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DTSTART;TZID=Europe/Berlin:20220206T150000
DTEND;TZID=Europe/Berlin:20220206T150000
DTSTAMP:20260406T072258
CREATED:20220201T123120Z
LAST-MODIFIED:20220203T133845Z
UID:19424-1644159600-1644159600@oyoun.de
SUMMARY:BLACK DADS READING - Let's heal together: Celebrating Black Stories
DESCRIPTION:(English version below) \nPünktlich zum Start des BLACK HISTORY MONTH laden wir euch zum Special Event der BLACK DADS READERS am Sonntag\, 06.02.2022\, ab 15:00 Uhr ein. Für alle Schwarzen Kinder und Familien\, die Schwarze Community und alle\, die Interesse haben\, lesen die wunderbaren Black DADS READER die Bücher „HAIR LOVE" von Matthew Acherry und Vashti Harrison (Illustrationen)\, erschienen im Mentor Verlag und „CHANGE. Eine Hymne für alle Kinder" von Amanda Gorman\, übersetzt von Joy Denalane und Daniela Seel\, erschienen im Hoffmann und Campe Verlag vor. Wir werden dieses besondere Event mit einem kleinen Geschenkspiel für die anwesenden Kinder beenden\, bei dem wir Exemplare beider Bücher verschenken werden. Weiße Eltern Schwarzer Kinder sind herzlich eingeladen\, sich uns anzuschließen. Wir freuen uns auf euer zahlreiches Kommen!  \n→ Die Veranstaltung ist kostenlos\, aber um eine Anmeldung wird gebeten. \nInstagram \nBLACK DADS READERS: @black_dads_germany \nMentor Verlag: @mentorverlag \nHoffmann und Campe Verlag: @hoffmannundcampeverlag \n  \n◥ Bitte beachten: Für diese Veranstaltung gelten die 2G Plus-Vorschriften. Im Oyoun besteht bis auf weiteres Maskenpflicht. Weitere Infos zum Hygienekonzept findest du hier. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.\n*** \nJust in time for the start of BLACK HISTORY MONTH\, we invite you to the BLACK DADS READERS special event on Sunday\, 02/06/2022\, starting at 3 p.m. For Black children and families\, for all from the Black community and everyone else who is interested\, the wonderful BLACK DADS READERS will read the books "HAIR LOVE" by Matthew Acherry and Vashti Harrison (illustrations)\, published by Mentor Verlag and „CHANGE. A Children’s Anthem." by Amanda Gorman\, translated by Joy Denalane and Daniela Seel\, published by Hoffmann und Campe Verlag. We will end this Special Event with a small gift game for the children present\, giving away copies of both books. White parents of Black children are welcome to join us. We are looking forward to seeing you all there! \n→ The event is free of charge\, but registration is required. \nInstagram \nBLACK DADS READERS: @black_dads_germany \nMentor Verlag: @mentorverlag \nHoffmann und Campe Verlag: @hoffmannundcampeverlag \n*** \n◥ Please note: 2G Plus regulations apply to this event. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/black-dads-readers-black-history-months-special-event/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Kinder + Jugend / Kids + Youth,Lesung,Texte / Texts
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/02/bhm-website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220212T150000
DTEND;TZID=Europe/Berlin:20220212T163000
DTSTAMP:20260406T072258
CREATED:20220204T152044Z
LAST-MODIFIED:20220204T160919Z
UID:19454-1644678000-1644683400@oyoun.de
SUMMARY:Higher Self Breathwork – Let’s heal together: Celebrating Black Stories
DESCRIPTION:(English version below) \nKennt ihr euren Atem? \nUnser Atem ist uns so nah\, aber manchmal auch so weit weg. Mit einem bewussten\, konzentrierten und vollen Atem ist es möglich\, in einen erweiterten Bewusstseinszustand einzutreten. Das erlaubt uns\, unsere Überzeugungen zu hinterfragen und die Perspektive zu wechseln. Wir können uns selbst in einem geschützten Rahmen wahrnehmen und kennenlernen. Wann habt ihr das letzte Mal bewusst ein- und ausgeatmet? Euer Atem ist ein Ausdruck eurer jeweiligen aktuellen Lebensphase und spiegelt diese wider. \nGemeinsam mit MiTu laden wir euch zum Breathwork im Oyoun ein. Breathwork ist eine Art geführte\, dynamische Trance-Atemmeditation. Sie kann genutzt werden\, um kollektive und persönliche Prozesse des Wandels und der Transformation einzuleiten.  \nSeid ihr bereit\, die Kraft des Atems zu spüren? \nBitte bringt eure eigene Yogamatte mit. \nWeitere Infomartionen zum Breathwork findet ihr hier! \n→ Die Teilnahme an dem Kurs kostet 25 Euro \nTickets sind über Eventbrite erhältlich -  klicke hier! \nDie Veranstaltung ist wahlweise in Englisch oder Deutsch. \n*** \nÜber MiTu:  \nMiTu wurde 1982 geboren und wuchs in Süddeutschland auf\, einer Kultur\, mit der er sich nicht identifizieren konnte\, so dass er sich in seiner frühen Kindheit die Frage stellte: Wer bin ich?\nMitu beschloss\, seine eigene Musik zu machen und wurde für einige Jahre Rapper\, inspiriert von seiner ersten Liebe\, der "Musik". Allerdings war er als Rapper nicht glücklich und beschloss\, noch einmal ganz von vorne anzufangen. Mit seinem neuen Selbstverständnis zog er nach Berlin\, wo er wie viele andere ungesunde Erfahrungen mit Sex\, Drogen und toxischen Beziehungen machte. Er litt unter Angstzuständen und Panikattacken\, die ihn zu einem schweren Zusammenbruch führten. Dieses Mal stellte er sich die Frage: Wer will ich sein? Begleitet von Lehrer*innen aus verschiedenen Kulturen begab er sich auf eine Reise\, um sein wahres Selbst zu finden.\nEr begann\, sich so zu akzeptieren\, wie er war\, und lernte\, sich selbst kennen und lieben. Je mehr er sich seiner selbst bewusst wurde\, desto bewusster wurde er sich auch seiner Lebensweise. Was er tut\, mit welcher Absicht\, mit welchem Bewusstsein. Auf die Frage\, wer er ist\, hat er heute endlich Antworten. Nun möchte er Menschen helfen\, die die gleichen oder ähnliche Fragen haben. Als Healing Artist begleitet er Menschen in ihren Prozessen und auf ihrer Reise zur Selbstfindung mit Hilfe von Atem- und Körperarbeit. \n(IG:@mitu.iseeyou) \n  \n*** \n◥ Bitte beachten: Für diese Veranstaltung gelten die 2G Plus-Vorschriften. Im Oyoun besteht bis auf weiteres Maskenpflicht. Weitere Infos zum Hygienekonzept findest du hier \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website. \n**** \nDo you know your breath? \nOur breath is so close to us\, but sometimes so far away. Your breath is your constant companion. And with a conscious\, focused and full breath\, it is possible to enter an expanded state of consciousness. This allows us to question our beliefs and change perspective. To perceive and get to know ourselves in a protected setting. When was the last time you consciously breathed in and out? Your breath is an expression of your current life phase and reflects it. \nTogether with MiTu\, we invite you to join us for Breathwork at Oyoun. Breathwork is a kind of guided\, dynamic trance breathing meditation. It can be used to initiate collective and personal processes of change and transformation.  \nAre you ready to feel the power of your breath? \nPlease bring your own Yoga Mats with you. \nMore info about Breathwork you can find here! \n→ Participation in the course costs 25 euros. \nTickets are available via Eventbrite - You can find the link here! \nThe event is optionally in English or German. \n*** \nAbou MiTu \nMiTu was born in 1982 and grew up in the south of Germany\, a culture with which he could not identify\, so in his early childhood he asked himself the question: Who am I?\nMitu decided to create his own music and became a rapper for a few years with inspiration from his first love\, "Music." However\, he was not happy as a rapper and decided to start all over again. With his new sense of self he moved to Berlin where he had unhealthy experiences like many others with sex\, drugs and toxic relationships. He suffered from anxiety and panic attacks which caused him to have a big breakdown. This time he asked himself the question: Who do I want to be? Accompanied by teachers from different cultures\, he embarked on a journey to find his true self.\nHe began to accept himself as he was and learned to know and love himself. The more aware he became of himself\, the more aware he became of his way of living. What he does\, with what intention\, with what consciousness. The questions of who he is\, finally has answers today. Now he wants to help people who have the same question or similar ones. As a Healing Artist he accompanies people in their processes and journey to finding self using Breath and Body Work. \n(IG:@mitu.iseeyou) \n*** \n◥ Please note: 2G Plus regulations apply to this event. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/higher-self-breathwork/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Workshop,Yoga / Body Work
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/02/bhm-website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220212T200000
DTEND;TZID=Europe/Berlin:20220212T233000
DTSTAMP:20260406T072258
CREATED:20220124T103611Z
LAST-MODIFIED:20220208T152253Z
UID:19395-1644696000-1644708600@oyoun.de
SUMMARY:Black & Brown Cabaret Dinner Show
DESCRIPTION:We are excited to invite you to celebrate Queerness\, Femininity\, Color\, and Bodies.  \nWelcome to the Black & Brown Cabaret Show Winter 2022 by Prince Emrah & Queerberg. This Show will be extra Hot because it's enough cold outside.\nOn 12 February We want to honour the thriving culture of BIPOC immigrants\, refugee bodies of all shapes and sizes with a modern fusion of cabaret & burlesque by extraordinary performance artists visualizing their story with identity\, presence\, and audacity. \nBlack & Brown Cabaret Show will present brilliant queer POC performers from various countries and cultures. Stand with us in solidarity with those affected the most by the pandemic: black and brown bodies\, queer\, trans\, and non-binary refugees\, asylum seekers\, and immigrants.\nA little surprise from Egypt: Arrive early to get a little more colour on your hands by a professional henna artist.\nCome hungry not only for a fantastic show but also for a homemade vegan dinner\, available for purchase. ( not included in tickets price) \n  \nSo\, habibatis: Buy your tickets now! \nPrice: 15\, 20\, 25\, 30 - Get your tickets on Eventbrite  \nIf you can\, please buy higher-priced tickets - it’s kind of donation prices for the Black & Brown artist community. \nFor refugees who can't afford tickets\, reach out to prince.emrah.1994@icloud.com for free access\, or pay what you can. \nTest and vaccination proof upon entry is mandatory. \n*** \nAbout the artist: \nPrince Emrah (pronouns she/he) is a professional belly dancer\, a dance trainer\, a beauty&wellness student\, a make-up artist\, a DJ\, and an occasional drag queen based in Berlin. A few years ago\, she arrived in Berlin as a refugee from Turkmenistan and is of Kurdish&Azerbaijan descent. Since then\, he has built an impressive artistic career in Berlin's performance art scene and beyond. Emrah is the mother of an artist collective called "House of Royals\," which provides a space for BIPOC LGBTQIA+ asylum seekers and refugees from countries such as Syria\, Palestine\, Malaysia\, Libya\, and the like.  \nLuna Tiktok is an international teasin’ and crowd pleasin’ Burlesquera and Drag artist. With a fabulous fusion of filth\, ferocity and raw sensuality\, Luna is a multifaceted delight to the senses that’ll always have you comin’ back for more! \nKeil Li Divõn is the first *out* libyan drag queen. Keil comes from a society where men don't and shouldn't express emotions\, so she chose writing & singing to express herself. At the age of 15 she became best friends with paper & pen and started her songwriting journey. She was always interested in playing with her gender. The first time she put on make-up was to cover a bruise on her eye that her father had given her\, using her mother's concealer. Keil Li Divõn is the super-sized-doll\, that came from the moon to take over planet earth and make everyone as gay as possible. \nShingo Masuda First time with us and we are super happy to have this super talented artist at our event. While you take your seats and order your meals\, his traditional music sound will join your dinner time. Shingo Masuda\, born in Osaka\, is a Japanese kanun player. He was trained in piano and permission. In 2009 he turned to kanun. In various Arab countries he traveled to\, he learned the basics of playing kanun and oriental music. \nDina Egyptian Rose is an original Berliner with roots in Egypt. She has been dancing since she was a child and comes from a musical family. Since the 90s she has developed a passion for henna art and oriental dance\, which ever since she is committed to with body and soul. She not just dancing\, she is also flying. She is one of the most professional dancer with isis wings. \nJulie Dancer “I´m Julie Dancer\, 31years old from Malaysia\, now I'm living in Berlin with refugee status. I'm a professional in Indian classical dance and Bollywood dance. I have 15 years experience as a stage performance artist. In Berlin I got a chance to perform in the Super Talent 2019 TV show but unfortunately I got rejected because of my gender and canceled my show. But I am lucky and got a chance to perform in Berlin at so many clubs and parties organized by queer artists collective QueerBerg . My achievement is to become famous Bollywood dancer\, build a community in Berlin\, inspire them and start my own Safe Bollywood dance studio for other queer & trance people." \nMaria Asskaf (German/Syrian) is a well known and appreciated bellydance artist and teacher from the north of Germany\, based in Berlin. She was the former dancer and choreographer in the famous Madi Varieté theatre for many years\, performed nationally/internationally in all kind of clubs\, shows and TV. She also organized her own dance parties „Wahda&Nos“ with a live band as well. Maria started to practice this special dance at age 9 - and is still addicted. Combining smooth\, earthy movements with her very own feminine and elegant stage presence she loves to share her knowledge in classes and workshops to create an inner balance\, better understanding and stronger body. \nMaïmouna Coulibaly is a Malian French born and raised in France. With her "Booty Therapy" she wants to empower women and more. Her specialty is booty shake twerk\, especially afro urban dances. She’s mixing her universe with Burlesque. The cocktail can be very sensual and extremely explosive. \nQueerberg is a collective founded by House Of Royals. We are from so far different countries and cultures. It started with Refugee performers to give them space to express their Art\, since it was hard for them because of variety of reasons such as language difficulties\, racism etc... As a group of refugees\, we also have a deep mental connection and understanding with each other\, we bond over our trauma\, since we have similar background. Although most of us lost their families\, but we still have each other to support. And thanks to many places that support us and validate us\, we've grown and come so far.  \n*** \n◥ Please note: 2G Plus regulations apply to this event. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/black-brown-cabaret-dinner-show-2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/01/website-vorlage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220221T180000
DTEND;TZID=Europe/Berlin:20220221T180000
DTSTAMP:20260406T072258
CREATED:20220208T175002Z
LAST-MODIFIED:20220210T163456Z
UID:19545-1645466400-1645466400@oyoun.de
SUMMARY:Manuscripts of Foreign Body(s) (screening + discussion) in Birmingham
DESCRIPTION:During the LGBT History Month UK\, Berlin based Lebanese multidisciplinary performer and social artist Ahmad BaBa will present a plethora of his bodies of work in collaboration with SHOUT Festival and Midlands Arts Centre. His work focuses on claiming more visibility for underrepresented communities such as the LGBT+ refugee community in Berlin\, and creating dance/storytelling projects. \nManuscripts of Foreign Body(s) is a documentation film of performance workshops by Ahmad BaBa and Michalina Mrozek that focuses on TLGBQIA+ bodies of colour. The bodies here are seen in their continuous duality; both as a sites of oppression and resilience. This collective workshop invited artists from different disciplines to come together and create a safe(r) space(s)\, for investigating bodies on different levels\, and bring forward narratives that speak to their own personal stories. \nAhmad BaBa collaborates with Michalina Mrozek\, a filmmaker and film educator who has been working as an independent filmmaker in Berlin since the beginning of 2013. She has many years of experience in educational work with youth and young adults as a project manager and filmmaker. For the past four years\, she has increasingly realised projects with LGBTQ+ communities that aim for more visibility and tolerance. \nAhmad is accompanied in Birmingham by his assistant director Mansur Ajang. \n \nManuscripts of Foreign Body(s) Trailer 2021 from Ahmad BaBa on Vimeo. \n→ The event is free of charge\, but registration is required. \nAbout Ahmad BaBa \nAhmad BaBa is a Lebanese visual and performance artist based in Berlin. His work is rooted in critical interdisciplinarity and anti-oppressive practices. With a performing arts background and currently working towards his MA in Dance and Movement Therapy\, Ahmad focuses on developing embodied arts and therapeutic processes. As conventional pedagogies around body work reproduce systemic oppression in institutions\, he works against viewing the effect of oppression as political mediums and complexities that fall outside of the “norm”. Ahmad's practice works to centralise lived experiences as the core element for collective transformations through approaches based on a " by us\, for us” framework\, the rewriting of bodies' stories through dance\, and redefining trauma-related oppression(s). Some of his previous projects and workshops include “Manuscripts of Foreign Body(s)”\, “Deconstructing Aesthetics of Embodiment” and “ QueeЯevolutions”. His visual performances approach identity from a critical and collective archivist perspective that revolve around understanding Queerness in relation to the multilayered Arab*Muslim identity(s). This has shown through in his work “ Ilk علق“\, which is an investigation into how queerness has become a form of colonialism\, erasing and homogenising many identities and ways of being that don’t necessarily fit under "Queer" as an umbrella term." \nInstagram // Facebook \nAbout Mansur Ajang \nMansur Ajang is a performer\, director and coach working with marginalised communities in Berlin. One focus of his work is theatre productions with long-term unemployed people that unleash the potential of people in social and economic circumstances through artistic creativity. He was trained at the Elisabethbühne of the Schauspielhaus in Salzburg. First engagements followed at the Theatre of the Young World in Leipzig\, Staatstheater Darmstadt and Ballhaus Ost Berlin. He is a member of the ensemble of the Magdeburg Theatre since 2022. Ilk is his second production with the performance artist Ahmad BaBa. \nAssistant Director: Mansur Ajang // Facebook \nAbout the residency \nAhmad BaBa’s residency with SHOUT Festival & Midlands Arts Centre (MAC) is part of the the ongoing research\, exhibition and performance project "Embodied Temporalities - tracing the memories our bodies hold" by Oyoun. \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, pasts\, and futures? Through Embodied Temporalities – Tracing the memories our bodies hold\, cultural practitioners explore identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives. It offers a community-centred approach for participants finding expression of experiences through movement while paving the way for collective healing. Embodied Temporalities is a research\, archiving\, exhibition and performance project under the artistic direction of Madhumita Nandi. \nArtistic-Director: Madhumita Nandi // Instagram \nThe touring of Embodied Temporalities is realised in partnership with SHOUT Festival\, Liv’in Festival\, Play Perform Learn Grow and Live Green. \n\nThis international collaboration is made possible by Perform Europe. Perform Europe is an EU-funded project aiming to rethink how performing arts works are presented across borders in a more inclusive\, sustainable and balanced way by testing new touring and distribution practices and providing policy recommendations for a future EU support scheme. This 18-month journey includes a research phase\, launching a digital platform\, testing a support scheme\, and designing policy recommendations. \n\nPerform Europe is funded by the Creative Europe Programme of the European Union and co-managed by a Consortium of 5 organisations: IETM – International network for contemporary performing arts\, the European Festivals Association (EFA)\, Circostrada\, EDN – European Dancehouse Network\, and IDEA Consult. \nMAC Birmingham: Website // Instagram \nSHOUT/Birmingham LGBT: Website // Instagram \n 
URL:https://oyoun.de/event/manuscripts-of-foreign-bodys-in-birmingham/
LOCATION:MAC – HEXAGON THEATRE\, Cannon Hill Park\, Birmingham\, Birmingham\, 12049\, Großbritannien (Vereinigtes Königreich)
CATEGORIES:Bewegungen / Movements,Embodied Arts Festival,Performance,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/02/31.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220222T180000
DTEND;TZID=Europe/Berlin:20220223T210000
DTSTAMP:20260406T072258
CREATED:20220207T150013Z
LAST-MODIFIED:20220210T161554Z
UID:19516-1645552800-1645650000@oyoun.de
SUMMARY:Deconstructing the Aesthetics of Embodiment (workshops) in Birmingham
DESCRIPTION:During the LGBT History Month UK\, Berlin based Lebanese multidisciplinary performer and social artist Ahmad BaBa will present a plethora of his bodies of work in collaboration with SHOUT Festival and Midlands Arts Centre. His work focuses on claiming more visibility for underrepresented communities such as the LGBT+ refugee community in Berlin\, and creating dance/storytelling projects. \nOur embodiment experiences differ due to gender\, race\, class\, ability and sexual orientation. Somatics and body oriented therapies/practices\, want to see all bodies as one object. However\, oppression(s) experienced by QTBIPOC\, Queer and Trans bodies of colour shape who they are. We must emphasise more on understanding oppression(s) as a form of traumas that live in the bodies\, and build toward anti-oppressive critical practices that centre lived experiences as a core witness of being in the world. Therefore\, aiming for transformation processes\, through allowing our bodies to speak for themselves\, and have spaces that aren’t titled ONLY as “safe” but to achieve safety through a collective consciousness that arises from our experiences that are often perceived as foreign. \nIn this workshops\, we will process\, using dance and movement interventions\, how we can deconstruct the ONE standardised way of having a body and being present in it\, and allowing those bodies to go beyond and bring forward the stories they hold within. The workshops will last 3 hours; including an opening circle\, several interventions and a closure/reflection round ending the session. You don't need to have dance experience. \n \nManuscript of AHMAD from Michalina on Vimeo. \n→ The event is free of charge\, but registration is required. \nAbout Ahmad BaBa \nAhmad BaBa is a Lebanese visual and performance artist based in Berlin. His work is rooted in critical interdisciplinarity and anti-oppressive practices. With a performing arts background and currently working towards his MA in Dance and Movement Therapy\, Ahmad focuses on developing embodied arts and therapeutic processes. As conventional pedagogies around body work reproduce systemic oppression in institutions\, he works against viewing the effect of oppression as political mediums and complexities that fall outside of the “norm”. Ahmad's practice works to centralise lived experiences as the core element for collective transformations through approaches based on a " by us\, for us” framework\, the rewriting of bodies' stories through dance\, and redefining trauma-related oppression(s). Some of his previous projects and workshops include “Manuscripts of Foreign Body(s)”\, “Deconstructing Aesthetics of Embodiment” and “ QueeЯevolutions”. His visual performances approach identity from a critical and collective archivist perspective that revolve around understanding Queerness in relation to the multilayered Arab*Muslim identity(s). This has shown through in his work “ Ilk علق“\, which is an investigation into how queerness has become a form of colonialism\, erasing and homogenising many identities and ways of being that don’t necessarily fit under "Queer" as an umbrella term." \nInstagram // Facebook \nAbout Assistant Director Mansur Ajang \nMansur Ajang\, Ahmad's assistant director\, is a performer\, director and coach working with marginalised communities in Berlin. One focus of his work is theatre productions with long-term unemployed people that unleash the potential of people in social and economic circumstances through artistic creativity. He was trained at the Elisabethbühne of the Schauspielhaus in Salzburg. First engagements followed at the Theatre of the Young World in Leipzig\, Staatstheater Darmstadt and Ballhaus Ost Berlin. He is a member of the ensemble of the Magdeburg Theatre since 2022. Ilk is his second production with the performance artist Ahmad Baba. \nFacebook \nAbout the residency \nAhmad BaBa is setting a ground for investigating identities on the level of bodies. The 10-day residency\, as part of SHOUT festival’s programme for LGBT History Month in collaboration with Midlands Arts Centre\, will combine the dual disciplines that Ahmad is engaged in: performing arts and dance therapy. His work focuses on claiming more visibility for underrepresented communities such as the LGBT+ refugee community in Berlin\, and creating dance/storytelling projects. \nAhmad Baba’s residency with SHOUT Festival & Midlands Arts Centre (MAC) is part of the curatorial production Embodied Temporalities by Oyoun cultural centre in Berlin\, Germany. \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, pasts\, and futures? Through Embodied Temporalities – Tracing the memories our bodies hold\, cultural practitioners explore identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives. It offers a community-centred approach for participants finding expression of experiences through movement while paving the way for collective healing. Embodied Temporalities is a research\, archiving\, exhibition and performance project under the artistic direction of Madhumita Nandi. \nArtistic-Director: Madhumita Nandi // Instagram \nThe touring of Embodied Temporalities is realised in partnership with SHOUT Festival\, Liv’in Festival\, Play Perform Learn Grow and Live Green. \n\nThis international collaboration is made possible by Perform Europe. Perform Europe is an EU-funded project aiming to rethink how performing arts works are presented across borders in a more inclusive\, sustainable and balanced way by testing new touring and distribution practices and providing policy recommendations for a future EU support scheme. This 18-month journey includes a research phase\, launching a digital platform\, testing a support scheme\, and designing policy recommendations. \n\nPerform Europe is funded by the Creative Europe Programme of the European Union and co-managed by a Consortium of 5 organisations: IETM – International network for contemporary performing arts\, the European Festivals Association (EFA)\, Circostrada\, EDN – European Dancehouse Network\, and IDEA Consult. \n  \nMAC Birmingham: Website // Instagram \nSHOUT/Birmingham LGBT: Website // Instagram \n 
URL:https://oyoun.de/event/deconstructing-the-aesthetics/
LOCATION:MAC – HEXAGON THEATRE\, Cannon Hill Park\, Birmingham\, Birmingham\, 12049\, Großbritannien (Vereinigtes Königreich)
CATEGORIES:Bewegungen / Movements,Embodied Arts Festival,Performance,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/02/33.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220224T180000
DTEND;TZID=Europe/Berlin:20220224T180000
DTSTAMP:20260406T072258
CREATED:20220208T185757Z
LAST-MODIFIED:20220210T160459Z
UID:19570-1645725600-1645725600@oyoun.de
SUMMARY:QueeЯevolutions (screening + discussion) in Birmingham
DESCRIPTION:During the LGBT History Month UK\, Berlin based Lebanese multidisciplinary performer and social artist Ahmad BaBa will present a plethora of his bodies of work in collaboration with SHOUT Festival and Midlands Arts Centre. His work focuses on claiming more visibility for underrepresented communities such as the LGBT+ refugee community in Berlin\, and creating dance/storytelling projects. \nQueeЯevolutions is a short film by Ahmad BaBa that rethinks queerness as a colonising tool\, shaped by its Western\, mainstream vision. Ahmad investigates often misinterpreted queer identities from the SWANA region (South-West Asia and North Africa)\, disrupting the notion of singular and one-dimensional queerness. It´s about questions like: When do we get a chance to investigate and express our queerness in our own way? How can we develop a language to speak about our complex identities? Why do we identify with a supposed „Pride“ that we haven’t achieved ourselves? These and other questions were raised by the participating artists\, who each seek in different ways within their practices to revolt against the normalising process of a one-dimensional „queerness“\, looking for ways to express\, explore\, and share unheard voices and unknown histories\, and who come together in struggle. \nThe project took place as a series of collective workshops „for us by us“ with a wide range of artists presenting themselves on their own terms. Able to represent themselves outside the white gaze\, the artists approached the experimental space of the project as a laboratory for sharing and reflecting on their experiences and ideas and as an occasion to develop collaborations with other QBIPOC individuals. \n \nQueeЯevolutions from Ahmad BaBa on Vimeo. \n→ The event is free of charge\, but registration is required. \nAbout Ahmad BaBa \nAhmad BaBa is a Lebanese visual and performance artist based in Berlin. His work is rooted in critical interdisciplinarity and anti-oppressive practices. With a performing arts background and currently working towards his MA in Dance and Movement Therapy\, Ahmad focuses on developing embodied arts and therapeutic processes. As conventional pedagogies around body work reproduce systemic oppression in institutions\, he works against viewing the effect of oppression as political mediums and complexities that fall outside of the “norm”. Ahmad's practice works to centralise lived experiences as the core element for collective transformations through approaches based on a " by us\, for us” framework\, the rewriting of bodies' stories through dance\, and redefining trauma-related oppression(s). Some of his previous projects and workshops include “Manuscripts of Foreign Body(s)”\, “Deconstructing Aesthetics of Embodiment” and “ QueeЯevolutions”. His visual performances approach identity from a critical and collective archivist perspective that revolve around understanding Queerness in relation to the multilayered Arab*Muslim identity(s). This has shown through in his work “ Ilk علق“\, which is an investigation into how queerness has become a form of colonialism\, erasing and homogenising many identities and ways of being that don’t necessarily fit under "Queer" as an umbrella term." \nInstagram // Facebook \nAbout Mansur Ajang \nMansur Ajang\, Ahmad's assistant director\, is a performer\, director and coach working with marginalised communities in Berlin. One focus of his work is theatre productions with long-term unemployed people that unleash the potential of people in social and economic circumstances through artistic creativity. He was trained at the Elisabethbühne of the Schauspielhaus in Salzburg. First engagements followed at the Theatre of the Young World in Leipzig\, Staatstheater Darmstadt and Ballhaus Ost Berlin. He is a member of the ensemble of the Magdeburg Theatre since 2022. Ilk is his second production with the performance artist Ahmad BaBa. \nFacebook \nAbout the residency \nAhmad BaBa is setting a ground for investigating identities on the level of bodies. The 10-day residency\, as part of SHOUT festival’s programme for LGBT History Month in collaboration with Midlands Arts Centre\, will combine the dual disciplines that Ahmad is engaged in: performing arts and dance therapy. His work focuses on claiming more visibility for underrepresented communities such as the LGBT+ refugee community in Berlin\, and creating dance/storytelling projects. \nAhmad BaBa’s residency with SHOUT Festival & Midlands Arts Centre (MAC) is part of the the ongoing research\, exhibition and performance project "Embodied Temporalities - tracing the memories our bodies hold" by Oyoun cultural centre (Berlin\, GER). \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, pasts\, and futures? Through Embodied Temporalities – Tracing the memories our bodies hold\, cultural practitioners explore identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives. It offers a community-centred approach for participants finding expression of experiences through movement while paving the way for collective healing. Embodied Temporalities is a research\, archiving\, exhibition and performance project under the artistic direction of Madhumita Nandi. \nArtistic-Director: Madhumita Nandi // Instagram \nThe touring of Embodied Temporalities is realised in partnership with SHOUT Festival\, Liv’in Festival\, Play Perform Learn Grow and Live Green. \n\nThis international collaboration is made possible by Perform Europe. Perform Europe is an EU-funded project aiming to rethink how performing arts works are presented across borders in a more inclusive\, sustainable and balanced way by testing new touring and distribution practices and providing policy recommendations for a future EU support scheme. This 18-month journey includes a research phase\, launching a digital platform\, testing a support scheme\, and designing policy recommendations. \n\nPerform Europe is funded by the Creative Europe Programme of the European Union and co-managed by a Consortium of 5 organisations: IETM – International network for contemporary performing arts\, the European Festivals Association (EFA)\, Circostrada\, EDN – European Dancehouse Network\, and IDEA Consult. \nMAC Birmingham: Website // Instagram \nSHOUT/Birmingham LGBT: Website // Instagram \n\nPerform Europe: Facebook // Instagram \n 
URL:https://oyoun.de/event/queerrevolutions-screening-discussion-in-birmingham/
LOCATION:MAC – HEXAGON THEATRE\, Cannon Hill Park\, Birmingham\, Birmingham\, 12049\, Großbritannien (Vereinigtes Königreich)
CATEGORIES:Bewegungen / Movements,Embodied Arts Festival,Performance,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220225T200000
DTEND;TZID=Europe/Berlin:20220226T010000
DTSTAMP:20260406T072258
CREATED:20220222T181332Z
LAST-MODIFIED:20220222T183535Z
UID:19790-1645819200-1645837200@oyoun.de
SUMMARY:House of Harem Show by Prince Emrah & Queerberg Collective
DESCRIPTION:Welcome to the “House of Harem” Show by Prince Emrah & Queerberg collective. \nPrince Emrah and Queerberg invite you to celebrate both queerness and the Middle Eastern culture in Berlin. \nHouse of Harem is born out of necessity. A necessity of providing a shared space for LGBTQIA+ individuals of Muslim cultures. A space for absolute queer joy and solidarity. For us\, it doesn't matter if people identify themselves as Muslim or not\, who are born in Middle Eastern countries or live in Germany as a diaspora. We simply want to celebrate with artists who champion their icons\, music\, and culture. \nDoors open: 20:00  \nShow start: 22:00 \nPrice: 15\, 20\, 25\, 30 - Get your tickets on Eventbrite  \nIf you can\, please buy higher-priced tickets - it’s kind of donation prices for the Black & Brown artist community. \nFor refugees who can't afford tickets\, reach out to prince.emrah.1994@icloud.com for free access\, or pay what you can. \n*** \nAbout the artists: \nPrince Emrah (pronouns she/he) is a professional belly dancer\, a dance trainer\, a beauty&wellness student\, a make-up artist based in Berlin. A few years ago\, she arrived in Berlin as a refugee from Turkmenistan and is of Kurdish & Azerbaijan descent. Since then\, he has built an impressive artistic career in Berlin's performance art scene and beyond. Emrah is the mother of an artist collective called "House of Royals\," which provides a space for BIPOC LGBTQIA+ asylum seekers and refugees from Syria\, Palestine\, Malaysia\, Libya\, and the like. IG: @prince_emrah_1203 \nGender fluid Iranian-American artist Donika is a Berlin based musician\, visual artist drag performer and vocal coach. Bom in Tehran\, she migrated with her mom to the US at age 7 only to move backa few years later to Tehran where she grew up. She moved to Berlin in 2017\, establishing herself shorty after in the vibrant queer nightite scene. creating alter-ego Many Faced Godx\, and mixing drag\, music and dance performance in festivals and dubs in Europe. teaching power voices drawing compassion from hardships Domika's work is heavily influenced by her activism\, confronting subjects of state violence\, sexism\, inequality and mental health. Her debut single\, Fatbulous\, is a body positive high energy pop track celebrating traditionally shamed elements of female bodies. Domika's music is not bound by genre. She draws from all parts of her ife\, picking up as she goes and exploring elements of jazz\, hip-hop\, pop\, Iranian folk\, voguing beats\, techno and experimental electronic music. \nAurah Jendafaaq is a fierce\, multi-talented and always hungry genderfucking performer\, part-time attention whore and Kreuzberg native with Azerbaijani roots - Are you ready for some heat? - because the fire has officially arrived! \nQueerberg is a collective founded by House Of Royals. We are from so far different countries and cultures. It started with Refugee performers to give them space to express their Art\, since it was hard for them because of variety of reasons such as language difficulties\, racism etc... As a group of refugees\, we also have a deep mental connection and understanding with each other\, we bond over our trauma\, since we have similar background. Although most of us lost their families\, but we still have each other to support. And thanks to many places that support us and validate us\, we've grown and come so far.  \n**** \n◥ Please note: 2G Plus regulations apply to this event. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/house-of-harem-show-by-prince-emrah-queerberg-collective/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220227T140000
DTEND;TZID=Europe/Berlin:20220227T163000
DTSTAMP:20260406T072258
CREATED:20220121T121826Z
LAST-MODIFIED:20220225T135110Z
UID:19364-1645970400-1645979400@oyoun.de
SUMMARY:Fugitive Archives: Unerhört und Ungesehen
DESCRIPTION:  \nQuestioning Queer Archiving Practices \nInspired by the teachings of decolonial and queer-feminist knowledge and experiences\, we will organize a participatory workshop at Amerika-Gedenkbibliothek on Sunday\, February 27th to ask questions about alternative mediums and ontologies on queer archives that challenge dominant narratives of queer BiPOC histories. \n\nFollowing a theoretical discussion of queer and decolonial archiving by Ahmet Onat; Ilgaz Yalçınoğlu\, Merve Namlı\, and Selim Özadar will present findings from their researches that attempt to reveal the alternative narratives of the whitewashed queer nightlife history of Berlin. \n\nIn the second part of the workshop\, which will be facilitated by Bilge Emir\, the participants will look into critical strategies and queer BiPOC heritage to preserve their own histories. At the end we will discuss with the participants how public institutions\, such as libraries\, can be transformed into spaces that allow unlearning normative narratives. \n  \n  \n*** \nAhmet Onat is a sociocultural anthropology researcher born and living in Turkey. At the broadest level\, his works engaged debates around late liberal security discourses\, ephemeral archives\, refugeehood and politics of gender and sexuality in Turkey and Germany. After finishing his undergraduate degree in sociology at Koc University in Istanbul\, he followed graduate courses at Humboldt University and Free University of Berlin. As a Fulbright scholar\, he later studied at Columbia University in the Anthropology department and is currently working on his master’s thesis. \n\nBilge Emir\, typically working in illustration and video\, is a graduate of Visual Communication\, Weißensee KHB and has been based in Berlin since 2017. Her practice is shaped by combining her experiences in time and space-based media to establish multi-layered narratives of visual storytelling. Besides her solo work\, she values collective production and was part of the video collective artıkişler\, the student organization Interflugs and currently the media archiving collective bak.ma. \n\nIlgaz Yalçınoğlu is a music researcher born in Turkey who continues his research in Berlin. After completing his undergraduate education in musicology\, media studies and art history in Marburg\, he started his master's degree in musicology at Humboldt University of Berlin. His research deals with music cognition\, local music cultures\, history of popular music and sound politics. In addition to his academic research\, he organized various music events and continues his music journalism with his articles and radio programs. \n\nMerve Namlı is a Berlin-based queer-feminist journalist for the Henrich Böll Foundation\, Rosa Luxemburg Foundation\, taz blogs\, Missy Mag\, and for various international media. She works as a simultaneous interpreter for political and cultural institutions for 11 years. She curates concerts and multimedia festivals (Future East Festival\, Dümtek)\, and co-programs two monthly radio shows with and for the queer BiPOC Music Community (Cashmere Radio\, THF Radio). \n\nSelim Özadar is from Izmir and currently resides in Berlin. He works as a project manager at MitOst\, a civil society organization fostering cultural exchange across borders among Europe and neighboring regions. Since 2017\, he has co-organized several cultural projects in Germany including KuirFest Berlin and Dümtek. \n  \nFugitive Archives - unerhört und ungesehen ist ein Projekt von Oyoun im Rahmen der „Europe Challenge“\, gefördert von der Europe Culture Foundation und in Kooperation mit der Zentral- und Landesbibliothek Berlin (ZLB). \nLibraries are democratic places for the entire urban society. People come together here - for exchange\, for self-development\, for co-determination\, for participation and for learning. The ZLB also wants to make queer perspectives permanently visible. With events and projects\, it also offers a platform for the LGBTIQ+ community. \n*** \n◥ Please note: 2G Plus regulations apply to this event. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/fugitive-archives-unerhoert-und-ungesehen/
LOCATION:Zentral- und Landesbibliothek Berlin (ZLB) – Amerika-Gedenkbibliothek\, Blücherpl. 1\, Berlin\, 10961\, Deutschland
CATEGORIES:Talk,Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/01/fugitive-archives-website-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220404T193000
DTEND;TZID=Europe/Berlin:20220405T030000
DTSTAMP:20260406T072258
CREATED:20220318T173715Z
LAST-MODIFIED:20220401T105212Z
UID:19962-1649100600-1649127600@oyoun.de
SUMMARY:Queens Against Borders: Ukrainian Queers relief
DESCRIPTION:Ukrainian Queers relief will be a solidarity event from & for the trans and queer\nartists of Berlin with Acts and performances by the residents of QAB plus\, guests performers from (Iran\, Egypt\, Brazil and more) showcasing their Art and expressing their emotional and personal experiences with the audience. Acts of Spoken word\, stand up comedy\, singing\, and dance will create the most beautiful night that allows us all to share the moment together and fundraise for a good cause\, helping the Trans Queer community (in Ukraine because of the current circumstances and the refugees seeking support with an emphasis on QTIBIPoCs fleeing the country with no governmental support) as well as funding a program for the community allowing them to participate and learn self defense via classes and workshops. We would like to initiate this action due to the rising of hate crimes and violence against trans and queer people and People of Colour in our city. We are tired of being scared for our lives and hiding who we are... \nQueens Against Borders can’t stay silent. \nSo for us to allow awareness and support the community by defending themselves. We will need all of our allies and members of the community to participate and support. \n  \nArtists participating:\nChiqui Love\, wizzy xcx\, Dornika\, Keil Li Divon\, Katrina von Morgenland\, Aurah Jendafaaq \nAfter party Dj Set by Hanaby\nLive drawing session by the amazing Artist Rory Midhani. \nPrice:\nRegular ticket: 15 €\nSolidarity tickets: 20\, 25\, 30 € \nPeople with low income (refugees\, QTIBIPoCs) to send an email to Queensagainstborders@gmail.com for admission. \nAfter paying all the artists and staff members\, tickets sales will go directly to funding the self defense classes and supporting QTIBIPOCs in need. \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/queens-against-borders-ukrainian-queers-relief/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance,Talk,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-vorlage-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220410T190000
DTEND;TZID=Europe/Berlin:20220410T210000
DTSTAMP:20260406T072258
CREATED:20220401T115642Z
LAST-MODIFIED:20220405T181617Z
UID:20337-1649617200-1649624400@oyoun.de
SUMMARY:AS* PAPANGUS Street Performance in São Paulo
DESCRIPTION:AS* PAPANGUS Street Performance in São Paulo \n- 2pm São Paulo / 7pm CET\n- street performance at Bananal arte e cultura contemporânea\n- live-streamed via Oyoun’s Instagram account \nAS* PAPANGUS is a carnival for\, by and with women* that does not objectify any marginalized body. In AS* PAPANGUS\, the Afro-Brazilian artist Bruna Amaro performs a carnival in its most queer-feminist and decolonial form\, with more than 50 women* in São Paulo and Berlin. \nIn this participatory project\, a series of performance workshops laid ground for the following acts. During the two-day workshop in São Paulo\, the artist and the participants collectively built up movements and statements for their street performance. Phrases manifesting experiences of survival\, transformation and labor\, were embroidered on the costumes handmade by Bruna Amaro and the seamstress Eliana Amaro dos Santos. \nIn the street performance on April 10\, 40 women* walk down the streets of São Paulo with the Papangu clothes on\, with the statements on their chest\, braced with handcrafted props\, and dancing to the festive music. As they let their bodies speak\, the bodies become flags of triumph. \nAS* PAPANGUS opens the first chapter of Oyoun’s curatorial focus Mightier than a Trampled Flower\, which centralizes life of women* in wars from a decolonial context and deconstructs the canonical narratives of women* in war. \n\nPerformers \nThais Aline Ferreira Lúcio da Silva\, Flávia Fernandes Belletati\, Carmen Cardoso Garcia\, Ana Paula da Paz Alves\, Juliana Bueno\, Iasmin Souza Ribeiro\, Larissa Maranho\, Clarissa Teixeira Ximenes\, Anelise Torres Blanco\, Camila de Sousa Trindade\, Gabriela Bergamasco\, Ana Luiza Chieffi\, Iara Santa Clara Coutinho\, Graciela Pereira Cruz Soares\, Mariana Queiroz da Silva\, Melissa Menezes\, Gabriela Zuculin\, Andressa Arena da Silva\, Núria Cordeiro Vieira\, Tatiana Burg Mlynarz\, Tereza Ferreira Zolli\, Verônica Borges Carneiro da Conceição\, Gabriela Raphael Duarte\, Roseli de Lima Santos\, Maíra de Souza Oliveira\, Tatiana Cristina de Argenton e Queiroz\, Alessandra Cristiane de Mello\, Natália Onori Ferraz\, Paula Montes\, Ana Lucia da Silva Santos\, Jucilene Braga Rodrigues\, Julia Lima\, Nyx Helena Tunes Zampieri\, Lourdes Arasy Benítez Espinola \nTechnical Team \nEliana Amaro dos Santos (Seamstress)\nPaula Correa Pedroso (Producer)\nYve Zolli Nolasco (Producer)\nFernanda Andrade (Videographer)\nSuellen Santana Amaral (Videographer)\nCássia Roberta Araújo de Oliveira (Photographer)\nMaria Clara Silva Loureiro (Photographer) \nFor more information about the project\, visit oyoun.de/as-papangus. \nFor the other events of AS* PAPANGUS\, click here. \nAS* PAPANGUS is supported by the Goethe-Institut São Paulo.
URL:https://oyoun.de/event/as-papangus-performance-sao-paulo/
LOCATION:Bananal arte e cultura contemporânea\, São Paulo\, Brasilien
CATEGORIES:AS* PAPANGUS,Bewegungen / Movements,Mightier than a Trampled Flower,Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T110000
DTEND;TZID=Europe/Berlin:20220417T130000
DTSTAMP:20260406T072258
CREATED:20220315T125503Z
LAST-MODIFIED:20220408T140514Z
UID:19899-1650193200-1650200400@oyoun.de
SUMMARY:BUCH CLUB TREFFEN - TEXTE NACH HANAU
DESCRIPTION:⁣Alle Leser*innen sowie Interessent*innen sind herzlich zu unserem Buchclubtreffen gemeinsam mit stolzeaugen.books willkommen! \n\nMit dabei: \nKünstlerin ⁣Keça Filankes\, sie wird ihren Beitrag zu Texte nach Hanau vorlesen. \nModeriert wird das Event von ⁣Pardis Zarghampour\, der Gründerin vom intersektional feministischen Buchclub Köln „ifbkoeln“. Dieser besteht seit Juni 2020 und wurde ins Leben gerufen\, um einen safe space zu schaffen\, in dem intersektional feministische Literatur gelesen und diskutiert wird und daraus ein bereichernder\, solidarischer Austausch entstehen kann. Dieses Buchclubtreffen wird vor allem veranstaltet\, um der neun Menschen zu gedenken\, die am 19. Februar 2020 in Hanau Opfer eines rassistischen Anschlags waren: \n\nFerhat Unvar⠀ \nSaid Nesar Hashemi⠀ \nVili Viorel Păun⠀ \nMercedes Kierpacz⠀ \nSedat Gürbüz⠀ \nKaloyan Velkov⠀ \nFatih Saraçoğlu⠀ \nGökhan Gültekin⠀ \nHamza Kurtović⠀ ⁣\n  \nÜber Keça Filankes \nDie Wurzeln in Cizîra Botan\, 069 die Wahlheimat\, vorher einige Jahre wohnHaft in BaWü. Chayas wissen\, dass sie abla ist. Erstgeborene Millenial mit Erbschuld einer kurdischen Diaspora.\nHobbies: Queeres Pumpen gegen das Patriarchat.\nSchwächen: Verkopft sein mit akademischem Gedöns.\nStärken: Street Credibility\, Kritisiermaschine.\nTräume: paradiesisches Diesseits & Jenseits für Alle. \n➡Anmeldungen bitte an kommunikation@oyoun.de\, um den Zoom-Link zu erhalten.⠀\n⠀ \n◥Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website. \n 
URL:https://oyoun.de/event/buch-club-treffen-texte-nach-hanau%e2%a0%80/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Lesung,Talk,Texte / Texts
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/03/website-vorlage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T190000
DTEND;TZID=Europe/Berlin:20220417T230000
DTSTAMP:20260406T072258
CREATED:20220411T162256Z
LAST-MODIFIED:20220416T070850Z
UID:20693-1650222000-1650236400@oyoun.de
SUMMARY:Arabic Stand-Up Comedy with Ammar Daba
DESCRIPTION:Nach sechs intensiven Workshoptagen werden der syrische Stand-up Comedian Ammar Daba und seine Workshop-Teilnehmer*innen an diesem Sonntag im Oyoun ihre für diesen Abend konzipierten Sets präsentieren. Abgerundet wird die Show von Daba selbst. Der Künstler und Coach möchte die arabische Stand-up-Comedy-Szene in Europa fördern und betourt seit einem Jahr den Kontinent. Vor seinem Umzug in die Niederlande\, präsentierte er seine Shows vor allem in den Vereinigten Arabischen Emiraten. \nDie Veranstaltung ist auf Arabisch! \nErste Show: 19:00\nZweite Show: 21:00 \n>> Tickets hier \n◥Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/arabic-stand-up-comedy-with-ammar-daba/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/coop-event-infos-post.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220417T190000
DTEND;TZID=Europe/Berlin:20220417T233000
DTSTAMP:20260406T072258
CREATED:20220330T101257Z
LAST-MODIFIED:20220401T105121Z
UID:20251-1650222000-1650238200@oyoun.de
SUMMARY:Konzert: SAUTI SOL
DESCRIPTION:Von Nairobi bis New York–spätestens nachdem die Band Anfang des Jahres auf den Bildschirmendes Time Squares erschien\, ist ihr internationaler Erfolg unumstritten!Mit Sauti Sol ist der NameProgramm! Mit ihrem Gute-Laune-Sound\, der die Sonne in die Herzen jeder ihrer Hörer fließen lässt\, bringen die Jungs ein Stück ihrer Heimat mit auf die Bühne. Bestehend aus Bien-Aimé Baraza\, Willis Chimano\, Savara Mudigi und dem Gitarristen Polycarp Otieno\, gewann die Band bereits einen MTV EMA als Best African Act\, heimste 25 weitere Preise ein und ist seither inunzähligen Nominierungen verschiedenster Awards\, unter anderem auch für die BET Awards aufzufinden. 2019 releaste das Quartett ihr viertes StudioAlbum „Afrikan Sauce“\, das beachtlicheFeaturebeiträge von u.a. Afropop-Giganten wie Tiwa Savage oder auch Burna Boy beinhaltet.Mit ihrem neusten Werk „Midnight Train“ und dessen dazugehörige Single „Suzanna“\, die inzwischen über 16 Millionen Views auf YouTube generierte\, kommen Sauti Sol imApril 2022nun endlich wieder zurück nach Deutschland \n  \nTickets behalten ihre Gültigkeit und sind hier erhältlich \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/konzert-sauti-sol/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-square-vorlage-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220422T190000
DTEND;TZID=Europe/Berlin:20220422T210000
DTSTAMP:20260406T072258
CREATED:20220419T112959Z
LAST-MODIFIED:20220421T110217Z
UID:20785-1650654000-1650661200@oyoun.de
SUMMARY:(DE)CODING TRAJECTORIES
DESCRIPTION:(DE)CODING TRAJECTORIES - The body was always a centre of an ongoing investigation\n  \n(De)Coding Trajectories will be a performance research process taking place in Prague. Artists Ahmad BaBa and Gugulethu Duma invite practitioners concerned with decoding and recoding embodied memory to enter into an exchange where the body is a centre of the ongoing investigation.For this residency\, the artists are looking to collaborate with practitioners concerned with Subaltern states of being and the development of liberatory praxis in the community.  \n(De)coding Trajectories takes place as part of the Embodied Temporalities project by Oyoun Berlin in partnership with Dafa Puppet Theatre.  \nWithin the framework of Embodied Temporalities – Tracing the memories our bodies hold\, cultural practitioners explore identities\, belonging and embodied memories from diasporic\, decolonial and queer perspectives. What memories are stored in our bodies? What can our bodies tell us about ourselves\, our past and our future? \nIn Embodied Temporalities - Tracing the memories our bodies hold\, the central artistic work of this Perform Europe project\, cultural practitioners explore identities\, belonging and embodied memories from diasporic\, decolonial and queer perspectives. Embodied Temporalities is research\, archiving\, exhibition and performance project under the artistic direction of Madhumita Nandi with artists Ahmad BaBa and Gugulethu 'Dumama' Duma. \n  \nWe invite you to join the exhibition after the residency! \n  \nWhen? 22.04.2022\nTime? 19:00 – 21:00\nWhere? Studio Alta (Prague) \nThis international collaboration is made possible by Perform Europe. Perform Europe is an EU-funded project aiming to rethink how performing arts works are presented across borders in a more inclusive\, sustainable and balanced way by testing new touring and distribution practices and providing policy recommendations for a future EU support scheme. This 18-month journey includes a research phase\, launching a digital platform\, testing a support scheme\, and designing policy recommendations. \nPerform Europe is funded by the Creative Europe Programme of the European Union and co-managed by a Consortium of 5 organisations: \nIETM – International network for contemporary performing arts\nthe European Festivals Association (EFA)\, Circostrada\nEDN – European Dancehouse Network\, and IDEA Consult.
URL:https://oyoun.de/event/decoding-trajectories/
LOCATION:Studio Alta (Prague)\, Západní křídlo Invalidovny\, Sokolovská 136/24\, Karlín\,\, Prague\, 186 00\,\, Tschechische Republik
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/04/website-vorlage-20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220423T200000
DTEND;TZID=Europe/Berlin:20220424T223000
DTSTAMP:20260406T072258
CREATED:20220405T151622Z
LAST-MODIFIED:20220405T155746Z
UID:20589-1650744000-1650839400@oyoun.de
SUMMARY:Black & Brown Cabaret dinner show 2022 spring
DESCRIPTION:We are excited to invite you to celebrate Queerness\, Femininity\, Color\, and Bodies. Welcome to the Black & Brown Cabaret Dinner Show 2022 Spring by Prince Emrah & Queerberg collective. \nOn 23 April We want to honor the thriving culture of BIPOC immigrant\, refugee bodies of all shapes and sizes with a modern fusion of cabaret & burlesque by extraordinary performance artists visualizing their story with identity\, presence\, and audacity. Black & Brown Cabaret Show will present brilliant queer POC performers from various countries and cultures. Stand with us in solidarity with those affected the most by the pandemic: black and brown bodies\, queer\, trans\, and non-binary refugees\, asylum seekers\, and immigrants. A little surprise from Egypt: Arrive early to get a little more color on your hands by a professional henna artist. Come hungry not only for a fantastic show but also for a homemade vegan dinner\, available for purchase.( not included in tickets price) \nPrice: 15\, 20\, 25 (you can buy high prices tickets by your wish. It’s kind of donation prices for Black & Brown artist community). \nFor refugees who can't afford tickets\, reach out to prince.emrah.1994@icloud.com for free access\, or pay what you can. \nSo\, habibatis: Buy your tickets now! \nHenna painting: 18:30 - 20:00\nShow starts: 20:00 \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email at hallo@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/black-brown-cabaret-dinner-show-2022-spring/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/image0-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220426T193000
DTEND;TZID=Europe/Berlin:20220426T233000
DTSTAMP:20260406T072258
CREATED:20220412T145009Z
LAST-MODIFIED:20220422T090118Z
UID:20700-1651001400-1651015800@oyoun.de
SUMMARY:What's your radio show?- An evening with independent radio makers in Berlin
DESCRIPTION:Berlin has a vibrant scene of independent and artist-run radio stations\, that provide frameworks and platforms for musicians\, DJs and other artists to produce mixes\, radio shows\, and sound art. To play music they care about\, to share new releases by other musicians\, to also to use the airspaces as experimental grounds for creative new ideas. And to also talk about politics\, culture and things that matter to them. \nFor the past 2 pandemic years\, live gigs have been quite erratic and impossible in many cases – meanwhile the radio stations have provided a stable and constant outlet for creative sound works. While most of the radio work is volunteer-run and could not compensate for income\, still the radio stations have provided and continuously are providing public platforms\, rooms to experiment\, and spaces to share music and sound. Of course\, artist-run radio stations have provided that space for decades\, and new stations are starting afresh.\nWe want to take a moment to celebrate all the manifold sounds that have been aired or streamed\, and all the creative and organizing energies that come together to make the many sound streams continuously happen\, that inspire people around town and internationally. \nAnd – we would like to discuss with people who are part of running the different stations on the panel\, and hopefully also lots of radio makers in the audience\, about their experiences\, learnings and plans for the future of radio making. We are curious to find out about the histories\, cultures and ethos of the different stations – and so also give those of you who are considering to start making radio shows some ideas of where to turn to. We want to understand a bit more about outreach and developing audiences\, both as the station and for the radio DJs. About community building and the creative ecosystems around the stations\, with a particular view to the context in Berlin. About sustaining the stations and the shows. About the relevance and role of radio for artists and audiences. About artists' experiences with making radio shows. And about ideas and plans for the future. \nWe hope for many past\, current\, and future radio makers to join us for this conversation at Oyoun. For musicians who are already doing radio\, and for those considering it. And for those who want to learn more about the creative ecosystems around independent radio stations. For an exchange of experience about making radios as musicians\, and about hosting those spaces. \n>> Registration here. \nWe will be discussing with: \nGiacomo Gianetta is a co-founder and CEO of the experimental community radio station Cashmere Radio in Berlin. He composed and performed\, amongst others\, for Deutsche Oper\, Deutschlandradio Kultur\, Hamburger Bahnhof\, transmediale\, Venice Biennale\, TNT Nine Theatre Beijing. His research focuses on parallel artistic processes and experimentation through a high variety of practices and media. -\nCashmere Radio is a not-for-profit community experimental radio station which was originally based in Lichtenberg\, Berlin for the first six years of its existence before recently moving to Wedding. The ambition of the station is to preserve and further radio and broadcasting practices by playing with the plasticity and malleability of the medium. It is both a physical station open to the public and an online radio The radio can be heard 24 hours a day\, seven days a week on our website\, and on Friday and Saturdays via 88\,4 Berlin and 90\,7 Potsdam via the 24/3 Radio Netzwerk\, a collaboration between six of Berlin’s independent radio stations. \nGaby D’Annunzio - is a social activist\, community organiser and mental health advocate. She works as community manager and workshop coordinator at Refuge Worldwide radio. With a Master of Arts inPsychology\, she has always had a keen interest in social issues and people's well-being. She is also the co-founder of the Open Music Lab\, and hosts the Agora podcast series for Give Something Back To Berlin.\nRefuge Worldwide - was started as a fundraising platform working in solidarity with grassroots and non-profit organisations. In January 2021 we launched Refuge Worldwide\, a new radio station to amplify the music and issues that we care about\, broadcasting weekly from Weserstraße 166 in Berlin Neukölln. Refuge Worldwide commits to striving for a gender-balanced station\, representative of minorities. The\nstation is focused on community-building and creating space/visibility for underrepresented artists. We are really excited to present a broad range of shows ranging from 100% music-focused programmes\,\nto some that incorporate interviews and debate\, to programmes completely dedicated to discussion. \nSENU is a multidisciplinary creative - DJ\, radio host\, designer and workshop facilitator. She is one of the founding members of SLIC Unit\, a DJ collective that was formed in 2020 in order to practice collective joy and radical solidarity within the music industry. She hosts a monthly radio show at Berlins community radio THF\, called DRAFT Radio. With the show\, she is trying to create opportunities for FLNTA* DJs and selectors\, in order to share the community space and make the radio experience more accessible to fellow music enthusiasts. \nLouis Kohlmann is co-running THF Radio\, a community radio located at the former gatekeepers house of Tempelhof Airport. From 2012-2017 he was part of Projektraum LOTTE\, a collectively run art space in Stuttgart. Besides radio\, he is doing his PhD in philosophy at Humboldt-University in Berlin\, where he’s working on the social and political dimensions of language.\nTHF Radio is a community radio for Tempelhof and beyond for the whole of Berlin. We offer musicians*\, artists*\, bands and DJ*s a chance to try out different formats. In addition\, we are a platform for urban political discourse through various interview and talk formats. The radio is a department of the recently founded Torhaus Berlin e.V.\, and is correspondingly located in the Torhaus\, the gatekeeper house inside the former airport. Launched as a pilot project in the summer of 2019\, THF Radio has been in permanent  operation since the beginning of 2020\, with over 50 different regular shows per month and over 80 radio producers involved. \nAmong the further participants are reboot.fm. \nModeration: Andrea Goetzke - is part of Music Pool Berlin\, and also a long term radio maker and host of different shows\, starting out at reboot.fm and now at ByteFM. \nThe networking part after the discussion will take place in the abadän café/bar  \nAn evening by Music Pool Berlin\, which is supported by funds from the European Union (EFRE/ESF) and Musicboard Berlin. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/whats-your-radio-show-an-evening-with-independent-radio-makers-in-berlin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Klänge / Sounds,Networking
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/whats-your-radio-show-an-evening-with-independent-radio-makers-in-berlin-6-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220427T140000
DTEND;TZID=Europe/Berlin:20220427T160000
DTSTAMP:20260406T072258
CREATED:20220218T134624Z
LAST-MODIFIED:20220408T144016Z
UID:19760-1651068000-1651075200@oyoun.de
SUMMARY:We Should All Be Dreaming (Only for BIPoCs)
DESCRIPTION:"The possible has been tried and failed. Now it's time to try the impossible!" \n \n-Sun Ra \n  \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice. \n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together. \n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices. \n \nThe world around us is plagued by fear\, anger and hate of the unknown but WSABD attempts a strategic deviation - it does not only fight against\, react to or reveal the grim realities of the surrounding world but instead works as a platform of soft resistance by making space for communal coexistence.\n  \nEmail us at hallo@oyoun.de to register for the event. Please note that this event is for BiPOCs only. \n>>The event is accessible for wheelchair users. \n*** \nAbout the artist and activist duo of WSABD: \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present.\n \n \n*** \n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors\n \nCo-producers\nSpring Utrecht – festival\, Baltic Circle – festival\, Finnish Cultural Institute for the Benelux \nProject manager\nAsmaa Sbou \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220428T190000
DTEND;TZID=Europe/Berlin:20220428T220000
DTSTAMP:20260406T072258
CREATED:20220307T112237Z
LAST-MODIFIED:20220421T153939Z
UID:19817-1651172400-1651183200@oyoun.de
SUMMARY:We Should All Be Dreaming
DESCRIPTION:"The possible has been tried and failed. Now it's time to try the impossible!" \n-Sun Ra \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice.\n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together.\n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices.\n \nThe world around us is plagued by fear\, anger and hate of the unknown but WSABD attempts a strategic deviation - it does not only fight against\, react to or reveal the grim realities of the surrounding world but instead works as a platform of soft resistance by making space for communal coexistence. \n \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present. \n  \n>>>This event is accessible for wheelchair users.\n \n \n***\n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors\n \nCo-producers\nSpring Utrecht – festival\, Baltic Circle – Festival\, Finnish Cultural Institute for the Benelux \nProject manager\nAsmaa Sbou \n  \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming-2/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220429T190000
DTEND;TZID=Europe/Berlin:20220429T220000
DTSTAMP:20260406T072258
CREATED:20220318T112407Z
LAST-MODIFIED:20220425T105511Z
UID:19949-1651258800-1651269600@oyoun.de
SUMMARY:We Should All Be Dreaming
DESCRIPTION:  \n"The possible has been tried and failed. Now it's time to try the impossible!" \n-Sun Ra \nWE SHOULD ALL BE DREAMING is a concept that focuses on the radical potential of dreaming as a restorative and subversive practice.\n \nIt comes with a straightforward suggestion: we should all be dreaming radical utopian dreams of common futures. Situating itself somewhere between a collective think tank\, choreographed gathering\, a performance and a lecture the project gently invites the participants to spend time together\, listen together and dream together. \nOver the course of a curated dinner party\, invited guests will be led in group discussions to dream up common futures. This restorative and subversive work attempts to reveal\, shake or break existing power structures and hierarchies to create a more inclusive society. The world around us is plagued by fear\, anger and hatred\, but We Should All Be Dreaming offers a different path – we propose gathering and dreaming as an act of soft resistance\, making space for communal coexistence.  \n \nWSABD is a collaboration between choreographer Sonya Lindfors and writer and activist Maryan Abdulkarim who both are interested in radical speculative and decolonial practices.\n \nSonya Lindfors is a Helsinki-based choreographer and artistic director. In all her work\, Lindfors pursues to shake and challenge existing power structures\, penetrate the society\, and empower the community. Website\n \nMaryan Abdulkarim is Helsinki-based writer and public intellectual. She’s interested in themes relating to freedom and shifting the contexts in which we dream and create futures in the present. \n  \n***\n \nConcept\nSonya Lindfors and Maryan Abdulkarim\n \nWorking group\nSonya Lindfors\, Maryan Abdulkarim\, Roy Boswell\, Erno Aaltonen\, David Muoz\, Danai Anagnostou\n \nPictures\nEssi Orpana\, Sonya Lindfors \nProject manager\nAsmaa Sbou \n  \nWSABD is supported by Perform Europe\, Rosendal International Theatre (Norway)\, CODA Oslo International Dance Festival (Norway)\, Oyoun Kultur NeuDenken gUG (Germany)\, LIFT Festival (UK)\, Independent Dance(UK)\, Urban Apa (Finland)\, H2DANCE/Fest en Fest (UK) and TelepArt by Finnish Institute in Germany. \n  \nCo-producers: Spring Utrecht – festival\, Baltic Circle – festival\, Finnish Cultural Institute for the Benelux \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/we-should-all-be-dreaming-with-sign-language-interpretation/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance,Talk,Workshop
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/fugitive-archives-website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220430
DTEND;VALUE=DATE:20220528
DTSTAMP:20260406T072258
CREATED:20220401T120344Z
LAST-MODIFIED:20220505T094517Z
UID:20346-1651276800-1653695999@oyoun.de
SUMMARY:AS* PAPANGUS Ausstellung
DESCRIPTION:Austellungseröffnung + Einführung von Bruna Amaro am 30.4.2022 von 18:00 bis 20:00 h\nDanach (vom 1.5. – 27.5.2022) täglich von 12:00 h – 20:00 h \nDie Ausstellung wird ein Ort des Gedenkens und der Ehrung der Frauen* sein\, deren tägliches Leben ein Kampf gegen den allgegenwärtigen Femizid und die strukturelle Unterdrückung ist. Die Feier ihres Überlebens wird in einem multimedialen Format präsentiert: Installation der Kleider und Masken\, die von den Frauen* in den Straßen von São Paulo und Berlin-Neukölln getragen wurden\, sowie die Videodokumentation der Karnevalsperformance in São Paulo. \nIn diesem partizipatorischen Projekt legte eine Reihe von Performance-Workshops den Grundstein für die folgenden Aktionen\, in denen die Künstlerin und die Teilnehmer*innen gemeinsam Bewegungen und Aussagen für ihre Straßenperformance entwickelten. Auf die von Bruna Amaro und der Näherin Eliana Amaro dos Santos handgefertigten Kostüme wurden Phrasen gestickt\, die Erfahrungen des Überlebens\, der Transformation und der Arbeit zum Ausdruck bringen. \nAS* PAPANGUS setzt sich kritisch mit der kolonialen Matrix des Karnevals auseinander\, indem es auf den unterdrückenden Blick achtet und die Ausbeutung von queeren Körpern\, von Körpern von Frauen*\, von Farbigen\, von Menschen mit Behinderungen und von Körpern\, die struktureller Unterdrückung ausgesetzt sind\, nicht zulässt. \nAS* PAPANGUS eröffnet das erste Kapitel von Oyouns kuratorischem Schwerpunkt Mightier than a Trampled Flower\, der das Leben von Frauen* im Krieg aus einem dekolonialen Kontext heraus in den Mittelpunkt stellt und die kanonischen Erzählungen von Frauen* im Krieg dekonstruiert. \nMehr Infos findest du hier. \nAS* PAPANGUS ist ein Karneval für\, von und mit Frauen*\, der keine marginalisierten Körper objektiviert. In AS* PAPANGUS inszeniert die afro-brasilianische Künstlerin Bruna Amaro mit mehr als 50 Frauen* in São Paulo und Berlin einen Karneval in seiner queer-feministischsten und dekolonialsten Form. \nAlle Veranstaltungen zur Reihe AS*PAPANGUS findest du hier. \nAS* PAPANGUS wird gefördert vom Goethe-Institut São Paulo. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/as-papangus-exhibition/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:AS* PAPANGUS,Bilder / Images,Exhibition,Mightier than a Trampled Flower
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/as-website-new-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220430T170000
DTEND;TZID=Europe/Berlin:20220501T010000
DTSTAMP:20260406T072258
CREATED:20220420T082227Z
LAST-MODIFIED:20220427T093311Z
UID:20806-1651338000-1651366800@oyoun.de
SUMMARY:Cult' Sup'
DESCRIPTION:Panel Discussions | Dance Performance | Stand up-comedy | Concerts | DJs \nThe gathering\, Cult Sup\, is curated as a celebratory exploration of all things pertaining to the diverse expressive arts that supplement our well beings with inspiration\, contemplation and the multidimensionality emerging from expressive art forms. This event is an invitation to deepen collective thought around what it means to supply culture\, as cultural workers concerned with our African lineages\, afro-futurism\, and the richness of the diasporic cultural experience \nCult Sup is a celebratory journey of artistic disciplines ranging from sound\, visual\, literary\, plastic\, somatic\, dramaturgical\, fashion to culinary. We’ll be engaging in interdisciplinary dialogue sharing knowledge\, healing methods\, performances\, and exhibitions from a community of contributors coming from different parts of the African continent. Our events provide safe spaces where people from every age\, gender\, ethnical background and persons with disabilities can gather to educate themselves while having a good time and learn about each other. Respecting cultural differences is a must and no forms of human rights violations\, ignorance or violence will be tolerated at this event. Our ethos is centered in Universality\, Unity\, and Peace. \nLearning while having fun is an important aspect of the CultSup experience. Originally developed by 2 multidisciplinary artists Astan Meyer and Nane Kahle. CultSup has moved from small venues of Berlin hosting several talented artists working with mediums such as paint\, dance\, music\, poetry\, cinematography and more. This 7th Edition is a trip guided with the energy of Griots carried through music\, movements with the breathtaking dancer Exocé Kasongo\, performances. This gathering explores interdisciplinary dialogue around the theme: “RESTITUTION & CELLULAR MEMORY”. \nTickets: Donation-based \nSupported by Musicboard Berlin \nTimetable \n17:45-18:00 – CultSup Ensemble\n18:00-19:15 – Panel Discussion\n19:15-19:30 – Q&A\n19:35-19:50 – CultSup Ensemble\n19:50-20:20 – Concert\n20:20-20:25 – CultSup Ensemble\n20:25-20:30 – Dance Performance\n20:30-20:40 – CultSup Ensemble\n20:40-21:00 – StandUp Comedy\n21:15-21:20 – CultSup Ensemble\n21:20-22:00 – Concert\n22:00-22:45 – JAM\n22:45-23:00 – Break\n23:00-00:00 – DJ Set\n00:00-01:00 – DJ Set \nBiographies \nAnaïs Astan Meyer a.k.a Astan KA is an artistic performer\, singer-songwriter\, dancer\, actress and event curator based in Berlin. Born in France and visiting Mali regularly since age of 3\, Astan grew up being surrounded by black people and white people which has enabled her to never face any identity problem and has come to a result today of considering herself as a « child of reconciliation ». She combines various music genres from jazz to rock to afro-techno to hip hop\, trip-hop to illustrate her universe that is mostly experimental.Her music is about life\, love\, friendship\, protest and intellectual rebellion\, but also about growing up as a mixed-race woman and the importance of acquiring the right knowledge\, as there is a lot that school doesn't teach us. Although much of her work is about glorifying the black woman\, she still preaches a great message of universality. \nNane Kahle a.k.a Michel Mariane is Berlin based a multicultural\, interdisciplinary performance researcher and artist. She spent her formative years in Ivory Coast\, Senegal\, the Caribbean before her relocation to France. This multiplicity and migration inform her way of seeing and existing\, manifesting as a creative practice\, at the intersection of music\, theatre\, movement and medicine. Coming from a biochemistry background\, Nane’s connection with nature\, belonging and the un-natural converges as a curiosity exploring the dynamic interactions between living organisms\, intangible belonging and the tangible ecologies of being. Myth making and ancestral knowledge preservation are explored in her practice\, where aspects concerning transformation care and healing are at the center. The vitality of creative energy allows her practice to function as a conduit\, invigorating her community building efforts as well as her own personal processes.Her curatorial and performance work the Out Of Time Embassy\, Sonic Interventions Collective and CultSup see her curating contemplative and empowering environments for marginalized voices to be heard. \nNatisa Exocé Kasongo a.k.a Exocé OOB Kasongo is a Berlin based multidisciplinary Afrocentric Artist: Artistic performer\, dancer\, visual artist. He mostly performs alone in improvisation and creation of stories or in the transmission of a language for other creators. His dance style is experimental storytelling. As a visual artist\, Exocé creates collages with an afro-punk/afro-futuristic/spiritual jazz touch\, that you can see exhibited in Berlin\, on vinyl covers and also on the clothes of his fashion brand. He considers himself as an Afropean because he was born in Paris of Congolese parents\, so he has a double culture. He is the artistic director of the Afro-futuristic brand KASAPIO. \nJumoke Adeyanju is a Berlin based Nigerian interdisciplinary multilingual writer\, curator and dancer. Under her alias mokeyanju\, she occasionally performs as a vinyl selector and aspiring sound artist. Jumoke is the founder of The Poetry Meets Series [est. 2014]\, co-curator of Sensitivities of Dance at SAVVY Contemporary and hosts her own radio show sauti ya àkókò on Refuge Worldwide. \nOkhiogbe Omonblanks Omonhinmin is an Nigerian archivist\, curator\, producer and creative director. He is the founder of TAC (The Art Concept) organisation\, a documentation and archive-focused platform\, interested in studying African and Black societies from community\, city and country perspectives. \nIbou Coulibaly Diop is a Berlin based Senegalese Doctor\, literary scholar\, writer and curator. He is currently working on a colonial memory concept for the Berlin Senate and is working together with Lorraine Bluche for the Berlin City Museum Foundation in the Decolonization Competence Center. In his dissertation\, in which he examines the question of globalisation and universalisation of literature in general\, In his work he is interested in the question: How we can grow together despite our differences and which approaches can be found in the literature about it. \nThomas Talawa Presto is a caribbean-norwegian artistic director. In spite of his young age\, Thomas has codified a system of body movement which is rooted in the traditional African and Caribbean movement aesthetic\, yet relevant in the contemporary. \nBabiche Papaya is a Berlin based Rwandan rapper\, actress and artist Babiche Papaya navigates through Germany’s past\, present and future. Her work deals with a wide range of topics\, from her experiences\, growing up African in the German suburbs\, to Berlin nightlife\, to calls for revolution. \nNicholas Rose is an afro-american Berlin based dancer born in West Palm Beach\, Florida. Mr. Rose trained at the Colburn Dance Academy in Los Angeles\, California and The HARID Conservatory in Boca Raton\, Florida both on full scholarship. At age 19 Mr. Rose was recruited by the Dance Theatre of Harlem\, and toured with them extensively around the world before being recruited by The National Ballet of Canada as a member of the Corps de Ballet in 2018. \nGenifer Marione Habbasch is a Berlin based afro-german actress\, presenter\, TV-show and podcast host\, born in Congo raised in Namibia and Saarbrücken. She has been involved in projects such as the Afro-German theater group "Label Noir" and Freak de l’Afrique. \nDumama\, is a South African Berlin based artist. She explores intersectionality in her transdisciplinary artistic practice allowing the structures in formlessness to simply be. Her practice involves consciously deconstructing and critiquing archaic modes of representation of Southern African/African sonic and performance culture\, while also composing music for herself and others. \nTsepo Kolitsoe Pooe is a Berlin based Student conductor and cellist from Soweto\, South Africa. Ten years ago\, he joined the South African non-profit organisation MIAGI 'Music is a great Investment' on its mission to utilise music and music education as tools for positive social development and nation-building in the spirit of Nelson Mandela. \nJuba is a Berlin based child of the Nigerian diaspora in the UK\, since 2016 Juba has been paying musical homage to her heritage as a DJ who principally showcases music from Africa and the African diaspora. \nAnele is a Berlin based DJ \,born and Raised in South Africa. Anele's sound is highly influenced by 90's music. From Kwaito(a variant of house music featuring the use of African sounds and samples that emerged in South Africa during the ‘90s) to Disco\, Soul and Hip Hop. \nAgonglo Babatunde is a Berlin based artist\, arranger\, producer and atypical composer from Benin and Nigeria. Agonglo Babatunde plays several instruments including Percussion\, Drums\, guitar. He calls his musical genre "Afro gospel". \nAdebambo Akinwale is a Berlin based musician that grew up as a child in Lagos Nigeria\, played the percussions at his local Cherubims & Seraphim Church. Later joined a charismatic movement and then progressed to other instruments\, Playing the keyboard as a major instrument. Heavily influenced by sounds from his roots such as Gospel\, Afro traditional\, Soul\, Country\, Jazz .. etc \nVenant Ntiomo is a Berlin based percussionist from Cameroon. With a mother traditional dancer\, he has been introduced from a young age to Cameroonian traditional music. Attracted by percussion that he embodies\,  he navigates within Cabaret where he crosses over different genres such as traditional\, pop\, jazz and more.  \nWilly Sahel is a chadian Berlin based musician born in N'djamena\, the Sahel zone of CHAD\, from a gospel singer mother & a passionate classical guitar father. Willy presents a special music with his roots from Moissala (in the south of Chad)\, mixes the rhythms « Klaag » & « SAYE » with Soul\, Jazz & Gospel. \nYannick Mäntele is a Berlin based trumpet player.  Is in for building community and creating spaces with music in which people can meet. Tearing down the walls of prejudices and ignorance  with the sound of trumpet just like 7 of them did in Jericho - a symbol for non violent resistance. Respect and Difference are essential in the ever evolving path of learning and understanding as the children of Moon and Sun and passengers of the spaceship earth. \nMoussa Coulibaly is a Berlin based musician born in Bobo-Dioulasso\, Burkina Faso. Part of a Griot family he has been introduced to traditional music since his birth. He plays African traditional instruments such as Ngoni\, Balafon and is also a Djembefola. Instruments that he infuses in contemporan music. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n  \n 
URL:https://oyoun.de/event/cultsup/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Gespräche / Conversations,Klänge / Sounds,Panel,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/website-vorlage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220501T180000
DTEND;TZID=Europe/Berlin:20220501T233000
DTSTAMP:20260406T072258
CREATED:20220301T112340Z
LAST-MODIFIED:20220429T122133Z
UID:19806-1651428000-1651447800@oyoun.de
SUMMARY:Venue change: DECOLONOIZE presents Proper
DESCRIPTION:Achtung: Die Veranstaltung findet neu in der Loge (Kinzigstr. 9\, 10247 Berlin) statt. \nDECOLONOIZE BERLIN organizes Punk and Alternative shows representing BIPoCs in the scene.  \nAs a warm-up for the upcoming DECOLONOIZE FEST (28.-29.05.2022) we present to you the Berlin Show of PROPER. on their EU-Tour\, serving you finest Indie Rock / Emo Punk from Brooklyn. Support from Berlin is coming from SHAMANIACS with their powerful Psych-Rock. \nTickets are available via Eventbrite \nEntree: 10-15€  \nRefugees come in for free! \nIf you have little or no income and cannot buy a ticket but would still like to take part\, please contact us at hallo@oyoun.de. We will arrange it. \n*** \nDECOLONOIZE is a Berlin-based collective of BIPoC alternative musicians and music lovers. We are committed to organizing inclusive shows and events and creating safer spaces for a diverse community who is underrepresented in the Berlin punk and alternative scene. Website \nPROPER. (US) *Indie-Rock/Emo-Punk* \nFollowing 2019’s critically-acclaimed sophomore album\, I Spent the Winter Writing Songs About Getting Better\, Proper. is making their return with The Great American Novel. \n“At the end of the day\, what I wanted to do with this record is take Proper. in a direction that would surprise people on first listen\, but end up making complete sense on the second or third listen. I think a lot of bands tend to go more pop but I wanted to make something both challenging and undeniably catchy\,” Garlington said. “It all goes back to Black genius and how it’s ingested by the predominantly cishet\, white male crowd. If they’re going to be a voyeur to the Black experience\, I wanted to strip away all the cheeky song titles\, lyrical inside jokes\, and optimistic singalongs. I want them to hear this record and learn about our identity crises\, our aimlessness\, how many friends and family we know that are dead or in jail by 25. How\, at eight we were told we were gifted but by 11 we were told we’re dangerous.” \n“The Brooklyn band’s explosively verbal\, shapeshifting and snarky emo-pop explores how intersectional identities move within predominantly white spaces” - Pitchfork \n“Proper. vocalist Erik Garlington has a rare gift for translating the emotional impact of systemic forces into massive punk rock anthems.” - AFROPUNK \n“Full of punky spirit that nods to their emo forebears” - Consequence  \n“Takes the tropes of the pop punk genre to a more original and exciting place” - Uproxx \n  \nSHAMANIACS (Berlin) *Psych-Rock* \nThey say there's a fine line between insanity and wisdom.\nThe SHAMANIACS are used to crossing that line back and forth\,\ntelling stories made of Rock and taking you on a brain-melting psychedelic journey. \n*** \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/decolonoize/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2022/03/website-vorlage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220503T193000
DTEND;TZID=Europe/Berlin:20220503T233000
DTSTAMP:20260406T072258
CREATED:20220411T153201Z
LAST-MODIFIED:20220503T110041Z
UID:20680-1651606200-1651620600@oyoun.de
SUMMARY:‘ABBAS’ Screening + Q&A
DESCRIPTION:“ABBAS” is a short-documentary about Sudanese in Calais on their way towards a more dignified and hopeful life in freedom and peace. Instead\, they are confronted with everyday struggle with police surveillance and acts of violence. “This is not just a film\, it is a journey to explore some of what my people are going through in that place. The feeling of being lost\, threatened and rejected. The feeling of surviving the Unknown. The feeling of getting tortured for no reason at all.”\, says Zeyo Mann\, director and one of the producers. \n \n  \nZeyo: \nMustafa Elsiddig\, known as Zeyo is a Sudanese national\, born in Wad Madani. Zeyo grew up in the United Arab Emirates\, in the Al-ain. He fell in love with Rap music and started pursuing it when he was 16 years old. At first\, he used to write poetry but couldn’t quite grasp the flow. Although he was in love with this art\, it was challenging\, as he is a stutterer. Until one day he played a beat he found on YouTube\, and attempted to rap on it. That’s when he discovered that he can perform since then he hasn’t stopped. \nTo Zeyo music is a comfort zone. As he had had a tough childhood because of his stuttering condition\, he grew to get over it\, by making this art. By which he learned some extra skills such as making beats\, video editing and photography. He strives toward transforming any negativity he is subjected to into solitude that benefits his growth. His goal is to express what he\, and others\, go through due to freedom suppression practised by the extremist right-wing government in Sudan. He also strives towards establishing a platform in his country\, to help revolutionary artists\, who are not fortunate enough to practice their artistry\, due to the hard living conditions that they go through because of the government. \n  \nJulian Damm: \nJulian Damm a video and photographer from Berlin \n  \n  \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/abbas-screening-qa/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images
ATTACH;FMTTYPE=image/x-png:https://oyoun.de/files/2022/04/1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220506T190000
DTEND;TZID=Europe/Berlin:20220506T213000
DTSTAMP:20260406T072258
CREATED:20220420T091937Z
LAST-MODIFIED:20220428T101352Z
UID:20844-1651863600-1651872600@oyoun.de
SUMMARY:Benim Adim – Mein Name
DESCRIPTION:Geschichte einer Selbstverteidigung \nTheateraufführung mit anschließender Diskussionsrunde mit der Künstler*in  \nIn dem Theaterstück “Mein Name” wird die Geschichte einer Selbstverteidigung erzählt. Meryem verkörpert in dem Stück das Schicksal von drei Frauen aus verschiedenen Generationen. In dem Stück erklimmen wir mit der “verrückten Hatice” mutig die Berge und singen Lieder während wir ihr Dorf hinter uns zurücklassen. Die Feldvögel werden in das Lebensglück mit aufgenommen und haben sogar einen Bezug zum Essen der Großmutter von Meryem. In dem Stück erklären wir den traditionellen uns aufgezwungenen Geschlechterrollen den Krieg. \nMeryem übt Selbstverteidigung gegen ihren Ehemann wegen ihrer Tochter Gülsüm aus. Gülsüm ist die einzige Charaktere in dem Stück\, die sich frei entfalten kann und gewissen Freiheiten besitzt. Meryem hat ihr Leben lang alles hingenommen\, hat weggeschaut und sich gelegentlich hier und da doch verteidigt. Aber als sie sieht\, dass ihrer Tochter Gülsüm das gleiche Schicksal bevorsteht\, sagt sie endlich NEIN. Dadurch dass sie alle Frauen befreit verändert sie die Geschichte grundlegend. Sie erzählt uns über die Gewalt gegen Frauen\, über Vergewaltigungen\, Belästigungen\, Nötigungen und die Unterdrückung mit ihrer naiven natürlichen Art. Aber im Endeffekt konfrontiert sie uns mit der Wirklichkeit. \nWir sehen in dem Spiel alle Charaktere auf eine naive\, offene aber auch tiefgreifende Art. Wir sehen Frauen\, die aus dem Schatten von Meryem hervorkommen. Wir erkennen unsere eigenen Häuser\, Nachbarn und Hinterhöfe.\n“Mein Name” ist die Geschichte von dem existenziellen Kampf der Frau um Befreiung\, die Geschichte von uns allen. Diese vier Frauen begegnen ihren Ängsten mit großem Mut und Hoffnung. Im Dorf\, am Flussrand\, auf den Bergen\, auf den Feldern und in den Städten erkämpfen die Frauen ihre Freiheit mit Mut. \nDie Theatergruppe IMGE aus Istanbul wird ihr Theaterstück „Benim Adim (Mein Name)" mit deutschen Untertiteln aufführen und anschließend in einer Diskussionsrunde über die Gewalt gegen Frauen in der Türkei und über die Möglichkeiten und Mittel der Selbstverteidigung der Frauen berichten. \nCredits \nText und Darbietung: Ayşe Nur DEMİR\nRegie: Ahmet Uçar\nSprache: Türkisch-Deutsch (Die Texte des Theaterstücks werden übersetzt und über Beamer an die Leinwand gespielt.) \nDie Diskussionsrunde wird übersetzt \nZeitplan \nEinlass: 19.00 Uhr \nBeginn: 19.30 Uhr \nEnde: 21.30 Uhr \nTickets \nVorverkauf: 10€\nAbendkasse: 12€ \nKartenreservierung außerdem möglich via: vereininternational@gmail.com \nÜber den Verein \nDer Verein der Internationalen Freundschaft und Solidarität e. V. ist ein gemeinnütziger Verein und arbeitet seit Jahrzehnten im Bereich Kultur\, Demokratie und Menschenrechte\, Frauenrechte\, Gleichstellung von Männern und Frauen\, Internationalismus\, gleiche soziale und politische Rechte für Migrant*innen. Das Theaterstück mit anschließender Diskussionsrunde soll nicht nur das Gewalt gegen Frauen\, sondern auch den Umgang dazu thematisieren. Die Veranstaltung ist auch als Bildungsarbeit zu verstehen. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n 
URL:https://oyoun.de/event/benimadim/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/beni-website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220507T150000
DTEND;TZID=Europe/Berlin:20220507T170000
DTSTAMP:20260406T072258
CREATED:20220401T121334Z
LAST-MODIFIED:20220510T142152Z
UID:20352-1651935600-1651942800@oyoun.de
SUMMARY:AS* PAPANGUS Street Performance in Berlin
DESCRIPTION:AS* PAPANGUS ist ein Karneval für\, von und mit Frauen*\, der marginalisierte Körper nicht objektiviert. \nIn AS* PAPANGUS führt die afro-brasilianische Künstlerin Bruna Amaro mit mehr als 50 Frauen* in São Paulo und Berlin einen Karneval in seiner queer-feministischsten und dekolonialsten Form auf.In diesem partizipatorischen Projekt wurden in einer Reihe von Performance-Workshops die Grundlagen für die folgenden Aktionen gelegt\, in denen die Künstlerin und die Teilnehmerinnen gemeinsam Bewegungen und Aussagen für ihre Straßenperformance entwickelten. Auf die von Bruna Amaro und der Näherin Eliana Amaro dos Santos handgefertigten Kostüme wurden Phrasen gestickt\, die Erfahrungen des Überlebens\, der Transformation und der Arbeit ausdrücken. \nDie Kostüme aus São Paulo werden von 10 Frauen* in Berlin zu neuem Leben erweckt\, indem diese an einem zweitägigen Workshop und an der anschließenden Straßenperformance am Samstag\, den 7. Mai im Kiez rund um das Oyoun teilnehmen. Sie laufen mit den Papangu-Kleidern durch die Straßen Neuköllns\, mit den Statements auf der Brust\, gestützt auf handgefertigte Requisiten\, und tanzen zur festlichen Musik. Indem sie ihre Körper sprechen lassen\, werden die Körper zu Fahnen des Triumphs. Die Prozession lädt andere FLINTA-Personen ein\, sich dem Spaziergang anzuschließen. \nAS* PAPANGUS setzt sich kritisch mit der kolonialen Matrix des Karnevals auseinander\, bleibt wachsam gegenüber unterdrückenden Blicken und verbietet die Ausbeutung von queeren Körpern\, von Körpern von Frauen*\, of Color\, mit Behinderungen und von Körpern\, die struktureller Unterdrückung ausgesetzt sind. Papangu-Frauen* gehen nicht auf die Straße\, um konsumiert zu werden: sie gehen\, um sich selbst zu feiern. \nAS* PAPANGUS eröffnet das erste Kapitel von Oyouns kuratorischem Schwerpunkt Mightier than a Trampled Flower (Mächtiger als eine zertrampelte Blume)\, der das Leben von Frauen* im Krieg aus einem dekolonialen Kontext heraus in den Mittelpunkt stellt und die kanonischen Erzählungen von Frauen* im Krieg dekonstruiert. Weitere Informationen über das Projekt findest du hier. \nPerformers: Pamela Bassi\, Natalia Aly\, Mizgina Rengin\, Mayara Teston Barrios\, Katia Akemi\, Jarita Freydank\, Jahia\, Fatima Ismayilova \nAlle Veranstaltungen zur Reihe AS*PAPANGUS findest du hier. \nAS* PAPANGUS wird gefördert vom Goethe-Institut São Paulo. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/as-papangus-performance-berlin/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:AS* PAPANGUS,Bewegungen / Movements,Mightier than a Trampled Flower,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/as-website-new.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220507T200000
DTEND;TZID=Europe/Berlin:20220508T000000
DTSTAMP:20260406T072258
CREATED:20220408T100034Z
LAST-MODIFIED:20220503T110154Z
UID:20618-1651953600-1651968000@oyoun.de
SUMMARY:El Far3i in Berlin\, supported by Jundi Majhul
DESCRIPTION:The celebrated songwriter and rapper El Far3i returns to Berlin for an exclusive show at Oyoun supported by a very special guest - Jundi Majhul. A combination of electro-acoustic sounds\, jazzy grooves and powerful raps from the pioneering artists will light up Berlin for this May date. \nGet your tickets here. \nBiographies \nEl Far3i \nEncapsulating a unique combination of Arabic acoustic folk and hip-hop\, El Far3i’s sound has become an iconic musical narrative expressed through numerous popular anthems and chantable earworms that echo far beyond the region of his hometown\, Amman. \nWith a distinct voice that contrasts soulful melodies against raw verses and chants\, his themes emerge from the region’s subconscious\, providing a unique archive of the socio-psychological\, political and personal subtexts that emerge \nfrom daily Arab life\, both back home and in the diaspora. Preserving the power of simple\, yet hard-hitting grooves\, he frames his thoughts through music\, poetry and melodies. Such versatility and vision have also translated into him co-founding El Morabba3 and 47Soul. El Far3i still does occasional live collaborations with El Morabba3\, and continues the powerful journey he started with 47Soul in 2013. \nJundi Majhul \nRapper\, hip-hop artist\, beat maker and music composer from Damascus\, Jundi is known for his jazzy hip-hop grooves mixed with Middle Eastern textures that are amplified by potent political and social content. Starting his musical journey in his early teens\, he released first solo album in 2017 before he launched his finger \ndrumming and live beat making project the following year. Alongside his solo work\, he has gained strong recognition for his collaborations\, producing beats rappers across the region\, and continuing his ‘Latlateh’ project with long time partner Bu Kolthoum. \n \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/el-far3i-in-berlin-supported-by-jundi-majhul/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/x-png:https://oyoun.de/files/2022/04/2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220516T110000
DTEND;TZID=Europe/Berlin:20220516T113000
DTSTAMP:20260406T072258
CREATED:20220427T153848Z
LAST-MODIFIED:20220503T145929Z
UID:21104-1652698800-1652700600@oyoun.de
SUMMARY:FRATZ Festival: TAH DAM! (2+)
DESCRIPTION:Musik- und Tanzperformance von MusicDance Cape Town (Südafrika)  \nTAH DAM! ist eine Musik- und Tanzperformance für Familien und Kinder. Die teils traditionell afrikanische\, teils traditionell europäische Musik wird auf vielen interessanten Instrumenten gespielt: Mbira (aus Simbabwe)\, Djembe (aus Westafrika)\, Umtshingo (aus Südafrika)\, Adungu (aus Uganda) und auch ein Klavier\, Regenstäbe und Gesang kommen zum Einsatz. \nTAH DAM! besteht aus fünf Teilen: Das Wasserlied (»The Water Song«) beschäftigt sich mit Wasser\, wie es fließt und sich bewegt und was so darin lebt. Im Windlied (»The Wind Song«) geht es darum zu fliegen\, zu pusten\, wie etwas schwebt und weht und sich dreht. Das Erdlied (»The Earth Song«) ist vom Rhythmus des traditionallen Mapiko-Tanzes aus Mosambik inspiriert. Das Körperlied (»The Body Song«) lauscht den taktilen Geräuschen\, die wir selber machen. Ganz zum Schluss dann das Liedlied (»The Song Song«)\, das uns einlädt miteinander zu tanzen und die Bewegungen der anderen nachzumachen. \nTAH DAM! entstand im Juni 2020 in Kapstadt als ein Forschungslabor des FRATZ International. Auf einer zugehörigen Website finden sich Aktivitätsvideos\, um das Theatererlebnis zu vertiefen. TAH DAM! möchte Kinder und Eltern dazu inspirieren auch zu Hause weiter Musik zu machen und zu tanzen – das bedeutet auch der englische Ausdruck »Together at Home – Dance and Music!« oder kurz: TAH DAM! \nDie Künstler*innen von TAH DAM! kommen aus Südafrika\, Italien und Mosambik. Die Gruppe fand sich über das seit 2018 von Thalia Laric und Manuela Lucia Tessi geleitete Projekt MusicDance Cape Town. Das Projekt bringt Tänzer*innen und Musiker*innen unterschiedlicher Hintergründe zusammen und fördert die Zusammenarbeit der verschiedenen Disziplinen. Der Schwerpunkt der Arbeit liegt auf Kompositionen\, die interdisziplinärer und in Echtzeit entstehen. \nSpiel / Regie: Thalia Laric\nSpiel: Manuela Lucia Tessi\, Vintani Nafassi\, Sumalgy Nuro\, Coila-Leah Enderstein\nDramaturgie: Nicola Elliott-Wong \nTickets \nTickets für alle FRATZ-Festival Veranstaltungen gibt es hier.\nKontakt für Kita-Gruppen: Annea Lounatvuori | annea@theater-on.de | +49 (0)30 440 92 14\nReservierung außerdem via: ticket@fratz-festival.de | accreditation@fratz-festival.de \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > hallo@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/fratz-festival-tah-dam-2/2022-05-16/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Kinder + Jugend / Kids + Youth,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2022/04/website-tah-dam.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220516T123000
DTEND;TZID=Europe/Berlin:20220516T143000
DTSTAMP:20260406T072258
CREATED:20220428T161628Z
LAST-MODIFIED:20220506T094519Z
UID:21144-1652704200-1652711400@oyoun.de
SUMMARY:FRATZ Festival: Darstellende Künste für die Jüngsten in Hongkong
DESCRIPTION:Live-Zoom-Gespräch und Screening der Arbeit von HK5senses mit Gemini Wong Yuk Tak \nDie FRATZ Festival-Kuratorin Marie Yan verbrachte 2021 ein halbes Jahr wegen eines Theaterprojekts in Hongkong und lernte in dieser Zeit das HK5Senses Theatre kennen\, das sich der Arbeit für Babies und Kleinkinder widmet. \nIm Rahmen des Symposiums von FRATZ 2022 wollen wir die Arbeit dieses Theaters kennenlernen\, in dem wir ihre Videodokumentation mit englischen Untertiteln zeigen und die Theatermacherin in einem öffentlichen Zoom-Call zu einem Austausch treffen. Wir möchten etwas über die Arbeitsbedingungen der Künstler:innen in Hong Kong lernen und erfahren\, wie Familien\, das Publikum des HK5Senses Theatre in dieser Metropole leben. HK5senses ist Hongkongs erste und einzige professionelle Theatergruppe\, die sich für ein sensorisches und immersives Theater für ein sehr junges Publikum eingesetzt hat. Die Regisseurin und Gründerin Gemini Wong Yuk Tak ist eine langjährige Pionierin der darstellenden Künste für die Jüngsten in Asien und wurde u. a. zur ASSITEJ International World Conference 2020 und von ASSITEJ Japan und Korea eingeladen. \nDer Austausch findet in englischer Sprache statt. Bei Interesse kann eine Zoom-Übersetzung organisiert werden. Hierfür bitte bis spätestens 29. April anmelden: accreditation@fratz-festival.de \nDie Veranstaltung ist gut kombinierbar mit einem Vorstellungsbesuch von TAH DAM! von MusicDance Cape Town (Südafrika) um 11:00 Uhr im Oyoun. Der Spielort besitzt ein Café mit Snacks und WLAN für die Pause. Alternativ kann\, auf Spendenbasis\, auch Online am Event teilgenommen werden.  \nTickets  \nPräsenzveranstaltung: 8€\nOnlineveranstaltung: Spendenbasis  \nAnmeldung per E-Mail hier.  \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website.
URL:https://oyoun.de/event/fratz-hongkong/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Gespräche / Conversations,Kinder + Jugend / Kids + Youth
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/fratz-neu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220518T093000
DTEND;TZID=Europe/Berlin:20220518T100000
DTSTAMP:20260406T072258
CREATED:20220427T161711Z
LAST-MODIFIED:20220503T145537Z
UID:21116-1652866200-1652868000@oyoun.de
SUMMARY:FRATZ Festival: KOLOFU (2+)
DESCRIPTION:Performance von KiNiNso Koncepts (Nigeria) \nFarben haben in Bezug auf Menschen häufig wertende\, auch negative Assoziationen. Die weltweit verbreiteten Zuschreibungen aufgrund von Haut-Farben wie schwarz\, weiß\, rot\, gelb\, ... sind absurd\, diskriminierend und nehmen uns die Freude an der Schönheit der Farben. Das Team von KOLOFU wollte diesen Zustand nicht hinnehmen und fragte sich: »Können Farben einfach nur schön sein? Nur schön und nichts anderes?« In einem performativen Farbenspiel mit Tellern\, Löffeln\, Strohhalmen und Wind entsteht ein vereinendes und faszinierendes Theatererlebnis für Kinder\, Erwachsene und Performer:innen. Sie zeigen\, dass alle Menschen zusammen leben und spielen können. \n2017 war KiNiNso Koncepts bereits mit der Inszenierung Sandscapes zu FRATZ International eingeladen. Damals wurden den Künstler:innen die notwendigen Visa verweigert\, was eine Welle des Protests auslöste. 2019 war Joshua Alabi als Festivalbeobachter und Symposiumsteilnehmer zu Gast bei FRATZ. Wir freuen uns die Arbeitsbeziehung mit dem diesjährigen Gastspiel fortsetzen zu können. \nKOLOFU ist eine von drei Inszenierungen\, die aus einem FRATZ Labor zum Thema SKIN TONE hervorging. Im Rahmen von FRATZ International 2020 forschte die Gruppe zu Hautfarben\, Bleichen und Tönen\, Kolorismus\, Rassendiskriminierung und Identität. Neben KOLOFU ab 2 Jahren\, entstand Cream Body\, eine Komödie für Erwachsene und Skin\, eine Arbeit für Kinder ab 6 Jahren. \nKiNiNso Koncepts ist eine Company für Storytelling\, Film\, Theater\, Performances und Weiterbildung. Ihr Ziel ist es\, durch innovative Performance- und Erzähltechniken in Verbindung mit intensiver Erforschung der eigenen kulturellen Wurzeln und Traditionen\, relevante Botschaften zu transportieren. Immer wieder stellen die Künstler:innen in ihrer Arbeit den Status quo in Frage. In Nigeria und weltweit haben sie bereits über 1000 Menschen ausgebildet und ein großes Netzwerk junger Künstler:innen aufgebaut. Joshua Alabi\, Gründer von KiNiNso Koncepts\, leitet lokale und internationale Projekte in Afrika und Europa. Unter anderem schrieb\, produzierte und inszenierte er Theaterstücke im Auftrag des British Council/UKAID\, der Europäischen Union\, des Goethe-Instituts und der Mac Arthur Foundation. \n\nKonzept / Regie: Joshua Alabi\nRecherche: Aniefiok Inyang\nSpiel: Aniefiok Inyang\, Chinenye Chukwudi\, Oluchukwu Ukachukwu\, Julius Obende\nProduktionsleitung: Angela Peters\nRechtsberatung: Praise Alabi \nTickets \nTickets für alle FRATZ-Festival Veranstaltungen gibt es hier.\nKontakt für Kita-Gruppen: Annea Lounatvuori | annea@theater-on.de | +49 (0)30 440 92 14\nReservierung außerdem via: ticket@fratz-festival.de | accreditation@fratz-festival.de \nIm Rahmen von „FRATZ International 2022. Festival für die Jüngsten“  \nGefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa im Rahmen der Förderung von stadtpolitisch relevanten Festivals 2020 bis 2023. “Kolofu” wird freundlich unterstützt vom Goethe-Institut Nigeria. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail > awareness@oyoun.de oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/fratz-festival-kolofu-2/2022-05-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Kinder + Jugend / Kids + Youth,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/04/website-kolofu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220518T180000
DTEND;TZID=Europe/Berlin:20220518T210000
DTSTAMP:20260406T072258
CREATED:20220426T141034Z
LAST-MODIFIED:20220517T155951Z
UID:21065-1652896800-1652907600@oyoun.de
SUMMARY:UN:IMAGINABLE -  our histories in conversation
DESCRIPTION:UN:IMAGINABLE -  our histories in conversation\n_a musical documentary performance on the soundtracks of war_ \nUN:IMAGINABLE ist eine außergewöhnliche Theaterproduktion\, die aus der gelebten Realität von Trauma\, Krieg\, Ausgrenzung und Exil entstanden ist. Die Genozide der 1990er Jahre in Ruanda und auf dem Balkan erschütterten die Welt - und zählen bis heute zu den blutigsten Ereignissen der modernen Geschichte. Die Berichte und Geschichten davon haben nichts an Bedeutung eingebüßt. Viele Menschen sind damals aus ihrem Heimatland geflohen und einige von ihnen leben seitdem in Deutschland\, dem der Status eines „Paradieses" zugeschrieben wurde. \nSolange unerzählte Geschichte verleugnet wird\, kann sich eine Gesellschaft nicht wirklich aus Angst und Hass befreien\, was nur zu weiteren Konflikten führt. UN:IMAGINABLE spiegelt die Banalität des Bösen und seine Verbindung zum alltäglichen Leben wider\, indem es sich mit der Stunde des Todes im Leben von Opfern und Tätern befasst. \n"In einem monochromen Universum\, das die Verheißungen der Ungewissheit ergreift\, liegt die Zukunft vor uns wie ein ungeschriebenes Buch. Wir müssen uns alle gemeinsam überlegen\, was wir jetzt ändern können." - Hope Azeda \nUN:IMAGINABLE ist ein transnationales dokumentarisches Musiktheater\, das verschiedene Formen der Heilung in den Bereichen von sich wiederholender Geschichte\, von Krieg\, Völkermord und vom Leben in der Diaspora erforscht. Nach intensiven\, gemeinsam erlebten Wochen des Teilens\, des Austauschs und des Lernens tragen mehr als 20 Menschen aus sechs Ländern gemeinsam zu einem multimedialen und analogen Erlebnis bei\, in dem zutiefst menschliche Geschichten erzählt werden. \nUN:IMAGINABLE wird produziert von Oyoun Berlin\, Mashirika Performing Arts and Media Company Rwanda und Sarajevo War Theatre Bosnia-Herzegovina. \nGefördert im Fonds TURN2 der Kulturstiftung des Bundes. Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien sowie der Heinrich-Böll-Stiftung. \n18:00 h: Empfang (Café)\n19:30 h: Weltpremiere und Einführung mit ShaNon Bobinger (Halle\, 2. Stock) \nSprache: Englisch  \nKonzept\, Regie\, Text: Hope Azeda\nKonzept\, Komposition: Konstantin Dupelius\nKonzept\, Komposition\, Text: Nedim Zlatar\nText: Benjamin Bajramović\, Tete Loeper\nKostüme: Justine Loddenkemper\nDramaturgie & Skript: Emina Omerović \nPerformance: Benjamin Bajramović\, Snežana Bogićević\, Konstantin Dupelius\, Peace Jolis\, Moise Mutangana\, Jihadi Niyonkuru\, Leonardo Šarić\, Donia Sbika\, Adolatha Uwineza\, Nedim Zlatar \nWorkshops\, Digital Library: Yves Mdagano\, Francois Byemba\, Marc Ngabo\, Arthur Kisitu\, Landry Nguetsa\, Yannick Ndoli:  \nProduktionsmanagement: Ihisa Theresa Adelio\nProduktionsassistenz: Innocent Munyeshuri\nFundraising: Nina Martin\, Sophia Schmidt \nKuration: Louna Sbou \nCollage: Duduetsang Lamola (@blk.banaana) \nDas Diskursprogramm zu UN:IMAGINABLE und alle weiteren Aufführungstermine finden sich hier \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behaviour. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who is there to help! If you want to share an experience with us after an event\, please write us an email > awareness@oyoun.de or send us an anonymous message via our website.
URL:https://oyoun.de/event/unimaginable/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2022/05/6.jpg
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END:VCALENDAR