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DTSTART;TZID=Europe/Berlin:20210611T120000
DTEND;TZID=Europe/Berlin:20210717T180000
DTSTAMP:20260406T010333
CREATED:20210420T120521Z
LAST-MODIFIED:20210610T113723Z
UID:15546-1623412800-1626544800@oyoun.de
SUMMARY:EMBODIED TEMPORALITIES AUSSTELLUNG
DESCRIPTION:EMBODIED TEMPORALITIES - Auf den Spuren verkörperter Erinnerungen \nWas verkörpern unsere Körper? Welche Erinnerungen können uns unsere Körper erzählen? - über uns selbst\, unsere Vergangenheit und unsere Zukunft? Kurator*innen\, Künstler*innen und Kulturschaffende setzen sich mit Identitäten\, Zugehörigkeit und verkörperten Erinnerungen aus diasporischen\, dekolonialen und queeren Perspektiven auseinander. Ein Forschungs-\, Archivierungs-\, Ausstellungs- und Performance-Projekt\, an dem über 70 Menschen beteiligt sind. \n>>> Hier kannst du deinen Besuch der Ausstellungen im Oyoun buchen. \nWer werden wir sein\, wenn du uns nicht mehr erzählst? “Ein geliebter Mensch stirbt. Wie erleben und verarbeiten seine nächsten Angehörigen – Lebensgefährtin und gemeinsamer Sohn – die Zeit des Sterbens\, des Trauerns? Cornelia und Kerim Becker  zeigen nach zwei Wochen Residency bei Oyoun ihre Fragestellungen und gesuchten Antworten in künstlerischer\, lyrischer und musikalischer Sprache. \nNane Kahle lud Menschen ein\, sich mit ihr auf eine Yoga-Reise zu begeben\, die dem auf altägyptischem Wissen basierenden „Tjef Sema Paut Neteru“-System folgt.  In der Ausstellung wird ein kollektives Tagebuch gezeigt. \nUntangle ist eine Langzeit-Videoarbeit von Avril Stormy Unger\, die sich mit der Neudefinition von Selbst und Identität durch Bewusstwerdung verinnerlichter gesellschaftlicher Erwartungen beschäftigt. \nMit Ilk عِلْق untersucht Ahmad Baba Queerness aus einer queeren arabischen Perspektive und geht auf Spurensuche durch mehrere Jahrhunderte queeren Lebens in arabischen und muslimischen Gesellschaften. Ilk عِلْق stellt eine queere arabisch-muslimische Zukunftsvision vor\, die Heilung bewirkt. \n„Go Find Me“ ist ein digitales Archiv Schwarzer Trans-Menschen entwickelt von der Schwarzen trans Künstlerin Danielle Brathwaite-Shirley. Mittels Videospiel-Ästhetik und -Technologien will sie Aufmerksamkeit auf die Erfahrungen Schwarzer Transfrauen lenken und\, allgemeiner\, Schwarze Trans-Erfahrungen archivieren. \nIm Turm von Oyoun präsentiert der Künstler-Aktivist Sujatro Ghosh die Ausstellung Geography of Hate als Höhepunkt des gleichnamigen Projektes\, das Hass als Werkzeug für systematische Gewalt und Othering hinterfragt. Die Ausstellung umfasst Objekte\, Performance-Videos\, einen Dokumentarfilm und eine immersive Projektion und wurde von Sujatro Ghosh mit Arijit Bhattacharyya (Künstler\, Kurator und Aktivist) kuratiert. \nMirage ist eine Performance-Intervention von Avril Stormy Unger in einem gehobenen Einkaufszentrum in Bangalore\, Indien\, die strukturelle Ungleichheiten beim Zugang zu Grundbedürfnissen wie Gesundheitsversorgung und sauberem Wasser offenlegt\, wird im Oyoun als Video vorgeführt. \nD.C.A.D.V: Exocé Kasongo stellt die Arbeiten aus seiner Künstlerresidenz bei Oyoun aus\, darunter ein neue Serie von Collagen\, eine neue\, von ihm entworfene und von Soulaymane Mare geschneiderte Bekleidungslinie\, sowie drei Videos - Inspiration\, Behind the Scenes und Zola - gedreht von Etsuki Usui. \nAscension ist ein von Dr. Maiada Aboud kuratiertes Dauerprojekt über Gender\, Weiblichkeit und Menstruation. 4 einzelne Performances\, die eine ähnliche Struktur\, Sound\, Hintergrundeinstellungen und die Farbe (schwarz oder rot und weiß) teilen\, werden durch 4 separate Fenster präsentiert. \nAncestral Body Noise: Rituals of Real(ese) war ein feierlicher Abschluss des interkulturellen Heilungs-Inkubators\, geleitet von der Kulturforscherin\, Future-Folk-Musikerin und lebenslangen psycho-spirituellen Studentin Gugulethu 'Dumama' Duma. Gezeigt werden die Performances der fünf Teilnehmer*innen: KooCha\, Indrani Ashe\, Yin Cheng-Kokott\, Sailesh Naidu und Suelen Calonga.  \n  \nDer Besuch von Ausstellungen im Oyoun ist nur mit einem Online-Ticket möglich. Das Tragen einer FFP2-Gesichtsmaske innerhalb der Räumlichkeiten von Oyoun obligatorisch. Vielen Dank und bis bald! \n--- \nEMBODIED TEMPORALITIES - Tracing the memories our bodies hold \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, our pasts and our futures? Curators\, artists\, and cultural practitioners explore identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives. A research\, archiving\, exhibition and performance project involving 70+ people. \n>>> Here you can book your visit to the exhibitions at Oyoun. \nWer werden wir sein\, wenn du uns nicht mehr erzählst? "A loved one dies. How do his next of kin - partner and son - experience and process the time of dying\, of mourning? Cornelia and Kerim Becker present their questions and sought answers in artistic\, lyrical and musical language\, after a two week residency at Oyoun.  \nUntangle is a durational video work by Avril Stormy Unger based on the redefinition of self and identity\, through the journey of unpacking internalised societal expectations. \nNane Kahle invited participants to join her on a yoga journey\, following the “Tjef Sema Paut Neteru” System based on Ancient Egyptian knowledge. You can view a collective journal from the participants in the exhibition. \nWith Ilk عِلْق\, Ahmad Baba investigates queerness from a queer Arab perspective\, tracking the roots of queer lives lived in Arabic and Muslim societies going back centuries. Ilk عِلْق sets out a queer Arab Muslim futuristic vision\, that starts with healing through rewriting histories on one’s own terms. \n“Go Find Me” is a digital archive of Black Trans existence created by the Black trans artist\, Danielle Brathwaite-Shirley. Through video game aesthetics and technologies\, she  aims to bring to the forefront the experiences of Black trans women and\, more generally\, to archive the Black trans experience.  \nIn the Tower of Oyoun\, the artist-activist Sujatro Ghosh presents the exhibition Geography of Hate as a culmination of his project of the same name\, which questions hate as a tool for systematic violence and otherisation. The exhibition includes objects\, performance videos\, a documentary\, and an immersive projection work\, curated by Sujatro Ghosh with Arijit Bhattacharyya (artist\, curator and activist). \nMirage is a performance intervention by Avril Stormy Unger at an upmarket mall in Bangalore\, India\, highlighting structural inequalities in accessing basic necessities such as healthcare and clean water\, is screened at Oyoun in a video format. \nD.C.A.D.V: Exocé Kasongo exhibits the outcomes of his artist residency at Oyoun\, which include a new series of collages\, complemented by a new clothing line designed by him and tailored by Soulaymane Mare and three videos shot by Etsuki Usui - Inspiration\, Behind the Scenes and Zola. \nAscension is a durational project curated by Dr. Maiada Aboud about gender\, femininity and menstruation. Four individual performances which share a similar structure\, sound\, background settings and the color (black or red and white) are presented through four separate windows. \nAncestral Body Noise: Rituals of Real(ese) concluded and honoured an intercultural healing incubator curated and facilitated by cultural researcher\, future-folk musician and life-long psycho-spiritual student\, Gugulethu ‘Dumama’ Duma. View the final performances of the participants: KooCha\, Indrani Ashe\, Yin Cheng-Kokott\, Sailesh Naidu\, and Suelen Calonga. \n  \nA visit to the exhibition at Oyoun is only possible with an online ticket. It is mandatory to wear a FFP2 face mask inside the space of Oyoun. Thank you and see you soon!
URL:https://oyoun.de/event/embodied-temporalities-ausstellung/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Embodied Arts Festival,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/et-exhibition-oyoun.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210626T173000
DTEND;TZID=Europe/Berlin:20210626T210000
DTSTAMP:20260406T010333
CREATED:20210624T122724Z
LAST-MODIFIED:20220404T092957Z
UID:16819-1624728600-1624741200@oyoun.de
SUMMARY:Sonic In(ter)ventions | Out of Time Embassy
DESCRIPTION:Sonic In(ter)ventions is a jam session. As cultural workers responding to the times with community building\, Out of Time Embassy (OOTE) consciously meld together sound and healing to form sessions of high-energy improvisation. Spaces are reimagined as interactive meditation sites for historical excavation\, archival protest\, and creative processing. Open and free artistic expressions are cultivated with an intention of decentralizing and celebrating the knowledge production process through action based art forms such as dance and music. \nOOTE is a collective that emerged out of a pure necessity to create and build community. It is a multicultural group of curators producing conversation and curiosity about art and culture and civic engagement\, meditating on local and global impacts of cultural work. OOTE embodies an international unity for seemingly disparate worlds\, building bridges and creating safe(r) spaces for expression to be cultivated and nurtured. Together\, we produce outdoor concerts such as Sonic In(ter)ventions\, a weekly ritual\, which organically curated itself in the wake of the BLM protest and amidst the global pandemic.  \n5-10€ \nTickets/Donations can be acquired via Eventbrite (link will follow) or on the door. We want to remain accessible\, so we invite you to come and pay what you can. We have some Solidarity Tickets for those who can not afford it. We kindly ask you to be honest with yourself. \nDoors open 5:30pm and we will play until 9pm. \nMore details on instagram: @outoftimeembassy 
URL:https://oyoun.de/event/sonic-interventions-out-of-time-embassy/
LOCATION:Oyoun Garden – adot kitchen\, Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/out-of-time-embassy-oote.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210629T160000
DTEND;TZID=Europe/Berlin:20210629T190000
DTSTAMP:20260406T010333
CREATED:20210602T125106Z
LAST-MODIFIED:20210603T155417Z
UID:16718-1624982400-1624993200@oyoun.de
SUMMARY:Exilio\, migración y memoria. | Exil\, Migration und Erinnerung.
DESCRIPTION:Exilio\, migración y memoria. \n¿Tienes algún familiar alemán antifascista que se exilió a Latinoamérica entre 1933 y 1945?¿Volviste a las raíces? ¿Con qué te encontraste cuando regresaste a lo que fue tu país de origen? \nComo parte del proyecto “Jetztzeit - Lebenserinnerungen zur Migration” se realizará unos encuentros de familiares de exiliados que en la actualidad retornaron a vivir a Alemania. \nEl objetivo general de estos encuentros es crear espacios de reflexión\, de confianza mutua y de participación\, en los que la voz de los inmigrantes pueda ser transmitida y comprendida por otros miembros de la comunidad. Así\, estas reuniones representan un ejercicio de memoria colectiva y la experiencia personal de la migración se transforma de problemática individual a colectiva dentro de la comunidad. \nEn el primer encuentro nos haremos preguntas como ¿quiénes fueron aquellos familiares y qué sabemos acerca de su exilio en Latinoamérica? ¿Por qué decidimos retornar a Alemania? ¿Cómo es nuestra experiencia actual como migrantes? Nos ayudarán para crear un espacio seguro en donde compartir y conocer otras personas que tienen historias similares. \nEn el segundo encuentro trabajaremos en una cartografía de la memoria colectiva a partir del uso archivos\, fotos\, collage\, dibujos\, poemas. Estos medios los usaremos en el presente para visualizar migraciones\, territorios y memorias que se viven individualmente\, pero al mismo tiempo son colectivas y se las puede encontrar nuevos sentidos desde nuestro presente. \n\nEl workshop será dado en alemán y español.\nLos dos encuentros serán presenciales y en un espacio al aire libre. En caso que llueva se realizará en una sala.\nSe puede participar de uno o de ambos encuentros.\nSolicitamos previa inscripción debido a que tenemos un cupo limitado.\n\nLos encuentros buscan ser un espacio seguro donde podemos expresarnos además de motivar a quien desea poder trabajar con sus archivos en un proyecto artístico o cultural en Berlín.\nQuienes deseen participar puede comunicarse a info.jetztzeit@gmail.com \n\n------- \nExil\, Migration und Erinnerung. \nHast du deutsche antifaschistische Familienangehörige\, die zwischen 1933 und 1945 ins lateinamerikanische Exil gingen? Bist du zu den Wurzeln zurückgekehrt? Was hast du vorgefunden\, als du in das Herkunftsland zurückgekommen bist? \nIm Rahmen des Projekts "Jetztzeit - Lebenserinnerungen zur Migration" findet eine Begegnung von Angehörigen von Vertriebenen statt\, die heute wieder in Deutschland leben. \nDas generelle Ziel dieser Begegnungen ist es\, Räume zur Reflexion\, für gegenseitiges Vertrauen und für Partizipation zu schaffen\, bei denen die Stimme der Migranten an andere Personen der Gemeinschaft weitergegeben und verstanden werden können. Somit stellen diese Treffen eine Übung zur kollektiven Erinnerung dar und die persönlichen Erfahrung der Migration werden innerhalb der Gemeinschaft von individuellen zu kollektiven Problematiken: \nIn einem ersten Treffen werden Fragen gestellt wie: Wer waren diese Verwandten und was wissen wir über ihr Exil in Lateinamerika? Warum haben wir uns entschieden\, nach Deutschland zurückzukehren? Wie sind unsere aktuellen Erfahrungen als Migranten? Diese Fragen werden uns helfen\, einen sicheren Raum zu schaffen\, in dem wir uns austauschen und andere Menschen treffen können\, die ähnliche Geschichten haben. \nBei dem zweiten Treffen werden wir an einer Kartographie der kollektiven Erinnerung arbeiten und dabei Archive\, Fotos\, Collagen\, Zeichnungen und Gedichte verwenden. Wir werden diese Medien heute benutzen\, um Migrationen\, Territorien und Erinnerungen zu visualisieren\, die individuell gelebt werden\, aber gleichzeitig kollektiv sind und aus unserer Gegenwart heraus neue Bedeutungen finden können. \n\nDer Workshop findet auf Deutsch und Spanisch statt.\nBeide Treffen werden im Freien durchgeführt. Bei Regen wird das Treffen in einem Raum stattfinden.\nEs ist möglich\, an einem oder beiden Treffen teilzunehmen\nEine Anmeldung ist erforderlich\, da wir nur über einen begrenzten Platz verfügen.\n\nDie Treffen sollen ein sicheres Umfeld bieten\, in dem wir uns ausdrücken und außerdem diejenigen motivieren können\, die an einem künstlerischen oder kulturellen Projekt in Berlin mit den Archiven arbeiten wollen.\nWer mitmachen möchte\, kann uns schreiben an: info.jetztzeit@gmail.com
URL:https://oyoun.de/event/exilio-migracion-y-memoria/2021-06-29/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/06/flyerworkshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210710
DTEND;VALUE=DATE:20210711
DTSTAMP:20260406T010333
CREATED:20210624T133835Z
LAST-MODIFIED:20210624T133927Z
UID:16828-1625875200-1625961599@oyoun.de
SUMMARY:Brown Skin Mermaids
DESCRIPTION:Am Samstag den 10. Juli 2021 zieht es Brown Skin Mermaids noch einmal in die Hauptstadt! 🚀🎈🧸📚  Im Kulturzentrum Oyoun wartet ein empowernder Nachmittag auf Schwarze Mädchen im Alter von 5 - 10 Jahren. Für Details und Anmeldungen schreibe eine email an: mermaid@brownskinmermaids.de und sichere einen limierten Platz. \n--- \nOn Saturday\, July 10th Brown Skin Mermaids will return to the captial for a special afternoon at Oyoun 🚀🎈🧸📚 As always\, this event is exclusively for Black Girls (between 5 and 10 years of age) and the spots are limited. For more details and registration please send an email to: mermaid@brownskinmermaids.de\n#BrownSkinMermaidsClub
URL:https://oyoun.de/event/brown-skin-mermaids/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Kinder + Jugend / Kids + Youth
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/06/brown-skin-mermaids.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210722T190000
DTEND;TZID=Europe/Berlin:20210722T210000
DTSTAMP:20260406T010333
CREATED:20210708T143830Z
LAST-MODIFIED:20211102T140020Z
UID:16873-1626980400-1626987600@oyoun.de
SUMMARY:*Ausverkauft* Lesung mit Şeyda Kurt: Radikale Zärtlichkeit – Warum Liebe politisch ist
DESCRIPTION:Radikale Zärtlichkeit – Warum Liebe politisch ist ist am 20. April 2021 bei HarperCollins Germany erschienen. \nWhat is love? Ist die Liebe Sinn des Lebens\, eine politische Allianz\, Illusion oder Selbstzweck? Oder ist sie gar unmöglich\, weil wir uns zwischen Zukunftsängsten\, überhöhten Ansprüchen und diskriminierenden Strukturen völlig zerreiben?  \nDiesen Fragen geht die Autor*in Şeyda Kurt in ihrem Buch Radikale Zärtlichkeit nach. An diesem Abend liest Şeyda Kurt nicht nur aus ihrem Buch\, sondern auch aus Texten\, die sie inspiriert haben\, und spricht mit Fatima Khan über die Liebe in all ihren Facetten.  \nDie Autorin: \nŞeyda Kurt\, geboren 1992 in Köln\, studierte Philosophie\, Romanistik und Kulturjournalismus in Köln\, Bordeaux und Berlin und ist Journalist*in und Moderator*in. Radikale Zärtlichkeit ist ihr erstes Buch\, sorgte bereits nach Erscheinen für viel Aufsehen und steht seit Wochen auf der Bestsellerliste.  \nDie Moderatorin: \nFatima Khan\, 1987 in Bhola geboren\, in Köln aufgewachsen\, ist Künstlerin\, Kuratorin und Moderatorin. Sie studierte Antike Sprachen und Kulturen\, Klassische Literaturwissenschaft und Germanistik an der Universität zu Köln. \nDer HarperCollins Verlag lädt zur Lesung mit der Autorin Şeyda Kurt ein. \nTickets erhältlich bei  Eventbrite. \n*Melde dich unter hallo@oyoun.de falls du geringfügiges bzw. kein Einkommen hast und das Ticket nicht erwerben kannst aber trotzdem teilnehmen möchtest!
URL:https://oyoun.de/event/seyda-kurt-radikale-zaertlichkeit/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Gespräche / Conversations,Lesung,Texte / Texts
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/seyda-kurt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210731T173000
DTEND;TZID=Europe/Berlin:20210731T210000
DTSTAMP:20260406T010333
CREATED:20210624T122724Z
LAST-MODIFIED:20220404T092951Z
UID:16839-1627752600-1627765200@oyoun.de
SUMMARY:Sonic In(ter)ventions | Out of Time Embassy
DESCRIPTION:Sonic In(ter)ventions is a jam session. As cultural workers responding to the times with community building\, Out of Time Embassy (OOTE) consciously meld together sound and healing to form sessions of high-energy improvisation. Spaces are reimagined as interactive meditation sites for historical excavation\, archival protest\, and creative processing. Open and free artistic expressions are cultivated with an intention of decentralizing and celebrating the knowledge production process through action based art forms such as dance and music. \nOOTE is a collective that emerged out of a pure necessity to create and build community. It is a multicultural group of curators producing conversation and curiosity about art and culture and civic engagement\, meditating on local and global impacts of cultural work. OOTE embodies an international unity for seemingly disparate worlds\, building bridges and creating safe(r) spaces for expression to be cultivated and nurtured. Together\, we produce outdoor concerts such as Sonic In(ter)ventions\, a weekly ritual\, which organically curated itself in the wake of the BLM protest and amidst the global pandemic.  \n5-10€ \nTickets/Donations can be acquired via Eventbrite or on the door. We want to remain accessible\, so we invite you to come and pay what you can. We have some Solidarity Tickets for those who can not afford it. We kindly ask you to be honest with yourself. \nDoors open 5:30pm and we will play until 9pm. \nMore details on instagram: @outoftimeembassy 
URL:https://oyoun.de/event/sonic-interventions/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/04/out-of-time-embassy-oote.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210808
DTEND;VALUE=DATE:20210822
DTSTAMP:20260406T010333
CREATED:20210727T173846Z
LAST-MODIFIED:20210730T080748Z
UID:16943-1628380800-1629590399@oyoun.de
SUMMARY:KAUM Indonesian Alternative Performance & Film Festival 2021
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nThe festival takes place over 14 days at three different venues: Oyoun - Lucy-Lameck-Str. 32\, 12049 Berlin\, District Berlin - Bessemerstraße 2\, 12103 Berlin\, and Ana Conda am Ufer - Uferstr. 23 c/o Uferstudios\, 13357 Berlin. The program ranges from the screening of Indonesian films to performances by Indonesian diaspora artists and public discourses. \nFor programme details and tickets see: kaumfestival.soydivision.berlin \n  \n--- \nThe word KAUM in the Indonesian language means a “clan” or a “community”\, while in German\, it means “barely” or even “marginally”.  \nWith its more than 13 thousand islands throughout the archipelago\, Indonesia is blessed with diverse clans/communities\, each with its own distinctive culture. However\, as a nation that claims “Bhinneka Tunggal Ika” (Unity in Diversity) as its official national motto\, Indonesia still faces segregation within its diverse society: there exist the marginalized and the minority. Some of the marginalized choose to flee the country in the hope of finding a better future elsewhere. However\, geographically escaping the space does not mean solving the issues\, as it has veritably ingrained and became a part of one’s identity. \nSoydivision is a Berlin-based independent alternative Indonesian diaspora collective with a mission to provoke a discussion about the exploration and the expression of identity through art and food. Reflecting on the issue of marginalized communities\, Soydivision was inspired to expand its calling to create a platform and space for the underrepresented in a hybrid form of a performance and film festival: KAUM - Indonesian Alternative Performance & Film Festival. \nPerformance is the breath of Soydivision as a collective. It is often used as a medium to express the community’s concerns and to channel our responses to issues mainly related to social and climate injustice. Established and founded in 2017\, Soydivision has been growing ever since\, allowing the community’s family to expand\, as it gets to meet and collaborate with other Indonesian and Asian diasporas\, who share similar interests and backgrounds: from students\, fellow artists\, performers\, musicians to filmmakers. We believe that we can find more innovative yet sustainable methods from these diverse universes and connections to impact and attract new audiences. \nLike two sides of a coin\, we see performance and film as two fundamentally interconnected parts\, as they essentially carry the same notion and share similar purposes - to convey emotions. With film\, the emotions are often channeled through live-action storytelling that is documented through a lens based on the actual space. On the other side\, the act of performance originated and is processed internally before it is tangibly and presently expressed\, regardless of where the scene occurs. \nBased on this view\, this alternative festival aims to cultivate and preserve diverse\, underrepresented  Indonesian voices to advance in Europe. The festival showcases several main categories covering some of the underlying issues of Indonesian marginal communities while combining performances and films as the two subjects of the festival’s main foundations. The festival aspires to act as a representative for Indonesia’s marginal communities. \nWith cutting-edge screening programs for each of the festival’s categories\, the festival also aims to provide a platform for Indonesian filmmakers to showcase their films in Europe. Moreover\, each category will be accompanied by performances from Indonesian artists who reside in Europe as a critical and honest response towards each of the related issues. In doing so\, KAUM hopes to represent those whose voices are constantly oppressed and deserve to be heard and create a space for constructive dialogues through the two perspectives. \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-indonesian-alternative-performance-film-festival-2021/
LOCATION:Oyoun\, District Berlin + Ana Conda am Ufer\, Berlin\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/kaum-indonesian-alternative-performance-and-film-festival-soydivision.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210808T140000
DTEND;TZID=Europe/Berlin:20210808T233000
DTSTAMP:20260406T010333
CREATED:20210730T072054Z
LAST-MODIFIED:20211102T135854Z
UID:16959-1628431200-1628465400@oyoun.de
SUMMARY:THE CREAMY KIKI BALL
DESCRIPTION:Eros Marciano presents: THE CREAMY KIKI BALL \nIt's a quite spontaneous event\, so the theme is something easy! You can choose between the colours: brown\, beige and white. You can decide whether you want to mix all three\, just two or go with just one colour. Shoes and accessories don't count. All categories will be OTA.\nWe will have a garden\, a bar/bistro for drinks and food and a little hangout after the ball. \n➤ Doors open @ 14:00 pm\n➤ LSS / Roll Call @ 15:30 pm\n➤ After the Kiki we can stay in the bar for drinks\, food and music \n- MC: Father Elijah Tea\n- DJ: Ceekay Juicy \nJudges:\nBree Angels\nMandhla 007\nEuropean Prince Romeo Louboutin\nZaniah Marciano\nFounding Father Ray Salem \n\nCATEGORIES (IN ORDER):\nFace  \nBeginner Runway  \nBeginner Performance  \nPosing  \nSexy Performance  \nAll American Runway  \nTag Team 1 Sex Siren 1 Body for 100€  \n- BREAK - \nEuropean Runway  \nTag Team Realness  \nFashion Killer  \nArms vs Hands  \nRunway with a Twist  \nTag Team Performance for 100€ \n--- \n> Facebook Event \n--- \n\nEintritt / Entrance fee -\nNo Registration needed! We have a limited amount of tickets - first come first serve. Priority entrance for participants and ballroom members.\n➡︎ Participants: 8€\n➡︎ Spectators: 13€\nFor the tickets you‘ll need cash  \n--- \nPlease note:  \nAT THE ENTRANCE\, YOU WOULD HAVE TO SHOW EITHER A PROOF OF YOUR NEGATIVE COVID TEST (DONE THE SAME DAY)\, A RECOVERY PROOF OR YOUR VACCINATION PROOF. WITHOUT THESE DOCUMENTS YOU WILL NOT BE ENTERING THE BUILDING. DON'T FORGET YOUR MASKS. \nThere will be a film/photo crew attending the event to create short videos and take photos that will be used for promo purposes by Oyoun and the organiser. They will only film/photograph people that want to be filmed/photographed\, if you are interested listen out for information during the event about how to be a part of it.
URL:https://oyoun.de/event/the-creamy-kiki-ball-2/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T130000
DTEND;TZID=Europe/Berlin:20210817T150000
DTSTAMP:20260406T010333
CREATED:20210803T115528Z
LAST-MODIFIED:20210921T151311Z
UID:16986-1629205200-1629212400@oyoun.de
SUMMARY:DARE TO BE EAST | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE EAST \nLUKA BETA RASA (2020) — AMANDA VALANI\n→ Short Documentary / 35 min / english subtitles \nThe war that took place in Ambon\, Indonesia (1999) was not yet fully over. Thousands of children under the age of 10-15 years were forced into conflict. Not a few children involved in the war eventually grew up without assistance. Growing up struggling with post-conflict trauma and seeking peace in their own way. Now they have become adults without having any education or training. Some of them rely on violence to earn money. 20 years after the Ambon conflict broke out\, how did the former combatants who used to be involved survive and get out of extremism? \nAmanda Valani is the Head of Signature Content of Narasi. She produces a range of edutainment and news content including documentary with various social issues and approach. Amanda received a Master of Arts in Screen Documentary from Goldsmiths University of London\, UK. She also has received a number of awards for her journalistic works over the years\, including The London Human Rights Watch Film Festival for her own individual documentary that focused on gender issue in 2014. \nBOATS (2016) — YANNICK KAFTAN\n→ Short Documentary / 14 min / english subtitles \nWangi-Wangi Island\, Wakatobi. Two boats. Fishermen from the Bajo village Mola follow their daily business. On this day they are stuck in the middle of the sea. The sun is blazing. The motor needs to be fixed. Who can help out? On another boat\, two women on their way to the market delivering fish. BOATS was produced in 2016 as a part of the film exchange project 5 Islands/ 5 Villages funded and organized by the Goethe-Institute Jakarta. \nYannick Kaftan was born 1990 in Munich. Yannick studied film under the guidance of Prof. Pepe Danquart and Prof. Bernd Schoch at the HFBK University of Fine Arts in Hamburg. In 2020 he finished his studies with the graduation film Douglas\, a portrait of a Californian truck driver. Yannick lives and works in Hamburg. \nKITORANG BASUDARA (2015) — NINNDI RARAS\n→ Short Film / 30 min / english subtitles \nA story of how hard it is for Papuan students to find living spaces because their dorms are fully occupied. \nNinndi Raras is a director and producer at Studio Aduhai\, a production house based in Yogyakarta. Ninndi started making films when she joined the 56 Films community in Yogyakarta which was founded by the Yosep Anggi Noen and BW Purbanegara (film director). The first short film “Rahasia” was selected at the 2011 Indonesian Film Festival. His second short film “Gula-Gula Usia” was selected for the Jogja NETPAC Asian Film Festival 2014. This film won Best Short Film Chennai International Film Festival\, India 2015. Her third film “Kitorang Basudara” was selected at the 2015 Jogja NETPAC Asian Film Festival and nominated for the best short film award at the 2019 2011 Indonesian Film Festival. His fourth film\, “Signs Of The Season” was also selected in the 2017 Jogja NETPAC Asian Film Festival and won the best film at the 2018 Australia Indonesia Cinema Festival. Her latest film\, Elinah\, was the official selection for the 2019 Amsterdam International Film Festival and the 2019 Cambodia International Film Festival. Elinah was also nominated for the best short film award at the 2019 Singapore International Film Festival. Ninndi has also been a film judge at the Kompas Gramedia Film Festival\, University of Indonesia Film Festival\, and the Puskat Film Festival. \nBENJAMIN'S WHISTLE (2000) — ARYO DANUSIRI\n→ Short Film / 13 min / english subtitles \nBenjamin loves the whistle sound and wannt be the market patron. Between admiration and hatred he deals with his own feeling by writing a letter to God.  \nAryo Danusiri assistant professor of anthropology at the University of Indonesia\, is a video artist and anthropologist active in Indonesia. An affiliate of the Sensory Ethnography Lab\, he holds a Ph.D. in Social Anthropology with Critical Media Practice from Harvard. His artistic works have been exploring the circulations of new keywords\, violence\, and memory in reconfiguring the political and social landscape of post-authoritarian Indonesian 1998. Those works have premiered at various festivals\, including Rotterdam\, Amnesty Amsterdam\, and Yamagata's “New Asia Current.” His first feature-length documentary\, Playing Between Elephants\, was awarded “Movies That Matters for Best Human Rights Film” at Jakarta International Film Festival 2007 and “Best Documentary” at Brussels Independent IFF. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-east/2021-08-17/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T180000
DTEND;TZID=Europe/Berlin:20210817T200000
DTSTAMP:20260406T010333
CREATED:20210816T094509Z
LAST-MODIFIED:20210819T155710Z
UID:17118-1629223200-1629230400@oyoun.de
SUMMARY:CAN YOU HELP ME FIND … AROUND HERE? | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nPERFORMANCE \nCAN YOU HELP ME FIND … AROUND HERE?— RATU R. SARASWATI\n→ Special participatory performance/120 min / english\n↗ Volkspark Hasenheide (18:00 – 20:00) (Map↗) \nThere is a particular thing in nature\, be it a specific plant\, insect\, or animal that can bring us back to a certain memory in our live that we hold dear. \nSaraswati (ID) examines the nature of human aggression and reparation. In her practice\, she attempts to find an equilibrium by actively sensing and anticipating within the frame of performativity. In the process\, she investigates collective resolutions to heal psychological wounds through attunement with other living beings in the landscape she inhabits. While inviting the interpersonal values of art\, she thoroughly observes the archive of the everyday by unfolding the intersection of personal experience and collective narratives amid today’s increasing intolerance. \n→ REGISTRATION \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-can-you-help-me-find-around-here/2021-08-17/
LOCATION:Volkspark Hasenheide\, Berlin\, Deutschland
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210817T180000
DTEND;TZID=Europe/Berlin:20210817T220000
DTSTAMP:20260406T010333
CREATED:20210803T133146Z
LAST-MODIFIED:20210819T155710Z
UID:16998-1629223200-1629237600@oyoun.de
SUMMARY:OPENING CEREMONY |  KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nOPENING CEREMONY\nOPENING CEREMONY (18:00 – 18:30) \nYOU AND I (2020)— FANNY CHOTIMAH (18:30 – 20:00)\n→ Opening Film / Feature Documentary / 76 min / english subtitles \nKaminah and Kusdalini\,
 former Indonesian political detainees\, meet in prison and then inseparable for more than half of a century. Despite life’s vicissitudes\, they show the beauty of growing old which comes with consequences. \nFanny Chotimah was born in Bandung and is currently living in Solo\, East Java. She works as a freelance writer. Some of her works were published in local and national newspapers and included in some of the Anthology books. She involves in literary\, women issues\, and film community. “You and I” is her directorial debut. \n\nTARING PADI (X) SOYDIVISION FEAT J MOOG PRIBADI (21:00 – 22:00)\n→ Performance / 60 min / english \nTaring Padi was founded by students\, art workers and pro-democracy activists on December 21\, 1998 in Yogyakarta - Indonesia under the formal name of Taring Padi People’s Cultural Institute. This movement was galvanized by the political struggles during Indonesian Reformasi. In 2003\, Taring Padi became an open\, voluntary\, emancipatory and participatory collective. The group uses art and people’s culture as tools for advocating human rights\, gender equity\, democracy\, social justice\, environmental sustainability and solidarity without boundaries.  \nSoydivision is a performing art collective consisting of Berlin-based Indonesians\, positioning itself in the intersection of art and activism. As a registered UG\, Soydivision curated performances\, organized workshops\, culinary art activities\, film screening\, and discussion sessions. Their diasporic point of views offer an alternative approach to contemporary challenges through art\, inviting a new kind of dialogues and engagement \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-opening-ceremony/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T150000
DTEND;TZID=Europe/Berlin:20210818T170000
DTSTAMP:20260406T010333
CREATED:20210803T135109Z
LAST-MODIFIED:20210819T155710Z
UID:17003-1629298800-1629306000@oyoun.de
SUMMARY:DARE TO BE ONESELF  | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE ONESELF\nKADO (​​2018) — ADITYA AHMAD\n→ Short Film / 15 min / english subtitles \nIsfi can wear her comfortable pants among her guy friends but has to wear hijab to be accepted at Nita’s house. Two days to Nita’s birthday\, all Isfi wants is to prepare the best giftin Nita’s room.  \nAditya Ahmad\, born in Makassar(May 29th 1989) has his short SEPATU BARU recognized as Special Mention in 64th Berlin International Film Festival. He then participated the Asian Film Academy (19th Busan InternationalFilmFestival)andtheBerlinaleTalentCampus2015.Aditya alsoworkedas2ndAssistantDirectoronafewfeaturesbyMilesFilms. \nGOLDEN FRAMES IN THE CLOSET (2019) — PUTRI SARAH AMELIA\n→ Short Film / 16 min / english subtitles \nA mortuary cosmetologist has to face a dilemma when she receives a call from a mother who had lost her child. \nPutri Sarah Amelia is a lecturer and film director based in South Tangerang\, Indonesia. She studied film directing at Jakarta Institute of Art (IKJ) and finished her master's degree in Urban Arts and Cultural Industries IKJ. She began her career as an editor or assistant director in short films\, featured length films\, and TV Commercials with many production houses. Although she is now a full-time lecturer\, she continues to direct music videos and short films.​ In 2020\, her latest short film\, GOLDEN FRAMES IN THE CLOSET was officially selected and screening at the Short Shorts Film Festival & Asia 2020 in Asia International & Japan program. The film competed at Bali International Short Film Festival - Minikino Film Week 6 and won National Jury Competition Award 2020. The film also competed at Festival Film Indonesia 2020 and won Best Short Film Award 2020. \n50:50 (FIFTY FIFTY) (2019) — ROFIE NUR FAUZIE\n→ Short Documentary / 24 min / english subtitles \nSome people are afraid of getting old\, women are afraid of losing their beauty\, men are afraid of losing their strength\, and both are afraid to face other things after old age. So what does Dona feel? an elderly transvestite who is embodying the combination of the two. This film shows the reality of Dona's life in living her old age as a transvestite in a shelter house. \nRofie Fauzie is a young director who has worked on documentaries with the theme of humanity. The director whose full name is Rofie Nur Fauzie was born in Kuningan\, April 11\, 1998. He has completed his studies at the Indonesian Cultural Arts Institute (ISBI) Bandung in 2019. Being in the world of cinema since 2015 has made Rofie start to love documentary films\, especially biographical documentaries with humanity as main focus. He caught his attention on the film 50:50 (fifty – fifty)\, a film that tells about the life of an elderly transgender who lives together in a shelter house. Some of the film titles he has produced include ASIH (documentary\, 2017)\, Anak Pisang (documentary\, 2017)\, Jatukrami (docu-drama\, 2018)\, and 50:50 (documentary\, 2019). \nEMAK DARI JAMBI (2015) — ANGGUN PRADESHA\n→ Short Documentary / 38 min / english subtitles \nA Project Change documentary funded by the Ford Foundation\, "Emak dari Jambi" (literally "Mother from Jambi") is a documentary about Anggun Pradesha's personal experience and exploration. This documentary also offers us Kurtini's (Anggun's mother) views on her child's struggle to a greater social acceptance. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-oneself/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T170000
DTEND;TZID=Europe/Berlin:20210818T190000
DTSTAMP:20260406T010333
CREATED:20210816T092616Z
LAST-MODIFIED:20210819T155710Z
UID:17109-1629306000-1629313200@oyoun.de
SUMMARY:DARE TO BE EQUAL | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE EQUAL\nRISING FROM SILENCE (​​2016) — SHALAHUDDIN SIREGAR\n→ Short Documentary / 29 min / english subtitles \nA choir sings back songs made from within the prison and songs long forgotten. These songs are the hope\, for a story that has been silenced for more than fifty years to get its voice back. \nSalahuddin Siregar made his first documentary work at the 2005 Eagle Award workshop organized by In-Docs and the national news television channel MetroTV. This experience led him to participate in various other documentary film workshops\, including the 2009 Doc Station Berlinale Talent Campus in Germany. In this activity\, he presented the project which later became his first feature-length documentary entitled Negeri di Bawah Kabut. His work has earned him several prestigious awards\, including Best Debut Documentary at the 2013 Almaty International Film Festival and the Special Jury Prize MUHR Asia Africa Documentary at the 2011 Dubai International Film Festival. \nMINOR (2019) — VENA BESTA KLAUDINA & TAKZIYATUN NUFUS\n→ Short Documentary / 36 min / english subtitles \nVena is a Catholic. She lives in a predominantly Muslim neighborhood in Aceh\, Indonesia. Vena likes to wear hijab in her daily life and has many friends who are Muslim. However\, how can she continue to live as herself and adapt as a minority in a Muslim majority environment. Family factors also influence her life. \nVena Besta Klaudina\, Born in Magelang\, 28 September 1996. Recently graduated from Syiah Kuala University\, Banda Aceh. Vena now lives with her parents in Sabang City. Involved as an actress in one of the short films entitled Replika Pulau Rubiah produced by VIU. Minor is his first documentary. \nTakziyah Nufus\, Born 1995\, graduated with a bachelor's degree from UIN Ar-Raniry majoring in Islamic Broadcasting Communication (KPI). Nufus and her friends also founded a film community called KOPIAH (Anneuk Aceh Film Community). In addition\, Nufus has been involved in several film productions with Aceh filmmakers\, one of which is the production of a short film with VIU and became a director for the first time in a documentary entitled "MINOR".a documentary entitled "MINOR". a documentary entitled "MINOR". \nA DAUGHTER'S MEMORY (2019) — KARTIKA PRATIWI\n→ Short Animation / 10 min / english subtitles \nThrough Svetlana’s narratives\, Njoto\, who is remembered in Indonesia’s history as a PKI leader\, became another figure – a patient father who taught his daughter how to use the typewriter\, for example. But Svetlana’s narrative does not spare the details of the horror that happened in 1965 and 1966. She recalls her experience of being detained in a jail along with her mother and other siblings. She remembers seeing victims of brutal interrogation techniques being dragged back to their cells covered in blood on a daily basis. Svetlana was often instructed to clean up the interrogation room in the morning when it was not in use. Here she saw traces of torture\, such as the stingray tail and the floor covered with blood. \nKartika Pratiwi is a long time independent researcher with an interest in narrative discourse on the mass violence in Indonesia\, oral history\, and human rights issues\, and accomplished media activist with 12 years’ experience in the use of video\, digital story\, collective memory and alternative media for social change. She has been a part of kotakhitam Forum for 12 years and was part of EngageMedia for more than 3 years\, independent organizations focus on research\, workshops\, digital security\, documentary video project and impact production. \nPratiwi currently develop my project "(Re)writing Indonesian Mass Killings of 1965 in the Digital Age". It was started during a fellowship year at Alliance of Historical Dialogue and Accountability at Columbia University in the City of New York - which will be creating an interactive digital platform about the facts related with the Indonesian past violence through materials such as collection of stories and memories of survivors\, archival documents and digital cartography. She is now also working full-time at Asia Justice and Rights\, a regional human rights organisation focus on building just and accountable societies free from impunity." \nRONG (2019) — INDIRA IMAN\n→ Short Film/ 13 min / english subtitles \nA woman walks home alone and got harassed by a man. Things take an unexpected turn when the hunter suddenly becomes the hunted. \nIndira Iman is an Indonesian film director and writer. She's pursuing her BA in Jakarta Institute of Arts' Faculty of Film and Television\, and is an alumna of Bucheon International Fantastic Film Festival (BIFAN) Fantastic Film School. Indira's works have been screened in numerous local and international film festivals. Most recently\, her student short horror Rong won the Air Canada Best Short Film Award at the 24th Toronto Reel Asian film festival and Best Fantastic Women Short Film at Sao Paulo's 11th Cinefantasy film festival. Currently\, she’s working on her thesis film. \nMENJADI DARA (BECOMING GIRL) (2019) — SARAH ADILAH\n→ Short Film/ 9 min / english subtitles \nAnto and Budi must take a responsibility how it feels becoming a girl name Dara who experienced her first menstruation. \nSarah Adilah was born and raised in Palu. Her film career began with short film “Cermin” nominated as best student short film Apresiasi Film Indonesia 2015\, “Neraka di Telapak Kaki” nominated as best short documentary Film Festival Indonesia 2018\, Gula and Pasir (Sandy Sugar) screened at World Cinema Amsterdam 2019\, Menjadi Dara (Becoming Girl) won best short film UCIFEST 2019 and special mention award by Viddsee Award Indonesia 2019. In 2020\, her script "Tour de Serpong" selected and funded by Europe On Screen Pitching Forum. She currently produce documentary Hidup Dengan Bencana (Living On Top of The Fault) funded project by In-Docs: Good Pitch Indonesia and soon will be finished in 2021. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/dare-to-be-equal-kaum-indonesian-alternative-film-performance-festival/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-4-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T200000
DTEND;TZID=Europe/Berlin:20210818T210000
DTSTAMP:20260406T010333
CREATED:20210816T093726Z
LAST-MODIFIED:20210819T155710Z
UID:17113-1629316800-1629320400@oyoun.de
SUMMARY:OUT ON THE TOWN |  KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nOUT ON THE TOWN\nOUT ON THE TOWN — KELVIN ATMADIBRATA \n→ Performance / 60 min / english \nA performance-installation that invites the audience to a deconstructed scene of a theatrical script. The stage is occupied\, almost in complete silence by minimal set and three actors seeking attention from masculine intimacy. \nKelvin Atmadibrata (b.1988\, Jakarta\, Indonesia) recruits superpowers awakened by puberty and adolescent fantasy. Equipped by shōnen characters\, kōhai hierarchy and macho ero-kawaii\, he often personifies power and strength into partially canon and fan fiction antiheroes to contest the masculine meta and erotica of Southeast Asia. \nHe works primarily with performances\, often accompanied by and translated into drawings\, mixed media collages and objects compiled as installations. Approached as bricolages\, Kelvin translates narratives and recreates personifications based on RPGs (Role-playing video games) theories and pop mythologies. As an expansion of his post graduate study\, he is developing the language of queer abstraction and minimalist erotica in his illustration of the mecha and transhumanist fantasy. \nAs an apprentice tattooist\, he has also been experimenting on the process of image markings on skin as a continuation of his attraction to living sculptures\, breathing mannequins and bodies as pedestals. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-out-on-the-town/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-5-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210819T150000
DTEND;TZID=Europe/Berlin:20210819T170000
DTSTAMP:20260406T010333
CREATED:20210816T095424Z
LAST-MODIFIED:20210819T155710Z
UID:17125-1629385200-1629392400@oyoun.de
SUMMARY:DARE TO BE CONSCIOUS | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE CONSCIOUS\nHOW FAR I’LL GO (​​2019) — ACU AGUSTIN\n→ Short Documentary / 25 min / english subtitles \n"Two visually impaired childhood friends\, Andrea and Salsabila\, who are now teenage girls\, living with their blindness in two different places— USA and Indonesia. At five years of age\, Andrea’s family moved with her from Jakarta to Virginia\, in the U.S. while Salsabila remained in Jakarta. Despite the distance\, the friendship continues. With adulthood waiting around the corner\, the two girls strive to be independent and seek strength in their childhood friendship as they prepare for adult life in two different world." \nUcu Agustin is a writer\, was a journalist and documentary filmmaker now based in Washington D.C\, USA\, and Jakarta\, Indonesia. Over ten years\, Ucu has made dozens of well known documentaries in Indonesia and consistently making film about women and democracy\, exploring injustices perpetrated against society’s weakest members\, and how they fight back: from victims of medical malpractice in Conspiracy of Silence (2010\, 78 min)\, to women driven into illegal prostitution by poverty in Ragat’e Anak/Fortune for My Children (2008\, 26 min)\, and journalists fighting for their right to unionize and to report news according their own moral compass\, rather than according to the political interest of the owners of the media\, in Behind the Frequency (2013\, 115 min). Her films have been screened at the Berlinale Film Festival\, the International Documentary Festival Amsterdam (IDFA)\, Terres Des Femmes\, Vesoul Film Festival\, Cinema Novo and many other international film festivals worldwide. \nTAK ADA YANG GILA DI KOTA INI (2019) — WREGAS BHANUTEJA\n→ Short Film / 20 min / english subtitles \nThis is a holiday season. The Boss of the big hotel gives an order to Marwan and his team to remove the mentally ill people from the city streets and cast them away to the forests so they won't disturb the tourists. Instead of leaving them dying in the forests\, Marwan has another plan. \nWregas Bhanuteja was born in Jakarta on 20 October 1992. He grew up in Yogyakarta and went to Jakarta Institute of Arts with film directing major. His short film Lembusura (2014) was selected in 65th Berlin International Film Festival 2015. One of his short\, Prenjak / In The Year of Monkey (2016) won Leica Cine Discovery Prize as Best Short Film in Semaine de la Critique\, Cannes Film Festival 2016. In 2018 he joined Torino Film Lab to develop his first feature film. His latest short film\, Tak Ada yang Gila di Kota Ini (No One is Crazy in This Town) selected in Busan International Film Festival 2019\, Internationale Kurzfilmtage Winterthur 2019\, Singapore International Film Festival 2019\, Sundance Film Festival 2020\, Clermont-Ferrand International Short Film Festival 2020\, and Locarno Film Festival 2020. \nMOTHER EARTH (2020) — CHAIRUN NISSA\n→ Short Documentary / 23 min / english subtitles \nBagus (20 year-old)\, a farmer who lives in the fertile area of the Kendeng Mountains\, Central Java\, is anxious about the environmental damage that has occurred in his residence. Together with his punk band called Kendeng Squad\, Bagus voiced this anxiety. He made a video clip “Berani Bertani” to record the sounds of nature and the destruction that occurs. Bagus hopes the music can be an inspiration for the younger generation to keep protecting nature. \nChairun Nissa (Ilun) has directed a number of fiction films and documentaries with various issues. Since 2015\, with Sedap Films\, the production house she founded with her two colleagues\, Wini Angraeni and Sastha Sunu\, she has produced innovative and inclusive works that make film not only an art form\, but also capable of inspiring and driving change. Two of his documentaries released in 2020 are titled “Semes7a” and “Mother Earth”. \nDIARY OF CATTLE (2019)— LIDIA AFRILITA & DAVID DARMADI \n→ Short Documentary / 17 min / english subtitles \nEvery morning hundreds of cows are herded to a landfill site. They make it their home; they eat\, nap\, play\, and mate here while having to keep themselves safe from the excavators and bulldozers that plow around the site. If not careful\, a cow might lose its life here\, killed by the heavy machines or trapped under tons of trash. Despite all the risks\, this practice has been around for many years as their owners save the trouble of looking for pasture and instead rely on human food waste to feed them. While some cows are lucky enough to have a barn to return to in the afternoon\, some have to spend the night here because the owner lives far away from the site. Regardless\, all these rubbish-eating cows will share the same destiny under the butcher’s knife. \nDavid Darmadi is a filmmaker currently based in Padang\, West Sumatera. His work has screened at international festivals such as Europe On Screen\, OK.Video Jakarta International Video Festival\, Documentary Film Festival Jogjakarta\, Australia\, ReelOzInd Australia\, Indonesia Short Film Competition and Festival\, ARKIPEL – Jakarta International Documentary and Experimental Film Festival\, Images Festival Toronto\, and Aarhus Kunstbygning Center Denmark. Currently he is managing his project called Ingatan Visual\, which is an initiative that documents the daily life of people in West Sumatera. His current project was pitched at Good Pitch Indonesia\, and developed at AsiaDOC\, and American Film Showcase. \nLidia Afrilita is an Indonesian filmmaker with Linguistics background. Her film Diary of Cattle won at IF/Then Short pitching competition in 2018 and won best short documentary at Indonesian Film Festival\, NETPAC Jogja\, Festival Internacional de Cine Medioambiental de Canarias\, and student award at Cinematerre in France. She is now running an initiative archival project Ingatan Visual\, recording daily life of people in West Sumatera\, Indonesia. Currently\, she is working on her next short documentary which was pitched at Good Pitch Indonesia\, and developed at AsiaDOC\, and American Film Showcase. \nONE OF THOSE MURDER (2019) — JERRY HADIPROJO\n→ Short Film / 10 min / english subtitles \nTwo janitors found a body of a dead woman. But in this digital age\, priority flexed. \nJerry has been making home videos since he was 7 years old. In high school\, exposure to American independent cinema makes him want to be a film director. Unfortunately\, his parents won't let him go to film school\, so he learned Information System instead. After graduating\, he went on to worked for some digital media companies\, where he would write\, produce\, and direct some digital web series. Finally in 2018\, he founded Gambar Gerak\, a production company with a sole focus to produce short and feature film. One of Those Murder is his first short film under this banner. His second short film\, pinangan / a proposal\, finished production in early 2020 but is yet to be released. \nSUNRISE IN THE FOREST (2019)— SAMUEL RUBY\n→ Short Film / 17 mins / english subtitles \nA quiet hamlet in the backwoods of West Java\, a boy is left curious by the death of his father. One day\, he meets a forest spirit whom he thinks may know where his father is. \nSamuel Ruby is an Indonesian-born director and editor based in Singapore. His short films have been previously screened in Indonesia\, Singapore\, South Korea and the United States. Mostly\, he writes about surreality of life and the meaning of human existence. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-conscious/2021-08-19/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210819T200000
DTEND;TZID=Europe/Berlin:20210819T210000
DTSTAMP:20260406T010333
CREATED:20210816T095750Z
LAST-MODIFIED:20210819T155709Z
UID:17129-1629403200-1629406800@oyoun.de
SUMMARY:AFTER CARGO AND MALARIA | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nPERFORMANCE\nAFTER CARGO AND MALARIA — RIZKI LAZUARDI & GERSHON MUSA KAIGERE\n→ Performance / 60 min / english \nA juxtaposition of a colonial healthcare mission and West Papuan cargo cult. \nRizki Lazuardi works mainly with moving image and expanded cinema. Center to his artistic practice is subjects related to institutionalized information. Many of his works deal with state censorship\, neglected archives\, and speculative histories. Lazuardi studied media arts and film at the Hochschule für bildende Künste Hamburg. His works and programs have been presented in many festivals\, institutions\, and off spaces\, among others\, IFFR Rotterdam\, Klubvizija Zagreb\, Image Forum Tokyo\, and Yamaguchi Contemporary Art and Media. Lazuardi is a program consultant for Berlinale Forum 2021. After Cargo and Malaria is developed as a part of the research of Rizki Lazuardi at the Netherlands Institute for Sound and Vision\, Hilversum. Together with Gershon Musa Kaigere\, Lazuardi explored the catalogue of Nieuw Guinea Kroniek. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-after-cargo-and-malaria/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-3-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210820T150000
DTEND;TZID=Europe/Berlin:20210820T170000
DTSTAMP:20260406T010333
CREATED:20210803T125651Z
LAST-MODIFIED:20210819T155710Z
UID:16992-1629471600-1629478800@oyoun.de
SUMMARY:DARE TO BE DIFFERENT | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \n  \nDARE TO BE DIFFERENT\nSUNNY SIDE OF THE STREET (2019) — ANDREW KOSE\n→ Short Film / 10 min / english subtitles \nSunny Side of the Street follows a young truck driver who is looking for his wife amidst the riots and commotion in 1998\, Jakarta. During his search\, he meets a Chinese Indonesian woman who’s hiding from the masses. They end up sharing a journey through the night\, in hopes of getting back to their families. After a tense encounter with a group of rioters\, the driver fears his wife’s safety is not guaranteed and doubts his decision to help the woman. \nAndrew KOSE is a writer/director who has made short films across Jakarta\, Singapore\, Bangkok and Melbourne. He earned a Diploma in Broadcast Media from LASALLE College of the Arts Singapore and a Bachelor of Fine Art (Film and Television) from the Victorian College of the Arts\, Melbourne. In 2017\, he co-founded Pasar Malam Films\, a production house seeking to bring the revolutionary spirit of French and Taiwanese New Wave into their works. Andrew’s latest short film\, Sunny Side of the Street (2019)\, competed at the International Short Film Week Regensburg and SeaShorts Film Festival. The film has also received several recognitions across prestigious local film festivals in Indonesia such as Festival Film Indonesia\, Jogja Asian-Netpac Film Festival and Balinale. Andrew believes that a film should be both culturally specific yet humanly universal. He takes inspiration from ordinary people around him in the subtle yet complex stories of urban life in Jakarta. \nAKAR (2013) — AMELIA HAPSARI\n→ Short Documentary / 23 min / english subtitles \nWhen I was little there was a dream that kept coming to scare me. I went home but nobody recognized me. When I grew up\, my dream changed. I keep chasing my dreams\, without knowing where it will take me. This is a film about where I come from\, where dreams are forgotten and love is never spoken.  \nAmelia Hapsari has been working in various media organizations in China\, Indonesia\, and East Timor since 2005. Her roles include managing\, strategizing\, grant-writing\, mentoring\, producing\, writing and directing for radio\, television and films. Among her productions are documentaries\, television programs\, comic books\, short films\, animation\, and radio features. She is also part of a Southeast Asian network for documentary filmmakers called DocNet Southeast Asia. Her documentaries have won awards and been shown in Indonesian and international film festivals. \nSHIN HUA (2020) — ERICK SUTANTO\n→ Short Documentary / 15 min / english subtitles \nShin Hua\, a well-known barbershop in Surabaya was first built in 1911 by siblings of 12. However\, Freddy was the only one who decided to take charge over their father’s company.  \nYears have went by and Freddy\, independently\, perseveres his hardworking passion for the barber shop. Although this company was a success\, this barbershop gradually discontinued unto the family’s descendants. Shin Hua begun losing their customers and went through bankruptcy. Despite the declining sales\, Freddy remains faithful to his work in the barber shop.  \nErick Sutanto born in Surabaya on November 30\, 2000\, is a dreamy student who is currently majoring in Film at Multimedia Nusantara University. According to him\, the film is a very powerful medium\, which can change the perspective and cause various feelings in the audience. Currently\, Erick is pursuing his part as a Director. Besides films\, he also loves music which he then implements into his films\, to bring a certain nuance. His vision in every work created is how he conveys his voice\, through every message and elements contained in every scene \nANGPAO (2020) — STEFANUS CANCAN\n→ Short Film / 17 min / english subtitles \nTo get Angpao on Chinese New Year\, MICHAEL (8) has to memorize the calls of each family member. Thanks to his efforts\, he gets a lot of Angpao . But Michael wasn’t satisfied because his rival\, ROGER (10)\, received more Angpao than him from a MYSTERIOUS MAN (45) whom Michael doesn’t know. Michael tries to find a way to get Angpao from the Mysterious Man.  \nStefanus Cancan\, a director and one of the founders of Kelas Cancan - an organization that focuses on equal distribution of film and videography education throughout Indonesia. Cancan just won an award as The Best National Director at the Lampung Film Festival. In addition to various national film festivals\, the films he directed also have screened at international film festivals in several countries\, such as the United Kingdom\, Nigeria\, and India. His latest film\, "Angpao" has passed as the official selection and now currently competing at the Minikino Film Week 7\, Bali International Film Festival in the National Competition category. \nLANGIT MASIH GEMURUH (2015) — JASON ISKANDAR\n→ Short Film / 10 min / english subtitles \nJakarta\, Indonesia - May 1998\, during two days of mass violence\, rioters killed thousands of people\, most of Chinese descent. A single Chinese-Indonesian mother struggles to save her family as the riot rises near their neighbourhood. But for her 8 years old daughter\, that was the day the sky roared.  \nJason Iskandar was born in Jakarta\, February 1\, 1991. As a child he watched Steven Spielberg’s Jurassic Park and since then he has aspired to become a film director. He started his directing career when he was 17 years old. His short films\, such as Territorial Pissings (2010)\, Seserahan (2013)\, Balik Jakarta (2016)\, Elegi Melodi (2018)\, etc. have been screened and won several awards\, both at domestic and international festivals. In 2020\, he announced his first feature-length film project called Akhirat: A Love Story and will be released in 2021. The film\, starring Adipati Dolken and Della Dartyan\, is produced by BASE Entertainment with Studio Antelope. Jason Iskandar is also listed as the founder of Studio Antelope\, along with producer Florence Giovani. Studio Antelope is a production company that not only produces feature films\, but also collaborates with various prestigious brands to create branded content on smaller screens. \nTHE FOX EXPLOITS THE TIGER'S MIGHT (2015) — LUCKY KUSWANDI\n→ Short Film / 24 min / english subtitles \nTwo preteen boys discover their sexuality and the relation between power and sex\, in the awkward social setting of a sleepy small town with a military base. David is the big-shot boastful son of a high-ranking officer\, while Aseng’s family is an ethnic minority tobacco merchant who sells bootleg liquor.  \nLucky Kuswandi is one of Indonesia’s most exciting young directors. His films have been screened in International festivals worldwide\, receiving accolades\, awards and distribution. The Wall Street Journal praises his work as “original and uncharted.” In 2010 he directed his first full-length film MADAME X. The film was nominated for 2 Asian Film Awards in Hong Kong at 2011\, and won the Best Film Award at the Copenhagen LGBT Film Festival. \nGet your TICKETS now! \n  \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-different/2021-08-20/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210820T163000
DTEND;TZID=Europe/Berlin:20210820T193000
DTSTAMP:20260406T010333
CREATED:20210812T113339Z
LAST-MODIFIED:20210820T130950Z
UID:17098-1629477000-1629487800@oyoun.de
SUMMARY:BlackinTech Berlin - Summer Meet & Greet
DESCRIPTION:We are really excited to invite you to our first summer social event after being apart for a while. Join in and let's celebrate together. \nWe are really excited to invite you to our first summer social event after being apart for more than a year and a half due to the corona pandemic. The need for social connection is one of the elements that can not be overemphasized and so we couldn´t let this summer go by without reconnecting as a community. \nThis event has been specially curated with so many fan aspects including a networking session\, panel discussions and Q&A session. \nWe are also happy to announce our partnership with Oyoun and for opening their doors to host our community. \nFeel free to show up earlier and work from Oyoun´s beautiful and welcoming lounge.Oyoun is a non profit that carries out socio-cultural and artistic projects that highlight neurodiverse and class-critical perspectives throughout Berlin and internationally\, with the aim of creating an intersectional platform for excellent diasporic\, migrant and international art and culture\, a place for an artistic dialogue about locally\, nationally and internationally relevant topics. \nThinking about your kids? We´ve got you covered! There will be onsite child support where your kids will be safe and have fun. \nYou can rest assured that all hygiene regulations will be observed. \nWe look forward to seeing you! \n  \nAgenda \n4:30pm - 5:00pm: Arrival \n5:00pm - 6:00pm: Panel discussion: HOW TO THRIVE IN UNCERTAIN TIMES - A Conversation with leading Black voices in tech \n6:00pm - 6:30pm: Q&A \n6:30pm - 7:30pm: Networking \n  \nSign up here \nget in touch via Instagram: @blackintechberlin
URL:https://oyoun.de/event/blackintech-berlin-summer-meet-greet/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Networking
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/blackintech-berlin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210820T191500
DTEND;TZID=Europe/Berlin:20210820T194500
DTSTAMP:20260406T010333
CREATED:20210817T154835Z
LAST-MODIFIED:20210819T155709Z
UID:17215-1629486900-1629488700@oyoun.de
SUMMARY:ARTIST TALK WITH RATU R SARASWATI | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nARTIST TALK\nWITH RATU R SARASWATI\n→ Discussion/ 30 min / english \nSaraswati (ID) examines the nature of human aggression and reparation. In her practice\, she attempts to find an equilibrium by actively sensing and anticipating within the frame of performativity. In the process\, she investigates collective resolutions to heal psychological wounds through attunement with other living beings in the landscape she inhabits. While inviting the interpersonal values of art\, she thoroughly observes the archive of the everyday by unfolding the intersection of personal experience and collective narratives amid today’s increasing intolerance. \nwww.ratusaraswati.com \n--- \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-artist-talk-with-ratu-r-saraswati/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210820T193000
DTEND;TZID=Europe/Berlin:20210820T210000
DTSTAMP:20260406T010333
CREATED:20210811T115344Z
LAST-MODIFIED:20210817T090527Z
UID:17062-1629487800-1629493200@oyoun.de
SUMMARY:Theaterprojekt Check! präsentiert: "Eine Zukunft mit Zukunft!"
DESCRIPTION:Wir laden ein zu den Premierenaufführungen des Theaterstücks vom Kinder und Jugend-Theaterprojekt Check! \nEine Zukunft mit Zukunft! Wünsch sich das nicht jeder? Check! \nWas ist ein Mädchen\, was ist ein Junge\, und was bin ich? Die Welt der Kinder verfärbt sich nicht in rosa oder blau. Es sind die Farben der Selbstbilder\, die Entwicklung und Interessen der vielfalt.  \n" Ich finde es so unfair\, dass:\n \n- Einmal habe ich mich dieskrieminiert gefühlt\, weil ich eine dunkle Hautfarbe habe"\n- Männer mehr Geld kriegen als Frauen"\n- Als ich noch nicht deutsch konnte\, ausgeschlossen wurde" \nWir sehen durch unsere Augen\, wir verändern und gestalten unsere Zukunft... \nAm Ende lernen wir\, wie wichtig es ist mehr zu sein! \n  \nDie Tickets sind kostenlos aber limitiert. Ihr könnt euch hier für eine Aufführung anmelden. \n--- \nSpiel und Umsetzung: Theatergruppe Check! Die Kinder\n \nTheaterpädagogische Begleitung: Lorena Valdenegro Senait Sebhatleab\n \nBühnenbild: Maira Gómez und Kinder \n \nMusik: Sofia Puertas und Kinder \n  \n--- \nCheck! ist ein Safe Space für den empfindsamen und achtsamen Umgang mit Ausschlüssen\, ein Raum um eigene Sichtweisen mit der Community und darüber hinaus zu teilen\, sich verletzbar zu zeigen ohne verletzt zu werden. Check! ist ein Jugend-Tanztheater-Projekt der LGBTIQ* und PoC Community\, dass es sich zur Aufgabe gemacht hat\, Geschichte neu zu schreiben und zu erzählen\, durch eine queer*feministische\, anti-klassistische Perspektive zu erweitern. \nCheck Team \nDen Kern von Check! bildet eine feste Gruppe von ca. 10 Jugendlichen Berliner PoC und LGBTIQ* Community im Alter von 10 bis 14 Jahren\, die angeleitet werden\, durch die Theater- und Tanz- Pädagoginnen Senait Sebhatleab und Lorena Valdenegro. \nKonzept \nWir arbeiten unter den Themen Rassismus\, Diskriminierung und Gleichgerichtichkeit. Die Jugendlichen sind eingeladen ihre eigene Erfahrungen auf die Bühne zu bringen und ihre Geschichten durch Tanz und Bewegungen zu erzählen.  Wir arbeiten mit dem Topic\, jede*r erzählt was jede*r will. Nichts wird gezwungen. Am Ende zeigen wir\, wie uns die Welt vorstellen ohne alle Arten von Diskriminierung und Gender gerecht. \nBei Fragen könnt ihr euch gerne bei uns melden: projekt.check@oyoun.de \n--- \nMit freundlicher Unterstützung von Paritätisches Bildungswerk\, Kultur macht stark und Bundesministerium für Bildung und Forschung
URL:https://oyoun.de/event/eine-zukunft-mit-zukunft/2021-08-20/
LOCATION:Oyoun Garden – adot kitchen\, Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/theaterprojekt-check-praesentiert-eine-zukunft-mit-zukunft.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210820T203000
DTEND;TZID=Europe/Berlin:20210820T213000
DTSTAMP:20260406T010333
CREATED:20210817T155957Z
LAST-MODIFIED:20210819T155709Z
UID:17221-1629491400-1629495000@oyoun.de
SUMMARY:THE HACKER | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nPERFORMANCE\nTHE HACKER BY BINTANG MANIRA MANIK & ARDIAN HARTONO\n→ Performance/ 60 min / english \nThe Hacker is a performance piece by Rotterdam-based musician Bintang Manira Manik and Berlin-based performer Ardian Hartono. In their journey they revisit different destinations expressed through sound and movement. Through this process they explore new perspectives on the meaning of identity\, home and belonging\, inspired by the artists´ versatile biographies. Fact-meets-fiction in a fresh interpretation that highlights the audio samples from the festivals´ artworks into a live happening through dance and music. A mind hack about becoming wholesome. \nBintang Manira Manik is a multi-instrumentalist focusing on hand percussion from Bandung\, Indonesia. Growing up in a visual & performing arts family\, in a non profit cultural center\, Jendela Ide\, he started to play music at the age of nine. Practicing Djembe\, Latin Percussion and Kendang Sunda an authentic percussion instrument from Indonesia. Recently finishing his 3 years scholarship under Indian Council of Cultural Relation (ICCR) at Shriram Bharatiya Kala Kendra\, New Delhi\, India\, majoring in Tabla and learned Dhrupad vocal and Tuvan throat singing. \nHe has been encountered with musician coming from diverse cultural backgrounds\, through workshops and residencies and become enamored with world music. Receiving Yamaha Music Award in Asia for his multi percussion composition & solo performance at the age of 17. Composed some electro ambient music combined with percussion. Developed and worked in collaboration with a Sundanese traditional progressive rock group Sound of Hanamangke - Indonesia and a world music group Trippy Sama - India. Conceiver and music director of Raag of Javadwipa and Cakravala Mandala Dvipantara\, which trace the history and cultural relation of Indonesian music. \nBeside creatively creating music and working in collaboration with choreographers\, theater directors and visual artist\, at the culture center developed by the family\, he teaches percussion for kids\, include special needs. \nBerlin based artist Ardian Hartono (born in Bogor Indonesia 1979) thrives in the space between. It is the intersection of energy and tension\, spontaneity and purpose\, self-expression and service\, the spiritual and the elemental. As a performer his passion – the essence of life itself – is cultivating the unpredictable. His exploration of body communication has led him to many places\, cultures\, teachings and experiences. The self-described teleporter has spent decades diving into dance\, theatre\, somatic work and martial arts. Every mentor\, collaborator or creation a waypoint on his journey of awakening\, encapsulating his fascination for storytelling\, ritualism\, symbolism and mysticism. He has performed in various stages such as the Theatre Schaubühne and HAU in Berlin\, Museum der Moderne in Munich and the Grand Theatre of Luxemburg\, and as well performed in various motion pictures as an actor and a dancer. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-the-hacker/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210821T170000
DTEND;TZID=Europe/Berlin:20210821T190000
DTSTAMP:20260406T010333
CREATED:20210817T160724Z
LAST-MODIFIED:20210819T155709Z
UID:17225-1629565200-1629572400@oyoun.de
SUMMARY:THE SCIENCE OF FICTION | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \n--- \nClosing Film\nTHE SCIENCE OF FICTION (2019) — YOSEP ANGGI NOEN\n→ Feature Film/ 106 min / english subtitles (17:00 – 19:00) \nSet in 1960s Indonesia\, Siman is a quiet man who accidentally discovers a moon-landing shooting by a foreign crew\, in a haunted and unpopulated area. Siman is caught by guards and his tongue cut off. Siman goes through life in slow-motion imitating an astronaut in outer space\, labelled as crazy. \nYosep Anggi Noen is an Indonesian film director who's been experimenting with cinematic narratives since mid-2000s. Bor in Yogyakarta on 1983\, he studied Communications at the Socio-Politics Faculty of Yogyakarta's Gadjah Mada University. After directing and producing several short films\, he directed his first feature\, Peculiar Vacation and Other Ilnesses (2012)\, which premiered in Locarno International Film Festival. At Vancouver International Film Festival\, the film received the Special Mention Award followed by the Dragon and Tiger Award for Young Cinema. His next project\, a short film titled A Lady Caddy Who Never Saw a Hole in One (2013)\, won the Best Short Film at Busan International Film Festival and the the Grand Prix of Tokyo Short Shorts Film Festival. Solo\, Solitude (2016)—his second feature—premiered in the Concorso Cineasti del Presente Competition in Locarno International Film Festival. Two years later\, his short film\, Ballad of Blood and Two White Bucket s( 2018)\, premiered in Toronto International Film Festival. His latest feature\, The Science of Fictions (2019)\, will have world\npremiere in Concorco Internationale of Locarno International Film Festival. \nPERFORMANCE\nAYUNA TRIED TO LIGHT THE VOID — GHALIZ HARIS & RIAKO NAPITUPULU\n→ Performance/ 60 min / english (20:00 – 21:00) \nIn this collaboration \, Ghaliz Haris and Riako Napitupulu examine dilemmas in persecutor-victim-rescuer relationships based on various experiences from an Indonesian-German diasporic perspective. Dynamic of identities and personas are represented by an artistic reinterpretation of the drama triangle in a Wayang Golek performance. The question of the possibilities of female action competence and the power of redefining a self-image in relation to topics such as sexual harassment\,abuse of power\,disadvantage and discrimination are in the room during the entire performance. \nThe play is dedicated to the special relationship between audience and performer by involving the audience in the dilemmas of persecutor-victim-rescuer relationships throughout the play.The drama triangle is an effective psychological and social model of conflict resolution on the dynamics of recurring and ongoing conflicts. There are numerous historical and current examples of these dramas\, which continue to this day. \nGhaliz is an indonesian artist currently studying event technology and management at beuth university of applied science berlin. He founded musicratory a program for thengerhin radio berlin\, where he curated indonesian related experimental musician. Using found objects\, synthesizer\, fx pedals he created sound compositions that heavily influenced by human interaction\, sunn o)))\, and anime. \nRiako Napitupulu was born in 1983 in Wuppertal\, now working and living in Berlin. She is a multidisciplinary artist as a performer\, butoh and impro- dancer\, painter\, art therapist\, art mediator and social worker.Growing up between German grey skyscrapers and an Indonesian-Japanese elite family\, she addresses interpersonal relationships\, exploring identity between cultures\, sexuality and social inequality\, as well as her intersectional experiences as a young migrant single mother. \nHer particular passion for participatory projects and community projects in public spaces witha wide variety of groups is reflected in her local art projects as a performer and art mediator in Berlin Biennale 10&11\, 48 Stunden Neukölln\, HAU\, Ballhaus Ost etc. She is co-founder of the fluid multimedia collective polysense art and since 2019 and performer in the performance-music Project Callas & Dollars. She especially likes chocolate\, white\, with almonds. \n\nCLOSING PERFORMANCE — SOYDIVISION FEAT THEO NUGRAHA (21:30 – 22:00)\n→ Performance/ 30 min / english \n  \n\nDJ SET / AFTERPARTY (22:00 – 23:00) \n  \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/the-science-of-fiction-kaum-indonesian-alternative-film-performance-festival/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/kaum-indonesian-alternative-performance-and-film-festival-soydivision.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210821T193000
DTEND;TZID=Europe/Berlin:20210821T220000
DTSTAMP:20260406T010333
CREATED:20210817T162526Z
LAST-MODIFIED:20210819T155709Z
UID:17230-1629574200-1629583200@oyoun.de
SUMMARY:CLOSING + AFTERPARTY | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \n--- \nPERFORMANCE\nCLOSING PERFORMANCE — SOYDIVISION FEAT THEO NUGRAHA (21:30 – 22:00)\n→ Performance/ 30 min / english \nSoydivision is a performing art collective consisting of Berlin-based Indonesians\, positioning itself in the intersection of art and activism. As a registered UG\, Soydivision curated performances\, organized workshops\, culinary art activities\, film screening\, and discussion sessions. Their diasporic point of views offer an alternative approach to contemporary challenges through art\, inviting a new kind of dialogues and engagement \n\nDJ SET / AFTERPARTY (22:00 – 23:00) \n  \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-closing-afterparty/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/kaum-indonesian-alternative-performance-and-film-festival-soydivision.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210821T200000
DTEND;TZID=Europe/Berlin:20210821T210000
DTSTAMP:20260406T010333
CREATED:20210817T161651Z
LAST-MODIFIED:20210819T155709Z
UID:17232-1629576000-1629579600@oyoun.de
SUMMARY:AYUNA TRIED TO LIGHT THE VOID | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \n--- \nPERFORMANCE\nAYUNA TRIED TO LIGHT THE VOID — GHALIZ HARIS & RIAKO NAPITUPULU\n→ Performance/ 60 min / english (20:00 – 21:00) \nIn this collaboration \, Ghaliz Haris and Riako Napitupulu examine dilemmas in persecutor-victim-rescuer relationships based on various experiences from an Indonesian-German diasporic perspective. Dynamic of identities and personas are represented by an artistic reinterpretation of the drama triangle in a Wayang Golek performance. The question of the possibilities of female action competence and the power of redefining a self-image in relation to topics such as sexual harassment\,abuse of power\,disadvantage and discrimination are in the room during the entire performance. \nThe play is dedicated to the special relationship between audience and performer by involving the audience in the dilemmas of persecutor-victim-rescuer relationships throughout the play.The drama triangle is an effective psychological and social model of conflict resolution on the dynamics of recurring and ongoing conflicts. There are numerous historical and current examples of these dramas\, which continue to this day. \nGhaliz is an indonesian artist currently studying event technology and management at beuth university of applied science berlin. He founded musicratory a program for thengerhin radio berlin\, where he curated indonesian related experimental musician. Using found objects\, synthesizer\, fx pedals he created sound compositions that heavily influenced by human interaction\, sunn o)))\, and anime. \nRiako Napitupulu was born in 1983 in Wuppertal\, now working and living in Berlin. She is a multidisciplinary artist as a performer\, butoh and impro- dancer\, painter\, art therapist\, art mediator and social worker.Growing up between German grey skyscrapers and an Indonesian-Japanese elite family\, she addresses interpersonal relationships\, exploring identity between cultures\, sexuality and social inequality\, as well as her intersectional experiences as a young migrant single mother. \nHer particular passion for participatory projects and community projects in public spaces witha wide variety of groups is reflected in her local art projects as a performer and art mediator in Berlin Biennale 10&11\, 48 Stunden Neukölln\, HAU\, Ballhaus Ost etc. She is co-founder of the fluid multimedia collective polysense art and since 2019 and performer in the performance-music Project Callas & Dollars. She especially likes chocolate\, white\, with almonds. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-ayuna-tried-to-light-the-void/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-4-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210829T180000
DTEND;TZID=Europe/Berlin:20210829T230000
DTSTAMP:20260406T010333
CREATED:20210818T105755Z
LAST-MODIFIED:20210820T162750Z
UID:17251-1630260000-1630278000@oyoun.de
SUMMARY:TBRS x HAVEN
DESCRIPTION:Connecting artist and audience using intimate live sets through\, Hip Hop\, RnB\, Soul\, Afro Beats\, Dancehall Reggae and more. \nGet your tickets here \nThe Berlin Radio Show (TBRS) is a Berlin-based radio show centred around highlighting Hip Hop\, RnB\, Afrobeat\, Reggae\, Dancehall and Soul artists of the diaspora through conversations and discussions. The goal is to interview each artist about their passions\, influences\, backgrounds\, aspirations\, and more. We do this with the full intention of providing a platform for artist and their audience to connect deeper. \nHAVEN\, as its name suggest\, is a safe space for artists to showcase their skills and talent on stage in front of a live audience. HAVEN is an entity of Tones of Melanin TV which is a YouTube channel that focuses on health and healing within the Black and Indigenous People of Colour communities. We strive to hear the stories of individuals and heal through panel discussions\, yoga and reiki\, podcasts\, good news\, children’s stories\, party events such as HAVEN and much more. \nTBRS and HAVEN decided to team up to create the interview/ showcase platform which will provide the artist with more opportunities to gain traction for themselves and their music as well as get paid for their time \nOur passion is not only music but delving into the world of the artist behind the music. Set up as a small on-air talk show\, the invited guests have an opportunity to share themselves and their work with the world. The Berlin Radio Show goes live every Sunday from 1:00 to 3:00 pm\, it is a part of the THF Radio platform where we live stream episodes of the show. All episodes are then uploaded to our SoundCloud page for more visibility after the show has been aired. \nAs a dynamic group of people that is passionate about music\, we are constantly expanding and creating new ways for artists to present their music and inspire others on our show\, hence\, the collaboration now between Tones of Melanin TV (HAVEN) and TBRS. \nWith this\, we plan to add a visual aspect recording the live shows and putting on YouTube creating a larger platform and audience for the artist to showcase their work. \nThe goal is to have a nice balance between music and conversation\, providing quality entertainment whilst allowing for the artist to stay true to their artform. \nGet your tickets here
URL:https://oyoun.de/event/tbrs-x-haven/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/tbrs-x-haven.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210831
DTEND;VALUE=DATE:20210915
DTSTAMP:20260406T010333
CREATED:20210817T120407Z
LAST-MODIFIED:20210824T150611Z
UID:17175-1630368000-1631663999@oyoun.de
SUMMARY:W/O Additives - Music Exhibition
DESCRIPTION:▸ About the Music Exhibition:\nThis is Mariam’s & Miriam’s pilot project at Oyoun\, with illustrations and music of BIPoc artist.\n‘w/o additives’ is a music project\, dedicated to BIPoC musicians from the past and present.\nThese musicians changed the way we listen to music without us even knowing\, let alone recognize. The project is about making those BIPoC artists visible. It contains a successive adding of artists\, made visible to you\, until the shop opening and book release in 2022. \n▸ About Mariam Al-Jwari :\nMariam was searching for a long time - searching for visibility\, representation and spaces of being and creating. Then she decided to create this on her own\, for herself and others. With her project ‘w/o additives’ she explicitly wants to offer BIPoC artists a space to develop beyond marginalization or exoticization\, deliberately without using the external perspective as a yardstick. She is into DIY – beyond perfectionism\, but in perfection. \n▸ Opening Hours:\n31.08. - 14.09.2021 14.00 - 18.00 (on 10.09. 14-20h)\n// Tuesday - Saturday\nTime slots every hour can be booked via Eventbrite. \nDue to corona four people per time slot can visit the exhibition personally accompanied by Mariam. \nThe reservation is free of charge\, but we would appreciate a small donation. \n▸ Über die Musikalische- Ausstellung:\nDies ist Mariams und Miriams erstes Pilotprojekt im Oyoun\, mit Illustrationen und Musik von Künstler:innen.„w/o additives“ ist ein Musikprojekt\, welches BIPoC Künstler:innen der Vergangenheit und Gegenwart gewidmet ist. Diese Musiker:innen haben die Art und Weise\, wie wir Musik hören\, verändert\, ohne\, dass wir es überhaupt wissen und anerkennen. In unserem Projekt wollen wir diese Künstler:innen sichtbar machen.\nEs beinhaltet ein sukzessives Hinzufügen von Musiker:innen\, die bis zur Eröffnung des Shops und der Veröffentlichung des Buches in 2022. \n▸ Über Mariam Al-Jwari:\nMariam war lange auf der Suche - auf der Suche nach Sichtbarkeit\, Repräsentanz und Räumen des Seins und Schaffens. Dann entschied sie sich\, dies für sich selbst und andere auszugestalten. Mit ihren Projekt „w/o additives“ will sie explizit BIPoC Künstler:innen einen Raum zur Entfaltung jenseits von Marginalisierung oder Exotisierung bieten\, ganz bewusst ohne den Blick von außen zum Maßstab zu machen. Sie hat Bock auf DIY – jenseits von Perfektionismus\, aber das in Perfektion.  \n▸ Öffnungszeiten:\n31.08. - 14.09.2021 14.00 - 18.00 Uhr (am 10.09. 14-20h)\n// Dienstag - Samstag\nTermine können über Eventbrite gebucht werden.\nAufgrund der Corona können vier Personen pro Zeitfenster die Ausstellung persönlich in Begleitung von Mariam besuchen. \nDie Reservierung ist kostenlos\, wir würden uns jedoch über eine kleine Spende vor Ort freuen. \n▸ Social Media Kontakte \nIG: w/o additives\nwithout.additives.berlin \nIG: Mariam\na.j.maro \n 
URL:https://oyoun.de/event/w-o-additives-music-exhibition/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/wo-additives-music-exhibition.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210903T200000
DTEND;TZID=Europe/Berlin:20210903T213000
DTSTAMP:20260406T010333
CREATED:20210817T140858Z
LAST-MODIFIED:20210902T153541Z
UID:17194-1630699200-1630704600@oyoun.de
SUMMARY:Compañía de teatro Raíces präsentiert: MARTA
DESCRIPTION:MARTA\, Frelichttheaterstück durch den Körper und die Biographie\n3.\, 4. + 5. September auf Deutsch \nEs ist vorbei mit der Angst \nWir kämpfen dafür\, dass unsere Körper respektiert werden. \nWir sind gekommen\, um Grenzen zu setzen\, um den Blicken stand zu halten. \nWir sind von innen erwacht\, wir haben unsere Krallen ausgefahren und leisten Widerstand. \nWir\, mit Tränen in den Augen und unseren Körpern im Kriegszustand\, sagen: \nEs reicht ! Wenn ihr nicht aufhört\, werden wir alles in Schutt und Asche legen. \n--- \nEintritt: Spende vor Ort ab €5 - Anmeldung über Eventbrite erforderlich.  \nMARTA wird von AQUItheater Berlin produziert\, gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien\, in Kooperation mit Oyoun\, Kultur NeuDenken. \nDas AQUItheater Berlin ist ein szenische Forschungslabor\, das den Körper als Hauptwerkzeug beim Erzählen einer Geschichte verwendet. Wir arbeiten aus dem zeitgenössischen Tanz und dem physishen Theater. Unsere Kreationen beginnen mit der Biografie und Themen\, die für uns wichtig sind\, wie Migration\, Feminismus\, Identität und Genderrollen. \n- \nBitte beachten: Voraussetzung für den Eintritt zum Event ist ein tagesaktueller\, negativer Corona-Test oder Impf- /Genesenennachweis. Im Oyoun besteht bis auf weiteres Maskenpflicht . Weitere Infos zum Hygienekonzept findest du hier: oyoun.de/hygienekonzept. \n  \n--- \nMARTA\, obra de teatro al aire libre a través del cuerpo y la biografía.\n10\, 11\, 12 Septiembre - Español \nSe acabaron las miradas con miedo \nLuchamos para que nuestros cuerpos sean respetados \nVenimos a poner límites\, a sostener la mirada \nHemos despertado desde dentro\, hemos sacado nuestras garras y nos estamos protegiendo \nNosotras con lágrimas en los ojos y el cuerpo en situación de guerra decimos: \nEstamos hartas y si no nos escuchan vamos a romper y quemarlo todo \n--- \nValor entrada: aporte voluntario a partir de 5€ - Es necesario inscribirse a través de Eventbrite. \nMARTA es una producción de AQUItheater Berlin\, financiada por el Fondo de Artes Escénicas con fondos del Comisionado de Cultura y Medios del Gobierno Federal bajo el programa #takeaktion\, en cooperación con Oyoun\, Kultur NeuDenken. \nAQUItheater Berlin es un centro de experimentación escénico que utiliza el cuerpo como herramienta principal al momento de contar una historia. Trabajamos desde la danza contemporánea. Nuestras creaciones inician a partir de la biografía y de temas que son importantes para nosotrxs como la migración\, el feminismo\, la identidad y la igualdad de género\, entre otros. \n  \n--- \nTheater Ensemble / Compañía: Compañía Raíces \nRegie / Dirección: Lorena Valdenegro \nRegie Assistant / Asistente Dirección: Catalina Tello \nBühnenbild / Diseño Integral: Mayra Gómez \nMusik Design / Diseño musical: Sofía Puertas \nFlyer Design / Diseño flyer: Sandra Feferbaum Siemsen \nProduktionsleitung / Comunicación: Renée Boche \nDarstellerinnen / Intérpretes: Marina Cano\, Mariby Romero\,Alicia Morán\, Sofía Puertas\, Sandra Feferbaum Siemsen \n--- \nEventfoto: Lucía Jost
URL:https://oyoun.de/event/compania-de-teatro-raices-praesentiert-marta/2021-09-03/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/compania-de-teatro-raices-praesentiert-marta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210904
DTEND;VALUE=DATE:20210906
DTSTAMP:20260406T010333
CREATED:20210817T152329Z
LAST-MODIFIED:20210817T153950Z
UID:17208-1630713600-1630886399@oyoun.de
SUMMARY:Manuscripts of Foreign Body(s): Foreign intimacies Workshops Weekend
DESCRIPTION:Manuscripts of Foreign Body(s)\, is a critical visual collective workshops-based project\, by Ahmad Baba and Michalina Mrozek\, proposing the approach of\, TLGBQIA+ bodies of color\, as manuscripts of duality; being sites of oppressions as well as sites of resilience. The project will be developed\, through organizing critical collective practices\, in two days intensive workshops\,“ Foreign intimacies Workshops Weekend “ on the 4th and 5th of September 2021 at Oyoun. \nThe workshops are platforms for experimenting and developing a communication mechanism\, from/to TQ BIPOC identifying individuals\, enhancing our own interpersonal relationships\, as well as how we can find a middle line for circulating experiences\, without judgement neither evaluation\, but more of sharing\, reflecting\, relating\, constructive criticism\, and developing something new. \nThe intimate collective workshops will invite QTBIPOC artists from different disciplines to come together and create a safe(r) space(s)\, for investigating bodies on different levels\, and bring forward narratives that speak to their own personal stories. Together we will develop a driving force that lacks in many spaces we exist in\, and see how we could focus on the discourses of resilience through the lens of our struggles\, and not the opposite. The workshops will emphasize on body politics approaches\, empowerment of bodies of color\, oneness and closeness\, and how bodies of color\, as sites of oppressions\, could develop a mechanism of defense without burning out one's mental capacities. \n*The workshops will be in English and translated into German\, Arabic and Polish. \nAnmeldung // Registration \nProgramme Saturday\n11-12:30 Decolonizing Embodiment Workshops (Dance Therapy)\nEverybody is a body\, but not everybody experiences their bodies in the same way. The intersection between race\, gender\, sexuality\, ethnicity construct our bodies and experiences that we didn’t have a choice on. The body(s)\, specifically of Color and Queer\, are at once sites of\, oppression\, resistance\, and resilience. So how can we experience embodiment with each other\, but most importantly with ourselves? And how does collective dancing or movement emphasize our individual experience(s) in our bodies and in relation to other bodies? In these series of workshops\, we will investigate body(s) from a therapeutic approach\, of how we can express what our bodies hold within\, from microaggressions to racism\, from resistance to empowerment\, so we can find our ways back to our body(s) through the movement cycles and the manifestations of our stories that we present through our body(s). \nThe workshops will go for two hours\, including an opening circle\, several interventions and a closure/reflection round ending the session. You don't need to have dance experiences. These workshops are a priority for QTBIPOC individuals\, and everybody else is welcome if they understand the space they are attending and their position in it. Bring your body\, and have comfortable clothes on. \npowered by: Ahmad Baba - interdisciplinary and social artist\, currently a dance movement therapist (M.A) in the making\, investigating intersectionality in arts therapies and gender body politics\, in mental health for marginalized communities. Since 2016\, conceptualizing and developing a pragmatic critical collective workshops and visual projects\, with QTBIPOC groups and artists\, focusing on alternative narratives for identity(s)\, and a different approach to experiences of oppression(s) that communities of color face in a western context. \n13-14:30 Rediscovering Femininity Through A Post-Colonial Lens\nThrough the colonial lens\, femininity has been warped and pathologicised as something foreign\, oppressive and weak to our bodies. We’ve been made to look down\, resent and be afraid of exploring the depths of our expression and the power it holds for us\, and the power it held for our ancestors. Through this workshop\, we will explore the experiences we’ve had with expression through our bodies\, look through the historical beauty and implications of living so unadulteratedly and using the dance form of ‘Vogue Femme’ from Ballroom culture\, which is a celebration of femininity and the allowance to be. This workshop will explore this all with sound\, movement and dance. \npowered by Mandhla - a 24 year old trans-feminine gender non-comforming performance and visual artist born and raised in Zimbabwe\, Africa. As a current resident in Berlin\, she brings a blend of experimental R&B and Soul music intertwined with visual projections and performative dancing. Her art explores the daily trials that Trans*\, enby and femme* immigrant bodies experience with love\, identity\, sex and acceptance. A strong lover of fashion\, the art of vogueing and music\, she promises to bring to you an experience that takes you to a world of beauty and divine epiphanies through fierce queer representation and black femme* power. \nInterview session powered by Michalina Mrozek\nShe is a filmmaker and film educator who has been working as an independent filmmaker in Berlin since the beginning of 2013. She has many years of experience in educational work with youth and young adults as a project manager and filmmaker. For the past four years\, she has increasingly realised projects with people of LGBTQ+ orientation\, through which she has developed her own and respected style of working with queer people. \n--- \nProgramme Sunday\n11-12:30 Drag personas as Mythological creatures : Be your own Guardian angel\, Monster and Superhero\nStrategy for marginalized bodies to go against the dominant narrative when creating their drag personas. How to envision and conceptualize your drag persona. From finding the right name\, experimentation with makeups and looks\, to composing your performance. Using drag as a way of analyzing the complexities of your identities\, twisting others' projections on you\, reclaiming the parts of you that are degraded by the dominant narrative of the society. Drag begins with acknowledging the foreignness of your body. Then\, amplifying \, twisting and reclaiming it. \npowered by: Isu Mignon Mignonne (異水 謎龍 未姩) (it/it/its) - Isu questions how itself* appears in the world\, and twists it through various kinds of performance. It can be ritualistic\, it can be multi-layered\, it can be cathartic. It resurrects the invisible queer death through green screen. It wears the female figure as an anaglyph 3d illusion. It reclaims the power of instrumentalizing one’s body and praises the sacred hole through the vibration of the snake. \n13-14:30 LABORATORY OF DESIRES\nWe all feel desired or undesired in certain ways. Perceptions of gender presentation\, body shape\, skin color\, hair have an incredible influence on the way were socially perceived\, and by consequence\, desired. For people of color and trans people\, these perceptions frame all your sex experiences and often creates layers of trauma that stop you to allowing yourself to new experiences. Desires are not natural\, they’re learned. There is no such a thing as “preferences”\, desire is thought and desire is a product of the experience. For BDSM practitioners and kinksters in general\, desire can be a very tricky topic. Who’s DOM and WHO’S sub? Are some folks socially perceived as sub and others as DOM? What does being a top and being a bottom mean? What is a power bottom or a submissive top? The same way I believe gender is not a stationary state\, neither are sexual roles. I believe we’re all tied up in several social ropes and can only move in certain ways. THE DESIRE LAB is a workshop shaped as a round of discussion\, where attendants are encouraged to speak up about how we wish we were desired as we see ourselves and study them together. The lab is a small studio made in collaboration with Michelle Gutierrez (@caribe_lunar) where in group we have a space to produce visual imagery\, solo or in group\, about what we wish and we desired. The Lab will provide masks\, accessories\, lights\, toys and also people who may want to volunteer to be in the photos or videos\, or not. Or stay anonymous with masks if they wish. The consent terms and guidelines will be made with the assistance of the sex educator and performer Lina Bembe. \npowered by: LUX VENEREA (aka Naya de Souza) - Comedian\, Speaker\, Chef\, Performer\, Poet\, cangaceira transviada. Left the Sertão of Brazil to be a travesti*. Also left debts in the bank of brazil and believes that sleeping alligators get turned into YTpeople's purses. \nInterview session powered by Michalina Mrozek\nShe is a filmmaker and film educator who has been working as an independent filmmaker in Berlin since the beginning of 2013. She has many years of experience in educational work with youth and young adults as a project manager and filmmaker. For the past four years\, she has increasingly realised projects with LGBTQ+ communities that aim for more visibility and tolerance. \n--- \nAnmeldung // Registration \n--- \nFörderung des Fonds Soziokultur aus dem Programm der Beauftragten der Bundesregierung für Kultur und Medien (BKM) „NEUSTART KULTUR“ Gemeinsam. Schaffen. Patenschaften für das WIR der Verschiedenen ist Teil des Bundesprogramms Menschen stärken Menschen und wird gefördert vom Bundesministerium für Familie\, Senioren\, Frauen und Jugend
URL:https://oyoun.de/event/manuscripts-of-foreign-bodys-foreign-intimacies-workshops-weekend/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/manuscripts-of-foreign-bodys-foreign-intimacies-workshops-weekend.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210904T190000
DTEND;TZID=Europe/Berlin:20210904T230000
DTSTAMP:20260406T010333
CREATED:20210901T084312Z
LAST-MODIFIED:20210902T183531Z
UID:17365-1630782000-1630796400@oyoun.de
SUMMARY:Poetry Meets w/ Yugen Blakrok - A Performance Vortex
DESCRIPTION:Reserve your tickets here \nThe Poetry Meets Series pres. lyrical rap prodigy Yugen Blakrok\, Berlin's rising talent RCSE\, poets Astan KA and Hiwot. Plus a surprise act! \nThe Poetry Meets Series presents South African Headliner lyrical rap prodigy Yugen Blakrok\, Berlin's rising talent RCSE\, poets Astan KA\, Hiwot AND one special kind surprise act. \nAfter the Line Up program\, Poetry Meets will showcase a performance vortex of selected 8-10 open stage artists to watch. \nAfterparty with DJ Pam Bam \nTickets: 7 Euros to pay on the door\, but please reserve your tickets in advance > click here \n--- \nYUGEN BLAKROK \nEver since she appeared on the soundtrack to the Marvel blockbuster »Black Panther\,« South African rapper Yugen Blakrok has had her hands full. The highly productive MC is representing the burgeoning scene in her home country\, which deserves as much exposure as she does\, but at the same time\, she wants to go her own way without compromising. Her sound refers to golden-age hip-hop\, but her lyrics are firmly focused on the future. For all of these reasons\, it’s a bit tricky with Yugen Blakrok. For herself\, too\, but she doesn’t seem to be bothered. The album »ANIMA MYSTERIUM« shows her flow that’s as demanding and direct as the rock- and jazz-inpsired betas of Kanif the Jhatmaster. »Cosmic breath\, I’m air element\, find strength in the mental\,« she raps on »Carbon Form.« This is only the beginning. \nRCSE\nJosephine Biyaga is an artist emerging from the creative streets of Berlin. Her music speaks to the heart and carries influences of RnB\, Soul\, Jazz and Modern Sounds. She is as versatile and gifted as it can be. 
 Under the management of M.I.K Family\, who have newly branched into the music industry after years of success in the creative industry\, she is definitely one to look out for! \nAstan KA is an artistic performer\, rapper\, singer\, poet\, and dancer.  \nHiwot\nPoetin\, Autorin\, Umweltschutz Beraterin\, Kunsttherapeutin\, umweltbewusstes Bauwesen \nDJ: Pam Bam \nPamela Owusu-Brenyah (DJ Pam Bam) is a music consultant\, festival organiser\, and DJ\, working on an enhanced visibility of contemporary African Pop culture in Germany. With her community platform AFRO x POP she regularly offers a music festival stage for rising artists of the Afro-German scene. Pamela\, a studied political scientist\, is based in Berlin and has family roots in Ghana. She has worked in Ghana’s capital Accra as a DJ for three years and since then has been commuting back and forth between both musical worlds. \n  \n-- \nPlease note: To take part in events at Oyoun or visit our exhibitions\, you need to have a negative corona test from the same day  or proof of vaccination / recovery. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here: oyoun.de/hygienekonzept \n  \n--- \nWith generous support from Musicboard Berlin GmbH
URL:https://oyoun.de/event/poetry-meets-w-yugen-blakrok-a-performance-vortex/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Texte / Texts
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/09/poetry-meets-w-yugen-blakrok-a-performance-vortex.jpg
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DTSTART;TZID=Europe/Berlin:20210906T183000
DTEND;TZID=Europe/Berlin:20210906T213000
DTSTAMP:20260406T010333
CREATED:20210810T170632Z
LAST-MODIFIED:20210902T175522Z
UID:17049-1630953000-1630963800@oyoun.de
SUMMARY:»Muslimaniac. Die Karriere eines Feindbildes« - Autor Ozan Zakariya Keskinkılıç im Gespräch mit Alice Hasters - DJ Xanax Attax legt auf
DESCRIPTION:Am 6.September erscheint bei Edition Körber das neue Buch von Ozan Zakariya Keskinkılıç. In »Muslimaniac. Die Karriere eines Feindbildes« geht der Politikwissenschaftler und Rassismusforscher auf Spurensuche nach »Orientalika«\, so nennt Keskinkılıç Symbole\, Sprachspuren und Gegenstände\, in denen sich die hartnäckigen Klischees von »Orient« und »Okzident« spiegeln. Er verknüpft sie mit aktuellen Entwicklungen und eigenen Erfahrungen und seziert so die Fixierung auf »den Islam« als zentrales Feindbildes der Gesellschaft. »Muslimaniac« nennt Keskinkılıç diese kolonialtradierte Pathologisierung und Erfindung von Muslim*innen als Problem — sexuell\, gesundheitlich\, kulturell\, religiös und politisch: ein Begriff\, in dem sich die Fremdkonstruktion mit dem ironischen Geist des Ausbruchs aus den Stereotypen mischt. \nOyoun lädt ein zum Book Launch\, unterstützt vom Verlag Edition Körber. \nDie Lesung moderiert Alice Hasters. Im Anschluss legt Zuher aka DJ Xanax Attax auf. \nAhlan wa sahlan. \nEinlass: 18.30 Uhr\nBeginn: 19:00 Uhr  \nFreier Eintritt. \nAnmeldung erforderlich über Eventbrite \nPresseanmeldungen bitte an press@oyoun.de \nBitte beachten: Voraussetzung für den Eintritt zum Event ist ein tagesaktueller\, negativer Corona-Test oder Impf- /Genesenennachweis. Im Oyoun besteht bis auf weiteres Maskenpflicht . Weitere Infos zum Hygienekonzept findest du hier: oyoun.de/hygienekonzept    \n--- \nDer Autor: Ozan Zakariya Keskinkılıç ist Politikwissenschaftler\, freier Autor und Lyriker. Er studierte in Wien und Berlin und lehrt und forscht an Berliner Hochschulen. 2021 wurde er als Mitglied der Expertenkommission gegen antimuslimischen Rassismus im Land Berlin berufen. Regelmäßig nimmt Keskinkılıç Stellung zu tagespolitischen Themen\, u. a. auf ZEIT Online\, zdf heute und in der Süddeutschen Zeitung. Neben wissenschaftlichen und journalistischen Arbeiten publiziert Keskinkılıç Gedichte in Literaturzeitschriften und Anthologien in Deutschland\, Österreich und der Schweiz. Sein Buch „Muslimaniac. Die Karriere eines Feindbildes“ erscheint am 6.September 2021 bei Edition Körber. \n\nDie Moderatorin: Alice Hasters wurde 1989 in Köln geboren. Sie arbeitet und lebt als freie Autorin in Berlin. In München studierte sie Journalismus an der Ludwig-Maximilian-Universität und an der Deutschen Journalistenschule. Anschließend arbeitete Hasters u. a. für die Tagesschau und den RBB. Mittlerweile moderiert sie die Sendung Einhundert – Stories mit Alice Hasters auf Deutschlandfunk Nova. Mit Maxi Häcke gründete sie den monatlichen erscheinenden Podcast Feuer&Brot\, indem sie über Feminismus und Popkultur sprechen. Ihr erstes Buch „Was weiße Menschen nicht über Rassismus hören wollen\, aber wissen sollten“ erschien 2019 bei hanseblau. \n\nDer DJ: Zuher aka xanax_attax hat 2018 als DJ angefangen. Er war wurde vom queer-feministischen Kollektix PxssyPalace in London ausgebildet\, von dem er Teil war. Zuher legte von da an vor allem Arabischen 80er\, 90er und 2000er Popmusik auf: Nancy Ajram\, Haifa Wahbe oder Elissa. In Berlin war er Resident DJ von der Partyreihe QueerArabBarty.- \n--- \nFoto Ozan Zakariya Keskinkılıç: Meltem Kaya  \nBuchcover: Nes Kapucu
URL:https://oyoun.de/event/muslimaniac-die-karriere-eines-feindbildes/
LOCATION:Oyoun Garden – adot kitchen\, Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/muslimaniac.jpg
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