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DTSTART;VALUE=DATE:20210310
DTEND;VALUE=DATE:20210519
DTSTAMP:20260414T132829
CREATED:20210304T150103Z
LAST-MODIFIED:20210322T144906Z
UID:13002-1615334400-1621382399@oyoun.de
SUMMARY:a’21: techno utopia x post-digital ignorance___10 March - 18 May\, 2021
DESCRIPTION:► a’21: techno utopia x post-digital ignorance \n► 10 MARCH - 18 MAY\, 2021 \n:: EXHIBITIONS :: PERFORMANCES :: TALKS\, WORKSHOPS & LECTURES :: & MORE :: ABOUT a’21 FESTIVAL :: \nThe past few decades have witnessed a tremendous proliferation of digital technology. References to a techno-utopia where knowledge would be available to each and all seemed to signal the possibility of positive social and cultural change while acknowledging a fundamental flaw. Digital technologies’ commitment to making knowledge accessible to all would supposedly produce a universal benefit and wellbeing which was partly realised but digital technologies did in no way result in a techno-utopia. It has become apparent that besides letting vast amounts of knowledge accessible to ever more people\, digital technologies are also powerful tools producing a peculiar kind of public ignorance\, one that seems to proliferate amidst ever multiplying information and knowledge available in today’s digitalised environment. With a’21 Festival - Post Digital Ignorance x Techno Utopia\, we aim to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more. :: 69+ artists\, scientists and activists in 16 countries #SWANA #AFRICA #EUROPE #ASIA \n:: 13 extraordinary creatives radically collaborating within an intensive laboratory :: \nHosting hosting more than 50 events: incl. performances\, workshops\, panels\, sounds\, lectures\, exhibitions and screenings \n:: PROGRAMME 2021 ::  \nw/ amberPlatform (Turkey)\, 16 March - 18 April w/ Kounaktif (Morocco)\, 17 - 21 March w/ Sharhaban (Lebanon)\, 22 - 25 March w/ BAAB Collective (Sudan) 1 April - 15 May w/ Darağaç (Turkey)\, 2 April - 26 March w/ DAHproject (Iran)\, 3 April - 7 May  \n#NewMedia #QueerEcology #ForcedDisplacement #FutureDesign \n// Produced by: Oyoun in collaboration with amberPlatform \n// Curatorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi \n// Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \n// Funded by: Capital Cultural Fund/ Berlin's Hauptstadtkulturfond
URL:https://oyoun.de/event/a21-techno-utopia-x-post-digital-ignorance/
LOCATION:Online
CATEGORIES:a’21
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/01/3-techno-utopia-post-digital-ignorance-e1614378397508.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210407T150000
DTEND;TZID=UTC:20210411T160000
DTSTAMP:20260414T132829
CREATED:20210304T221752Z
LAST-MODIFIED:20210407T170448Z
UID:13059-1617807600-1618156800@oyoun.de
SUMMARY:a'21: The Intermingled_BAAB Collective
DESCRIPTION:The name of the exhibition is pointing over a huge success of the sit-in space during the Sudan revolution that people come together which never happened in the history of (what's call Sudan) and which shows a victory against the plan of colonialism and the post colonialism operation that's mean to suppress the unity of the Sudan peoples by cruel wars and racism lead to un talk able slavery and very ugly class difference. \n:: ABOUT THIS EVENT (EN/AR) :: \nHere we joined our killer\, our hearts hunted a paid bullet. Here we conquered our fear\, shit and differences. Here a zgrudah (ululation) from a revolutionist mixed with the cheerful machine gun that killed a child\, that freedom whispered in his eager ears a false hope. Here the bloods of martyrs intermingled with a saxophonist soldier whose soul escaped the shame. Here we met with little's\, elders\, bosses and poor's. Here we encountered with smiles and assassins. Here we waited for Atbara artillery*. Here the fear\, joy\, tiredness\, devotion\, love and freedom. Here they killed youths but they couldn't kill their dreams. Here we brought earth and heaven together in a portrait that even the ancient gods cannot imagine . * It is the most powerful & reputed unit in the Sudan army\, the revolutionists waited its interference for long\, but to no avail & eventually it turned into a joke. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n:: LINKS :: \n► BAAB Collective \nInstagram\nYoutube\nFacebook\nTwitter \nParticipants: \n► Rayan Elhadi Elsayed Hima\nInstagram \n► Nour Yahya Hamza Yahya\nInstagram \nFacebook \n► Bakry Mohamed Salih \nFacebook \n► Elsadig Mohmmed Ahmed \nInstagram \n► Mohamed Salah Elmur \nInstagram\nFacebook \n► Mustafa Elsiddeg Mustafa Gasemlbari:\nInstagram\nFacebook\nYoutube \n\n► Marwan Osman \n  \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform \nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi Participants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more. \nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-the-intermingled-baab-collective/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/baab-intermingled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210407T180000
DTEND;TZID=Europe/Berlin:20210409T200000
DTSTAMP:20260414T132829
CREATED:20210305T195605Z
LAST-MODIFIED:20210407T183213Z
UID:13287-1617818400-1617998400@oyoun.de
SUMMARY:a'21: Motavali 2 | Media Performances_New Media Society
DESCRIPTION:►a'21: Motavali 2 | Media Performances_New Media Society \n:: ABOUT THIS EVENT (EN/AR) :: \nMotavali 2 (Continuous in Persian) brings together performative positions across different disciplines: lecture performance to Multimedia Installations. Projects which are being made\, being revised\, or tested; while most of our interactions and urgent matters in life are happening “online”. It's inevitable to examine these presences & absences simultaneously. While emotional & economic pressures might force us to act/react irresponsibly toward our collapsing societies & the artificial/passive togetherness. Motavali 2 is the second series of media performance nights curated by New Media Society\, Tehran\, which were interrupted by the pandemic in March 2020 and features artists based in Tehran\, Berlin\, New York and Barcelona. \n:: PROGRAM :: \nDay 1 Wednesday\, April 7\, 2021 // 18:00 (CET) \n► Arash Fayez\nThree\, Rather Than Two (or One)\nPerformative-screening\nDuration: 25 min (approximately)\nKasraa Paashaaei\nSound Performance\nDuration: Unknown\nRaheleh Bahrami & Mehrave Mokhtarian\nPEBDAC [Problem Exists Between Desk and Chair]\nDuration: 20 min \nDay 2 Thursday\, April 8\, 2021 // 18:00 (CET) \n► Mahoor Mirshakkak\nSound Archivist's Enigma\nDuration: 45 min (approximately)\nAmirali Ghasemi\nTehran Remixed\, a "True" story\nDuration: 35 min\nMartin Shamoonpour\nPand-e-Muzik\nDuration: 25 min \nDay 3 Friday\, April 9\, 2021 // 18:00 (CET) \n► Bahar Samadi\nIn mourning for all I have lost and All I will never have.\nDuration: 30 min\nForough Fami\nModern Talking: I’m muted!\nDuration: 30 min (approximately)\nGhazel\nUntitled 9\nDuration: 12 min \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo. \n\n:: LINKS :: \n► Kasraa Paashaaie \nInstagram  \n► Arash Fayez
arash \nWebsite\nInstagram \n►Forough\nInstagram \n►Mahoor Mirshakkak
\nInstagram \n►R
aheleh Bahrami 
\nInstagram \n►Farnoosh Allahverdi Nik\nInstagram 
 \n►Amirali Ghasemi \nWebsite\nInstagram  \n►Ghazel\nInstagram 
 \n►
Martin Shamoonpour
\nWebsite  \n#Motavaliproject
#newmediasociety
#onlineperformance \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centering perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund\n_________________________________________\nwww.oyoun.de @oyounberlin\n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-motavali-2-media-performances_new-media-society/2021-04-07/
CATEGORIES:a’21,Panel
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/motavali.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210408T140000
DTEND;TZID=Europe/Berlin:20210410T160000
DTSTAMP:20260414T132829
CREATED:20210305T200247Z
LAST-MODIFIED:20210407T170825Z
UID:13290-1617890400-1618070400@oyoun.de
SUMMARY:a'21: The new liberalism crises and the emergence of mediatised subjectivity_BAAB Collective
DESCRIPTION:►a'21: The new liberalism crises and the emergence of mediatised subjectivity_BAAB Collective \nDuring in the last past decade Sudanese get harm by the US sanctions that affect the whole state and now we are shifting to neoliberal state supporting by US politics and come the question how the new system work and exactly when come to personal information and rights. \n:: ABOUT THIS EVENT (EN/AR) :: \nIn previous eras it often appeared that in relation to the media political action was stifled primarily by the fact that people didn't have sufficient access to information or the\nmeans to communicate and express their own views. Indeed today repressive governments attempt to limit access to websites\, close down blogs and Facebook pages\, attack journalists\, and generally block access to information. Countering such repression is certainly an important battle\, and we have repeatedly witnessed how media networks and access to them eventually and inevitably overflow. All such barriers\, thwarting attempts to close and silence.\nToday's mediatised subjects suffer from the opposite problem\, stifled by a surplus of information\, communication\, and expression. "The problem is no longer getting people to express themselves\," Gilles Deleuze explains\, "but providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don't stop people from expressing themselves\, but rather\, force them to express themselves. What a relief to have nothing to say\, the right to say nothing\, because only then is there a chance of framing the rare\, and ever rarer\, the thing that might be worth saying." The problem of surplus\, however\, is not really homologous to the problem of lack\, and it is not even a matter of quantity. \n► Click "going" on Facebook to stay up to date.\n► Join the event through vimeo.  \n:: LINKS :: \n► Baab Collective \nInstagram\nYoutube\nFacebook\nTwitter \nParticipants: \n►Rayan Elhadi Elsayed Hima: performance artist @rayisherelol \n►Nour Yahya Hamza Yahya: performance artist @nwara_yahya facebook.com/noor.yahya.319 \n►Bakry Mohamed Salih\nFacebook \n►Elsadig Mohmmed Ahmed\nInstagram \n►Mohamed Salah Elmur\nInstagram \nFacebook \n►Mustafa Elsiddeg Mustafa Gasemlbari\nFacebook\nInstagram\nYoutube \n►Osman \n* This event is part of Oyoun's a’21 Festival - Post Digital Ignorance x Techno Utopia aiming to challenge the status quo while centring perspectives on non-human life\, queer ecology\, decolonising knowledge\, forced displacement\, and more.The project was financed by Berlin’s Hauptstadtkulturfonds. \nProduced by: Oyoun in collaboration with amberPlatform\nCuratorial Team: Amirali Ghasemi\, Ali Cem Doğan\, Cenkhan Aksoy\, Christoph Wachter\, Ebru Yetişkin\, Ekmel Ertan\, Hamza Chamas\, Mathias Jud\, Milad Forouzandeh\, Mohsen Hazrat\, Nina Martin\, Rajaa Shamam\, Youssef El Idrissi\nParticipants include: Eda Sütunç\, Danielle Brathwaite-Shirley\, Mary Maggic\, Rachel Uwa\, Renata Salecl\, Seloua Luste Boulbina\, Pelin Tan\, Yara Mekawei\, and many more.\nFunded by: Capital Cultural Fund \n► For media and press inquiries\, please email hallo@oyoun.de
URL:https://oyoun.de/event/a21-the-new-liberalism-crises-and-the-emergence-of-mediatised-subjectivity-baab-collective/2021-04-08/
CATEGORIES:a’21,Screening
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/new-media.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210408T180000
DTEND;TZID=Europe/Berlin:20210408T200000
DTSTAMP:20260414T132829
CREATED:20210319T131418Z
LAST-MODIFIED:20210407T195802Z
UID:14504-1617904800-1617912000@oyoun.de
SUMMARY:Opening Ceremony | Embodied Arts Festival
DESCRIPTION:It is within the intersections of body memory and history that our bodies are potentially at their most revealing. Memories interrupt history and open up another possibility of embodied living\, one that spatialises time and temporalises space. Hence\, treating the body as memory and discussing the role of the body in witnessing authoritarian capitalism\, memorialising the torture carried out by dominant socio-political structures\, thus resisting the narrative erasure reproduced by the imperialism at national and global levels. Oyoun's first curatorial focus EMBODIED TEMPORALITIES offered a community-centered approach as a framework for participants to voice their experiences of ancestry\, rituals\, trauma\, death\, loss\, and finding expression for experiences that are otherwise un-shareable\, and often stigmatised in mainstream public discourses while paving the way for collective healing. \nThe EMBODIED ARTS FESTIVAL will present and celebrate the outcomes of this body of work. \nJoin us online for the opening ceremony on 8th April to dive deeper into the topics and get introduced to the projects and the people behind them. We'll be kicking off with a meditation led by Nane Kahle\, artist\, healer and practitioner of the ancient Egyptian Kemetic yoga system “Tjef Sema Paut Neteru''. The meditative session brings us inwards\, wakes up our body\, opening up the eleven-day festival\, while generating a spiritual\, psychic and physical connection among all the people who have gathered around in the physical and virtual spaces of Oyoun. \nFollowing the opening ceremony\, the spotlight will be put on Sujatro Ghosh's project: The Geography of Hate. The artists presented by Sujatro explore hate as a tool for systematic violence. The exhibition explores the fundamental anatomy of hate as a creature of subjugation. Two performances - by Farah Deen and Karin Cheng and by Fatmanur Sahin and Team - will be streamed from Oyoun's main stage and then there will be a digital walk-through of the exhibition with Sujatro. \nThe event will be streamed on Oyoun's Vimeo\, YouTube and Facebook channels. \n  \nEMBODIED ARTS FESTIVAL\nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes\, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here. \n  \n--- \nIn den Überschneidungen von Körpergedächtnis und Geschichte sind unsere Körper potenziell am aufschlussreichsten. Erinnerungen unterbrechen die Geschichte und eröffnen eine andere Möglichkeit des verkörperten Lebens\, eine\, die die Zeit verräumlicht und den Raum verzeitlicht. Daher behandeln wir den Körper als Gedächtnis und diskutieren die Rolle des Körpers als Zeuge des autoritären Kapitalismus\, indem wir die von den dominanten sozio-politischen Strukturen ausgeübte Folter in Erinnerung behalten und uns so der narrativen Auslöschung widersetzen\, die vom Imperialismus auf nationaler und globaler Ebene reproduziert wird. \nOyouns erster kuratorischer Schwerpunkt EMBODIED TEMPORALITIES bot einen community-zentrierten Ansatz als Rahmen für die Teilnehmer\, um ihre Erfahrungen mit Abstammung\, Ritualen\, Trauma\, Tod und Verlust zu artikulieren und einen Ausdruck für Erfahrungen zu finden\, die sonst nicht geteilt werden können und die im öffentlichen Mainstream-Diskurs oft stigmatisiert werden\, obwohl sie den Weg zu kollektiver Heilung bereiten. \n\nDas EMBODIED ARTS FESTIVAL wird die Ergebnisse dieser Arbeit präsentieren und feiern. \nSei online bei der Eröffnung am 8. April dabei und tauche tiefer in die Themen ein - und lerne die Projekte und die Menschen dahinter kennen. Wir fangen mit einer von Nane Kahle geleiteten Meditation an\, die uns alle auf allen Ebenen verbinden wird.  \nNach der allgemeinen Einführung steht das Projekt The Geography of Hate im Fokus. Die von Sujatro Ghosh vorgestellten Künstler*innen beschäftigen sich mit dem Thema Hass als Werkzeug für systematische Gewalt und Othering. Die Ausstellung erforscht die grundlegende Anatomie des Hasses als ein Wesen der Unterwerfung. Zwei Performances - von Farah Deen und Karin Cheng sowie von Fatmanur Sahin und Team - werden von der Hauptbühne des Oyoun gestreamt\, anschließend gibt es einen digitalen Walk-through durch die Ausstellung mit Sujatro. \nDie Veranstaltung wird auf Oyouns Vimeo-\, YouTube- und Facebook-Kanälen gestreamt. \n  \nEMBODIED ARTS FESTIVAL \nKurator*innen\, Künstler*innen und Kulturschaffende haben sich im Rahmen von Oyouns erstem kuratorischen Schwerpunkt - EMBODIED TEMPORALITIES - mit Identitäten\, Zugehörigkeit und verkörperten Erinnerungen aus diasporischen\, dekolonialen und queeren Perspektiven auseinandergesetzt. Die Ergebnisse\, Begegnungen und Fragen\, die sich aus den Projekten ergeben haben\, werden während des EMBODIED ARTS FESTIVAL vom 8. bis 18. April präsentiert und gefeiert. Siehe alle Events hier.
URL:https://oyoun.de/event/opening-ceremony-embodied-arts-festival/
LOCATION:Online
CATEGORIES:Embodied Arts Festival
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/embodied-arts-festival-oyoun-berlin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210408T180000
DTEND;TZID=Europe/Berlin:20210418T210000
DTSTAMP:20260414T132829
CREATED:20210218T083916Z
LAST-MODIFIED:20210412T092738Z
UID:11223-1617904800-1618779600@oyoun.de
SUMMARY:EMBODIED ARTS FESTIVAL
DESCRIPTION:[English below] \nEMBODIED ARTS FESTIVAL - AUF DEN SPUREN VERKÖRPERTER ERINNERUNGEN \n♦️♦️♦️ Embodied Arts Festival Guide ♦️♦️♦️ \nWas verkörpern unsere Körper? Welche Erinnerungen können uns unsere Körper erzählen? - über uns selbst\, unsere Vergangenheit und unsere Zukunft? Wir laden euch ein\, mit uns diesen und vielen weiteren Fragen während des EMBODIED ARTS FESTIVAL künstlerisch nachzugehen. Wir haben über 20 Performances\, Filmvorführungen\, Diskussionen und interaktive Interventionen für euch geplant. \nMit den Mitteln der Kunst gehen wir auf die Suche nach Antworten auf Fragen wie: Wie können wir Traumata kollektiv heilen? Wie können sich unsere Körper aus einem Bündel sozialer Zwänge in eine Manifestation blühenden Lebens verwandeln? Wie brechen wir Tabus über Menstruation\, über Gendernormen\, über Sexualität(en)\, über Tod und Trauer? Woher kommt Hass\, wie wirkt sich Hass aus und welcher Weg führt vom Hassenden zum Gehassten? \nKurator*innen\, Künstler*innen und Kulturschaffende haben sich im Rahmen von Oyouns erstem kuratorischen Schwerpunkt - EMBODIED TEMPORALITIES - mit Identitäten\, Zugehörigkeit und verkörperten Erinnerungen aus diasporischen\, dekolonialen und queeren Perspektiven auseinandergesetzt. Dies war ein 8-monatiges Forschungs-\, Archivierungs-\, Ausstellungs- und Performance-Projekt\, an dem über 40 Menschen beteiligt waren. Die Ergebnisse\, Begegnungen und Fragen\, die sich aus den Projekten ergeben haben\, werden während des EMBODIED ARTS FESTIVAL vom 8. bis 18. April präsentiert und gefeiert.  \nSeid dabei ab dem 8. April und nehmt teil an Live-Streams\, Diskussionen und interaktiven Gesprächen >>> siehe Programm hier. \nIhr seid eingeladen\, die ausgestellten Werke offline zu erleben: hier kannst du ein Zeitfenster auswählen und buchen. \n  \n \nEMBODIED ARTS FESTIVAL - TRACING THE MEMORIES OUR BODIES HOLD \n♦️♦️♦️ Embodied Arts Festival Guide ♦️♦️♦️  \nWhat memories do our bodies hold? What can our bodies tell us about ourselves\, our pasts and our futures? We invite you to join us for an artistic exploration of these and many other questions during the EMBODIED ARTS FESTIVAL. We have 20+ performances\, film screenings\, discussions\, and interactive interventions planned for you. \nUsing art as a tool we go in search of answers to questions such as: How do we break taboos about menstruation\, about gender norms\, about sexualities\, about death and mourning? How can we collectively heal trauma? How can our bodies transform from an object that is a carrier of social constraints into a manifestation of thriving\, living bodies? Where does hate come from\, how does it affect us\, and what path does it take from hater to hated? \nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. This has been an 8-month research\, archiving\, exhibition and performance project involving 40+ people. The outcomes\, encounters and queries which have come out of the projects will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April.  \nJoin us from the 8th April onwards for our digital programme of releases\, live streams and interactive talks that we have planned for you >>> see all event here. \nFrom the 9th - 18th April you can book a time slot to view and experience the exhibited works in person at Oyoun.
URL:https://oyoun.de/event/embodied-arts-festival/
LOCATION:Lucy-Lameck-Str. 32\, Berlin\, 12049\, Deutschland
CATEGORIES:Embodied Arts Festival
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/02/embodied-arts-festival-oyoun.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210408T190000
DTEND;TZID=Europe/Berlin:20210408T200000
DTSTAMP:20260414T132829
CREATED:20210315T160514Z
LAST-MODIFIED:20210406T123848Z
UID:14287-1617908400-1617912000@oyoun.de
SUMMARY:The Geography of Hate | Performance & Exhibition Walk-Through
DESCRIPTION:Hate is an entity that spreads like a wildfire. An entity that creates "the Other". It becomes the prime lens through which the Other is read and dehumanised. Hate exists as an emotion that brings communities or groups together questioning expressions such as empathy\, love and care. In the collective act of the world making it plays an important role by almost becoming an economy. In its most obtrusive expression\, hate is violent\, working as an apparatus of desolation. \nThe Geography of Hate by Artist-Activist Sujatro Ghosh questions hate as a tool for systematic violence and otherisation. Through collective expressions\, he explores the fundamental anatomy of hate as an entity of subjugation. The project tackles questions such as: ‘How is this Other created and why do certain hate attach to this other and slides over the rest?’ ‘How and why is violence the ultimate materialisation of hate?’ \nThe project's exhibition which includes a showcase of objects\, performance videos\, a documentary\, and an immersive projection work was curated by Arijit Bhattacharyya (Artist\, Curator and Activist) and Sujatro Ghosh. It will be on show in Oyoun's tower from the start of the EMBODIED ARTS FESTIVAL for two months. Information about how to visit in person will be available soon.  \nJoin us online for this event on the 8th. Two performances - by Farah Deen and Karin Cheng and by Fatmanur Sahin and Team - will be streamed from Oyoun's main stage and then there will be a digital walk-through of the exhibition. The walk-through will be led by Sujatro Ghosh. \n\n--- \nThis performance and exhibition walk-through event will be streamed on Oyoun's Vimeo\, YouTube and Facebook channels. Direct links will follow! \n  \nEMBODIED ARTS FESTIVAL\nCurators\, artists and cultural practitioners have been exploring identities\, belonging and embodied memories through diasporic\, decolonial and queer perspectives as part of Oyoun’s first curatorial focus: EMBODIED TEMPORALITIES. The outcomes\, encounters and queries will be presented and celebrated during the EMBODIED ARTS FESTIVAL from 8th - 18th April. View all events here.
URL:https://oyoun.de/event/geography-of-hate/
LOCATION:Online
CATEGORIES:Embodied Arts Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://oyoun.de/files/2021/03/geography-of-hate-opening.jpg
END:VEVENT
END:VCALENDAR