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X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
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DTSTART:20210328T010000
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DTSTART:20211031T010000
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DTSTART;TZID=Europe/Berlin:20211008T100000
DTEND;TZID=Europe/Berlin:20211031T180000
DTSTAMP:20260831T225605
CREATED:20211005T134637Z
LAST-MODIFIED:20211018T152642Z
UID:17784-1633687200-1635703200@oyoun.de
SUMMARY:LOOK AT ME : Syrien in Fotografie und in Erzählung - Photo Exhibition
DESCRIPTION:Der syrische Aufstand und der darauffolgende Krieg gehören vielleicht zu den visuell am besten dokumentierten Ereignissen der modernen Geschichte. Es gibt erschütternde Bilder\, die sich in die Psyche der Menschen eingebrannt haben. Das Bild von Aylan Kurdi\, der leblos an einem türkischen Strand liegt. Drohnenbilder von zerbombten syrischen Krankenhäusern und Städten. Aber das ist nicht alles\, was Syrien ausmacht\, und für viele Syrer*innen werden dies nie die Bilder sein\, die ein Land oder eine Generation definieren. \nDie Ausstellung "LOOK AT ME: 10 Scenes from Syria" mit Fotografien von syrischen Fotograf*innen soll den Beginn einer Debatte ermöglichen und einen Einblick in die persönliche Perspektive syrischer Fotograf*innen geben\, die einige Bilder ihres Landes vor und während des Konflikts eingefangen haben. Es soll ein Raum geschaffen werden\, in dem der fotografische Prozess und die sich daraus ergebenen ethischen Fragen diskutiert werden können und so das Gespräch über die syrische Fotografie gefördert wird. \n→ Die Veranstaltung ist kostenfrei. \n→ Buche jetzt ein Zeitfenster für deinen Besuch der Ausstellung im Oyoun - Link hier \n  \nDiese Veranstaltung ist eine Kooperation der Büros Beirut und Berlin der Friedrich-Naumann-Stiftung für die Freiheit und SyriaUntold e.V. \n**** \nZur Kuratorin der Ausstellung: \nGuevara Namer ist Fotografin und Dokumentarfilmerin in Berlin. Ihre künstlerische Arbeit begann sie 2005 in ihrer Geburtsstadt Damaskus. Namer beschäftigt sich in ihren Arbeiten mit den Themen Identität\, Feminismus und Exil und wurde von mehreren internationalen Organisationen unterstützt. \n**** \nWICHTIG: Für die Teilnahme ist ein tagesaktueller\, negativer Corona-Test (Schnelltest) oder ein vollständiger Impfnachweis (14 Tage nach der letzten erforderlichen Einzelimpfung\, als elektronischer Impfnachweis\, Impfpass aus Papier reicht nicht aus) oder ein Nachweis über eine Genesung (maximal 6 Monate alter positiver Test) vorzulegen. In Innenräumen (außer am Sitzplatz) muss ein Mund-Nase-Schutz getragen werden. Die üblichen Corona-Abstandsregeln von 1\,5 Metern zu Personen außerhalb des eigenen Haushaltes sind einzuhalten.
URL:https://oyoun.de/event/photo-exhibition-look-at-me-syrien-in-fotografie-und-in-erzaehlungen/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bilder / Images
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211022
DTEND;VALUE=DATE:20211031
DTSTAMP:20260831T225605
CREATED:20210929T135841Z
LAST-MODIFIED:20211018T133448Z
UID:17696-1634860800-1635638399@oyoun.de
SUMMARY:Backbone - سند الظهر - Exhibition
DESCRIPTION:"Backbone" is a multidisciplinary exhibition by Lebanese artist Mazen Khaddaj. The show is a collection of video performances\, multichannel installations\, and documentation that signifies the relationship with his father\, and his death in December 2020.⁣ After a long and heavy battle with COVID19\, his dad surrendered and left him at the age of sixty-three. His passing was like an earthquake that shook Mazen's reality and left him broken. \nBook yourself a time slot to visit the exhibition here \nMazen's dad\, Melhem\, was a traditional Arab father that worked tirelessly to provide for his family. For many years\, until his death\, he worked every day in his shop in Aley\, Mount Lebanon. Melhem was a man of faith and very respected in his town\, he was also strict with his children and required a lot of attention. He was kind towards his family and friends and loved them fiercely\, but hid his feelings way beneath his tough exterior. He was noticeably very proud of Mazen's only and eldest brother\, Hassan. Hassan got married\, had a child\, and took over the family business. \n"How could I have told my dad who I was? I already looked different\, I wore tight clothes and had non-traditional artistic hobbies. I was soft and sensitive and kept my sexuality hidden in a tightly sealed closet. Melhem always associated my lifestyle and looks with an artist's way of life.  He was not interested in my art\, but he cared about me and supported me financially in my endeavors"\n- Mazen about his father. \n"Backbone" is an explosion of grief and other unprocessed emotions stemming from Mazen´s childhood into his adult years. With this show\, he opens his world and depicts the story of a gay Arab boy and his conservative father. The exhibition is in memory of his beloved dad\, Melhem Khaddaj. \nBook yourself a time slot to visit the exhibition here \n*** \nAbout the artist \nMazen Khaddaj (b. 1985) is a multidisciplinary Lebanese artist working in painting\, performance\, video art\, and installation. He received his Bachelor of Arts degree in Graphic Design from the American University of Science and Technology in Beirut in 2008. His background includes working as an Art Director in multinational advertising companies for several years before eventually dedicating himself fully to the arts.  \nMazen started his artistic journey in the medium of painting. He exhibited his first solo show ‘Bonds’ at Art Circle (Beirut) in 2013. Eventually\, he would move into a more multidisciplinary approach\, showcasing video performances in addition to paintings\, such as his second solo show ‘The Middle State’ which was exhibited both at 392Rmeil393 Gallery (Gemmayze\, Beirut) and at the University of Balamand Gallery (Lebanon) in 2015. These were followed by the exhibition ‘Emotion in Motion’ at Artspace Hamra (Beirut) in 2016 that featured ‘The Eye’\, an installation project featuring five videos depicting the relationship between individuality and society. ‘The Eye’ is now part of the permanent collection of the Modern and Contemporary Art Museum (MACAM) in Alita\, Byblos\, Lebanon.  \nMazen participated in an artist residency at the prestigious Pilotenkuche International Art Residency\, in Leipzig\, Germany\, in 2015. This would lead him to eventually relocate to Germany in 2017\, and this move would greatly impact his identity as an artist. He would also go on to enroll as a guest student at the Academy of Fine Arts in Leipzig\, further adding to his education.  \nMazen documented his struggle to ground himself in a new country through his project ‘I am a Foreigner’\, showcasing several paintings and two video installations\, which were first exhibited at GAPGAP in Leipzig in 2017 and then at WerkStadt\, Berlin in 2020. Mazen proceeded with more solo shows including ‘I End to Begin’ at 392Rmeil393 Gallery\, Beirut\, in 2019\, and ‘The Laundry Room’ at the Museum Der Bildenden Künste\, Leipzig\, also in 2019. Both shows investigated deeply the artist’s feelings towards his identity and his experiences as an immigrant. Further exploring these issues that same year\, his installation ‘Spot The Foreigner’ was part of the Re-Orient Exhibition at the Grassi Museum\, Leipzig. In January 2020\, Khaddaj showcased ‘Lützner Street 7’\, another solo show\, at Albareh Art Gallery in Bahrain. In November 2020\, Khaddaj participated in the Festival Kasseler Dokfest 37\, Kassel\, Germany\, with a project titled ‘The Artists are Not Present’ which is a video installation. Shortly after\, Khaddaj was awarded Honorable Mention for ‘The Artists are Not Present’ by the jury of the Golden Cube of the Kasseler Dokfest. Visible Thoughts was the title of his latest painting solo show that was exhibited in Kunst Kan gallery in Amsterdam. \nMazen has also participated in several collective shows\, including in Lebanon\, Bahrain\, Turkey\, and Germany. Mazen’s paintings are a play between textures and color\, transparency and flatness. His work manifests human thought and interaction through figuration\, which appears abstracted and dissipating\, intersecting yet secluded. Subsequent video performances and installations are extensions of the work on canvas; what is inherent to still surfaces translates into mutable forms.  \nMazen Khaddaj is currently living in Berlin\, Germany\, where he is practicing his art. He still has strong ties to the Middle East and continues to engage in artistic activities there. \nwww.mazenkhaddaj.com // IG: @mazenkhaddajart \n*** \nPlease note: To take part in events at Oyoun or visit our exhibitions\, you need to have a negative corona test from the same day or proof of vaccination / recovery. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here.
URL:https://oyoun.de/event/backbone/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Bewegungen / Movements,Bilder / Images
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211029T170000
DTEND;TZID=Europe/Berlin:20211029T220000
DTSTAMP:20260831T225605
CREATED:20211019T101224Z
LAST-MODIFIED:20220404T092849Z
UID:17893-1635526800-1635544800@oyoun.de
SUMMARY:Bizarre Music Festival
DESCRIPTION:"In light of the heavy restrictions the cultural sector has experienced due to the Covid 19 pandemic and the political response to it\, playing in front of people again feels many kinds of strange by now.\nAs artists we get a lot of from these exchanges\, at the same time we also give much of ourselves – this is the symbiosis and synthesis of energy that makes the space vibrate higher.\nNot having this exchange for so long left many of us drained and weakened\, wondering about our role in a society without public gatherings. We want to dedicate this festival to ourselves\, the artist who give so much of themselves. We also want to use this opportunity to turn the camera back on the audience to capture their joy and energetic participation and we’d like the documentation to reflect this very important synergy between artist and audience." \nBizarre Music Fest will bring on stage international musicians of all origins who have chosen Berlin as their city of heart. Get ready for an evening full of music you never heard before\, music that is the fruit of diversity\, travel\, sometimes even uprooting. Prepare yourself for real musical hugs! \n→ When: 29.10.2021 // 17:00 PM \n→ Ticket price: 7\,00 // 15\,00 // 20\,00  >>> Buy your Ticket via Eventbrite >> Link here. \nIf you have little or no income and cannot buy the ticket but would still like to participate\, please contact hallo@oyoun.de. We will arrange it. \nLine-Up \nLiaam Iman - live percussion and vocals (solo) (IG: liaam.iman) \nKechou - live trap and neo-soul with Nafri influences (IG: kechou_sound) \nSadek Democratoz - Algerian singer and songwriter  (IG: sadekdemocratoz) \nMorena Leraba - Music and praise poetry from Lesotho combined with live electronic music (IG: morenaleraba) \nZiggy Zeitgeist\, Abase und Barabas - live electronic fusion (IG: z_f_e_x \, abase_music \, barabaslorinc) \n\nThis event is made possible through the generous support of OOTE (IG:outoftimeembassy). \n*** \nABOUT THE ARTISTS: \nLiaam aka. A'TH invites you on a journey through ancestral poetic landscapes\, multiple vocal ranges and polyrhythmic drumming\, inspired by North African\, Celtic\, and Balkan music\, invoking silenced voices and stories for a moment of togetherness and remembrance. A'th is the solo project of Berlin based singer-songwriter\, performer and percussionist Liaam Iman. IG: @liaam.iman \nKerim aka. Kechou was born into an artistic household to a German mother\, a writer and therapist and Algerian father\, musician and studio owner\, Kerim always existed in close proximity to creative processes\, expression and critical thought. During his upbringing in Berlin questions around belonging and identity were early on and frequently triggered in his interactions with family and society. He now uses these experiences and feelings in his creative process as musician who fuses traditional sounds form Algeria and the African continent with contemporary electronic musics and aesthetics. “Ancient cyborg” is the preferred mood-board Kerim uses for his creations combining live looping\, self-made instruments\, melancholic vocal lines and thick synth bass grooves. IG: @kechou_sound \nSadek known as Democratoz\, mainly known as politically engaged singer from Algeria\, currently lives between Dakar\, Oran and Berlin. He played many shows around the world with his recent US tour in 2016 being one of the most important commitments in his career thus far. On this said tour he played venues like the Kennedy center\, Milenium stage (Washington\, DC)\, Grammy Awards Museum (LA)\, Hintington\, Outside the box (Boston)\, Shrine (NYC)\, Reggae on the river festival (California)\, San Francisco. His lyrics reflect on Algerian reality today and give hope to the young generation. Sadek is preparing for his first Europe tour and his new solo album (GRI GRI)\, which will be released next year. IG: @sadekdemocratoz. \nMorena Leraba a shepherd musician and band hailing from the mountains of Lesotho\, southern Africa. Morena Leraba blends Famo traditional music (from Lesotho) with electro-instrumental sound creating a psychedelic feel that is yet to be coined. IG: @morenaleraba \nZiggy aka ZFEX grew up in Australia. His formative years were at the ‘bush doofʼ - an outback rave where speakers were driven to remote lands and dance music would blast from the wee hours in the morning to the wee hours at night. \nZ*F*E*X is the synthesis of dance music in human form. A live band experience humanising the extended DJ set. Heavily influenced by club culture and transcendent psychedelic experiences - Z*F*E*X is a continuous odyssey of sound\, where synths intertwine with flutes\, jazz drums are played with the raw energy of classic broken beat records\, and natures call and response is mimicked in musical form. IG: @z_f_e_x \nÀBÁSE is an multi-instrumentalist\, producer and DJ. As a trained keyboard player\, Szabolcs Bognar has been active in the versatile music scene of Budapest for many years. He’s been a member of several successful Hungarian acts\, including Amoeba\, Soulclap Budapest and the latest project - The Mabon Dawud Republic - a fourteen piece afrobeat orchestra guest-starring the likes of Dele Sosimi and Pat Thomas. After residencies in Paris\, Lyon\, New York\, Rio De Janeiro and Salvador\, Àbáse is now based in Berlin\, where besides pursuing his solo career he’s the keyboard player for Nigerian soul singer Wayne Snow and Australian jazz drummer Ziggy Zeitgeist’s Freedom Energy Exchange. His solo project Àbáse (meaning ‘collaboration’ in West African Yoruba language) is focusing on the cross-paths of afrobeat\, hip hop\, jazz and electronica with a heavyweight international rhythm section and special guests from Brazil\, Africa and its diaspora. Àbáse released his long-awaited debut EP "Invocation" in May 2019 via HHV Records & Cosmic Compositions. Àbáse released his long-awaited debut EP "Invocation" in May 2019 via HHV Records & Cosmic Compositions. His debut album\, written and recorded with other young talents during his travels in Brazil\, was released in 2020. IG: @abase_music \nBarabás Lőrinc is a trumpet player and producer\, Barabás Lőrinc (given name Lőrinc)\, is a pioneer of the improvisational music scene in Budapest. Over the past decade his club events and bands provided fertile ground for kindred spirits experimenting at\nthe crossroads of jazz and electronica. He gained wider international recognition at events such as the Montreaux Jazz Festival\, iTunes Festival in London and also shared stage with the Thievery Corporation\, Bonobo and Erik Truffaz. IG: @barabaslorinc \n Aduni Guedes is a young percussion researcher. Born in Recife\, a city in the northeast of Brazil\, where he was introduced to the folkloric dances and music of his state - such as Coco de Roda\, Afoxé\, Maracatu\, samba- reggae\, Frevo\, and Cavalo-marinho. The research and studies on black diaspora in his percussive spectrum intensified at the age of 17\, expanding his knowledge on afro-Cuban rhythms and traditional rhythms of West Africa\, such as Senegal and guinea Conakry. Aduni is a versatile musician capable of interacting with various universes of sound\, with a modern thought but always bringing the roots and foundations of his frequencies. IG: @aduni.g \nHal Strewe is a bass player born in Australia to New Zealand parents who raised him on surfing and soul music. Based in Berlin for the last half decade Hal has been making low frequency waves around town as a session player\, both in the studio and on stage. He currently works regularly with Sonic Interventions\, Wayne Snow\, Cassette Head Sessions\, Jesper Munk\, Z.F.E.X. and Move 78. IG: @pii_napples \nShingo Masuda is a qanun player and composer from Japan. He was born in Osaka and grew up in Nara. As a child\, he started playing the piano and studying Western classical music. In 2009\, he traveled to Egypt to start playing the qanun and learned it there. After that\, he often traveled to Turkey\, Tunisia and Greece etc. to learn various techniques and modal music. His musical activities are mainly in Japan until 2017\, and he moved to Berlin this year. Currently he is playing with many international musicians and part of the many projects. In 2019 he won a prize in one of the world music contests in Berlin “2. Creole Contest” with one of his bands “Japal”. IG: @nekakiya_shingo \n*** \nPlease note: To take part in events at Oyoun or visit our exhibitions\, you need to have a negative corona test from the same day or proof of vaccination / recovery. FFP2 Masks are mandatory at Oyoun until further notice. Further information about our hygiene concept can be found here: oyoun.de/hygienekonzept
URL:https://oyoun.de/event/bizarre-music-festival/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Klänge / Sounds,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/10/bizarre-fb.jpeg
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