ära der Game Changer ein. Während er bislang vor allem für seine Schauspielrollen wie in der amerikanischen Hitserie „STARZ“ bekannt ist\, startete er mit seinem Debütalbum in diesem Jahr auch musikalisch richtig durch.\nDer Schauspieler und Sänger vermischt modernen R&B-Sound mit traditionellem Afrobeat und Dancehall und ergänzt das Ganze mit seinem eigenen\, sanften Sound aus globalen Einflüssen. Seine erste EP „Jeep Music Volume 1“\, welche bereits 2017 erschien\, generierte mit „Want More“ (ft. Kranium) über 40 Millionen Streams. Doch bis zu seinem im August 2021 erschienen Debütalbum „All or Nothing“ wurden die Fans über die Jahre immer wieder mit einigen Mixtapes wie „The Resume“\, „While You Wait“ oder „The Beauty of Becoming“ musikalisch verwöhnt. Letztere EP beinhaltet den mit goldausgezeichnetem Track „In My Bed“ feat. Wale. Im April 2020 veröffentlichte Rotimi eine sechs Songs umfassende Akustik-EP namens „Unplugged Sessions“\, die seine Hörer*innen ins Schwärmen brachte. Zum Jahresauftakt veröffentlichte er sein Musikvideo „Love Somebody“ die eine Neuinterpretation der Geschichte von Adam und Eva zeigen. \nIm Kern ein kreativer Schöpfer\, verkörpert Rotimis Motto sowohl seine Haltung als auch seine Kunst: „No Limit.“ \nEinlass: 19:00 Uhr\nBeginn: 20:00 Uhr \nTickets gibt es hier. \n \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/rotimi/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/04/rotimi-website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220521T150000
DTEND;TZID=Europe/Berlin:20220521T173000
DTSTAMP:20260410T213230
CREATED:20220504T094941Z
LAST-MODIFIED:20220516T170725Z
UID:21269-1653145200-1653154200@oyoun.de
SUMMARY:UN:IMAGINABLE - Talk: Urgency of Remembrance
DESCRIPTION:Talk on the urgency and politics of remembrance and art as a form of healing and trauma reflection \nWith Dr. Emilia Roig\, Maryan Abdulkarim and Jasmina Musić\nModerated by ShaNon Bobinger \nIn this talk\, four extraordinary creatives get together and discuss the many ways in which trauma can be reflected through various forms of art and potentially help ease the (un)conscious pain inherited or experienced.  They will also discuss the inevitability\, politics and urgency of remembrance serving ways to mirror society in times of increasing hate crimes\, bigotry\, racism and intolerance while embracing the need for communities and spaces to heal. \nStart: 15.00H (Café\, ground floor)\nLanguage: English\nTickets: Donation-based \n--- \nThis talk is part of UN:IMAGINABLE - our histories in conversation \nUN:IMAGINABLE is one remarkable theatre production resulting from lived realities of trauma\, war\, segregation and exile. In the 1990s the conflicts in Rwanda and the Balkans shattered the world and remain recorded as two of the bloodiest events in modern history. However\, testimonies and stories continue to this day. Many have fled their home country and some have reached Germany\, a space glorified as paradise.  \nSociety is stuck in suppressed fear and hatred leading to further conflicts while in denial of histories untold. UN:IMAGINABLE mirrors the banality of evil and its connection to everyday\, mundane life and deals with the hour prior to death in the lives of victims and perpetrators.  \nWorld Premiere: 18 May\, at 18.00H (Reception) / 19.30 H (Performance) \nAdditional performances:  \n19 May\, 19.00H (Doors) / 19.30H (Performance)\n22 May\, 19.00H (Doors) / 19.30H (Performance) \nUN:IMAGINABLE is produced by Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda and the Sarajevo War Theater Bosnia-Herzegovina. \nSupported in the fund TURN2 the Federal Cultural Foundation and the Federal Government Commissioner for Culture and the Media as well as by the Heinrich Böll Foundation. \n--- \nABOUT \n__Maryan Abdulkarim  \nis Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present. In her artistic work\, Abdulkarim focuses on questions relating to freedom and dreaming\, such as in the project We Should All Be Dreaming created with Sonya Lindfors. Abdulkarim has scripted the award-winning short film Dream Dream in the Single Case series by Tuffi Fulms and represented Finland at the Venice Biennale (2018). She has co-founded the Feminist Party and served as Vice President of the Union of Women’s Affairs. In 2019\, Abdulkarim was awarded the Minna Canth Award for her work on furthering equality.  \n__Dr. Emilia Roig \nRenowned social justice leader\, author\, and expert on intersectionality\, diversity\, equity\, inclusion and non-discrimination Emilia Roig has been shifting the discourse on systemic inequalities in Europe through the creation of the Berlin-based Center for Intersectional Justice (CIJ)\, the publication of her book WHY WE MATTER\, her numerous speaking engagements and her high-level consultancy services. \n__Jasmina Music \nJasmina Musić was born in 1988 in Banja Luka and came to Dortmund with her family as a five-year-old. She studied acting in Hamburg and Tuzla\, as well as psychology in Cologne. She is a co-founder of the diverse female collective Her.Story\, which will conduct research on the topic of violence against women and on the genocide in Bosnia and Germany in the 2021 theatre season. \n__ShaNon Bobinger (Moderation)  \nShaNon Bobinger is a moderator and systemic life and business coach. After several years of moderation experience at Tide TV\, ALEX TV\, The Muay Thai Diary and the production of her own interview formats @sippingrealiteas\, the focus of her work lays in social change\, with the aim of communicating inclusively\, multi-perspectively and diversely in order to promote an interactive dialogue and exchange.  \n  \nPhoto credits:\nAlexander Wendler (ShaNon Bobinger)\nMohamed Badarne (Emilia Roig)\nHayley Le (Maryan Abdulkarim)\nMarina Rosa Weigl (Jasmina Musić) \n  \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail an hallo@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/unimaginable-post-war-healing/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Kinder + Jugend / Kids + Youth,Klänge / Sounds,Panel
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220521T160000
DTEND;TZID=Europe/Berlin:20220521T190000
DTSTAMP:20260410T213230
CREATED:20220513T125303Z
LAST-MODIFIED:20220516T165649Z
UID:21622-1653148800-1653159600@oyoun.de
SUMMARY:UN:IMAGINABLE - Kids’ Club & Afro Beats for children with DJ Cuby
DESCRIPTION:If you are looking for a day party where parents\, children and friends get together\, this is your dance!  \nDJ Cuby is known for bringing a mixture of baile funk\, afro beats\, hip hop and international edits to the dancefloor. For this special edition\, Cuby has selected some fine tracks\, so make sure you wear comfortable or no shoes. \nAll ages welcome.  \nNo alcoholic beverages at the club! \nStart: 16.00 H (Club\, souterrain)\nTickets: Donation-based \n--- \nThis event is part of UN:IMAGINABLE - our histories in conversation  \nUN:IMAGINABLE is one remarkable theatre production resulting from lived realities of trauma\, war\, segregation and exile. In the 1990s the conflicts in Rwanda and the Balkans shattered the world and remain recorded as two of the bloodiest events in modern history. However\, testimonies and stories continue to this day. Many have fled their home country and some have reached Germany\, a space glorified as paradise.  \nSociety is stuck in suppressed fear and hatred leading to further conflicts while in denial of histories untold. UN:IMAGINABLE mirrors the banality of evil and its connection to everyday\, mundane life and deals with the hour prior to death in the lives of victims and perpetrators.  \nWorld Premiere: 18 May\, at 18.00H (Reception) / 19.30 H (Performance) \nAdditional performances:  \n19 May\, 19.00H (Doors) / 19.30H (Performance)\n22 May\, 19.00H (Doors) / 19.30H (Performance) \nUN:IMAGINABLE is produced by Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda and the Sarajevo War Theater Bosnia-Herzegovina. \nSupported in the fund TURN2 the Federal Cultural Foundation and the Federal Government Commissioner for Culture and the Media as well as by the Heinrich Böll Foundation. \nPicture of DJ Cuby by Alexander Malecki \n  \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/unimaginable-kids-club-afro-beats-for-children-with-dj-cuby/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Kinder + Jugend / Kids + Youth,Klänge / Sounds
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/2-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220521T170000
DTEND;TZID=Europe/Berlin:20220522T000000
DTSTAMP:20260410T213230
CREATED:20220505T125721Z
LAST-MODIFIED:20220521T153423Z
UID:21335-1653152400-1653177600@oyoun.de
SUMMARY:THE STEAMY KIKI BALL by Mother Dream Louboutin
DESCRIPTION:German Mother Dream Louboutin invites you to a steamy spring evening. Think of spring vibes\, sauna\, shisha\, wellness and most important: fun! Let’s make it hot while having a kiki!  \nDoor open: 17:00 \nShow start: 19:00 \nTickets (Abendkasse/Box Office): \nParticipants: 5 €\nQT*BIPOC: 10 €\nSpectators: 15 € \nregistration for participants:\nhttps://forms.gle/oGz7rkB4NgkZ8iFq5 \nDresscode for participants:\nlight blue\, transparent\, white ONLY\n- no other colors\n(You have to include at least 2 out of this 3)\nShoes and accessories don’t count!\nOptional: Wellness\, Sauna\, Shisha\, Spring\, Steamy vibes \nDJ: Father Daniel Bandita  \nMC:\nFather Elijah Tea  \nMandhla Laveaux  \nJudges:\nNake Juicy Couture  \nFather Rico Louboutin  \nRia Mermaids  \nMother Ambrosia Angels  \nGaby 007  \nCategories in order:\n- MF Realness\n- FF Body\n- Beginners Runway OTA\n- FQ Realness\n- Beginners Performance OTA\n- Tag Team Washed Face OTA\n- BREAK -\n- MF Body\n- Best look of the night OTA\n- Performance OTA\n- Runway with a Prop OTA (Walk the runway while working your towel)\n- Sex Siren OTA \n  \nAbout the artist: \nEros walked his first ball three years ago in Berlin\, just before he moved there to dive into the ballroom scene of Germany. He started to make his first steps as part of the Iconic International House of Saint-Laurent. During his first year he won the European Award for „All American Runway of the year“\, at the Galaxy Ball in Paris by Legendary Father Charly (Ebony) Gaultier-Brown. From time to time he tried several categories and won grand prizes in 10 different categories\, in 5 different countries. He\norganized a few ballroom events in Germany and judged onternationally. After being in the house of Ebony for almost 2 years he just debuted as a 007 in Paris\, where he again snatched two trophies. He is undefeated in Germany since almost 1\,5 years and collected over 50 trophies in total. His goal is to become known for European Runway\, All American Runway and Runway with a twist - which is his main category - but also for his community work\, projects and events that he wants to realize in the future. Till now Eros has been part of several campaigns\, interviews\, TV shows\, Performances\, Panel Talks etc. in connection to his Ballroom Career. For 2022 he already planned a few events and ballroom trips\, but his excitement for the ballroom youth project that he is co-initiating in Berlin\, is the biggest. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/the-steamy-kiki-ball-by-mother-dream-louboutin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
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DTSTART;TZID=Europe/Berlin:20220522T100000
DTEND;TZID=Europe/Berlin:20220522T150000
DTSTAMP:20260410T213230
CREATED:20220504T095815Z
LAST-MODIFIED:20220516T143921Z
UID:21273-1653213600-1653231600@oyoun.de
SUMMARY:UN:IMAGINABLE – Community Brunch with DJ Robert Soko
DESCRIPTION:With a community brunch event\, we are inviting the Rwandan\, German and Bosnian cast of “UN:IMAGINABLE - our histories in conversation” to get together and share with you their journey\, experiences and food. \nOn the decks\, we will be musically accompanied by the one and only Robert Soko at the café on the ground floor. \nBrunch: 10.00 - 15.00H  \nDJ Set with Robert Soko: 12.00 - 15.00H \n--- \nThis event is part of UN:IMAGINABLE - our histories in conversation \nUN:IMAGINABLE is one remarkable theatre production resulting from lived realities of trauma\, war\, segregation and exile. In the 1990s the conflicts in Rwanda and the Balkans shattered the world and remain recorded as two of the bloodiest events in modern history. However\, testimonies and stories continue to this day. Many have fled their home country and some have reached Germany\, a space glorified as paradise.  \nSociety is stuck in suppressed fear and hatred leading to further conflicts while in denial of histories untold. UN:IMAGINABLE mirrors the banality of evil and its connection to everyday\, mundane life and deals with the hour prior to death in the lives of victims and perpetrators.  \nWorld Premiere: 18 May\, at 18.00H (Reception) / 19.30 H (Performance) \nAdditional performances:  \n19 May\, 19.00H (Doors) / 19.30H (Performance)\n22 May\, 19.00H (Doors) / 19.30H (Performance) \nUN:IMAGINABLE is produced by Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda and the Sarajevo War Theater Bosnia-Herzegovina. \nSupported in the fund TURN2 the Federal Cultural Foundation and the Federal Government Commissioner for Culture and the Media as well as by the Heinrich Böll Foundation. \n  \nCollage: Duduetsang Lamola (@blk.banaana) \n  \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail an hallo@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/unimaginable-queer-sounds-taste-of-post-heimat/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Panel,Workshop
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220522T140000
DTEND;TZID=Europe/Berlin:20220522T170000
DTSTAMP:20260410T213230
CREATED:20220517T143411Z
LAST-MODIFIED:20220517T144357Z
UID:21798-1653228000-1653238800@oyoun.de
SUMMARY:Theatre and storytelling workshop for Arabic & English speakers with Nadeem
DESCRIPTION:يالا نحكي ونمثل ونلعب ونزقطط وبالعربي كمان! \nCommunity theatre and storytelling can be lovely tools to connect\, feel seen\, entertain/get entertained and just have a lot of fun. During these workshops we aim at learning theatre and storytelling techniques together. We will tell each other’s stories in a safe space\, reenact them\, and play around moving our bodies and shaking off our worries in the process. The workshop will be conducted in Arabic and English. It is open for everyone (no need for any previous experience in with acting and theatre). However\, we especially encourage minority and marginalized groups in Berlin and people between 18 and 27 years old! Try out sessions on 22/05/2022 and 24/05/2022 choose one and let’s play! \nThe workshop is free but registrations are needed. To register:  please email your details and day of preference (22nd or 24th) to nadeemy@riseup.net \nLanguage: Arabic and English \n  \nAbout the artist: \n_Nadeem \nNadeem is a theatre practitioner\, filmmaker and visiting lecturer based in Berlin. His relationship with theatre started years ago in Cairo as he struggled with his surrounding social and political reality and needed a new way to connect\, feel more present in his body and have fun. Since then\, he has performed in numerous interactive and improvised theatre performances among other forms of public performances. Prior to his theatre training he studied and worked in Filmmaking\, politics and economics. He continuously aims at finding ways to mix these topics as a multidisciplinary artist. \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > hallo@oyoun.de or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/theatre-and-storytelling-workshop-for-arabic-english-speakers-with-nadeem/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Workshop
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/website-vorlage-2-1.jpg
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