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X-WR-CALDESC:Veranstaltungen für Oyoun | Kultur NeuDenken
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DTSTART:20210328T010000
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DTSTART;VALUE=DATE:20210808
DTEND;VALUE=DATE:20210822
DTSTAMP:20260414T115545
CREATED:20210727T173846Z
LAST-MODIFIED:20210730T080748Z
UID:16943-1628380800-1629590399@oyoun.de
SUMMARY:KAUM Indonesian Alternative Performance & Film Festival 2021
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nThe festival takes place over 14 days at three different venues: Oyoun - Lucy-Lameck-Str. 32\, 12049 Berlin\, District Berlin - Bessemerstraße 2\, 12103 Berlin\, and Ana Conda am Ufer - Uferstr. 23 c/o Uferstudios\, 13357 Berlin. The program ranges from the screening of Indonesian films to performances by Indonesian diaspora artists and public discourses. \nFor programme details and tickets see: kaumfestival.soydivision.berlin \n  \n--- \nThe word KAUM in the Indonesian language means a “clan” or a “community”\, while in German\, it means “barely” or even “marginally”.  \nWith its more than 13 thousand islands throughout the archipelago\, Indonesia is blessed with diverse clans/communities\, each with its own distinctive culture. However\, as a nation that claims “Bhinneka Tunggal Ika” (Unity in Diversity) as its official national motto\, Indonesia still faces segregation within its diverse society: there exist the marginalized and the minority. Some of the marginalized choose to flee the country in the hope of finding a better future elsewhere. However\, geographically escaping the space does not mean solving the issues\, as it has veritably ingrained and became a part of one’s identity. \nSoydivision is a Berlin-based independent alternative Indonesian diaspora collective with a mission to provoke a discussion about the exploration and the expression of identity through art and food. Reflecting on the issue of marginalized communities\, Soydivision was inspired to expand its calling to create a platform and space for the underrepresented in a hybrid form of a performance and film festival: KAUM - Indonesian Alternative Performance & Film Festival. \nPerformance is the breath of Soydivision as a collective. It is often used as a medium to express the community’s concerns and to channel our responses to issues mainly related to social and climate injustice. Established and founded in 2017\, Soydivision has been growing ever since\, allowing the community’s family to expand\, as it gets to meet and collaborate with other Indonesian and Asian diasporas\, who share similar interests and backgrounds: from students\, fellow artists\, performers\, musicians to filmmakers. We believe that we can find more innovative yet sustainable methods from these diverse universes and connections to impact and attract new audiences. \nLike two sides of a coin\, we see performance and film as two fundamentally interconnected parts\, as they essentially carry the same notion and share similar purposes - to convey emotions. With film\, the emotions are often channeled through live-action storytelling that is documented through a lens based on the actual space. On the other side\, the act of performance originated and is processed internally before it is tangibly and presently expressed\, regardless of where the scene occurs. \nBased on this view\, this alternative festival aims to cultivate and preserve diverse\, underrepresented  Indonesian voices to advance in Europe. The festival showcases several main categories covering some of the underlying issues of Indonesian marginal communities while combining performances and films as the two subjects of the festival’s main foundations. The festival aspires to act as a representative for Indonesia’s marginal communities. \nWith cutting-edge screening programs for each of the festival’s categories\, the festival also aims to provide a platform for Indonesian filmmakers to showcase their films in Europe. Moreover\, each category will be accompanied by performances from Indonesian artists who reside in Europe as a critical and honest response towards each of the related issues. In doing so\, KAUM hopes to represent those whose voices are constantly oppressed and deserve to be heard and create a space for constructive dialogues through the two perspectives. \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-indonesian-alternative-performance-film-festival-2021/
LOCATION:Oyoun\, District Berlin + Ana Conda am Ufer\, Berlin\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/07/kaum-indonesian-alternative-performance-and-film-festival-soydivision.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T150000
DTEND;TZID=Europe/Berlin:20210818T170000
DTSTAMP:20260414T115545
CREATED:20210803T135109Z
LAST-MODIFIED:20210819T155710Z
UID:17003-1629298800-1629306000@oyoun.de
SUMMARY:DARE TO BE ONESELF  | KAUM - Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE ONESELF\nKADO (​​2018) — ADITYA AHMAD\n→ Short Film / 15 min / english subtitles \nIsfi can wear her comfortable pants among her guy friends but has to wear hijab to be accepted at Nita’s house. Two days to Nita’s birthday\, all Isfi wants is to prepare the best giftin Nita’s room.  \nAditya Ahmad\, born in Makassar(May 29th 1989) has his short SEPATU BARU recognized as Special Mention in 64th Berlin International Film Festival. He then participated the Asian Film Academy (19th Busan InternationalFilmFestival)andtheBerlinaleTalentCampus2015.Aditya alsoworkedas2ndAssistantDirectoronafewfeaturesbyMilesFilms. \nGOLDEN FRAMES IN THE CLOSET (2019) — PUTRI SARAH AMELIA\n→ Short Film / 16 min / english subtitles \nA mortuary cosmetologist has to face a dilemma when she receives a call from a mother who had lost her child. \nPutri Sarah Amelia is a lecturer and film director based in South Tangerang\, Indonesia. She studied film directing at Jakarta Institute of Art (IKJ) and finished her master's degree in Urban Arts and Cultural Industries IKJ. She began her career as an editor or assistant director in short films\, featured length films\, and TV Commercials with many production houses. Although she is now a full-time lecturer\, she continues to direct music videos and short films.​ In 2020\, her latest short film\, GOLDEN FRAMES IN THE CLOSET was officially selected and screening at the Short Shorts Film Festival & Asia 2020 in Asia International & Japan program. The film competed at Bali International Short Film Festival - Minikino Film Week 6 and won National Jury Competition Award 2020. The film also competed at Festival Film Indonesia 2020 and won Best Short Film Award 2020. \n50:50 (FIFTY FIFTY) (2019) — ROFIE NUR FAUZIE\n→ Short Documentary / 24 min / english subtitles \nSome people are afraid of getting old\, women are afraid of losing their beauty\, men are afraid of losing their strength\, and both are afraid to face other things after old age. So what does Dona feel? an elderly transvestite who is embodying the combination of the two. This film shows the reality of Dona's life in living her old age as a transvestite in a shelter house. \nRofie Fauzie is a young director who has worked on documentaries with the theme of humanity. The director whose full name is Rofie Nur Fauzie was born in Kuningan\, April 11\, 1998. He has completed his studies at the Indonesian Cultural Arts Institute (ISBI) Bandung in 2019. Being in the world of cinema since 2015 has made Rofie start to love documentary films\, especially biographical documentaries with humanity as main focus. He caught his attention on the film 50:50 (fifty – fifty)\, a film that tells about the life of an elderly transgender who lives together in a shelter house. Some of the film titles he has produced include ASIH (documentary\, 2017)\, Anak Pisang (documentary\, 2017)\, Jatukrami (docu-drama\, 2018)\, and 50:50 (documentary\, 2019). \nEMAK DARI JAMBI (2015) — ANGGUN PRADESHA\n→ Short Documentary / 38 min / english subtitles \nA Project Change documentary funded by the Ford Foundation\, "Emak dari Jambi" (literally "Mother from Jambi") is a documentary about Anggun Pradesha's personal experience and exploration. This documentary also offers us Kurtini's (Anggun's mother) views on her child's struggle to a greater social acceptance. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-dare-to-be-oneself/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-5-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T170000
DTEND;TZID=Europe/Berlin:20210818T190000
DTSTAMP:20260414T115545
CREATED:20210816T092616Z
LAST-MODIFIED:20210819T155710Z
UID:17109-1629306000-1629313200@oyoun.de
SUMMARY:DARE TO BE EQUAL | KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nDARE TO BE EQUAL\nRISING FROM SILENCE (​​2016) — SHALAHUDDIN SIREGAR\n→ Short Documentary / 29 min / english subtitles \nA choir sings back songs made from within the prison and songs long forgotten. These songs are the hope\, for a story that has been silenced for more than fifty years to get its voice back. \nSalahuddin Siregar made his first documentary work at the 2005 Eagle Award workshop organized by In-Docs and the national news television channel MetroTV. This experience led him to participate in various other documentary film workshops\, including the 2009 Doc Station Berlinale Talent Campus in Germany. In this activity\, he presented the project which later became his first feature-length documentary entitled Negeri di Bawah Kabut. His work has earned him several prestigious awards\, including Best Debut Documentary at the 2013 Almaty International Film Festival and the Special Jury Prize MUHR Asia Africa Documentary at the 2011 Dubai International Film Festival. \nMINOR (2019) — VENA BESTA KLAUDINA & TAKZIYATUN NUFUS\n→ Short Documentary / 36 min / english subtitles \nVena is a Catholic. She lives in a predominantly Muslim neighborhood in Aceh\, Indonesia. Vena likes to wear hijab in her daily life and has many friends who are Muslim. However\, how can she continue to live as herself and adapt as a minority in a Muslim majority environment. Family factors also influence her life. \nVena Besta Klaudina\, Born in Magelang\, 28 September 1996. Recently graduated from Syiah Kuala University\, Banda Aceh. Vena now lives with her parents in Sabang City. Involved as an actress in one of the short films entitled Replika Pulau Rubiah produced by VIU. Minor is his first documentary. \nTakziyah Nufus\, Born 1995\, graduated with a bachelor's degree from UIN Ar-Raniry majoring in Islamic Broadcasting Communication (KPI). Nufus and her friends also founded a film community called KOPIAH (Anneuk Aceh Film Community). In addition\, Nufus has been involved in several film productions with Aceh filmmakers\, one of which is the production of a short film with VIU and became a director for the first time in a documentary entitled "MINOR".a documentary entitled "MINOR". a documentary entitled "MINOR". \nA DAUGHTER'S MEMORY (2019) — KARTIKA PRATIWI\n→ Short Animation / 10 min / english subtitles \nThrough Svetlana’s narratives\, Njoto\, who is remembered in Indonesia’s history as a PKI leader\, became another figure – a patient father who taught his daughter how to use the typewriter\, for example. But Svetlana’s narrative does not spare the details of the horror that happened in 1965 and 1966. She recalls her experience of being detained in a jail along with her mother and other siblings. She remembers seeing victims of brutal interrogation techniques being dragged back to their cells covered in blood on a daily basis. Svetlana was often instructed to clean up the interrogation room in the morning when it was not in use. Here she saw traces of torture\, such as the stingray tail and the floor covered with blood. \nKartika Pratiwi is a long time independent researcher with an interest in narrative discourse on the mass violence in Indonesia\, oral history\, and human rights issues\, and accomplished media activist with 12 years’ experience in the use of video\, digital story\, collective memory and alternative media for social change. She has been a part of kotakhitam Forum for 12 years and was part of EngageMedia for more than 3 years\, independent organizations focus on research\, workshops\, digital security\, documentary video project and impact production. \nPratiwi currently develop my project "(Re)writing Indonesian Mass Killings of 1965 in the Digital Age". It was started during a fellowship year at Alliance of Historical Dialogue and Accountability at Columbia University in the City of New York - which will be creating an interactive digital platform about the facts related with the Indonesian past violence through materials such as collection of stories and memories of survivors\, archival documents and digital cartography. She is now also working full-time at Asia Justice and Rights\, a regional human rights organisation focus on building just and accountable societies free from impunity." \nRONG (2019) — INDIRA IMAN\n→ Short Film/ 13 min / english subtitles \nA woman walks home alone and got harassed by a man. Things take an unexpected turn when the hunter suddenly becomes the hunted. \nIndira Iman is an Indonesian film director and writer. She's pursuing her BA in Jakarta Institute of Arts' Faculty of Film and Television\, and is an alumna of Bucheon International Fantastic Film Festival (BIFAN) Fantastic Film School. Indira's works have been screened in numerous local and international film festivals. Most recently\, her student short horror Rong won the Air Canada Best Short Film Award at the 24th Toronto Reel Asian film festival and Best Fantastic Women Short Film at Sao Paulo's 11th Cinefantasy film festival. Currently\, she’s working on her thesis film. \nMENJADI DARA (BECOMING GIRL) (2019) — SARAH ADILAH\n→ Short Film/ 9 min / english subtitles \nAnto and Budi must take a responsibility how it feels becoming a girl name Dara who experienced her first menstruation. \nSarah Adilah was born and raised in Palu. Her film career began with short film “Cermin” nominated as best student short film Apresiasi Film Indonesia 2015\, “Neraka di Telapak Kaki” nominated as best short documentary Film Festival Indonesia 2018\, Gula and Pasir (Sandy Sugar) screened at World Cinema Amsterdam 2019\, Menjadi Dara (Becoming Girl) won best short film UCIFEST 2019 and special mention award by Viddsee Award Indonesia 2019. In 2020\, her script "Tour de Serpong" selected and funded by Europe On Screen Pitching Forum. She currently produce documentary Hidup Dengan Bencana (Living On Top of The Fault) funded project by In-Docs: Good Pitch Indonesia and soon will be finished in 2021. \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/dare-to-be-equal-kaum-indonesian-alternative-film-performance-festival/2021-08-18/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-4-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210818T200000
DTEND;TZID=Europe/Berlin:20210818T210000
DTSTAMP:20260414T115545
CREATED:20210816T093726Z
LAST-MODIFIED:20210819T155710Z
UID:17113-1629316800-1629320400@oyoun.de
SUMMARY:OUT ON THE TOWN |  KAUM – Indonesian Alternative Film & Performance Festival
DESCRIPTION:The KAUM Indonesian Alternative Performance & Film Festival organised by the Soydivision collective aims to raise underrepresented voices in the Indonesian society on issues related to the environment\, the Chinese-Indonesian society\, East Indonesia\, Feminism\, and LGBTQ+. These different topics translate into the categories of the festival: dare to be conscious\, dare to be different\, dare to be east\, dare to be equal\, dare to be oneself! \nGet your TICKETS now! \nOUT ON THE TOWN\nOUT ON THE TOWN — KELVIN ATMADIBRATA \n→ Performance / 60 min / english \nA performance-installation that invites the audience to a deconstructed scene of a theatrical script. The stage is occupied\, almost in complete silence by minimal set and three actors seeking attention from masculine intimacy. \nKelvin Atmadibrata (b.1988\, Jakarta\, Indonesia) recruits superpowers awakened by puberty and adolescent fantasy. Equipped by shōnen characters\, kōhai hierarchy and macho ero-kawaii\, he often personifies power and strength into partially canon and fan fiction antiheroes to contest the masculine meta and erotica of Southeast Asia. \nHe works primarily with performances\, often accompanied by and translated into drawings\, mixed media collages and objects compiled as installations. Approached as bricolages\, Kelvin translates narratives and recreates personifications based on RPGs (Role-playing video games) theories and pop mythologies. As an expansion of his post graduate study\, he is developing the language of queer abstraction and minimalist erotica in his illustration of the mecha and transhumanist fantasy. \nAs an apprentice tattooist\, he has also been experimenting on the process of image markings on skin as a continuation of his attraction to living sculptures\, breathing mannequins and bodies as pedestals. \n  \nGet your TICKETS now! \n--- \nFunded by: #TakePart funding program by Fonds Darstellende Künste  \nPartners: Queer Asia\, European Solidarity Corps\, In-Docs\, Minikino\, Jakarta Feminist
URL:https://oyoun.de/event/kaum-out-on-the-town/
LOCATION:Oyoun\, Lucy-Lameck-Staße 32\, Berlin\, 12049\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/08/kaum-festival-web-banners-oyoun-5-copy.jpg
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