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X-WR-CALNAME:Oyoun | Kultur NeuDenken
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X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
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DTSTART;VALUE=DATE:20220430
DTEND;VALUE=DATE:20220528
DTSTAMP:20260828T204851
CREATED:20220401T120344Z
LAST-MODIFIED:20220505T094517Z
UID:20346-1651276800-1653695999@oyoun.de
SUMMARY:AS* PAPANGUS Ausstellung
DESCRIPTION:Austellungseröffnung + Einführung von Bruna Amaro am 30.4.2022 von 18:00 bis 20:00 h\nDanach (vom 1.5. – 27.5.2022) täglich von 12:00 h – 20:00 h \nDie Ausstellung wird ein Ort des Gedenkens und der Ehrung der Frauen* sein\, deren tägliches Leben ein Kampf gegen den allgegenwärtigen Femizid und die strukturelle Unterdrückung ist. Die Feier ihres Überlebens wird in einem multimedialen Format präsentiert: Installation der Kleider und Masken\, die von den Frauen* in den Straßen von São Paulo und Berlin-Neukölln getragen wurden\, sowie die Videodokumentation der Karnevalsperformance in São Paulo. \nIn diesem partizipatorischen Projekt legte eine Reihe von Performance-Workshops den Grundstein für die folgenden Aktionen\, in denen die Künstlerin und die Teilnehmer*innen gemeinsam Bewegungen und Aussagen für ihre Straßenperformance entwickelten. Auf die von Bruna Amaro und der Näherin Eliana Amaro dos Santos handgefertigten Kostüme wurden Phrasen gestickt\, die Erfahrungen des Überlebens\, der Transformation und der Arbeit zum Ausdruck bringen. \nAS* PAPANGUS setzt sich kritisch mit der kolonialen Matrix des Karnevals auseinander\, indem es auf den unterdrückenden Blick achtet und die Ausbeutung von queeren Körpern\, von Körpern von Frauen*\, von Farbigen\, von Menschen mit Behinderungen und von Körpern\, die struktureller Unterdrückung ausgesetzt sind\, nicht zulässt. \nAS* PAPANGUS eröffnet das erste Kapitel von Oyouns kuratorischem Schwerpunkt Mightier than a Trampled Flower\, der das Leben von Frauen* im Krieg aus einem dekolonialen Kontext heraus in den Mittelpunkt stellt und die kanonischen Erzählungen von Frauen* im Krieg dekonstruiert. \nMehr Infos findest du hier. \nAS* PAPANGUS ist ein Karneval für\, von und mit Frauen*\, der keine marginalisierten Körper objektiviert. In AS* PAPANGUS inszeniert die afro-brasilianische Künstlerin Bruna Amaro mit mehr als 50 Frauen* in São Paulo und Berlin einen Karneval in seiner queer-feministischsten und dekolonialsten Form. \nAlle Veranstaltungen zur Reihe AS*PAPANGUS findest du hier. \nAS* PAPANGUS wird gefördert vom Goethe-Institut São Paulo. \n◥ Im Oyoun ist kein Platz für Sexismus\, Queerfeindlichkeit\, Transfeindlichkeit\, jegliche Form von Rassismus oder Diskriminierung wie antischwarzem\, antimuslimischem Rassismus oder Antisemistismus. Dasselbe gilt für jede Art von gewalttätigem\, aggressivem oder übergriffigem Verhalten. Oyoun bietet einen sicheren Raum für alle\, ein offenes Forum für den Dialog und einen Ort\, an dem wir uns gegenseitig unterstützen und füreinander einstehen. Wenn dich jemand oder etwas während einer Veranstaltung stört\, wende dich bitte an ein Mitglied unseres Personals\, das dafür da ist\, dir zu helfen! Wenn du uns nach einer Veranstaltung eine Erfahrung mitteilen möchtest\, schreibe uns bitte eine E-Mail oder sende uns eine anonyme Nachricht über unsere Website.
URL:https://oyoun.de/event/as-papangus-exhibition/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:AS* PAPANGUS,Bilder / Images,Exhibition,Mightier than a Trampled Flower
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DTSTART;TZID=Europe/Berlin:20220430T170000
DTEND;TZID=Europe/Berlin:20220501T010000
DTSTAMP:20260828T204851
CREATED:20220420T082227Z
LAST-MODIFIED:20220427T093311Z
UID:20806-1651338000-1651366800@oyoun.de
SUMMARY:Cult' Sup'
DESCRIPTION:Panel Discussions | Dance Performance | Stand up-comedy | Concerts | DJs \nThe gathering\, Cult Sup\, is curated as a celebratory exploration of all things pertaining to the diverse expressive arts that supplement our well beings with inspiration\, contemplation and the multidimensionality emerging from expressive art forms. This event is an invitation to deepen collective thought around what it means to supply culture\, as cultural workers concerned with our African lineages\, afro-futurism\, and the richness of the diasporic cultural experience \nCult Sup is a celebratory journey of artistic disciplines ranging from sound\, visual\, literary\, plastic\, somatic\, dramaturgical\, fashion to culinary. We’ll be engaging in interdisciplinary dialogue sharing knowledge\, healing methods\, performances\, and exhibitions from a community of contributors coming from different parts of the African continent. Our events provide safe spaces where people from every age\, gender\, ethnical background and persons with disabilities can gather to educate themselves while having a good time and learn about each other. Respecting cultural differences is a must and no forms of human rights violations\, ignorance or violence will be tolerated at this event. Our ethos is centered in Universality\, Unity\, and Peace. \nLearning while having fun is an important aspect of the CultSup experience. Originally developed by 2 multidisciplinary artists Astan Meyer and Nane Kahle. CultSup has moved from small venues of Berlin hosting several talented artists working with mediums such as paint\, dance\, music\, poetry\, cinematography and more. This 7th Edition is a trip guided with the energy of Griots carried through music\, movements with the breathtaking dancer Exocé Kasongo\, performances. This gathering explores interdisciplinary dialogue around the theme: “RESTITUTION & CELLULAR MEMORY”. \nTickets: Donation-based \nSupported by Musicboard Berlin \nTimetable \n17:45-18:00 – CultSup Ensemble\n18:00-19:15 – Panel Discussion\n19:15-19:30 – Q&A\n19:35-19:50 – CultSup Ensemble\n19:50-20:20 – Concert\n20:20-20:25 – CultSup Ensemble\n20:25-20:30 – Dance Performance\n20:30-20:40 – CultSup Ensemble\n20:40-21:00 – StandUp Comedy\n21:15-21:20 – CultSup Ensemble\n21:20-22:00 – Concert\n22:00-22:45 – JAM\n22:45-23:00 – Break\n23:00-00:00 – DJ Set\n00:00-01:00 – DJ Set \nBiographies \nAnaïs Astan Meyer a.k.a Astan KA is an artistic performer\, singer-songwriter\, dancer\, actress and event curator based in Berlin. Born in France and visiting Mali regularly since age of 3\, Astan grew up being surrounded by black people and white people which has enabled her to never face any identity problem and has come to a result today of considering herself as a « child of reconciliation ». She combines various music genres from jazz to rock to afro-techno to hip hop\, trip-hop to illustrate her universe that is mostly experimental.Her music is about life\, love\, friendship\, protest and intellectual rebellion\, but also about growing up as a mixed-race woman and the importance of acquiring the right knowledge\, as there is a lot that school doesn't teach us. Although much of her work is about glorifying the black woman\, she still preaches a great message of universality. \nNane Kahle a.k.a Michel Mariane is Berlin based a multicultural\, interdisciplinary performance researcher and artist. She spent her formative years in Ivory Coast\, Senegal\, the Caribbean before her relocation to France. This multiplicity and migration inform her way of seeing and existing\, manifesting as a creative practice\, at the intersection of music\, theatre\, movement and medicine. Coming from a biochemistry background\, Nane’s connection with nature\, belonging and the un-natural converges as a curiosity exploring the dynamic interactions between living organisms\, intangible belonging and the tangible ecologies of being. Myth making and ancestral knowledge preservation are explored in her practice\, where aspects concerning transformation care and healing are at the center. The vitality of creative energy allows her practice to function as a conduit\, invigorating her community building efforts as well as her own personal processes.Her curatorial and performance work the Out Of Time Embassy\, Sonic Interventions Collective and CultSup see her curating contemplative and empowering environments for marginalized voices to be heard. \nNatisa Exocé Kasongo a.k.a Exocé OOB Kasongo is a Berlin based multidisciplinary Afrocentric Artist: Artistic performer\, dancer\, visual artist. He mostly performs alone in improvisation and creation of stories or in the transmission of a language for other creators. His dance style is experimental storytelling. As a visual artist\, Exocé creates collages with an afro-punk/afro-futuristic/spiritual jazz touch\, that you can see exhibited in Berlin\, on vinyl covers and also on the clothes of his fashion brand. He considers himself as an Afropean because he was born in Paris of Congolese parents\, so he has a double culture. He is the artistic director of the Afro-futuristic brand KASAPIO. \nJumoke Adeyanju is a Berlin based Nigerian interdisciplinary multilingual writer\, curator and dancer. Under her alias mokeyanju\, she occasionally performs as a vinyl selector and aspiring sound artist. Jumoke is the founder of The Poetry Meets Series [est. 2014]\, co-curator of Sensitivities of Dance at SAVVY Contemporary and hosts her own radio show sauti ya àkókò on Refuge Worldwide. \nOkhiogbe Omonblanks Omonhinmin is an Nigerian archivist\, curator\, producer and creative director. He is the founder of TAC (The Art Concept) organisation\, a documentation and archive-focused platform\, interested in studying African and Black societies from community\, city and country perspectives. \nIbou Coulibaly Diop is a Berlin based Senegalese Doctor\, literary scholar\, writer and curator. He is currently working on a colonial memory concept for the Berlin Senate and is working together with Lorraine Bluche for the Berlin City Museum Foundation in the Decolonization Competence Center. In his dissertation\, in which he examines the question of globalisation and universalisation of literature in general\, In his work he is interested in the question: How we can grow together despite our differences and which approaches can be found in the literature about it. \nThomas Talawa Presto is a caribbean-norwegian artistic director. In spite of his young age\, Thomas has codified a system of body movement which is rooted in the traditional African and Caribbean movement aesthetic\, yet relevant in the contemporary. \nBabiche Papaya is a Berlin based Rwandan rapper\, actress and artist Babiche Papaya navigates through Germany’s past\, present and future. Her work deals with a wide range of topics\, from her experiences\, growing up African in the German suburbs\, to Berlin nightlife\, to calls for revolution. \nNicholas Rose is an afro-american Berlin based dancer born in West Palm Beach\, Florida. Mr. Rose trained at the Colburn Dance Academy in Los Angeles\, California and The HARID Conservatory in Boca Raton\, Florida both on full scholarship. At age 19 Mr. Rose was recruited by the Dance Theatre of Harlem\, and toured with them extensively around the world before being recruited by The National Ballet of Canada as a member of the Corps de Ballet in 2018. \nGenifer Marione Habbasch is a Berlin based afro-german actress\, presenter\, TV-show and podcast host\, born in Congo raised in Namibia and Saarbrücken. She has been involved in projects such as the Afro-German theater group "Label Noir" and Freak de l’Afrique. \nDumama\, is a South African Berlin based artist. She explores intersectionality in her transdisciplinary artistic practice allowing the structures in formlessness to simply be. Her practice involves consciously deconstructing and critiquing archaic modes of representation of Southern African/African sonic and performance culture\, while also composing music for herself and others. \nTsepo Kolitsoe Pooe is a Berlin based Student conductor and cellist from Soweto\, South Africa. Ten years ago\, he joined the South African non-profit organisation MIAGI 'Music is a great Investment' on its mission to utilise music and music education as tools for positive social development and nation-building in the spirit of Nelson Mandela. \nJuba is a Berlin based child of the Nigerian diaspora in the UK\, since 2016 Juba has been paying musical homage to her heritage as a DJ who principally showcases music from Africa and the African diaspora. \nAnele is a Berlin based DJ \,born and Raised in South Africa. Anele's sound is highly influenced by 90's music. From Kwaito(a variant of house music featuring the use of African sounds and samples that emerged in South Africa during the ‘90s) to Disco\, Soul and Hip Hop. \nAgonglo Babatunde is a Berlin based artist\, arranger\, producer and atypical composer from Benin and Nigeria. Agonglo Babatunde plays several instruments including Percussion\, Drums\, guitar. He calls his musical genre "Afro gospel". \nAdebambo Akinwale is a Berlin based musician that grew up as a child in Lagos Nigeria\, played the percussions at his local Cherubims & Seraphim Church. Later joined a charismatic movement and then progressed to other instruments\, Playing the keyboard as a major instrument. Heavily influenced by sounds from his roots such as Gospel\, Afro traditional\, Soul\, Country\, Jazz .. etc \nVenant Ntiomo is a Berlin based percussionist from Cameroon. With a mother traditional dancer\, he has been introduced from a young age to Cameroonian traditional music. Attracted by percussion that he embodies\,  he navigates within Cabaret where he crosses over different genres such as traditional\, pop\, jazz and more.  \nWilly Sahel is a chadian Berlin based musician born in N'djamena\, the Sahel zone of CHAD\, from a gospel singer mother & a passionate classical guitar father. Willy presents a special music with his roots from Moissala (in the south of Chad)\, mixes the rhythms « Klaag » & « SAYE » with Soul\, Jazz & Gospel. \nYannick Mäntele is a Berlin based trumpet player.  Is in for building community and creating spaces with music in which people can meet. Tearing down the walls of prejudices and ignorance  with the sound of trumpet just like 7 of them did in Jericho - a symbol for non violent resistance. Respect and Difference are essential in the ever evolving path of learning and understanding as the children of Moon and Sun and passengers of the spaceship earth. \nMoussa Coulibaly is a Berlin based musician born in Bobo-Dioulasso\, Burkina Faso. Part of a Griot family he has been introduced to traditional music since his birth. He plays African traditional instruments such as Ngoni\, Balafon and is also a Djembefola. Instruments that he infuses in contemporan music. \n◥ At Oyoun\, there is no place for sexism\, queerphobia\, transphobia\, any form of racism or discrimination such as anti-Black\, anti-Muslim or anti-Jewish racism\, and any sort of violent or aggressive behavior. Oyoun offers a safer space for all\, an open forum for dialogue and a place where we support and stand up for each other. If someone/something bothers you during an event\, please approach a member of our staff who are there to help! If you want to share an experience with us after an event\, please write us an email or send us an anonymous message via our website. \n  \n 
URL:https://oyoun.de/event/cultsup/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Gespräche / Conversations,Klänge / Sounds,Panel,Performance
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