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DTSTART;TZID=Europe/Berlin:20210819T200000
DTEND;TZID=Europe/Berlin:20210819T210000
DTSTAMP:20260410T213530
CREATED:20210816T095750Z
LAST-MODIFIED:20210819T155709Z
UID:17129-1629403200-1629406800@oyoun.de
SUMMARY:AFTER CARGO AND MALARIA | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nPERFORMANCE\nAFTER CARGO AND MALARIA — RIZKI LAZUARDI & GERSHON MUSA KAIGERE\n→ Performance / 60 min / english \nA juxtaposition of a colonial healthcare mission and West Papuan cargo cult. \nRizki Lazuardi works mainly with moving image and expanded cinema. Center to his artistic practice is subjects related to institutionalized information. Many of his works deal with state censorship\, neglected archives\, and speculative histories. Lazuardi studied media arts and film at the Hochschule für bildende Künste Hamburg. His works and programs have been presented in many festivals\, institutions\, and off spaces\, among others\, IFFR Rotterdam\, Klubvizija Zagreb\, Image Forum Tokyo\, and Yamaguchi Contemporary Art and Media. Lazuardi is a program consultant for Berlinale Forum 2021. After Cargo and Malaria is developed as a part of the research of Rizki Lazuardi at the Netherlands Institute for Sound and Vision\, Hilversum. Together with Gershon Musa Kaigere\, Lazuardi explored the catalogue of Nieuw Guinea Kroniek. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-after-cargo-and-malaria/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-3-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210819T150000
DTEND;TZID=Europe/Berlin:20210819T170000
DTSTAMP:20260410T213530
CREATED:20210816T095424Z
LAST-MODIFIED:20210819T155710Z
UID:17125-1629385200-1629392400@oyoun.de
SUMMARY:DARE TO BE CONSCIOUS | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE CONSCIOUS\nHOW FAR I’LL GO (​​2019) — ACU AGUSTIN\n→ Short Documentary / 25 min / english subtitles \n"Two visually impaired childhood friends\, Andrea and Salsabila\, who are now teenage girls\, living with their blindness in two different places— USA and Indonesia. At five years of age\, Andrea’s family moved with her from Jakarta to Virginia\, in the U.S. while Salsabila remained in Jakarta. Despite the distance\, the friendship continues. With adulthood waiting around the corner\, the two girls strive to be independent and seek strength in their childhood friendship as they prepare for adult life in two different world." \nUcu Agustin is a writer\, was a journalist and documentary filmmaker now based in Washington D.C\, USA\, and Jakarta\, Indonesia. Over ten years\, Ucu has made dozens of well known documentaries in Indonesia and consistently making film about women and democracy\, exploring injustices perpetrated against society’s weakest members\, and how they fight back: from victims of medical malpractice in Conspiracy of Silence (2010\, 78 min)\, to women driven into illegal prostitution by poverty in Ragat’e Anak/Fortune for My Children (2008\, 26 min)\, and journalists fighting for their right to unionize and to report news according their own moral compass\, rather than according to the political interest of the owners of the media\, in Behind the Frequency (2013\, 115 min). Her films have been screened at the Berlinale Film Festival\, the International Documentary Festival Amsterdam (IDFA)\, Terres Des Femmes\, Vesoul Film Festival\, Cinema Novo and many other international film festivals worldwide. \nTAK ADA YANG GILA DI KOTA INI (2019) — WREGAS BHANUTEJA\n→ Short Film / 20 min / english subtitles \nThis is a holiday season. The Boss of the big hotel gives an order to Marwan and his team to remove the mentally ill people from the city streets and cast them away to the forests so they won't disturb the tourists. Instead of leaving them dying in the forests\, Marwan has another plan. \nWregas Bhanuteja was born in Jakarta on 20 October 1992. He grew up in Yogyakarta and went to Jakarta Institute of Arts with film directing major. His short film Lembusura (2014) was selected in 65th Berlin International Film Festival 2015. One of his short\, Prenjak / In The Year of Monkey (2016) won Leica Cine Discovery Prize as Best Short Film in Semaine de la Critique\, Cannes Film Festival 2016. In 2018 he joined Torino Film Lab to develop his first feature film. His latest short film\, Tak Ada yang Gila di Kota Ini (No One is Crazy in This Town) selected in Busan International Film Festival 2019\, Internationale Kurzfilmtage Winterthur 2019\, Singapore International Film Festival 2019\, Sundance Film Festival 2020\, Clermont-Ferrand International Short Film Festival 2020\, and Locarno Film Festival 2020. \nMOTHER EARTH (2020) — CHAIRUN NISSA\n→ Short Documentary / 23 min / english subtitles \nBagus (20 year-old)\, a farmer who lives in the fertile area of the Kendeng Mountains\, Central Java\, is anxious about the environmental damage that has occurred in his residence. Together with his punk band called Kendeng Squad\, Bagus voiced this anxiety. He made a video clip “Berani Bertani” to record the sounds of nature and the destruction that occurs. Bagus hopes the music can be an inspiration for the younger generation to keep protecting nature. \nChairun Nissa (Ilun) has directed a number of fiction films and documentaries with various issues. Since 2015\, with Sedap Films\, the production house she founded with her two colleagues\, Wini Angraeni and Sastha Sunu\, she has produced innovative and inclusive works that make film not only an art form\, but also capable of inspiring and driving change. Two of his documentaries released in 2020 are titled “Semes7a” and “Mother Earth”. \nDIARY OF CATTLE (2019)— LIDIA AFRILITA & DAVID DARMADI \n→ Short Documentary / 17 min / english subtitles \nEvery morning hundreds of cows are herded to a landfill site. They make it their home; they eat\, nap\, play\, and mate here while having to keep themselves safe from the excavators and bulldozers that plow around the site. If not careful\, a cow might lose its life here\, killed by the heavy machines or trapped under tons of trash. Despite all the risks\, this practice has been around for many years as their owners save the trouble of looking for pasture and instead rely on human food waste to feed them. While some cows are lucky enough to have a barn to return to in the afternoon\, some have to spend the night here because the owner lives far away from the site. Regardless\, all these rubbish-eating cows will share the same destiny under the butcher’s knife. \nDavid Darmadi is a filmmaker currently based in Padang\, West Sumatera. His work has screened at international festivals such as Europe On Screen\, OK.Video Jakarta International Video Festival\, Documentary Film Festival Jogjakarta\, Australia\, ReelOzInd Australia\, Indonesia Short Film Competition and Festival\, ARKIPEL – Jakarta International Documentary and Experimental Film Festival\, Images Festival Toronto\, and Aarhus Kunstbygning Center Denmark. Currently he is managing his project called Ingatan Visual\, which is an initiative that documents the daily life of people in West Sumatera. His current project was pitched at Good Pitch Indonesia\, and developed at AsiaDOC\, and American Film Showcase. \nLidia Afrilita is an Indonesian filmmaker with Linguistics background. Her film Diary of Cattle won at IF/Then Short pitching competition in 2018 and won best short documentary at Indonesian Film Festival\, NETPAC Jogja\, Festival Internacional de Cine Medioambiental de Canarias\, and student award at Cinematerre in France. She is now running an initiative archival project Ingatan Visual\, recording daily life of people in West Sumatera\, Indonesia. Currently\, she is working on her next short documentary which was pitched at Good Pitch Indonesia\, and developed at AsiaDOC\, and American Film Showcase. \nONE OF THOSE MURDER (2019) — JERRY HADIPROJO\n→ Short Film / 10 min / english subtitles \nTwo janitors found a body of a dead woman. But in this digital age\, priority flexed. \nJerry has been making home videos since he was 7 years old. In high school\, exposure to American independent cinema makes him want to be a film director. Unfortunately\, his parents won't let him go to film school\, so he learned Information System instead. After graduating\, he went on to worked for some digital media companies\, where he would write\, produce\, and direct some digital web series. Finally in 2018\, he founded Gambar Gerak\, a production company with a sole focus to produce short and feature film. One of Those Murder is his first short film under this banner. His second short film\, pinangan / a proposal\, finished production in early 2020 but is yet to be released. \nSUNRISE IN THE FOREST (2019)— SAMUEL RUBY\n→ Short Film / 17 mins / english subtitles \nA quiet hamlet in the backwoods of West Java\, a boy is left curious by the death of his father. One day\, he meets a forest spirit whom he thinks may know where his father is. \nSamuel Ruby is an Indonesian-born director and editor based in Singapore. His short films have been previously screened in Indonesia\, Singapore\, South Korea and the United States. Mostly\, he writes about surreality of life and the meaning of human existence. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-conscious/2021-08-19/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T200000
DTEND;TZID=Europe/Berlin:20210818T210000
DTSTAMP:20260410T213530
CREATED:20210816T093726Z
LAST-MODIFIED:20210819T155710Z
UID:17113-1629316800-1629320400@oyoun.de
SUMMARY:OUT ON THE TOWN |  KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nOUT ON THE TOWN\nOUT ON THE TOWN — KELVIN ATMADIBRATA \n→ Performance / 60 min / english \nA performance-installation that invites the audience to a deconstructed scene of a theatrical script. The stage is occupied\, almost in complete silence by minimal set and three actors seeking attention from masculine intimacy. \nKelvin Atmadibrata (b.1988\, Jakarta\, Indonesia) recruits superpowers awakened by puberty and adolescent fantasy. Equipped by shōnen characters\, kōhai hierarchy and macho ero-kawaii\, he often personifies power and strength into partially canon and fan fiction antiheroes to contest the masculine meta and erotica of Southeast Asia. \nHe works primarily with performances\, often accompanied by and translated into drawings\, mixed media collages and objects compiled as installations. Approached as bricolages\, Kelvin translates narratives and recreates personifications based on RPGs (Role-playing video games) theories and pop mythologies. As an expansion of his post graduate study\, he is developing the language of queer abstraction and minimalist erotica in his illustration of the mecha and transhumanist fantasy. \nAs an apprentice tattooist\, he has also been experimenting on the process of image markings on skin as a continuation of his attraction to living sculptures\, breathing mannequins and bodies as pedestals. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-out-on-the-town/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-5-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T170000
DTEND;TZID=Europe/Berlin:20210818T190000
DTSTAMP:20260410T213530
CREATED:20210816T092616Z
LAST-MODIFIED:20210819T155710Z
UID:17109-1629306000-1629313200@oyoun.de
SUMMARY:DARE TO BE EQUAL | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE EQUAL\nRISING FROM SILENCE (​​2016) — SHALAHUDDIN SIREGAR\n→ Short Documentary / 29 min / english subtitles \nA choir sings back songs made from within the prison and songs long forgotten. These songs are the hope\, for a story that has been silenced for more than fifty years to get its voice back. \nSalahuddin Siregar made his first documentary work at the 2005 Eagle Award workshop organized by In-Docs and the national news television channel MetroTV. This experience led him to participate in various other documentary film workshops\, including the 2009 Doc Station Berlinale Talent Campus in Germany. In this activity\, he presented the project which later became his first feature-length documentary entitled Negeri di Bawah Kabut. His work has earned him several prestigious awards\, including Best Debut Documentary at the 2013 Almaty International Film Festival and the Special Jury Prize MUHR Asia Africa Documentary at the 2011 Dubai International Film Festival. \nMINOR (2019) — VENA BESTA KLAUDINA & TAKZIYATUN NUFUS\n→ Short Documentary / 36 min / english subtitles \nVena is a Catholic. She lives in a predominantly Muslim neighborhood in Aceh\, Indonesia. Vena likes to wear hijab in her daily life and has many friends who are Muslim. However\, how can she continue to live as herself and adapt as a minority in a Muslim majority environment. Family factors also influence her life. \nVena Besta Klaudina\, Born in Magelang\, 28 September 1996. Recently graduated from Syiah Kuala University\, Banda Aceh. Vena now lives with her parents in Sabang City. Involved as an actress in one of the short films entitled Replika Pulau Rubiah produced by VIU. Minor is his first documentary. \nTakziyah Nufus\, Born 1995\, graduated with a bachelor's degree from UIN Ar-Raniry majoring in Islamic Broadcasting Communication (KPI). Nufus and her friends also founded a film community called KOPIAH (Anneuk Aceh Film Community). In addition\, Nufus has been involved in several film productions with Aceh filmmakers\, one of which is the production of a short film with VIU and became a director for the first time in a documentary entitled "MINOR".a documentary entitled "MINOR". a documentary entitled "MINOR". \nA DAUGHTER'S MEMORY (2019) — KARTIKA PRATIWI\n→ Short Animation / 10 min / english subtitles \nThrough Svetlana’s narratives\, Njoto\, who is remembered in Indonesia’s history as a PKI leader\, became another figure – a patient father who taught his daughter how to use the typewriter\, for example. But Svetlana’s narrative does not spare the details of the horror that happened in 1965 and 1966. She recalls her experience of being detained in a jail along with her mother and other siblings. She remembers seeing victims of brutal interrogation techniques being dragged back to their cells covered in blood on a daily basis. Svetlana was often instructed to clean up the interrogation room in the morning when it was not in use. Here she saw traces of torture\, such as the stingray tail and the floor covered with blood. \nKartika Pratiwi is a long time independent researcher with an interest in narrative discourse on the mass violence in Indonesia\, oral history\, and human rights issues\, and accomplished media activist with 12 years’ experience in the use of video\, digital story\, collective memory and alternative media for social change. She has been a part of kotakhitam Forum for 12 years and was part of EngageMedia for more than 3 years\, independent organizations focus on research\, workshops\, digital security\, documentary video project and impact production. \nPratiwi currently develop my project "(Re)writing Indonesian Mass Killings of 1965 in the Digital Age". It was started during a fellowship year at Alliance of Historical Dialogue and Accountability at Columbia University in the City of New York - which will be creating an interactive digital platform about the facts related with the Indonesian past violence through materials such as collection of stories and memories of survivors\, archival documents and digital cartography. She is now also working full-time at Asia Justice and Rights\, a regional human rights organisation focus on building just and accountable societies free from impunity." \nRONG (2019) — INDIRA IMAN\n→ Short Film/ 13 min / english subtitles \nA woman walks home alone and got harassed by a man. Things take an unexpected turn when the hunter suddenly becomes the hunted. \nIndira Iman is an Indonesian film director and writer. She's pursuing her BA in Jakarta Institute of Arts' Faculty of Film and Television\, and is an alumna of Bucheon International Fantastic Film Festival (BIFAN) Fantastic Film School. Indira's works have been screened in numerous local and international film festivals. Most recently\, her student short horror Rong won the Air Canada Best Short Film Award at the 24th Toronto Reel Asian film festival and Best Fantastic Women Short Film at Sao Paulo's 11th Cinefantasy film festival. Currently\, she’s working on her thesis film. \nMENJADI DARA (BECOMING GIRL) (2019) — SARAH ADILAH\n→ Short Film/ 9 min / english subtitles \nAnto and Budi must take a responsibility how it feels becoming a girl name Dara who experienced her first menstruation. \nSarah Adilah was born and raised in Palu. Her film career began with short film “Cermin” nominated as best student short film Apresiasi Film Indonesia 2015\, “Neraka di Telapak Kaki” nominated as best short documentary Film Festival Indonesia 2018\, Gula and Pasir (Sandy Sugar) screened at World Cinema Amsterdam 2019\, Menjadi Dara (Becoming Girl) won best short film UCIFEST 2019 and special mention award by Viddsee Award Indonesia 2019. In 2020\, her script "Tour de Serpong" selected and funded by Europe On Screen Pitching Forum. She currently produce documentary Hidup Dengan Bencana (Living On Top of The Fault) funded project by In-Docs: Good Pitch Indonesia and soon will be finished in 2021. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/dare-to-be-equal-kaum-indonesian-alternative-film-performance-festival/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-4-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T150000
DTEND;TZID=Europe/Berlin:20210818T170000
DTSTAMP:20260410T213530
CREATED:20210803T135109Z
LAST-MODIFIED:20210819T155710Z
UID:17003-1629298800-1629306000@oyoun.de
SUMMARY:DARE TO BE ONESELF  | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE ONESELF\nKADO (​​2018) — ADITYA AHMAD\n→ Short Film / 15 min / english subtitles \nIsfi can wear her comfortable pants among her guy friends but has to wear hijab to be accepted at Nita’s house. Two days to Nita’s birthday\, all Isfi wants is to prepare the best giftin Nita’s room.  \nAditya Ahmad\, born in Makassar(May 29th 1989) has his short SEPATU BARU recognized as Special Mention in 64th Berlin International Film Festival. He then participated the Asian Film Academy (19th Busan InternationalFilmFestival)andtheBerlinaleTalentCampus2015.Aditya alsoworkedas2ndAssistantDirectoronafewfeaturesbyMilesFilms. \nGOLDEN FRAMES IN THE CLOSET (2019) — PUTRI SARAH AMELIA\n→ Short Film / 16 min / english subtitles \nA mortuary cosmetologist has to face a dilemma when she receives a call from a mother who had lost her child. \nPutri Sarah Amelia is a lecturer and film director based in South Tangerang\, Indonesia. She studied film directing at Jakarta Institute of Art (IKJ) and finished her master's degree in Urban Arts and Cultural Industries IKJ. She began her career as an editor or assistant director in short films\, featured length films\, and TV Commercials with many production houses. Although she is now a full-time lecturer\, she continues to direct music videos and short films.​ In 2020\, her latest short film\, GOLDEN FRAMES IN THE CLOSET was officially selected and screening at the Short Shorts Film Festival & Asia 2020 in Asia International & Japan program. The film competed at Bali International Short Film Festival - Minikino Film Week 6 and won National Jury Competition Award 2020. The film also competed at Festival Film Indonesia 2020 and won Best Short Film Award 2020. \n50:50 (FIFTY FIFTY) (2019) — ROFIE NUR FAUZIE\n→ Short Documentary / 24 min / english subtitles \nSome people are afraid of getting old\, women are afraid of losing their beauty\, men are afraid of losing their strength\, and both are afraid to face other things after old age. So what does Dona feel? an elderly transvestite who is embodying the combination of the two. This film shows the reality of Dona's life in living her old age as a transvestite in a shelter house. \nRofie Fauzie is a young director who has worked on documentaries with the theme of humanity. The director whose full name is Rofie Nur Fauzie was born in Kuningan\, April 11\, 1998. He has completed his studies at the Indonesian Cultural Arts Institute (ISBI) Bandung in 2019. Being in the world of cinema since 2015 has made Rofie start to love documentary films\, especially biographical documentaries with humanity as main focus. He caught his attention on the film 50:50 (fifty – fifty)\, a film that tells about the life of an elderly transgender who lives together in a shelter house. Some of the film titles he has produced include ASIH (documentary\, 2017)\, Anak Pisang (documentary\, 2017)\, Jatukrami (docu-drama\, 2018)\, and 50:50 (documentary\, 2019). \nEMAK DARI JAMBI (2015) — ANGGUN PRADESHA\n→ Short Documentary / 38 min / english subtitles \nA Project Change documentary funded by the Ford Foundation\, "Emak dari Jambi" (literally "Mother from Jambi") is a documentary about Anggun Pradesha's personal experience and exploration. This documentary also offers us Kurtini's (Anggun's mother) views on her child's struggle to a greater social acceptance. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-oneself/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-5-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T180000
DTEND;TZID=Europe/Berlin:20210817T220000
DTSTAMP:20260410T213530
CREATED:20210803T133146Z
LAST-MODIFIED:20210819T155710Z
UID:16998-1629223200-1629237600@oyoun.de
SUMMARY:OPENING CEREMONY |  KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nOPENING CEREMONY\nOPENING CEREMONY (18:00 – 18:30) \nYOU AND I (2020)— FANNY CHOTIMAH (18:30 – 20:00)\n→ Opening Film / Feature Documentary / 76 min / english subtitles \nKaminah and Kusdalini\,
 former Indonesian political detainees\, meet in prison and then inseparable for more than half of a century. Despite life’s vicissitudes\, they show the beauty of growing old which comes with consequences. \nFanny Chotimah was born in Bandung and is currently living in Solo\, East Java. She works as a freelance writer. Some of her works were published in local and national newspapers and included in some of the Anthology books. She involves in literary\, women issues\, and film community. “You and I” is her directorial debut. \n\nTARING PADI (X) SOYDIVISION FEAT J MOOG PRIBADI (21:00 – 22:00)\n→ Performance / 60 min / english \nTaring Padi was founded by students\, art workers and pro-democracy activists on December 21\, 1998 in Yogyakarta - Indonesia under the formal name of Taring Padi People’s Cultural Institute. This movement was galvanized by the political struggles during Indonesian Reformasi. In 2003\, Taring Padi became an open\, voluntary\, emancipatory and participatory collective. The group uses art and people’s culture as tools for advocating human rights\, gender equity\, democracy\, social justice\, environmental sustainability and solidarity without boundaries.  \nSoydivision is a performing art collective consisting of Berlin-based Indonesians\, positioning itself in the intersection of art and activism. As a registered UG\, Soydivision curated performances\, organized workshops\, culinary art activities\, film screening\, and discussion sessions. Their diasporic point of views offer an alternative approach to contemporary challenges through art\, inviting a new kind of dialogues and engagement \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-opening-ceremony/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/kaum-indonesian-alternative-performance-and-film-festival-soydivision.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T180000
DTEND;TZID=Europe/Berlin:20210817T200000
DTSTAMP:20260410T213530
CREATED:20210816T094509Z
LAST-MODIFIED:20210819T155710Z
UID:17118-1629223200-1629230400@oyoun.de
SUMMARY:CAN YOU HELP ME FIND … AROUND HERE? | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nPERFORMANCE \nCAN YOU HELP ME FIND … AROUND HERE?— RATU R. SARASWATI\n→ Special participatory performance/120 min / english\n↗ Volkspark Hasenheide (18:00 – 20:00) (Map↗) \nThere is a particular thing in nature\, be it a specific plant\, insect\, or animal that can bring us back to a certain memory in our live that we hold dear. \nSaraswati (ID) examines the nature of human aggression and reparation. In her practice\, she attempts to find an equilibrium by actively sensing and anticipating within the frame of performativity. In the process\, she investigates collective resolutions to heal psychological wounds through attunement with other living beings in the landscape she inhabits. While inviting the interpersonal values of art\, she thoroughly observes the archive of the everyday by unfolding the intersection of personal experience and collective narratives amid today’s increasing intolerance. \n→ REGISTRATION \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-can-you-help-me-find-around-here/2021-08-17/
LOCATION:Volkspark Hasenheide\, Berlin\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T130000
DTEND;TZID=Europe/Berlin:20210817T150000
DTSTAMP:20260410T213530
CREATED:20210803T115528Z
LAST-MODIFIED:20210921T151311Z
UID:16986-1629205200-1629212400@oyoun.de
SUMMARY:DARE TO BE EAST | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE EAST \nLUKA BETA RASA (2020) — AMANDA VALANI\n→ Short Documentary / 35 min / english subtitles \nThe war that took place in Ambon\, Indonesia (1999) was not yet fully over. Thousands of children under the age of 10-15 years were forced into conflict. Not a few children involved in the war eventually grew up without assistance. Growing up struggling with post-conflict trauma and seeking peace in their own way. Now they have become adults without having any education or training. Some of them rely on violence to earn money. 20 years after the Ambon conflict broke out\, how did the former combatants who used to be involved survive and get out of extremism? \nAmanda Valani is the Head of Signature Content of Narasi. She produces a range of edutainment and news content including documentary with various social issues and approach. Amanda received a Master of Arts in Screen Documentary from Goldsmiths University of London\, UK. She also has received a number of awards for her journalistic works over the years\, including The London Human Rights Watch Film Festival for her own individual documentary that focused on gender issue in 2014. \nBOATS (2016) — YANNICK KAFTAN\n→ Short Documentary / 14 min / english subtitles \nWangi-Wangi Island\, Wakatobi. Two boats. Fishermen from the Bajo village Mola follow their daily business. On this day they are stuck in the middle of the sea. The sun is blazing. The motor needs to be fixed. Who can help out? On another boat\, two women on their way to the market delivering fish. BOATS was produced in 2016 as a part of the film exchange project 5 Islands/ 5 Villages funded and organized by the Goethe-Institute Jakarta. \nYannick Kaftan was born 1990 in Munich. Yannick studied film under the guidance of Prof. Pepe Danquart and Prof. Bernd Schoch at the HFBK University of Fine Arts in Hamburg. In 2020 he finished his studies with the graduation film Douglas\, a portrait of a Californian truck driver. Yannick lives and works in Hamburg. \nKITORANG BASUDARA (2015) — NINNDI RARAS\n→ Short Film / 30 min / english subtitles \nA story of how hard it is for Papuan students to find living spaces because their dorms are fully occupied. \nNinndi Raras is a director and producer at Studio Aduhai\, a production house based in Yogyakarta. Ninndi started making films when she joined the 56 Films community in Yogyakarta which was founded by the Yosep Anggi Noen and BW Purbanegara (film director). The first short film “Rahasia” was selected at the 2011 Indonesian Film Festival. His second short film “Gula-Gula Usia” was selected for the Jogja NETPAC Asian Film Festival 2014. This film won Best Short Film Chennai International Film Festival\, India 2015. Her third film “Kitorang Basudara” was selected at the 2015 Jogja NETPAC Asian Film Festival and nominated for the best short film award at the 2019 2011 Indonesian Film Festival. His fourth film\, “Signs Of The Season” was also selected in the 2017 Jogja NETPAC Asian Film Festival and won the best film at the 2018 Australia Indonesia Cinema Festival. Her latest film\, Elinah\, was the official selection for the 2019 Amsterdam International Film Festival and the 2019 Cambodia International Film Festival. Elinah was also nominated for the best short film award at the 2019 Singapore International Film Festival. Ninndi has also been a film judge at the Kompas Gramedia Film Festival\, University of Indonesia Film Festival\, and the Puskat Film Festival. \nBENJAMIN'S WHISTLE (2000) — ARYO DANUSIRI\n→ Short Film / 13 min / english subtitles \nBenjamin loves the whistle sound and wannt be the market patron. Between admiration and hatred he deals with his own feeling by writing a letter to God.  \nAryo Danusiri assistant professor of anthropology at the University of Indonesia\, is a video artist and anthropologist active in Indonesia. An affiliate of the Sensory Ethnography Lab\, he holds a Ph.D. in Social Anthropology with Critical Media Practice from Harvard. His artistic works have been exploring the circulations of new keywords\, violence\, and memory in reconfiguring the political and social landscape of post-authoritarian Indonesian 1998. Those works have premiered at various festivals\, including Rotterdam\, Amnesty Amsterdam\, and Yamagata's “New Asia Current.” His first feature-length documentary\, Playing Between Elephants\, was awarded “Movies That Matters for Best Human Rights Film” at Jakarta International Film Festival 2007 and “Best Documentary” at Brussels Independent IFF. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-east/2021-08-17/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-3-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210808T140000
DTEND;TZID=Europe/Berlin:20210808T233000
DTSTAMP:20260410T213530
CREATED:20210730T072054Z
LAST-MODIFIED:20211102T135854Z
UID:16959-1628431200-1628465400@oyoun.de
SUMMARY:THE CREAMY KIKI BALL
DESCRIPTION:Eros Marciano presents: THE CREAMY KIKI BALL \nIt's a quite spontaneous event\, so the theme is something easy! You can choose between the colours: brown\, beige and white. You can decide whether you want to mix all three\, just two or go with just one colour. Shoes and accessories don't count. All categories will be OTA.\nWe will have a garden\, a bar/bistro for drinks and food and a little hangout after the ball. \n➤ Doors open @ 14:00 pm\n➤ LSS / Roll Call @ 15:30 pm\n➤ After the Kiki we can stay in the bar for drinks\, food and music \n- MC: Father Elijah Tea\n- DJ: Ceekay Juicy \nJudges:\nBree Angels\nMandhla 007\nEuropean Prince Romeo Louboutin\nZaniah Marciano\nFounding Father Ray Salem \n\nCATEGORIES (IN ORDER):\nFace  \nBeginner Runway  \nBeginner Performance  \nPosing  \nSexy Performance  \nAll American Runway  \nTag Team 1 Sex Siren 1 Body for 100€  \n- BREAK - \nEuropean Runway  \nTag Team Realness  \nFashion Killer  \nArms vs Hands  \nRunway with a Twist  \nTag Team Performance for 100€ \n--- \n> Facebook Event \n--- \n\nEintritt / Entrance fee -\nNo Registration needed! We have a limited amount of tickets - first come first serve. Priority entrance for participants and ballroom members.\n➡︎ Participants: 8€\n➡︎ Spectators: 13€\nFor the tickets you‘ll need cash  \n--- \nPlease note:  \nAT THE ENTRANCE\, YOU WOULD HAVE TO SHOW EITHER A PROOF OF YOUR NEGATIVE COVID TEST (DONE THE SAME DAY)\, A RECOVERY PROOF OR YOUR VACCINATION PROOF. WITHOUT THESE DOCUMENTS YOU WILL NOT BE ENTERING THE BUILDING. DON'T FORGET YOUR MASKS. \nThere will be a film/photo crew attending the event to create short videos and take photos that will be used for promo purposes by Oyoun and the organiser. They will only film/photograph people that want to be filmed/photographed\, if you are interested listen out for information during the event about how to be a part of it.
URL:https://oyoun.de/event/the-creamy-kiki-ball-2/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/02/oyoun-default-pic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210731T173000
DTEND;TZID=Europe/Berlin:20210731T210000
DTSTAMP:20260410T213530
CREATED:20210624T122724Z
LAST-MODIFIED:20220404T092951Z
UID:16839-1627752600-1627765200@oyoun.de
SUMMARY:Sonic In(ter)ventions | Out of Time Embassy
DESCRIPTION:Sonic In(ter)ventions is a jam session. As cultural workers responding to the times with community building\, Out of Time Embassy (OOTE) consciously meld together sound and healing to form sessions of high-energy improvisation. Spaces are reimagined as interactive meditation sites for historical excavation\, archival protest\, and creative processing. Open and free artistic expressions are cultivated with an intention of decentralizing and celebrating the knowledge production process through action based art forms such as dance and music. \nOOTE is a collective that emerged out of a pure necessity to create and build community. It is a multicultural group of curators producing conversation and curiosity about art and culture and civic engagement\, meditating on local and global impacts of cultural work. OOTE embodies an international unity for seemingly disparate worlds\, building bridges and creating safe(r) spaces for expression to be cultivated and nurtured. Together\, we produce outdoor concerts such as Sonic In(ter)ventions\, a weekly ritual\, which organically curated itself in the wake of the BLM protest and amidst the global pandemic.  \n5-10€ \nTickets/Donations can be acquired via Eventbrite or on the door. We want to remain accessible\, so we invite you to come and pay what you can. We have some Solidarity Tickets for those who can not afford it. We kindly ask you to be honest with yourself. \nDoors open 5:30pm and we will play until 9pm. \nMore details on instagram: @outoftimeembassy 
URL:https://oyoun.de/event/sonic-interventions/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/out-of-time-embassy-oote.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210722T190000
DTEND;TZID=Europe/Berlin:20210722T210000
DTSTAMP:20260410T213530
CREATED:20210708T143830Z
LAST-MODIFIED:20211102T140020Z
UID:16873-1626980400-1626987600@oyoun.de
SUMMARY:*Ausverkauft* Lesung mit Şeyda Kurt: Radikale Zärtlichkeit – Warum Liebe politisch ist
DESCRIPTION:Radikale Zärtlichkeit – Warum Liebe politisch ist ist am 20. April 2021 bei HarperCollins Germany erschienen. \nWhat is love? Ist die Liebe Sinn des Lebens\, eine politische Allianz\, Illusion oder Selbstzweck? Oder ist sie gar unmöglich\, weil wir uns zwischen Zukunftsängsten\, überhöhten Ansprüchen und diskriminierenden Strukturen völlig zerreiben?  \nDiesen Fragen geht die Autor*in Şeyda Kurt in ihrem Buch Radikale Zärtlichkeit nach. An diesem Abend liest Şeyda Kurt nicht nur aus ihrem Buch\, sondern auch aus Texten\, die sie inspiriert haben\, und spricht mit Fatima Khan über die Liebe in all ihren Facetten.  \nDie Autorin: \nŞeyda Kurt\, geboren 1992 in Köln\, studierte Philosophie\, Romanistik und Kulturjournalismus in Köln\, Bordeaux und Berlin und ist Journalist*in und Moderator*in. Radikale Zärtlichkeit ist ihr erstes Buch\, sorgte bereits nach Erscheinen für viel Aufsehen und steht seit Wochen auf der Bestsellerliste.  \nDie Moderatorin: \nFatima Khan\, 1987 in Bhola geboren\, in Köln aufgewachsen\, ist Künstlerin\, Kuratorin und Moderatorin. Sie studierte Antike Sprachen und Kulturen\, Klassische Literaturwissenschaft und Germanistik an der Universität zu Köln. \nDer HarperCollins Verlag lädt zur Lesung mit der Autorin Şeyda Kurt ein. \nTickets erhältlich bei  Eventbrite. \n*Melde dich unter hallo@oyoun.de falls du geringfügiges bzw. kein Einkommen hast und das Ticket nicht erwerben kannst aber trotzdem teilnehmen möchtest!
URL:https://oyoun.de/event/seyda-kurt-radikale-zaertlichkeit/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Lesung,Texte / Texts
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/seyda-kurt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210710
DTEND;VALUE=DATE:20210711
DTSTAMP:20260410T213530
CREATED:20210624T133835Z
LAST-MODIFIED:20210624T133927Z
UID:16828-1625875200-1625961599@oyoun.de
SUMMARY:Brown Skin Mermaids
DESCRIPTION:Am Samstag den 10. Juli 2021 zieht es Brown Skin Mermaids noch einmal in die Hauptstadt! 🚀🎈🧸📚  Im Kulturzentrum Oyoun wartet ein empowernder Nachmittag auf Schwarze Mädchen im Alter von 5 - 10 Jahren. Für Details und Anmeldungen schreibe eine email an: mermaid@brownskinmermaids.de und sichere einen limierten Platz. \n--- \nOn Saturday\, July 10th Brown Skin Mermaids will return to the captial for a special afternoon at Oyoun 🚀🎈🧸📚 As always\, this event is exclusively for Black Girls (between 5 and 10 years of age) and the spots are limited. For more details and registration please send an email to: mermaid@brownskinmermaids.de\n#BrownSkinMermaidsClub
URL:https://oyoun.de/event/brown-skin-mermaids/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Kinder + Jugend / Kids + Youth
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/06/brown-skin-mermaids.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210629T160000
DTEND;TZID=Europe/Berlin:20210629T190000
DTSTAMP:20260410T213530
CREATED:20210602T125106Z
LAST-MODIFIED:20210603T155417Z
UID:16718-1624982400-1624993200@oyoun.de
SUMMARY:Exilio\, migración y memoria. | Exil\, Migration und Erinnerung.
DESCRIPTION:Exilio\, migración y memoria. \n¿Tienes algún familiar alemán antifascista que se exilió a Latinoamérica entre 1933 y 1945?¿Volviste a las raíces? ¿Con qué te encontraste cuando regresaste a lo que fue tu país de origen? \nComo parte del proyecto “Jetztzeit - Lebenserinnerungen zur Migration” se realizará unos encuentros de familiares de exiliados que en la actualidad retornaron a vivir a Alemania. \nEl objetivo general de estos encuentros es crear espacios de reflexión\, de confianza mutua y de participación\, en los que la voz de los inmigrantes pueda ser transmitida y comprendida por otros miembros de la comunidad. Así\, estas reuniones representan un ejercicio de memoria colectiva y la experiencia personal de la migración se transforma de problemática individual a colectiva dentro de la comunidad. \nEn el primer encuentro nos haremos preguntas como ¿quiénes fueron aquellos familiares y qué sabemos acerca de su exilio en Latinoamérica? ¿Por qué decidimos retornar a Alemania? ¿Cómo es nuestra experiencia actual como migrantes? Nos ayudarán para crear un espacio seguro en donde compartir y conocer otras personas que tienen historias similares. \nEn el segundo encuentro trabajaremos en una cartografía de la memoria colectiva a partir del uso archivos\, fotos\, collage\, dibujos\, poemas. Estos medios los usaremos en el presente para visualizar migraciones\, territorios y memorias que se viven individualmente\, pero al mismo tiempo son colectivas y se las puede encontrar nuevos sentidos desde nuestro presente. \n\nEl workshop será dado en alemán y español.\nLos dos encuentros serán presenciales y en un espacio al aire libre. En caso que llueva se realizará en una sala.\nSe puede participar de uno o de ambos encuentros.\nSolicitamos previa inscripción debido a que tenemos un cupo limitado.\n\nLos encuentros buscan ser un espacio seguro donde podemos expresarnos además de motivar a quien desea poder trabajar con sus archivos en un proyecto artístico o cultural en Berlín.\nQuienes deseen participar puede comunicarse a info.jetztzeit@gmail.com \n\n------- \nExil\, Migration und Erinnerung. \nHast du deutsche antifaschistische Familienangehörige\, die zwischen 1933 und 1945 ins lateinamerikanische Exil gingen? Bist du zu den Wurzeln zurückgekehrt? Was hast du vorgefunden\, als du in das Herkunftsland zurückgekommen bist? \nIm Rahmen des Projekts "Jetztzeit - Lebenserinnerungen zur Migration" findet eine Begegnung von Angehörigen von Vertriebenen statt\, die heute wieder in Deutschland leben. \nDas generelle Ziel dieser Begegnungen ist es\, Räume zur Reflexion\, für gegenseitiges Vertrauen und für Partizipation zu schaffen\, bei denen die Stimme der Migranten an andere Personen der Gemeinschaft weitergegeben und verstanden werden können. Somit stellen diese Treffen eine Übung zur kollektiven Erinnerung dar und die persönlichen Erfahrung der Migration werden innerhalb der Gemeinschaft von individuellen zu kollektiven Problematiken: \nIn einem ersten Treffen werden Fragen gestellt wie: Wer waren diese Verwandten und was wissen wir über ihr Exil in Lateinamerika? Warum haben wir uns entschieden\, nach Deutschland zurückzukehren? Wie sind unsere aktuellen Erfahrungen als Migranten? Diese Fragen werden uns helfen\, einen sicheren Raum zu schaffen\, in dem wir uns austauschen und andere Menschen treffen können\, die ähnliche Geschichten haben. \nBei dem zweiten Treffen werden wir an einer Kartographie der kollektiven Erinnerung arbeiten und dabei Archive\, Fotos\, Collagen\, Zeichnungen und Gedichte verwenden. Wir werden diese Medien heute benutzen\, um Migrationen\, Territorien und Erinnerungen zu visualisieren\, die individuell gelebt werden\, aber gleichzeitig kollektiv sind und aus unserer Gegenwart heraus neue Bedeutungen finden können. \n\nDer Workshop findet auf Deutsch und Spanisch statt.\nBeide Treffen werden im Freien durchgeführt. Bei Regen wird das Treffen in einem Raum stattfinden.\nEs ist möglich\, an einem oder beiden Treffen teilzunehmen\nEine Anmeldung ist erforderlich\, da wir nur über einen begrenzten Platz verfügen.\n\nDie Treffen sollen ein sicheres Umfeld bieten\, in dem wir uns ausdrücken und außerdem diejenigen motivieren können\, die an einem künstlerischen oder kulturellen Projekt in Berlin mit den Archiven arbeiten wollen.\nWer mitmachen möchte\, kann uns schreiben an: info.jetztzeit@gmail.com
URL:https://oyoun.de/event/exilio-migracion-y-memoria/2021-06-29/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/06/flyerworkshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210626T173000
DTEND;TZID=Europe/Berlin:20210626T210000
DTSTAMP:20260410T213530
CREATED:20210624T122724Z
LAST-MODIFIED:20220404T092957Z
UID:16819-1624728600-1624741200@oyoun.de
SUMMARY:Sonic In(ter)ventions | Out of Time Embassy
DESCRIPTION:Sonic In(ter)ventions is a jam session. As cultural workers responding to the times with community building\, Out of Time Embassy (OOTE) consciously meld together sound and healing to form sessions of high-energy improvisation. Spaces are reimagined as interactive meditation sites for historical excavation\, archival protest\, and creative processing. Open and free artistic expressions are cultivated with an intention of decentralizing and celebrating the knowledge production process through action based art forms such as dance and music. \nOOTE is a collective that emerged out of a pure necessity to create and build community. It is a multicultural group of curators producing conversation and curiosity about art and culture and civic engagement\, meditating on local and global impacts of cultural work. OOTE embodies an international unity for seemingly disparate worlds\, building bridges and creating safe(r) spaces for expression to be cultivated and nurtured. Together\, we produce outdoor concerts such as Sonic In(ter)ventions\, a weekly ritual\, which organically curated itself in the wake of the BLM protest and amidst the global pandemic.  \n5-10€ \nTickets/Donations can be acquired via Eventbrite (link will follow) or on the door. We want to remain accessible\, so we invite you to come and pay what you can. We have some Solidarity Tickets for those who can not afford it. We kindly ask you to be honest with yourself. \nDoors open 5:30pm and we will play until 9pm. \nMore details on instagram: @outoftimeembassy 
URL:https://oyoun.de/event/sonic-interventions-out-of-time-embassy/
LOCATION:Oyoun Garden – adot kitchen\, Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/out-of-time-embassy-oote.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210619T120000
DTEND;TZID=Europe/Berlin:20210620T200000
DTSTAMP:20260410T213530
CREATED:20210416T100113Z
LAST-MODIFIED:20210609T091344Z
UID:15409-1624104000-1624219200@oyoun.de
SUMMARY:Lucy Lameck  x Sonic In(ter)ventions
DESCRIPTION:Replacing monuments and renaming streets is an emancipatory and liberatory act of our time. Lucy Lameck x Sonic In(ter)ventions is a global amplification act and artistic witness for Berlin's historic street renaming: "Wissmannstraße" turned "Lucy-Lameck Straße". At the intersection of art\, music\, and healing justice\, Out of Time Embassy (OOTE) produces their first public project in dedication to Lameck\, an anticolonial activist and one of the first female cabinet members in Tanzania's post-independence government. Hosted by Oyoun and supported by Musicboard Berlin\, OOTE brings together decolonial activists in a series of panel discussions\, screened interviews from the Lucy Lameck Neighborhood\, and ritualistic concerts of global trance musics that support liberatory and resistance movements\, as Sonic In(ter)ventions. \nOut of Time Embassy (OOTE) maintains the responsibility of representation and empowerment. Lucy Lameck x Sonic In(ter)ventions explores changes in Berlin's history by opening discussions on memory politics\, cultural exchange\, and honouring the city's legacy of migration. As culture makes important contributions to politics and often swells the tides of change\, OOTE chooses to demonstrate and celebrate the spectrum of decolonial urban practices. OOTE boosts the voice and mission of Lucy Lameck in posing the question\, "how do we want to engage with the ways history informs our shared creation of space and reality?" \nThis event is organised in partnership with Mushroom Hour Half Hour (South Africa) and Found Sound Nation (New York City). \n  \nSchedule of Events\nJune 19 - LIVE STREAM\n\n13:00 panel discussions\n16:00 screening of interviews with neighborhood of Lucy-Lameck\n17:00-20:00 Sonic Interventions performance\n\nJune 20 - LIVE STREAM\n\n13:00 panel discussions\n16:00 neighborhood Street Studio listening session\n17:00-20:00 Sonic Interventions performance\n\n  \n--- \nMore about the event and organisers here: Lucy Lameck x Sonic In(ter)ventions\, Out of Time Embassy (OOTE) \n 
URL:https://oyoun.de/event/lucy-lameck-x-sonic-interventions/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/sonic-in-ter-ventions-x-lucy-lameck-out-of-time-embassy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210611T120000
DTEND;TZID=Europe/Berlin:20210717T180000
DTSTAMP:20260410T213530
CREATED:20210420T120521Z
LAST-MODIFIED:20210610T113723Z
UID:15546-1623412800-1626544800@oyoun.de
SUMMARY:EMBODIED TEMPORALITIES AUSSTELLUNG
DESCRIPTION:EMBODIED TEMPORALITIES - Auf den Spuren verkörperter Erinnerungen \nWas verkörpern unsere Körper? Welche Erinnerungen können uns unsere Körper erzählen? - über uns selbst\, unsere Vergangenheit und unsere Zukunft? Kurator*innen\, Künstler*innen und Kulturschaffende setzen sich mit Identitäten\, Zugehörigkeit und verkörperten Erinnerungen aus diasporischen\, dekolonialen und queeren Perspektiven auseinander. Ein Forschungs-\, Archivierungs-\, Ausstellungs- und Performance-Projekt\, an dem über 70 Menschen beteiligt sind. \n>>> Hier kannst du deinen Besuch der Ausstellungen im Oyoun buchen. \nWer werden wir sein\, wenn du uns nicht mehr erzählst? “Ein geliebter Mensch stirbt. Wie erleben und verarbeiten seine nächsten Angehörigen – Lebensgefährtin und gemeinsamer Sohn – die Zeit des Sterbens\, des Trauerns? Cornelia und Kerim Becker  zeigen nach zwei Wochen Residency bei Oyoun ihre Fragestellungen und gesuchten Antworten in künstlerischer\, lyrischer und musikalischer Sprache. \nNane Kahle lud Menschen ein\, sich mit ihr auf eine Yoga-Reise zu begeben\, die dem auf altägyptischem Wissen basierenden „Tjef Sema Paut Neteru“-System folgt.  In der Ausstellung wird ein kollektives Tagebuch gezeigt. \nUntangle ist eine Langzeit-Videoarbeit von Avril Stormy Unger\, die sich mit der Neudefinition von Selbst und Identität durch Bewusstwerdung verinnerlichter gesellschaftlicher Erwartungen beschäftigt. \nMit Ilk عِلْق untersucht Ahmad Baba Queerness aus einer queeren arabischen Perspektive und geht auf Spurensuche durch mehrere Jahrhunderte queeren Lebens in arabischen und muslimischen Gesellschaften. Ilk عِلْق stellt eine queere arabisch-muslimische Zukunftsvision vor\, die Heilung bewirkt. \n„Go Find Me“ ist ein digitales Archiv Schwarzer Trans-Menschen entwickelt von der Schwarzen trans Künstlerin Danielle Brathwaite-Shirley. Mittels Videospiel-Ästhetik und -Technologien will sie Aufmerksamkeit auf die Erfahrungen Schwarzer Transfrauen lenken und\, allgemeiner\, Schwarze Trans-Erfahrungen archivieren. \nIm Turm von Oyoun präsentiert der Künstler-Aktivist Sujatro Ghosh die Ausstellung Geography of Hate als Höhepunkt des gleichnamigen Projektes\, das Hass als Werkzeug für systematische Gewalt und Othering hinterfragt. Die Ausstellung umfasst Objekte\, Performance-Videos\, einen Dokumentarfilm und eine immersive Projektion und wurde von Sujatro Ghosh mit Arijit Bhattacharyya (Künstler\, Kurator und Aktivist) kuratiert. \nMirage ist eine Performance-Intervention von Avril Stormy Unger in einem gehobenen Einkaufszentrum in Bangalore\, Indien\, die strukturelle Ungleichheiten beim Zugang zu Grundbedürfnissen wie Gesundheitsversorgung und sauberem Wasser offenlegt\, wird im Oyoun als Video vorgeführt. \nD.C.A.D.V: Exocé Kasongo stellt die Arbeiten aus seiner Künstlerresidenz bei Oyoun aus\, darunter ein neue Serie von Collagen\, eine neue\, von ihm entworfene und von Soulaymane Mare geschneiderte Bekleidungslinie\, sowie drei Videos - Inspiration\, Behind the Scenes und Zola - gedreht von Etsuki Usui. \nAscension ist ein von Dr. Maiada Aboud kuratiertes Dauerprojekt über Gender\, Weiblichkeit und Menstruation. 4 einzelne Performances\, die eine ähnliche Struktur\, Sound\, Hintergrundeinstellungen und die Farbe (schwarz oder rot und weiß) teilen\, werden durch 4 separate Fenster präsentiert. \nAncestral Body Noise: Rituals of Real(ese) war ein feierlicher Abschluss des interkulturellen Heilungs-Inkubators\, geleitet von der Kulturforscherin\, Future-Folk-Musikerin und lebenslangen psycho-spirituellen Studentin Gugulethu 'Dumama' Duma. Gezeigt werden die Performances der fünf Teilnehmer*innen: KooCha\, Indrani Ashe\, Yin Cheng-Kokott\, Sailesh Naidu und Suelen Calonga.  \n  \nDer Besuch von Ausstellungen im Oyoun ist nur mit einem Online-Ticket möglich. Das Tragen einer FFP2-Gesichtsmaske innerhalb der Räumlichkeiten von Oyoun obligatorisch. Vielen Dank und bis bald! \n--- \nEMBODIED TEMPORALITIES - Tracing the memories our bodies hold \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, our pasts and our futures? Curators\, artists\, and cultural practitioners explore identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives. A research\, archiving\, exhibition and performance project involving 70+ people. \n>>> Here you can book your visit to the exhibitions at Oyoun. \nWer werden wir sein\, wenn du uns nicht mehr erzählst? "A loved one dies. How do his next of kin - partner and son - experience and process the time of dying\, of mourning? Cornelia and Kerim Becker present their questions and sought answers in artistic\, lyrical and musical language\, after a two week residency at Oyoun.  \nUntangle is a durational video work by Avril Stormy Unger based on the redefinition of self and identity\, through the journey of unpacking internalised societal expectations. \nNane Kahle invited participants to join her on a yoga journey\, following the “Tjef Sema Paut Neteru” System based on Ancient Egyptian knowledge. You can view a collective journal from the participants in the exhibition. \nWith Ilk عِلْق\, Ahmad Baba investigates queerness from a queer Arab perspective\, tracking the roots of queer lives lived in Arabic and Muslim societies going back centuries. Ilk عِلْق sets out a queer Arab Muslim futuristic vision\, that starts with healing through rewriting histories on one’s own terms. \n“Go Find Me” is a digital archive of Black Trans existence created by the Black trans artist\, Danielle Brathwaite-Shirley. Through video game aesthetics and technologies\, she  aims to bring to the forefront the experiences of Black trans women and\, more generally\, to archive the Black trans experience.  \nIn the Tower of Oyoun\, the artist-activist Sujatro Ghosh presents the exhibition Geography of Hate as a culmination of his project of the same name\, which questions hate as a tool for systematic violence and otherisation. The exhibition includes objects\, performance videos\, a documentary\, and an immersive projection work\, curated by Sujatro Ghosh with Arijit Bhattacharyya (artist\, curator and activist). \nMirage is a performance intervention by Avril Stormy Unger at an upmarket mall in Bangalore\, India\, highlighting structural inequalities in accessing basic necessities such as healthcare and clean water\, is screened at Oyoun in a video format. \nD.C.A.D.V: Exocé Kasongo exhibits the outcomes of his artist residency at Oyoun\, which include a new series of collages\, complemented by a new clothing line designed by him and tailored by Soulaymane Mare and three videos shot by Etsuki Usui - Inspiration\, Behind the Scenes and Zola. \nAscension is a durational project curated by Dr. Maiada Aboud about gender\, femininity and menstruation. Four individual performances which share a similar structure\, sound\, background settings and the color (black or red and white) are presented through four separate windows. \nAncestral Body Noise: Rituals of Real(ese) concluded and honoured an intercultural healing incubator curated and facilitated by cultural researcher\, future-folk musician and life-long psycho-spiritual student\, Gugulethu ‘Dumama’ Duma. View the final performances of the participants: KooCha\, Indrani Ashe\, Yin Cheng-Kokott\, Sailesh Naidu\, and Suelen Calonga. \n  \nA visit to the exhibition at Oyoun is only possible with an online ticket. It is mandatory to wear a FFP2 face mask inside the space of Oyoun. Thank you and see you soon!
URL:https://oyoun.de/event/embodied-temporalities-ausstellung/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Embodied Arts Festival,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/et-exhibition-oyoun.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210512T190000
DTEND;TZID=Europe/Berlin:20210512T210000
DTSTAMP:20260410T213530
CREATED:20210507T094808Z
LAST-MODIFIED:20210507T124827Z
UID:16184-1620846000-1620853200@oyoun.de
SUMMARY:Gen Z Dialogues – an online exploration of vulnerability and collaboration
DESCRIPTION:Gen Z is coming of age in a time of sociopolitical and ecological crises\, gathered in online spaces that leave many overwhelmed and paralysed. Our exposure to crowded Social Media platforms causes\, more often than not\, disengagement and news-fatigue\, paired with insecurities around self-image. Which story does Gen Z tell together? How do they navigate online spaces between education\, empowerment and exposure? And what is the power of vulnerability? \nGen Z Dialogues explores online dialogues as spaces for vulnerability\, creativity and empathy\, zooming in on diverse\, international Gen Z voices. Naomi Hattler has captured intimate and authentically documented video dialogues revolving around the theme of vulnerability and the potential of all-pervasive connectivity as a young generation. These dialogues have come together in an artistic research platform exploring the creative potential and possibilities of engaging in online dialogues. Gen Z Dialogues has evolved into an international network of co-creators from Spain\, Canada\, Ukraine\, Indonesia\, Belgium\, the Netherlands\, Poland\, Sweden and Germany that was merely built through online communication. The conversations touch upon topics such as gender identities\, toxic competition\, social activism and empowerment. The socially-engaged project inspires urgent discourse and gives impulses to rethink daily online interaction. \nIn an interactive Zoom event\, Naomi Hattler shows her graduation work\, accompanied by an interactive program with two guest speakers and discussion participants from artistic and (queer-feminist) activist backgrounds.
Oyoun is happy to provide a platform for this event. \nProgram: \n19:00 Welcome & Introduction \n19:10 Screening\n19:45 Gen Z Discussion \n20:15 Future Game\n20:40 Q&A\n21:00 Closing
 \nWhere:  On Zoom - Please register here. \nImportant note: By signing-up for the event\, you agree on the entire event being recorded. The maker will use the audio documentation with care & respect as valuable material for her further research. \nGuest speakers: \nDebora Heijne (she/her) is a Dutch Art Educator and Dance Maker\, developing\, researching and working with Art Dialogue as a natural part of education\, in any field of study. (Link: www.debora24-7.nl)
 \nDaniel Schimmelpfennig (he/him) is a Futurist exploring intergenerational time gates towards narrative explorations of vulnerability on the blending between sciences\, films\, games\, theatre\, comics and literature. (www.danielschimmelpfennig.com)
 \nCurator: \nNaomi Hattler
 \nComing from an interdisciplinary arts background\, Naomi Hattler is a maker and project leader who emphasizes a critical and engaged approach in honest conversations beyond the formal interview format. This is as important to her as daring to follow a fascination without planning the artistic outcome. For Naomi\, the creation of art is to engage with her own visions and stories\, with those of others through an almost journalistic approach and with the bigger discourses and pressing questions that surround us. By portraying different perspectives and putting them alongside each other\, she hopes to offer space for inspiration and reflection. 
 \nFor her current graduation project on Generation Z - her generation - Naomi is exploring the potential of vulnerability to create meaningful online interaction and mutual empowerment. Against the background of the Anthropocene\, she senses a big urgency to look beyond the comfort zone and to explore the meaning of community and cooperation today as individual actions that are increasingly intertwined with a collective responsibility. Naomi is particularly interested in exploring how far the enormous connectivity within her generation contributes to a shift in how Gen Z - as a collaborating\, global community - takes on responsibility for their common future. 
 \nInstagram: @genzdialogues \nCuratorial Team: Naomi Hattler\, Lilian Mauthofer\, Sarah Marcinkowski \nFunded by: iArts Maastricht \nOyoun is happy to provide a platform for this event. \nFor media and press inquiries\, please email genzdialogues (at) mail.de
URL:https://oyoun.de/event/gen-z-dialogues/
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210507T190000
DTEND;TZID=UTC:20210507T193000
DTSTAMP:20260410T213530
CREATED:20210304T221752Z
LAST-MODIFIED:20210316T204411Z
UID:13072-1620414000-1620415800@oyoun.de
SUMMARY:a'21:  Bait15 and UAE art scene_DAHproject
DESCRIPTION:► a'21: Bait15 and UAE art scene_DAHproject \n:: ABOUT THIS EVENT (EN/AR) :: \nBAIT 15 is an artist-run studio and exhibition space located in a residential neighborhood of downtown Abu Dhabi founded in late 2017 by Afra Al Dhaheri\, Hashel Al Lamki\, and Maitha Abdalla. The villa housing BAIT includes; studios\, one for each of the members\, a dedicated studio for the use of visiting artists\, and an exhibition space. The founders have disparate studio practices encompassing a variety of media including painting\, sculpture\, digital media\, and performance. \n►Click "going" on Facebook to stay up to date.\n► www.exchangesthroughthesilkroad.com/ \n:: LINKS :: \n► Bait15\nWebsite\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-bait15-and-uae-art-scene-dahproject/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/uae.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210507T140000
DTEND;TZID=UTC:20210507T160000
DTSTAMP:20260410T213530
CREATED:20210304T221752Z
LAST-MODIFIED:20210315T140654Z
UID:13071-1620396000-1620403200@oyoun.de
SUMMARY:a'21: Exchanges Through The Silk Road_DAHproject
DESCRIPTION:► a'21: Exchanges Through The Silk Road_DAHproject \n:: ABOUT THIS EVENT (EN/AR) :: \nLiving in the Middle East region and some parts around it can feel as if you're being held in a euphoric state in a moment\, just as it can feel as you're left floating in some kind of vacuum in another. the more this realm embraces you in its mysterious sky and soil the more you'll find yourself deciphering. a piece of poetry generously returns you to yourself reflecting on its ranges and fields. middle East has been trading since ancient times. but today the exchange of information is taking a new route. the great silk route has been replaced by colourful digital platforms that tend to help us in the transference of our information\, apps that try to impress us and are mostly designed to ease us down and even perhaps calmly and slowly change our lives in particular ways. Are these new digital possibilities transferring our information untouched? \n>> Are they truly generating the right image of us? >>> 🙁 >>> Are they truly generating the right image of us? >>> 😐 >>> Are they truly generating the right image of us? >>> :/ \nThis exhibition includes the work of artists who currently reside in the Middle East or have lived in it in the past and have changed their locations due to various reasons .today they have based their communications are on digital platforms as opposed to the traditional ways and are using different potentials of the digital technology to study the different effects of technology on different affairs like culture\, politics\, morality\, science\, and much more. At the back of their mind\, they are reviewing the fast changes of digital technology and sometimes looking at it with a dubious eye. on the other hand\, they are using these potentials to its fullest to make their voices heard. as if they are masters of wielding a double-edged sword. \n►Click "going" on Facebook to stay up to date.\n► http://www.exchangesthroughthesilkroad.com/ \n:: LINKS :: \n►DAH Project\nInstagram\nFacebook \n#DigitalArt\, #MiddleEast\, #NetArt \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-exchanges-through-the-silk-road-dahproject/
CATEGORIES:a’21,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/silk-road.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210425T140000
DTEND;TZID=Europe/Berlin:20210425T160000
DTSTAMP:20260410T213530
CREATED:20210419T111041Z
LAST-MODIFIED:20210419T113854Z
UID:15502-1619359200-1619366400@oyoun.de
SUMMARY:► a'21: Ideas & Methodologies for a collaboratively curated network festival
DESCRIPTION::: ABOUT THIS EVENT (EN) :: \nThe critics\, ideas and methodologies for a truly distributed\, collectively curated\, international\, intercultural\, multi lingual network festival. \n► Click "going" in facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Amirali Ghazemi\n►Youssef El-idrisi\n►Rajaa Ahaman\n►Hamza Shamas\n►Ebru Yetiskin\n►Mohsen Hazrati\n►Cenkhan Aksoy\n►Ali Cem Dogan \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/%e2%96%ba-a21-ideas-methodologies-for-a-collaboratively-curated-network-festival/
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/image-from-ios.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210421
DTEND;VALUE=DATE:20210501
DTSTAMP:20260410T213530
CREATED:20210419T111953Z
LAST-MODIFIED:20210420T133209Z
UID:15468-1618963200-1619827199@oyoun.de
SUMMARY:Die neue Lucy-Lameck-Straße - Umbenennung und Rahmenprogramm
DESCRIPTION:Grußwort\nNach einem langen Prozess wird die bisherige Wissmannstraße nun endlich umbenannt. Statt eines Kolonialherren wird die Straße künftig nach Lucy Lameck benannt sein: einer tansanischen Politikerin\, die sich für Frauenrechte und für die panafrikanische Idee eingesetzt hat. Der Umbenennung ging ein umfangreicher Beteiligungsprozess mit der Zivilgesellschaft voraus. \nWas Lucy Lameck mit Neukölln zu tun hat\, wird gelegentlich gefragt. Sie wird unseren Bezirk nicht gekannt haben. Dafür hat aber Neukölln viel mit Lucy Lameck und ihrem Wirken zu tun. Ihr politisches Wirken stellt einen Kontrapunkt zur Kolonialzeit dar. Wir wollen uns als Kommune – zumindest symbolisch – an der Wiedergutmachung der deutschen Kolonialverbrechen beteiligen. \nAls vielleicht vielfältigster Ort der Republik mit Menschen aus 150 Nationen steht Neukölln heute für Diversität\, für ein selbstbestimmtes Leben und gegen jede Form von Rassismus. Menschen aus aller Welt haben in Neukölln ihre Heimat – und mit ihnen unzählige Initiativen\, die sich für unsere gemeinsamen Ziele einsetzen. \nUnser gemeinsames Rahmenprogramm rund um die Straßenumbenennung zeugt davon. Ich lade Sie herzlich ein\, sich daran zu beteiligen – an den Online-Veranstaltungen\, den Spaziergängen und am Festakt am 23. April. Und ich wünsche mir\, dass der Name Lucy Lameck nicht nur eine Adresse ist\, sondern zu einem Statement wird – für die Anwohnenden genauso wie für alle Neuköllnerinnen und Neuköllner. \nMartin Hikel\, Neukölln Bezirksbürgermeister \nIllustration: © Elena Anna Rieser\, elenaannarieser.at \n21.04.2021\, 17:00-18:30 Uhr\nLucy Lameck und ihre Zeit. Historische Einordnung und Kennenlernen – Online-Panel Diskussion (Zoom-Konferenz) \nAm 23. April 2021 findet die offizielle Umbenennung der ehemaligen Wissmannstraße statt. Der richtige Zeitpunkt um die neue Namenspatronin Lucy Lameck und ihre Zeit noch einmal näher kennenzulernen. Wodurch waren die Anfangsjahre des unabhängigen Tansanias geprägt? Wie wurde Lucy Lameck zur ersten Frau im tansanischen Parlament? Wieso war der Panafrikanismus so wichtig? Was steckt hinter der Ujamaa-Idee? Was hat Lucy Lameck damals geleistet und wieso ist ihr Wirken auch heute noch wichtig? \nSolche und ähnliche Fragen versuchen unsere Panelisten zu beantworten. Wir haben hierfür den tansanischen Historiker Dr. Oswald Masebo von der Universität Dar es Salaam\, Dr. Manuela Bauche von der Freien Universität Berlin sowie Prof. Andreas Eckert von der Humboldt Universität Berlin eingeladen. \nDie Zuschauer*innen sind herzlich eingeladen im Chat Fragen an das Panel zu stellen. \nLink zur Zoom-Konferenz: t1p.de/lameck-onlinepanel. \nE-Mail-Kontakt bei Rückfragen: mk-amtwbku@outlook.de  \nVeranstalter: Amt für Weiterbildung und Kultur\, Abteilung Bildung\, Schule\, Kultur und Sport des Bezirksamtes Neukölln \n\n23.04.2021\, 16:00–18:00 Uhr\nFestakt zur Benennung der Lucy-Lameck-Straße - (Livestream) \nDie offizielle Umbenennungszeremonie findet im Garten von Oyoun statt. Im Anschluss an die Begrüßungsreden erfolgt die offizielle Enthüllung des Namensschildes an der Ecke Karlsgartenstraße. Zum Abschluss findet im Garten von Oyoun eine Performance der Gruppe Out Of Time Embassy statt. \nDie Veranstaltung ist pandemiebedingt auf maximal 50 Personen begrenzt. Deshalb wird die Veranstaltung auch live bei YouTube und auf der Homepage des Bezirksamts übertragen. Wir bitten deshalb möglichst um eine Online-Teilnahme. \nBei der Veranstaltung sprechen Martin Hikel (Bezirksbürgermeister von Neukölln)\, S.E. Dr. Abdallah Saleh Possi (Botschafter der Vereinigten Republik Tansania)\, Karin Korte (Bezirksstadträtin für Bildung\, Schule\, Kultur und Sport) sowie Mnyaka Sururu Mboro (Mitbegründer und Vorstandsmitglied Berlin Postkolonial e. V.). Begleiten wird das Programm u.a. die Musikschule Paul Hindemith. \n \n\n24.04.2021\, 16 Uhr\nDECOLONIZE NEUKÖLLN! Sonderführung mit Berlin Postkolonial. Startpunkt an der Ecke Lucy-Lameck-Straße/Karlsgartenstraße\n\nAnlässlich der feierlichen Umbenennung der Neuköllner Wissmannstraße in Lucy-Lameck-Straße\, für die sich der Verein Berlin Postkolonial seit seiner Gründung 2007 gemeinsam mit anderen Aktivist:innen eingesetzt hat\, laden wir zur Sonderführung Decolonize Neukölln! ein. \nIm Rahmen des Rundganges beleuchten wir die Persönlichkeiten des alten Namensgebers Hermann von Wissmann ebenso wie die der Streiterin für die Unabhängigkeit Tansanias\, Lucy Lameck. \nAuf dem Neuen Garnisonsfriedhof am Columbiadamm besichtigen wir die Ehrengräber deutscher Militärs\, die an der gewaltvollen Kolonisierung der heutigen Staaten Togo\, Tansania\, Somalia und Namibia beteiligt waren.\nDabei soll auch die 2009 eingelassene Gedenktafel für die (ungezählten) Opfer des (unerwähnten) deutschen Genozids an den (ungenannten) Ovaherero und Namas kritisch thematisiert werden. \nVeranstalter: Berlin Postkolonial e. V. in Kooperation mit dem Bezirksamt Neukölln \n\n28.04.2021\, 17:00-18:30 Uhr\nDekoloniale Erinnerungskultur und Aktivitäten in Neukölln – ONLINE-GESPRÄCH (Zoom-Konferenz) \nNeben der Lucy-Lameck-Straße gibt es mit dem sogenannten Herero-Stein auf dem Garnisonsfriedhof einen weiteren wichtigen Ort zur kolonialen Vergangenheit in Berlin. Zu beiden Orten gab es jahrelange zivilgesellschaftliche Kämpfe gegen die Verharmlosung der Kolonialvergangenheit. Zwei Vertreter aus der afrikanischen Community referieren dazu. Doch in Neukölln gibt es aktuell auch wichtige dekoloniale Ansätze. Mit dem geplanten öffentlich zugänglichen Kunstprojekt „Dekoloniales Denkzeichen“ soll ein wichtiger Impuls gesetzt werden. \nBeiträge zum Online-Gespräch von:Mnyaka Sururu Mboro (Berlin Postkolonial): Aktivistischer Widerstand aus der afrikanischen Community gegen die Wissmannstraße\nIsrael Kaunatjike (Herero-Vertreter): Der „Herero-Stein“ und die „Namibia-Gedenkplatte“ auf dem Garnisonsfriedhof – Wie Völkermord verschwiegen wird\nMichael Küppers-Adebisi (Berlin Global Village): Das Projekt Dekoloniales Denkzeichen und weitere dekoloniale Ansätze bei Berlin Global Village \nWir bitten um Anmeldung bis zum 27.04.2021 an: info@berlin-global-village.de . Der Zugangslink wird nach Anmeldung zugeschickt. \nVeranstalter: Berlin Global Village – gefördert von: Landesstelle für Entwicklungszusammenarbeit der Senatsverwaltung für Wirtschaft\, Energie und Betriebe \n\n29. und 30.04.2021\, jeweils 14:00 - 20:00 Uhr\nOUT OF TIME EMBASSY - Performance und Podiumsdiskussion (Livestream vom Garten von OYOUN\, Lucy-Lameck-Str. 32) \nOut Of Time Embassy (OOTE) is a multicultural group of curators producing conversation and curiosity about art and culture in Berlin. OOTE embodies an international unity for seemingly disparate worlds\, building bridges and creating safe spaces for expression to be cultivated and nurtured. Together\, they produce outdoor pop up concerts such as Sonic In(ter)ventions and artist led workshops such as Ancestral Body Noise. OOTE has collaborated with organizations such as Oyoun\, Onebeat\, Cabuwazi\, and Alex TV and has plans to produce work in 2021 with the support of Musicboard Berlin. \n“The collective emerged out of a pure necessity to create and build community. Microcosms of the local and immigrant scenes in Berlin connected\, trying to heal a state of internal angst in response to global mess. A weekly ritual [Sonic In(ter)ventions] organically curated itself; passions and skills synthesized and the community building ideology manifested as a sustainable collective.” \nAs cultural workers we are committed to cultivating learning environments of empowerment while curating spaces that honor free artistic expression and societal engagement. Together\, with such essential services as artistic production\, creative education\, and collective meditation\, we affirm the need for a society of wellbeing. OOTE is committed to supporting communities of globally disenfranchised individuals\, groups and artists navigating complex migration histories and lived experiences. We strive to support and create safe space to express and produce artistic visions in an ever more de-colonial world. \nVeranstalter: Eine Koproduktion von Out Of Time Embassy (OOTE)
URL:https://oyoun.de/event/die-neue-lucy-lameck-strasse-umbenennung-und-rahmenprogramm/
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2021/04/lucy-lameck-strasse-elenaannarieser.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210420T170000
DTEND;TZID=UTC:20210420T180000
DTSTAMP:20260410T213530
CREATED:20210304T221752Z
LAST-MODIFIED:20210315T142038Z
UID:13069-1618938000-1618941600@oyoun.de
SUMMARY:a'21: How Do I Know What I Know?_amberPlatform
DESCRIPTION:►a'21: How Do I Know What I Know?_amberPlatform \nThe workshop focuses on the aesthetics of the cumulative nature of information that is unlearned and relearned in a holistic\, experience-oriented\, democratic and de-colonialist manner\, in which the practice travels around the theory and the mainstream meanings attached are questioned. \n:: ABOUT THIS EVENT (EN) :: \nA collective game based on the simulation of a process in which unverified information turns into fact thanks to its fast-paced distribution in digital environment. The game will be open to everyone's participation on Instagram\, and at the end\, the participants' content contributions will turn into a data analysis and be exhibited. We tend to believe any information we are exposed to on social media. By sharing them with an urge to “keep up with the current”\, we all contribute to the acceptance of the so-called reality produced by online pseudo-sources spreading unverified information by referencing each other. But\, do we know how we have obtained every information we add into this data pool able to turn anything into a fact? “How do I Know What I Know?” asks the participants to join a game/experiment on how unverified information turns into reality on social media. It begins with an image published by the game initiator on Instagram with the #bildiğimineredenbiliyorum and #howdoiknowwhatiknow hashtags. Underneath the image\, she adds the information she wants to share and a fictional or hypothetical story on how she obtained it. Participants either take the image and change the story\, or take the text and share it with another image. This way\, a cloud of unverified data emerges around the hashtags. The images and texts obtained at the end are shared with the public in the form of data mapping. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS:: \n► Ipek Yeginsu\nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-how-do-i-know-what-i-know-amberplatform/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/speculation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210419T140000
DTEND;TZID=UTC:20210419T160000
DTSTAMP:20260410T213530
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T180032Z
UID:13060-1618840800-1618848000@oyoun.de
SUMMARY:a'21: Absorbing Ignorance: Experiential Illusions_amberPlatform
DESCRIPTION:►a'21: Absorbing Ignorance: Experiential Illusions_amberPlatform \nWhile chronologically reviewing the relationship of the moving image with the observer and the way cinematic editing manages mass perception as an art of creating reality\, we will examine the concept of Immersion as the purpose of breaking away from existence. \n:: ABOUT THIS EVENT (EN/AR) :: \nBut man is the most ignorant in moments in which he trusts himself the most.'' - Ape and Essence\, Aldous Huxley In these short video essays that explore the virtual plane of reality and the realism of virtuality through today's popular culture that evolved from myths\, tales and legends\, we will investigate the history of our gaze now lost in the hypnotic flow of a kind of ignorance glorified under the name of knowledge. While chronologically reviewing the relationship of the moving image with the observer and the way cinematic editing manages mass perception as an art of creating reality\, we will examine the concept of Immersion as the purpose of breaking away from existence. We will touch upon the physical impact of developing ""absorbing"" technologies on the masses\, its relationship with ancient practices such as meditation and hypnosis\, and our main motivations behind our ""Suspension of Disbelief"" processes. Our biggest misconception about ""New Media” - which are the new versions of old formations that have been constructed several times and updated with modern technologies - is perhaps that they are new. By referring to early examples in history and questioning the physicality created by the transformation of Cinematic Technologies\, we will look at concepts such as New\, Media\, Virtual\, Reality from a different perspective. As we discover our efforts to create a seamless illusion of reality\, and therefore the story of the term Virtual Reality dating back to the dawn of our civilisation\, we will approach the narrative-based functioning of human perception - which is at the origin of all these mechanisms - on the basis of the concept of mental fiction. As the ever-growing world of experiential delusions draws us in\, are we also being drawn into our own selves? Is the current form of reality subjective or collective? Or is it time for us to re-define reality all over again? \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n►Lara Kamhi  \nWebsite\nInstagram\nFacebook   \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-absorbing-ignorance-experiential-illusions-amberplatform/2021-04-19/
CATEGORIES:a’21,Screening
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/historyofcinema.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210418T200000
DTEND;TZID=Europe/Berlin:20210418T210000
DTSTAMP:20260410T213530
CREATED:20210322T132150Z
LAST-MODIFIED:20210322T132201Z
UID:14560-1618776000-1618779600@oyoun.de
SUMMARY:Closing Ceremony | Embodied Arts Festival
DESCRIPTION:It is within the intersections of body memory and history that our bodies are potentially at their most revealing. Memories interrupt history and open up another possibility of embodied living\, one that spatialises time and temporalises space. Hence\, treating the body as memory and discussing the role of the body in witnessing authoritarian capitalism\, memorialising the torture carried out by dominant socio-political structures\, thus resisting the narrative erasure reproduced by the imperialism at national and global levels. Oyoun's first curatorial focus EMBODIED TEMPORALITIES offered a community-centered approach as a framework for participants to voice their experiences of ancestry\, rituals\, trauma\, death\, loss\, and finding expression for experiences that are otherwise un-shareable\, and often stigmatised in mainstream public discourses while paving the way for collective healing. \nThe EMBODIED ARTS FESTIVAL will present and celebrate the outcomes of this body of work. Join us for the closing ceremony on 18th April. \nThis event will be streamed online. Direct links will follow! \n 
URL:https://oyoun.de/event/closing-ceremony-embodied-arts-festival/
CATEGORIES:Embodied Arts Festival
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/embodied-arts-festival-oyoun-berlin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210418T190000
DTEND;TZID=UTC:20210418T203000
DTSTAMP:20260410T213530
CREATED:20210304T221752Z
LAST-MODIFIED:20211102T135934Z
UID:13068-1618772400-1618777800@oyoun.de
SUMMARY:a'21: Safety From Artificial Intelligence_amberPlatform
DESCRIPTION:►a'21: Safety From Artificial Intelligence_amberPlatform \nHow can we protect ourselves from this surveillance? What kind of application is artificial intelligence used in social issues? How much can we trust artificial intelligence? Can we fool him? \n:: ABOUT THIS EVENT (EN/TR) :: \nBesides the positive aspects of artificial intelligence technology\, which has entered almost every area of our lives\, there are also negative usage areas. What results can our data use without our knowledge or confidentiality agreements we accept without reading? What can be done with synthetic image production? Are we safe enough while the cameras around us detect and record our age\, gender\, and emotions? How can we protect ourselves from this surveillance? What kind of application is artificial intelligence used in social issues? How much can we trust artificial intelligence? Can we fool him? While looking for answers to such questions about the negative uses of artificial intelligence today\, we will mention the use of artificial intelligence as a control and control mechanism\, methods of detecting synthetic images\, studies on 'ethical artificial intelligence' and measures and studies developed against these algorithms. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo \n:: LINKS:: \n►Hakan Gündüz \nInstagram\nFacebook \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-safety-from-artificial-intelligence-amberplatform/
CATEGORIES:a’21,Gespräche / Conversations
ATTACH;FMTTYPE=image/png:https://oyoun.de/files/2021/03/9-hakan-gunduz-safety-from-artificial-intelligence-hal9000-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210418T180000
DTEND;TZID=Europe/Berlin:20210418T193000
DTSTAMP:20260410T213530
CREATED:20210408T115716Z
LAST-MODIFIED:20210417T164336Z
UID:15143-1618768800-1618774200@oyoun.de
SUMMARY:THE BODY IS: A MAP\, A CAGE\, A KEY: Embodied practice as research methodologies
DESCRIPTION:Join us for some embodied reflections during the last event of Oyoun's EMBODIED ARTS FESTIVAL before the closing ceremony:\nA panel discussion about embodied and body-based practice as a generative tool for excavation and research and its potential pitfalls of reductionism and the re-application of oppressive body politics. Moderated by Kopano Maroga. \nThrough the diverse practices of Dr. Maiada Aboud\, Ahmad Hijazi (Cyclomorphosis) and Gugulethu 'Dumama' Duma we will investigate the ways in which embodied and body based practices can serve as tools for excavation and research while also posing potential pitfalls of reductionism and the re-application of oppressive body political lenses. When is the body a map\, when is it a key\, when is it a cage? \nThis event will stream on YouTube\, Vimeo & Facebook \n--- \nAhmad Hijazi (Cyclomorphosis)\,  is a Lebanese Multidisciplinary performer\, a social artist \, and a Masters student of Dance Movement Therapy\, based in Berlin . With an academic background in performing Arts from Beirut\, he’s been focusing his work on claiming more visibility for underrepresented communities such as the LGBT+ refugees community in Berlin\, and creating dance/storytelling projects such as “10/01 Q-Nights : de-orientalized edition “ and QueeЯevolutions a Collective based workshops investigating the concept of queerness as modern colonial discourse on people from SWANA. Ahmad’s performances are movement\,theatrical and digital pieces\, proposing materials\, such as old arabic manuscripts based performances\, different rooted traditions\,rituals\,terminologies\, breaking the stereotype image of what a queer arab performer must and is allowed to offer in the west. From 2017 on\, he’s been walking balls as part of the berlin ballroom scene and since 2019 is a member of "Queer Arab Barty" collective and ASDIQA اصدقاء mentoring program. He performed and produced his own production in Staatstheater Darmstadt \, performed in Heimathafen Neukölln \, Acud Theater\, Tak Theater \, Oyoun\, Uferstudios \, Replika theater.  \nDumama\, born Gugulethu Duma\, is a South African future folk performing artist\, songwriter and cultural researcher. Inspired by issues around inequality and displacement\, she is concerned with projects exploring cultural preservation\, presence and contemplations on futurity. Her interests intersect as practice based performance research\, and interdisciplinary\, collaborative bodies of work centred around political-poetic imaginations. Reimagining folk music of ancestors\, living and deceased\, Dumama works with the voice\, live loops\, hand-made bow instruments\, glitches and distortions. Fascinated by sound’s power\, the tonal emergence and decay in certain frequencies and emotions evoked within these frequencies\, Dumama passionately explores sound as a tool for social transformation and healing. \nDr. Maiada Aboud‘s work deals with ways that social and religious structures interconnect and influence the individual.Using endurance art\, her interest in social\, political\, and religious issues draws on a unique and personal perspective. Born in Palestine (Arab Israeli)\, graduated from Haifa University\, and received her education in the UK: Masters at Coventry University\, and Ph.D. at Sheffield Hallam University. Her studies attempt to connect the social-cultural analysis to the individual‘s experience by way of using performance and relating it to cultural and social life. The intention is to investigate cultural identity using endurance art with the objectives to establish if these performances are linked to collective identities. \nKopano Maroga (they/them) is a performance artist\, writer\, cultural worker and co-founding director of the arts organization ANY BODY ZINE. They are currently living in Brussels\, Belgium and working as a curator and guest-dramaturge at Kunstencentrum Vooruit in Ghent\, Belgium. Their debut anthology of poetry Jesus Thesis and Other Critical Fabulations was released in 2020 through uHlanga Press. They very much believe in the power of love as a weapon of mass construction.
URL:https://oyoun.de/event/the-body-is-a-map-a-cage-a-key/
CATEGORIES:Embodied Arts Festival
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/the-body-is-a-map-a-cage-a-key.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210418T160000
DTEND;TZID=Europe/Berlin:20210418T173000
DTSTAMP:20260410T213530
CREATED:20210319T170928Z
LAST-MODIFIED:20210411T110200Z
UID:14547-1618761600-1618767000@oyoun.de
SUMMARY:The Body Undone Q&A - "Let My Body Speak" & "No Crying at the Dinner Table"
DESCRIPTION:The Body Undone: In Conversation with Loss is a programme of film screenings and discussions organised by Sana Rizvi for Oyoun's EMBODIED ARTS FESTIVAL. The selected films look at various kinds of loss held by different bodies - with a focus on storytelling from new voices. Using film\, an embodied memory in itself\, an invitation is made to reflect on the question: can we discover new possibilities in the workings of loss and grief by allowing spaces for these feelings to be held and acknowledged in an embodied way? \nFor this Q&A event\, Sana Rizvi will be talking to Let My Body Speak director: Madonna Adib and No Crying at the Dinner Table director: Carol Nguyen. You are invited to join in the conversation.  \nThis event will take place on zoom\, you can register here. Please note the zoom discussion will also be live-streamed on Oyoun's online platforms - Youtube\, Vimeo and Facebook. \n  \nThe films will be available for 24 hours starting at 14:00 on 17th April. \nContact us at hallo@oyoun.de to get sent the link and password to view this film. (This is limited to people in Germany)  \n  \n"Inspired by the poetry of Meena Kandasamy\, the writings of Christina Crosby and Balbir Krishan’s art\, I began my reflections on embodied memories connected to loss and grief. Their work helped me map new areas of inquiry and pose questions away from a more conventional outlook on the linear notions of loss’s predestined path\, in a culture frantic for resolution. And instead\, look at loss as holding social\, political\, and aesthetic implications for the body. A loss that doesn’t rely on linearity but that is profoundly intimate\, from the deep space and time of the self. One that is birthed from the deepest parts of our bodies and times. Moreover\, from this position of embodied knowing\, could (re) engaging with loss generate sites for memory and history\, rewriting of the past and reimagining the future? And could this engagement with loss: the irrecoverable\, become\, paradoxically\, the condition of a new anti-colonial hope and agency." - Sana Rizvi \n  \nLet My Body Speak\nMadonna Adib\n10” | UK/ Lebanon | 2020 | Arabic with English subtitles \n \n“'When I left Syria\, my body became my only land. It is the only thing I own.” \nThis documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body. \nIndependent filmmaker and artist\, Madonna Adib was born in Damascus\, Syria\, in 1986. She has received her B.A. in Fine Arts from the University of Damascus and went on to study Film Animation at Concordia University. She created experimental documentaries and experimental short drama films that were screened in film festivals and contemporary art museums across the world. She is one of the six founders and a photographer in the project Syrian Eyes of The World. She currently lives in Beirut\, Lebanon. \nDirector: Madonna Adib\nProduction: Noe Mendelle for Scottish Documentary Institute\nCinematography: Elsy Hajjar\nEditing: Sandra Fatte \n  \nNo Crying at the Dinner Table\nCarol Nguyen\n2019 | Canada | 15 min | Vietnamese\, English with English subtitles \n \nFilmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma\, grief\, and secrets in this cathartic documentary about things left unsaid. \n\nCarol Nguyen is a Vietnamese Canadian filmmaker based in Toronto and Montreal. Her films often explore the subjects of cultural identity\, family and memory. Carol is a 2018 Sundance Ignite fellow\, Adobe Creativity Scholar and a TIFF Share Her Journey ambassador\, where she strives to empower diverse voices and women through her own stories and personal experiences in the film industry. Today\, Carol is working towards developing her first documentary feature as well as an animated short. \nDirector: Carol Nguyen \nProducers: Carol Nguyen\, Aziz Zoromba (Concordia Film School)\nCinematographer: Walid Jabri \nEditors: Carol Nguyen and Andrés Solis \nSound Design: Giulio Trejo-Martinez \nMusic Composer: Arie Van de Ven \nCast: Thao Nguyen-Duong\, Ngoc Nguyen\, Michelle Nguyen\, Carol Nguyen \ncarolnguyenfilms.com/no-crying-at-the-dinner-table \nThis short film is also available online here. \n--- \nEMBODIED ARTS FESTIVAL\nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes\, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here.
URL:https://oyoun.de/event/talk-let-my-body-speak-no-crying-at-the-dinner-table/
LOCATION:Online
CATEGORIES:Embodied Arts Festival,Talk
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/talk-let-my-body-speak-no-crying-on-the-dinner-table.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210417T190000
DTEND;TZID=Europe/Berlin:20210417T200000
DTSTAMP:20260410T213530
CREATED:20210407T172837Z
LAST-MODIFIED:20210407T172837Z
UID:15064-1618686000-1618689600@oyoun.de
SUMMARY:a'21: 
A Passion for Ignorance
DESCRIPTION::: ABOUT THIS EVENT (EN/AR) :: \nIgnorance\, whether passive or active\, conscious or unconscious\, has always been a part of the human condition\, Renata Salecl argues. What has changed in our post-truth\, postindustrial world is that we often feel overwhelmed by the constant flood of information and misinformation. It sometimes seems impossible to differentiate between truth and falsehood and\, as a result\, there has been a backlash against the idea of expertise\, and a rise in the number of people actively choosing not to know. The dangers of this are obvious\, but Salecl challenges our assumptions\, arguing that there may also be a positive side to ignorance\, and that by addressing the role of ignorance in society\, we may also be able to reclaim the role of knowledge." from the introduction of the book "A Passion for Ignorance" \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► Renata Salecl\nWebsite \n\n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-%e2%80%a8a-passion-for-ignorance/
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/a-passion-for-ignorance.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210417T180000
DTEND;TZID=Europe/Berlin:20210417T193000
DTSTAMP:20260410T213530
CREATED:20210319T164534Z
LAST-MODIFIED:20210417T152127Z
UID:14541-1618682400-1618687800@oyoun.de
SUMMARY:BLACK AS I AM QUEER AS I AM BLACK: A Black Queer Poetics reading session
DESCRIPTION:A journey into black queer poetics through the music\, poetry and performance works of self-identified black and queer artists from around the world. \nKopano Maroga and Maneo Mohale are two black queer cuties who have some questions about what constitutes so called blackness and so called queerness in the realm of poetics. How does identity sometimes operate as a doorway and\, sometimes\, a cliff? Is there a problem with falling? Is the falling The Poetic? And\, most importantly\, isn't all poetry GAY at the end of the day? \nJoin us for this guided reading session of pre-prescribed materials that evoke the poetic as we unpack what it means to us to be this black and this queer at this particular moment in history. \n  \nThis event will take place on zoom - please register with your name\, pronouns and motivations for attending here. \nHere\, you will find your pre-prepared playlist from Kopano and Maneo: Take some time to read the texts and listen to the music in your own time. Perhaps you’ve heard or read these texts before. What do they stir up for you? Where in your body do you feel the stirring? \n  \nAbout Maneo & Kopano\nManeo Refiloe Mohale (they/them) is a South African editor\, feminist writer and poet. Their work has appeared in various local and international publications\, including Jalada\, Prufrock\, The Beautiful Project\, The Mail & Guardian\, spectrum.za\, and others. They’ve served as a contributing editor for The New York Times and i-D\, among others. maneomohale.com \nKopano Maroga (they/them) is a performance artist\, writer\, cultural worker and co-founding director of the arts organization ANY BODY ZINE. They are currently living in Brussels\, Belgium and working as a curator and guest-dramaturge at Kunstencentrum Vooruit in Ghent\, Belgium. Instagram: @kopano.maroga \n  \nEMBODIED ARTS FESTIVAL\nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes\, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here. \nContact us at hallo (at) oyoun.de if you have any questions.
URL:https://oyoun.de/event/black-as-i-am-queer-as-i-am-black/
LOCATION:Online
CATEGORIES:Embodied Arts Festival,Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/black-as-i-am-queer-as-i-am-black-a-black-queer-poetics-reading-session.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210417T160000
DTEND;TZID=Europe/Berlin:20210418T160000
DTSTAMP:20260410T213530
CREATED:20210408T102837Z
LAST-MODIFIED:20210411T105856Z
UID:15131-1618675200-1618761600@oyoun.de
SUMMARY:The Body Undone Film Screening: "Let My Body Speak"\, "No Crying at the Dinner Table" & "Kaala"
DESCRIPTION:The Body Undone: In Conversation with Loss is a programme of film screenings and discussions organised by Sana Rizvi for Oyoun's EMBODIED ARTS FESTIVAL. The selected films look at various kinds of loss held by different bodies - with a focus on storytelling from new voices. Using film\, an embodied memory in itself\, an invitation is made to reflect on the question: can we discover new possibilities in the workings of loss and grief by allowing spaces for these feelings to be held and acknowledged in an embodied way? \nEach film is available for a selected timeframe during Oyoun's EMBODIED ARTS FESTIVAL. \nContact us at hallo@oyoun.de to get sent the link and password to view the films. (This is limited to people in Germany)  \nThere is a Q&A event happening with the directors of Let My Body Speak" and "No Crying at the Dinner Table on 18th April at 16:00\, see here for details. \n  \nLet My Body Speak\nMadonna Adib\n10” | UK/ Lebanon | 2020 | Arabic with English subtitles \n \n“'When I left Syria\, my body became my only land. It is the only thing I own.” \nThis documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body. \nIndependent filmmaker and artist\, Madonna Adib was born in Damascus\, Syria\, in 1986. She has received her B.A. in Fine Arts from the University of Damascus and went on to study Film Animation at Concordia University. She created experimental documentaries and experimental short drama films that were screened in film festivals and contemporary art museums across the world. She is one of the six founders and a photographer in the project Syrian Eyes of The World. She currently lives in Beirut\, Lebanon. \nDirector: Madonna Adib\nProduction: Noe Mendelle for Scottish Documentary Institute\nCinematography: Elsy Hajjar\nEditing: Sandra Fatte \n  \nNo Crying at the Dinner Table\nCarol Nguyen\n2019 | Canada | 15 min | Vietnamese\, English with English subtitles \n \nFilmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma\, grief\, and secrets in this cathartic documentary about things left unsaid. \nCarol Nguyen is a Vietnamese Canadian filmmaker based in Toronto and Montreal. Her films often explore the subjects of cultural identity\, family and memory. Carol is a 2018 Sundance Ignite fellow\, Adobe Creativity Scholar and a TIFF Share Her Journey ambassador\, where she strives to empower diverse voices and women through her own stories and personal experiences in the film industry. Today\, Carol is working towards developing her first documentary feature as well as an animated short. \nDirector: Carol Nguyen \nProducers: Carol Nguyen\, Aziz Zoromba (Concordia Film School)\nCinematographer: Walid Jabri \nEditors: Carol Nguyen and Andrés Solis \nSound Design: Giulio Trejo-Martinez \nMusic Composer: Arie Van de Ven \nCast: Thao Nguyen-Duong\, Ngoc Nguyen\, Michelle Nguyen\, Carol Nguyen \ncarolnguyenfilms.com/no-crying-at-the-dinner-table \nThis short film is also available online here. \n  \nKaala\nSourav Das\n4.26” | India | 2020 \n \nKaala\, a musical mood piece about a boy finding his liberation from social stigmas. \nSourav Das\, a 23 year old self-taught filmmaker who comes from a very small town in Assam\, India. Das currently resides in Mumbai and makes a living by making films. \nWriter/Director/Cinematographer: Sourav Das\nFeaturing: Ajay Das\, Jeevan Sanyasi\nProducer: Seba Das\nEditor: Mitali Solanki\, Sourav Das\nMusic: Shafer Youssef\nSound: Mitali Solanki\, Sourav Das \nThis short film is also available online here. \n--- \nEMBODIED ARTS FESTIVAL \nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes\, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here.
URL:https://oyoun.de/event/the-body-undone-film-screening-short-films/
CATEGORIES:Embodied Arts Festival
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