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DTSTART;TZID=Europe/Berlin:20230715T140000
DTEND;TZID=Europe/Berlin:20230715T210000
DTSTAMP:20261108T200601
CREATED:20230628T152738Z
LAST-MODIFIED:20230712T103659Z
UID:30801-1689429600-1689454800@oyoun.de
SUMMARY:Lecture Performance + Screening | Species\, Soil and Successors
DESCRIPTION:Lecture Performances\, Screening and discussion with contributions by Hillside Projects\, Julia Schuster\, Devadeep Gupta\, Lea Maria Wittich and Nilanjan Bhattacharya. Curated by Arijit Bhattacharyya \nOyouns curatorial focus Listening to the Land launches with Species\, Soil and Successors by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nBased on curatorial research and a remote art residency\, the project shares its first creations at Oyoun Berlin on Saturday\, 15 July\, 2023\, between 2 pm and 9 pm. In the presence of the curator and participating artists\, the first chapter will be presented as part of a conference with lecture performances and a subsequent panel discussion. The second chapter of Species\, Soil and Successors will also be opened on 15 July 2023 with a multimedia exhibition at Oyoun. \nAfter kicking off the event with a screening by interdisciplinary artist Julia Schuster\, Hillside Projects' lecture performance Searching For the European Roller maps the life\, movement and disappearance of the bluebird – The European Roller – excavating the many layers surrounding the birds’ need for departure and the strong national desire in the context of Sweden for it to return. Devadeep Gupta’s work tackles the Baghjan Oil Blowout\, which happened on an Oil-India Limited-owned site on 27th of May 2020 in an area home to a multitude of migratory birds and animals and which has caused the displacement of more than 1600 families who were in the vicinity of the site of gas blowout. In her performance Molluscular modes\, artist Lea Maria Wittich is indulging in a political history of the snail and doing an associative research on slowness\, spirals\, slime\, snails and slugs\, whereas Nilanjan Bhatttacharya’s Of the Sun and the Moon\, the Water\, the Soil\, and the Daily is a kaleidoscopic\, live and solo reading performance intertwined with moving images and sound that reminds the audience and himself about our current disguised\, dystopian order. \nWe are surviving through an epoch of spiralling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? \nSpecies\, Soil and Successors imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nFree admission! \nLanguage: English \nTimetable \n14:00 Doors\n14:30 Julia Schuster (Videoscreening)\n15:00 Hillside Projects – "Searching For the European Roller"\n16:00 Devadeep Gupta – "Normalisation of a Disaster"\n17:00 Lea Maria Wittich – "Molluscular modes"\n18:00 Nilanjan Bhattacharya – "Of the Sun and the Moon\, the Water\, the Soil\, and the Daily"\n19:30 Discussion \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nHillside Projects \nis Emily Berry Mennerdahl and Jonas Böttern. Situated within a conceptual framework\, their work explores tales of disappearances in the natural world and the interrelated socio-political narratives and existential emotions that arise through these tales. Hillside Projects approach their subject matter by embracing the absurd\, the comedic\, and the tragic. Hillside Projects’ works are manifested as text\, video\, painting\, sound\, and large site-specific installations. Performance lies at the core of their practice\, explored through performative walks\, lecture performances and time-based presentations. Hillside Projects tell stories. Stories of ecological collapses and failed symbiosis. Stories about birds. Colourful birds on the brink of extinction\, birds killed in aeroplane crashes\, birds that eat the dead. In their making\, the bird stories expand into larger narratives. Narratives about the cycles of life\, of being eaten and eating\, and of dust. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nLea Maria Wittich \nIn her artistic work\, Lea Maria Wittich (*1994) explores questions of social and ecological justice and the coexistence of human and non-human agents. In her conceptual works\, which are informed by intensive "random research\," she uses a variety of media\, particularly clothing\, objects\, and performance\, and situates them in site-specific contexts. She studied Fashion at the Berlin University of the Arts as well as "Public Art and New Artistic Strategies" at the Bauhaus-Universität Weimar. \nWebseite \nJulia Schuster  \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nNilanjan Bhattacharya \nis a filmmaker\, artist and writer from Calcutta\, India. For the last fifteen years\, he has been exploring biodiversity\, food cultures and indigenous knowledge systems in India. His works include Johar Welcome To Our World\, Ninety Degrees\, Rain in The Mirror\, Fishing Out of Time\, and Quiet Flown the Stream; they were exhibited at Mumbai International Film Festival\, Goteberg International Film Festival\, European Kunsthalle\, Frankfurter Kunstverein\, Experimenter Art Gallery and Wellcome Collection Gallery. Nilanjan received the President’s Award of India in 2005 and 2010. \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nPhoto Credit: Devadeep Gupta \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Swagata Bhattacharyya\, Binita Limbani\, Julia Schuster. \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land. \n–––– \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic  here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_opening/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Lesung,Panel,Performance,Screening,Talk,Texte / Texts
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-77.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T140000
DTEND;TZID=Europe/Berlin:20230715T210000
DTSTAMP:20261108T200601
CREATED:20230628T153308Z
LAST-MODIFIED:20230712T103917Z
UID:31323-1689429600-1689454800@oyoun.de
SUMMARY:Exhibition Opening | Species\, Soil and Successors
DESCRIPTION:Multimedia-exhibition Opening with artworks by Studio 33/3\, Devadeep Gupta and Julia Schuster. \nOyouns latest curatorial focus Listening to the Land launches with “Species\, Soil and Successors” by Arijit Bhattacharyya\, a curatorial project consisting of three chapters. \nIn its second segment “Soil and Successor”\, the project holds space for artistic engagement in peripheral socioecologies. Through a remote artist residency with Studio 33/3\, Swagata Bhattacharyya and Binita Limbani\, the project confronts us with another reality where climate catastrophe structures everyday life. The resulting multimedia exhibition\, which is on display at Oyoun between 15 and 26 July will present audiovisual works of some of the residency artists as well as of the artists Devadeep Gupta and Julia Schuster. Some of the video works will be screened at the launch event on 15 July as well. \nWe are surviving through an epoch of spiraling ecological devastation\, multispecies extinction and military extractivism. The notion of a collective future beyond human existence is still a far imagination. Though imagination is an essential practice. Imagination succors knowledge applicable in problem-solving and is elemental to integrating experiences in learning. How do we imagine a pluriversal multispecies future? "Species\, Soil and Successors" imagines framing a complex practice-oriented enquiry into intersectional climate justice by listening to people who are often sidelined. The project tries to imagine a world beyond the colonial touch. \nExhibition opening on 15 July 2023\, 14:00 - 21:00 h\nFrom 16 - 26 July daily between 13:00 h and 19:00 h \nFree admission! \nLanguage: English \nBiographies \nArijit Bhattacharyya \nborn in West Bengal\, is an artist and independent curator currently based in Weimar. His practice revolves around contentious narratives of resistance through social engagements\, design interventions and lecture performances.  \nThrough his artworks he deals with questions about the individual\, power and history and how these manifest in social contexts. He is deeply invested in the conversations of postcolonial resistance\, anticoloniality\, social marginalization and community disobedience. His practice stirs up prevalent structures that determine the way we live\, drawing resistance against different kinds of injustice and oppression. \nHis artistic discourse is deeply rooted in the dissecting trajectories of socio-political history and its implications in cultural practices. His practice can be perceived as a stance of speaking up to power. As a curator he is invested in artistic practices that investigate methods of social agitation and political imagination. Arijit triggers us to see what we want to close our eyes to\, while inspiring us to re-imagine structures that define who we are. \nStudio 33/3 \nis a grassroots Indian artist collective comprised of Soumik Ghosh\, Shibayan Halder\, and Suvojit Roy. They are known for their unique approach to challenging extractivism and advocating for alternative demurral positioning through artistic and cultural inquiry. The collective's work seeks to understand extractivism as a class-based practice and offers alternative perspectives on contemporary cultural tendencies. \nThey explore the rural-urban divide that exists in West Bengal. The collective recognizes this division and investigates its implications for the region. They delve into the complex dynamics and socio-economic disparities between rural and urban areas\, examining how these divisions perpetuate inequality and affect various aspects of society. \nIn their artistic practice\, Suvojit\, Soumik and Shibayan take into account the postcolonial understanding of the nation-state as an extension of colonial heritage. This perspective recognizes the enduring influence of colonialism on social\, cultural\, and economic structures within the nation. By examining the contemporary context through this lens\, the collective aims to shed light on the ongoing effects of colonialism and challenge the status quo. \nMoreover\, Studio 33/3 is particularly interested in exploring the ecological devastation occurring in the region as a class struggle. They view environmental issues not only as matters of ecological concern but also as interconnected with social and economic factors. By examining the environmental impact through the lens of class struggle\, the collective aims to highlight the unequal distribution of environmental burdens and advocate for more equitable and sustainable practices. \nSoumik Ghosh \nis a multidisciplinary visual artist hailing from Kolkata\, India. His artistic exploration centres around politics and social representation\, seeking to challenge the prevailing constructs of contemporary Bengali society. Influenced by literature\, oral history\, and films\, Ghosh's work reflects a deep engagement with various forms of storytelling and cultural narratives. \nHis practice encompasses a range of mediums\, including performances\, paintings\, photographs\, and large-scale installations. Through these artistic forms\, he interrogates societal norms and conventions\, encouraging critical reflection on the existing power structures and social hierarchies. His work is both self-referential and socially conscious\, delving into personal experiences while also addressing broader societal contradictions. \nShibayan Halder \nis a multidisciplinary artist whose upbringing has been shaped by the profound disagreement between Communist West Bengal and the wave that led to its overthrow. This conflict was not only political but also symbolic of the tension between the urban and rural spheres. Halder's artistic practice deeply resonates with this conflict\, exploring the changing sociopolitical landscape and metaphors of people and their evolving relationship with nature in the small villages of South 24 Parganas\, West Bengal. \nThrough his work\, Shibayan reflects on the shifting dynamics of power\, society\, and nature within these rural communities. He delves into the intricate interplay between these elements\, capturing the nuances and complexities of their relationships. His artistic exploration revolves around the sociopolitical scenario of the region\, considering the impacts of political transformations and urbanization on the lives of the people and beyond in these villages. His work serves as a metaphorical lens through which he examines the evolving dynamics and tensions between the urban and rural realms and their influence on local communities of human and non-human agents. \nFurthermore\, his practice underscores the profound connection between people and nature within these rural environments. Shibyan explores the intricate relationship\, often emphasizing the transformative nature of this bond. Through his artwork\, he encourages viewers to contemplate the evolving dynamics between humans and their natural surroundings\, reflecting on how these relationships shape and are shaped by larger sociopolitical forces. \nSuvojit Roy \nis a visual art practitioner based in Kolkata\, India. His artistic practice draws inspiration from his day-to-day life and the surroundings in which he lives. Growing up in a slum\, Suvojit has developed a keen interest in understanding and exploring the slum as a unique living organism. His works revolve around the circumstances of life in his immediate vicinity\, offering a nuanced perspective on the realities of his community. \nThrough his lived experiences\, Suvojit delves into the politics of building and its socio-cultural implications\, particularly concerning the city. His artwork reflects a deep engagement with the social\, economic\, and cultural aspects of slum life and access to resources. By highlighting the experiences of the economically underprivileged and ecologically marginalized\, Suvojit's works give voice to the often marginalized and overlooked perspectives within society. \nOne notable theme in Suvojit's art is the exploration of the concept of "home" within the context of economic disadvantage. His works offer a gaze into the lives of the underprivileged and attempt to narrate their experiences through the lens of "otherness" within their own country. By doing so\, Suvojit challenges societal norms and sheds light on the lived realities of those who are often stigmatized or marginalized. \nSuvojit's artistic practice also reflects his engagement with the socio-political dynamics surrounding his social condition. He sees his work as a means of negotiating space and challenging the political and cultural agendas that often deem people in his social condition as "illegal" or outside the norm. \nJulia Schuster  \nis an interdisciplinary artist from Vienna\, Austria\, currently based in Bollebygd\, rural Sweden. She holds an MA in ceramics from the Royal College of Art in London and a BA in design from the Free University of Bozen-Bolzano\, Italy. \nHer material-discursive practice manifests as clay and ceramic installations\, which are combined with photography\, sound\, video and written work. She investigates clay’s unique cellular memory in relation to the memory that exists in our own human bodies. By exploring how materiality\, writing and the body's inward and outward movements unite\, she creates spaces that carry a grounding and deeply contemplative quality. \nIn recent years her practice has increasingly become site-specific and is often informed by learning new skills such as her training to become a doula\, a birth companion. The intimate and hands-on care a doula provides for birthing people parallels the way she works with the material clay. At the core her artworks invite you to remember the connections between the sense of touch\, caring for the body\, and caring for the land. \nJulia has undertaken residencies in Denmark\, Nepal\, the United Kingdom\, Germany and South Korea. Selected exhibitions include the British Ceramics Biennial\, Photo Kathmandu\, Palinsesti\, the Göteborg International Biennial for Contemporary Art and Röda Sten Konsthall. She is a member of the International Academy of Ceramics. \nWebsite \nDevadeep Gupta’s \nartistic process is an exploration of regional ecological uncertainties through a critical examination of associated mainstream perspectives. Inspired by site-specific and vernacular occurrences\, Devadeep delves into the intricate relationship between people and their land. His artistic practice encompasses the realms of film and sculpture\, bridging the gap between conceptual and documentary approaches. Within this intersection\, the artist is particularly interested in narratives that emerge from the convergence of mythology and contemporary experiences. Grounded in the rich cultural landscape of Assam\, Devadeep draws inspiration from pragmatic practices\, oral traditions\, and folklore. Central to his artistic endeavors are performative processes that pay homage to meta-cultural practices. Devadeep is an active member of Northeast Lightbox\, an artist collective dedicated to fostering exchange between regional archives and contemporary practices. \nWebsite  \nCredits \nArtistic Director: Madhumita Nandi (Oyoun) \nConcept: Madhumita Nandi\, Samirah Siddiqui\, Oyoun Team \nCuratorial Team: Nina Martin (Oyoun)\, Ihisa Adelio (Oyoun)\, Dami Choi (Oyoun) \nImplementation: Oyoun Team \nCuratorial Collective: Madhumita Nandi\, Samirah Siddiqui\, Camilla Therese Karlsen\, Zeren Oruc\, Mojisola Adebayo and Nicole Wolf\, Arijit Bhattacharyya \nDesign: Ezequiel Hyon \nSpecies\, Soil and Successors: Hillside Projects (Emily Berry Mennerdahl and Jonas Böttern)\, Devadeep Gupta\, Lea Maria Wittich\, Nilanjan Bhattacharya\, Studio 33/3 (Soumik Ghosh\, Shibayan Halder and Suvojit Roy)\, Julia Schuster \nSpecies\, Soil and Successors is part of Oyoun’s curatorial focus Listening to the Land \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More information on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/l2l_exhibition_opening/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/06/website-vorlage-76.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230715T150000
DTEND;TZID=Europe/Berlin:20230715T200000
DTSTAMP:20261108T200601
CREATED:20230701T170425Z
LAST-MODIFIED:20230703T142236Z
UID:31398-1689433200-1689451200@oyoun.de
SUMMARY:Film + Discussion | Transnational Apartheid? Namibia\, South Africa\, USA and beyond - A Community Conversation
DESCRIPTION:Film screening of “Germans in Namibia: Apartheid continued...”\, a 2-part documentary. To be followed up by a community discussion round \nThe film dives into the enduring coloniality of German settler colonialism in Namibia and its legacy on the sociopolitical context in Namibia today. A community-based discussion round will follow to tackle the still existing issue and legacy of Apartheid in the world\, as well as its historical rootedness in settler colonialism and slavery. The event will be held with a story-teller from Namibia\, the USA\, and Germany. It invites people from different communities to be in conversation with each other\, interrogate said subjects and how settlerism and apartheid continue to frame our lives and political agency. It will also interrogate contemporary questions of organising in an environment of shrinking spaces for radical organising\, especially concerning Black-centered issues as well as beyond. \nEvent to be held in English and German. Film is in English\, German subtitles are available. After the event there will be Ethiopian food (even is not funded\, so own/individual payments) in the garden space of Oyoun. \nTicket: Free admission \nRegistration: Possible via namupa@sankofamagik.com  \nLanguage: Englisch + German \nSchedule \n15:00 h Arrival of guests and brief address\n15:05 h - 15:30 h Brief introduction of groups\, movements and people present \n15:30 h – 16:00 h Short Documentary Film Screening\, Namibian Apartheid Today \n16:00 h - 18:00 h Discussion\n18:00 -20:00 h Ethiopian Food Dinner on Oyoun grounds at individual costs \nBiographies  \nNamupa Shivute is a storyteller\, researcher and freelance journalist from Namibia \nE. Chris Summerhill\, is an educator in Social Sciences \nInez Singleton is a retired educator and manager of Federal Education Programs in Alabama\, USA \nPreparation \nPeople are welcome to watch the (following) videos in advance\, if possible and acquaint themselves with the definition of Apartheid\, see below: \nRome Statute\, 1999\, p. 4\, \nArticle 7: Crimes Against Humanity\, Paragraph 2\, h:\nhttps://www.icc-cpi.int/sites/default/files/RS-Eng.pdf \nh) "The crime of apartheid" means inhumane acts of a character similar to those referred to in paragraph 1\, committed in the context of an institutionalized regime of systematic oppression and domination by one racial group over any other racial group or groups and committed with the intention of maintaining that regime; \nCésaire\, Namibia\, Germany\, and Fascism: \nhttps://www.youtube.com/watch?v=KWGJqIy79f0 \nApartheid Continued - Germans in Namibia:\n1) https://www.youtube.com/watch?v=Z-N9luQaXrE\n2) https://www.youtube.com/watch?v=2kiQOrNwkR0&t=7s \n  \nAccessibility: \nOyoun is constantly working to make access to all events offered in the building as barrier-free as possible. For individual information on accessibility\, please send us an email to access(at)oyoun.de. We will get back to you as soon as possible. More info on this topic here. \nAwareness: \nAt Oyoun there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim racism or antisemitism. The same applies to any kind of violent\, aggressive or assaultive behaviour. Oyoun provides an open forum for dialogue and a place where we support and stand up for each other. If someone or something bothers you during an event\, please contact a member of our staff who is there to help you! If you would like to share an experience with us after an event\, please email us or send us an anonymous message through our website.
URL:https://oyoun.de/event/transnational_apartheit/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Screening,Talk
ATTACH;FMTTYPE=image/x-citrix-jpeg:https://oyoun.de/files/2023/07/namibia.jpeg
END:VEVENT
END:VCALENDAR